نویسنده: AliBina

  • June 2025 Photo Contest Winners: Minimalism and Simplicity

    June 2025 Photo Contest Winners: Minimalism and Simplicity


    We’re happy to announce the winner of June’s competition “June 2025 Photo Contest Winners: Minimalism and Simplicity.”

    For those who don’t know, the Light Stalking Monthly Photography Competition carries a $100 People’s Choice Award and a $100 Overall Winner Award. The People’s Choice Winner is selected by a vote of the community, whereas our guest judge selects the overall winner.

    The “Minimalism and Simplicity” Photo Contest

    Minimalism in photography is about reducing the number of elements, minimising or even eliminating patterns and textures to capture a simple image with a strong composition that is visually appealing and can keep the viewer engaged. As you gain experience in photography composition, looking at a scene will give you ideas on whether it will work for minimal photographs, but sometimes you can also just focus on a part of a grand scene and capture minimal photographs.

    Less is more in minimalist photography and the concept for this type of composition is simplicity. Just eliminate unnecessary elements and focus on a single element or subject in the frame and it will be a great start to minimalism and simplicity in photography. Using negative space can be a powerful compositional tool in this case and converting images to black and white can emphasise minimalism further and add a timeless and classic touch to the photos.

    The contest theme for June was, “Minimalism and Simplicity” and participants submitted their interpretations of this theme through interesting and visually striking photographs. Landscapes, wildlife, portraits, nature, still life, macros of flowers, bugs, objects, and many other subjects were captured and submitted for June’s contest.

    When choosing the winning photos, we wanted to make sure that the decision process was based on a good interpretation of the theme, followed by other factors like light, composition, story, details, creative vision and thought, etc. The results are entirely subjective and there are no losers in any competition as we all know. 

    Here are June’s winners:

    First Place: “Family” by Elin Laxdal

     Common loon – Copyright Elin Laxdal

    Elin submitted a beautiful photo of a common loon with her babies, titled “Family.” The composition in this photo is minimal with the focus on just the bird and the chicks. The photo also portrays a sweet story – the bond between the parent and the babies.

    Elin also used the reflection of the loon in water to her advantage, as a leading line which is a powerful compositional tool. Also, her choice to convert the image to black and white has eliminated anything distracting in terms of colours, that may have taken away some attention from the subject. The image is perfectly exposed with details in both the dark and bright areas and the eye of the bird is also perfectly in focus.

    Congratulations on the win Elin, this is a brilliant shot that portraits minimalism and simplicity in photography.

    Second Place: “Mantid” by Tersha

    Mantid – Copyright Tersha

    Tersha’s take on the photo of a mantid is very clever and the way the photo is composed is unique. Not many photographers would think about cropping off an insect’s head in the image, but Tersha’s choice to keep the abdomen and just a pair of legs in the frame arouses curiosity, while also being visually interesting.

    The image is even more simplified with a monochrome theme which is green. The textures in the background are soft and minimal and hence not distracting. The legs of the mantid serve as leading line and also as a frame to bring focus on the mantid’s abdomen. The abdomen itself is interesting, with patterns that are of visual interest. The soft side lighting technique has added depth to make the image even more interesting.

    Congratulations on this creatively framed and captured image Tersha.

    Third Place: “Serenity Floats” by Pat Garrett

    Serenity Floats – Copyright Pat Garrett

    Pat shared this very minimal photo of a leaf floating on water, titled “Serenity Floats.” The scene indeed looks very serene with the waters looking calm and the leaf floating still on the surface. The golden hour has beautifully backlit the leaf, revealing some of its textures and emphasizing the warm colours. Also the reflection of the golden sky in the water adds visual interest and a perfectly warm atmosphere for this serene shot.

    Pat has chosen to eliminate any other distraction in the scene in terms of colours, objects and other elements. The serene atmosphere itself is a minimal concept in the frame, and the colours, light are soft allowing the viewer to focus on the subject. Pat has also exposed the image perfectly to capture details on all parts of the leaf including the underside.

    Congratulations on this beautifully captured image Pat.

    People’s Choice Award Winner

    Our monthly photo contests also come with a People’s Choice Award. The winner of this part of the contest receives $100 worth of store credit on Lightstalking which they can spend as they please on our blueprints, drills, courses or Presets.

    Mechanized Symmetry – Copyright Frogdaily

    The most popular photo for June, voted by the contestants was “Mechanized Symmetry” by Frogdaily, which has won the people’s choice award. Frogdaily has made use of simple subjects and composition to capture this beautiful photo.

    The light illuminating the subject, the beautiful reflection and the soft bokeh, make this image visually appealing. This image is also an example of how still life can also be captured with minimal elements and a simple composition. Congratulations Frogdaily on the win.

    We are about two weeks into this month’s photo contest and still have a few days left to submit photos to our July’s monthly contest. It has already seen some interesting submissions. This month, our theme is “Textures and Layers.”

    If you would like to join and enter some images into our monthly contest then take a look at your options here.





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  • Brian Maranan Pineda – A Photo Editor


    The Art of the Personal Project is a crucial element to let potential buyers see how you think creatively on your own.  I am drawn to personal projects that have an interesting vision or that show something I have never seen before.  In this thread, I’ll include a link to each personal project with the artist statement so you can see more of the project. Please note: This thread is not affiliated with any company; I’m just featuring projects that I find.  Please DO NOT send me your work.  I do not take submissions.

    Today’s featured artist: Brian Maranan Pineda

    My “Oaxaca, Mexico” personal series is a vibrant, intimate look at the heart of this incredible region. I wandered through bustling markets, lively streets, and peaceful neighborhoods, drawn to the colors, textures, and the spirit of Oaxaca. What struck me most were the people—their warmth, openness, and deep connection to their tradition. Through candid portraits and vivid scenes, I wanted to capture not just what Oaxaca looks like, but how it feels: full of energy, history, and life.

    This project is my personal tribute to a place that left a lasting mark on me. From moments of celebration to quiet daily rituals, I hoped to capture the everyday beauty that makes Oaxaca so unique. Each image is a small story of life there, reflecting the character and rich cultural roots of its people. I hope these photographs invite others to share in the wonder and appreciation I felt while visiting this remarkable part of Mexico.

    To see more of this project, click here

    Instagram

    Suzanne Sease is a creative consultant and former ad-agency senior art buyer. She works with both emerging and established photographers and illustrators to create cohesive, persuasive presentations that clients can’t resist.

    Suzanne offers something rare: an insider’s perspective on how client’s source creative talent. Her deep understanding of the industry is underscored by her impressive resume: 11 years as senior art buyer at The Martin Agency, seven years as an art producer for Capital One, and stints with the art-buying department at Kaplan-Thaler and the creative department at Best Buy, where she applied her expertise to reviewing bids to see which were most likely to come in on budget. Over the years, Suzanne has worked with a wildly diverse range of clients, including Seiko, Wrangler, Bank One, AFLAC, and Clairol Herbal Essence. Now, as a consultant, she is equipped to problem-solve for her clients from an unusually dynamic point of view.

    As a longtime member of the photo community, Suzanne is also dedicated to giving back. Through her Art of the Personal Project column on the popular website aphotoeditor.com, she highlights notable personal projects by well-known and up-and-coming photographers. The column offers these artists excellent exposure while reflecting Suzanne’s passion for powerful imagery.

    Instagram





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  • The Many Falls – Stuck in Customs


    Daily Photo – The Many Falls

    One thing (of many good things) that New Zealand does is create and well maintain walking tracks. They’re all over the place on the South Island and even from the middle of a town or city you’re often only a few minutes from the beginning of a trail that will take you into a beautiful, serene environment where you’ll barely see another human. The paths often cross little streams and regularly pass by lovely waterfalls like this one. Great for popping your shoes off and cooling down some tired feet on the way back.

    Photo Information

    • Date Taken2025-03-23 12:50:22
    • CameraILCE-7CR
    • Camera MakeSony
    • Exposure Time1/25
    • Aperture16
    • ISO320
    • Focal Length24.0 mm
    • FlashOff, Did not fire
    • Exposure ProgramManual
    • Exposure Bias





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  • Sony RX1R III Premium Compact Camera Unveiled After Almost Decade Wait

    Sony RX1R III Premium Compact Camera Unveiled After Almost Decade Wait



    Good things come to those who wait. Certainly, that’s the reaction Sony is hoping for with the launch of the RX1R III premium full-frame compact—very nearly 10 years after the RX1R II was announced. One thing is for sure: A lot has changed in terms of camera technology in the intervening period.

    For starters, while the RX1R II combined a 42.4-megapixel sensor with the BIONZ X image processor, the RX1R III boasts a 61MP sensor and the latest BIONZ XR chip as well as Sony’s newest AI-processing unit for locking onto and tracking subjects. There are also now 693 phase-detection AF points covering around 78% of the image capture area, up from 399 points in the RX1R II. Unsurprisingly, video also gets a significant boost: The new camera can shoot 4K/30p 10-bit 4:2:2 and 1080/120p 8-bit 4:2:0 video, while its predecessor maxed out at 1080/60p.

    Other things that have changed include: the rear 3-inch LCD, which is now a touchscreen and offers improved resolution (2.36M dot vs 1.23M); the battery, a NP-FW50 unit that increases the CIPA rating from 220 shots to 300; and the EVF, which is rear mounted rather than pop up (though still 2.36M-dot resolution). It’s worth noting a couple of minor negatives: the screen no longer tilts and the viewfinder has a smaller magnification—0.7x vs 0.74x. What has not changed is the camera’s fixed lens—it’s the same Zeiss Sonnar T* 35mm f/2 that was built into the original RX1 from 2012. For underwater use, of course, that’s going to need high-quality wet lenses in front of it to capture the vast majority of subjects.

    Available in July, the Sony RX1R III will retail for an eye-watering $5,100—a price tag, most will agree, justifies its “premium” designation.

     



    When purchasing underwater photography equipment like the products mentioned in this article, please support DPG by supporting our retail partner—Backscatter.com.



    PRESS RELEASE

    Sony Electronics Introduces The RX1R III: The Flagship Full-Frame Premium Compact Camera With A Fixed Lens

    SAN DIEGO, July 15, 2025 – Sony Electronics Inc. announces the RX1R III, the eagerly anticipated third generation of its RX1R series, featuring a 61-megapixel1 35 mm full-frame Exmor R™ CMOS image sensor, the latest BIONZ XR™ image processing engine, and a ZEISS® Sonnar T* 35 mm F2 lens.

    “The RX1R III combines Sony’s design savvy with the latest innovations in imaging technology to produce a new flagship in our RX1R camera series that offers uncompromising full-frame quality in a premium compact camera body,” said Yang Cheng, Vice President of Imaging Solutions, Sony Electronics Inc. “The RX1R series has resonated greatly among discerning photographers, and we’re proud to now deliver the next generation of this popular camera model.”

     


    A Focus On High-Quality Photography

    The combination of the 61-megapixel1 full-frame Exmor R™ back-illuminated CMOS image sensor and the BIONZ XR™ image processing engine delivers high resolution and sensitivity, with low noise and a wide dynamic range. The sensor surface features AR (Anti-Reflection) coating and omits the optical low-pass filter to achieve superior image quality.

    The integrated lens offers excellent image quality. By optimizing the position of the lens and the imaging surface one by one at the micron level, RX1R III achieves high optical performance in a compact form factor.

    Dedicated To Creative Freedom

    To ensure you always get your shot accurately and without effort, RX1R III is equipped with the latest AI-processing unit, a valued feature of top-of-the-line professional Sony Alpha™ cameras. The AI-processing unit can accurately recognize the shape and movement of subjects, human bodies, heads, and the position of eyes, tracking subjects even when their faces are not visible, and is available for both still images and videos2. Up to 693 densely arranged3 phase-detection AF (Auto-Focus) points cover approximately 78% (for still image shooting) of the image capture’s area.

    While the camera has a fixed lens, users can tap into the versatility of three prime lenses thanks to the Step Crop Shooting4 function, which allows users to switch between focal lengths equivalent to 35 mm, 50 mm, and 70 mm5 via assigned buttons or dials. When shooting in RAW format, users can reselect the focal length during post-production. The lens’s macro ring enables instant switching to macro mode, allowing users to get as close as 20 cm (maximum magnification: 0.26x).

    For creators who enjoy unique and personalized visuals, RX1R III offers twelve built-in Creative Looks. Adjustments to hue, saturation, brightness, contrast, and sharpness can be applied not only to still images but also to videos. Most notable among the Creative Looks6, FL2 allows the capturing of a nostalgic expression with subdued colors, and FL3 allows for a more vibrant image.

    Streamlined Design & Reliable Hardware

    Made of lightweight yet highly rigid magnesium alloy, the RX1R III design balances aesthetics and functionality. While maintaining excellent operability, the dials and Multi-Interface (MI) Shoe are embedded into the camera body and the top surface of the body features a flat design. The grip design and surface texture provide a secure and comfortable hold.

    RX1R III is equipped with an electronic viewfinder featuring an approximately 2.36 million-dot XGA OLED with high resolution and high contrast, offering a magnification of approximately 0.70x.

    RX1R III uses the rechargeable battery pack NP-FW50, allowing the capture of up to 300 still images7. It features a USB Type-C® port that allows rapid charging when connected to USB Power Delivery8-compatible devices, or the addition of external power sources, such as mobile batteries, for extended shooting sessions.

    Social Responsibility

    Aligned with Sony’s ambitious ‘Road to Zero’ initiative, this product supports the company’s vision for achieving a zero environmental footprint by 2050. The Sony Group’s manufacturing facilities for imaging products, including the RX1R III, are operating at 100% renewable energy. The RX1R III packaging uses Sony’s proprietary environmentally friendly Original Blended Material9 instead of plastic10.

    The camera system incorporates comprehensive accessibility options, including a Screen Reader function11 and Display Magnification, to support visually impaired users across an expanded range of menu items.

    Optional Accessories

    TG-2 is a dedicated thumb grip that attaches to the Multi Interface (MI) Shoe to provide stable holding and operability, including when operated with one hand. When attached to the body, the metal material and high-quality paint finish provide exceptional design unity.

    LCS-RXL is a compact body case dedicated to this camera model intended to protect the camera from scratches and dirt and enhance its elegance with its refined texture material. The body case allows access to all ports—USB, HDMI, battery, memory card, and tripod attachment—without removal. The grip design improves the holding experience.

    LHP-1 is a lens hood made specifically for this camera. It features a robust construction using lightweight and high-strength aluminum material, protecting the lens from impact and dirt. The bayonet mount allows for quick and secure attachment.

     





    Pricing & Availability

    The RX1R III will be available in July 2025 for approximately $5,099.99 USD and $6,299.99 CAD. The TG-2 for approximately $299.99 USD and $349.99 CAD, the LCS-RXL for approximately $249.99 USD and $224.99 CAD, and the LHP-1 for approximately $199.99 USD and $249.99 CAD, in August 2025. They will be sold directly through Sony and at a variety of Sony’s authorized dealers throughout North America.

    1Approximate effective

    2Available subject settings are: Auto, Human, Animal, Bird, Insect, Car/Train, and Airplane. Subject types other than the type specified may be erroneously recognized in some cases.

    3It is number of AF measurement points during still image shooting. The number of points varies depending on the shooting mode.

    4Not available for movies.

    5When shooting JPEG images with a 3:2 aspect ratio, the resolution is as follows: At 35 mm: L size (60 megapixels), at 50 mm: M size (29 megapixels), at 70 mm: S size (15 megapixels)

    6ST (Standard), PT (Portrait), NT (Neutral), VV (Vivid), VV2 (Vivid 2), FL (Film), FL2 (Film 2), FL3 (Film 3), IN (Instant), SH (Soft Highkey), BW (Black & White) and SE (Sepia).

    7When using the viewfinder: 270 shots.

    818W (9V/2A) USB PD power source is recommended.

    9Paper material made from bamboo, sugarcane fibers, and post-consumer recycled paper.

    10Excluding materials used in coatings and adhesives.

    11Supported languages differ according to country and region.





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  • A Few Still Lifes | Beautiful Flower Pictures Blog

    A Few Still Lifes | Beautiful Flower Pictures Blog


    A few of the still life photographs I’ve created

    In From the Garden © 2022 Patty Hankins

    In From the Garden © 2022 Patty Hankins

     

    Biscuits and Jam © 2024 Patty Hankins

     

    Roses and Books © 2025 Patty Hankins

     

    White Chrysanthemum and Books © 2025 Patty Hankins

     

    Teatime with Scones © 2025 Patty Hankins

    In the Victorian language of flowers, marigolds can represent creativity. As I created this photograph, I imagined a woman planning her next embroidery project as she creates the linens and other items for her hope chest.

    For Her Hope Chest Still Life © 2019 Patty Hankins

    For Her Hope Chest Still Life © 2019 Patty Hankins

     



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  • Sony Electronics Has Announced Its Most Anticipated RX1R III

    Sony Electronics Has Announced Its Most Anticipated RX1R III


    Sony electronics has announced the third generation camera in its RX1R series, the RX1R III, which is a full frame compact camera featuring a 61 megapixel sensor and a Zeiss 35mm F2 lens. With the RX1R series being a popular one among select photographers, Sony decided to release a new model.

    Sony has used a back-illuminated CMOS image sensor combined with the BIONZ XR image processing engine, that produces high quality images and low noise. The sensor comes with anti-reflective coating which helps to eliminate the optical low-pass filter, resulting in better image quality.

    Image via Sony

    As with most of Sony’s professional cameras in the Alpha series, the RX1R III comes with an AI processing unit that can recognise movements of most subjects, making tracking subjects easy even when their face is not visible. Even though the camera comes with a fixed 35mm lens, the Step Crop shooting function will allow the user to switch between three equivalent focal lengths – 35 mm, 50 mm and 70 mm through assigned buttons/dials. The camera lens also comes with a macro ring, that enables switching to macro mode instantly.

    Following Sony’s “Road to Zero” initiative, the RX1R III and other of Sony’s imaging products are manufactured at facilities that operate on 100% renewable energy. The packaging also comes in environmental friendly material.

    Here are some of the most important features of the Sony RX1R III:

    • Sensor – 61MP full-frame Exmor R CMOS sensor
    • ZEISS Sonnar T 35mm F2 lens – fixed
    • BIONZ XR processor 
    • Macro ring for instant macro mode switching – 20 cm minimum focus distance
    • Anti-reflection coating on sensor
    • Step Crop Shooting – 35mm, 50mm, 70mm equivalent
    • 693 phase-detection AF points
    • High iso sensitivity
    • Advanced AI for subject recognition and AF tracking
    • 12 creative presets and 3 film style looks
    • Touch LCD screen
    • Compact and lightweight
    • Battery life: 300 still images
    • USB Type-C port

    If you wish to watch the product video, check the YouTube video below:

    https://www.youtube.com/watch?v=8-wwnIp7tLs

    And, the concept video can be watched below:

    https://www.youtube.com/watch?v=erVGQhslgBA

    The RX1R III also has optional accessories that can be purchased separately:

    • TG-2 – thumb grip that can be attached to the multi-interface shoe, to provide stability when handholding the camera
    • LCS-RXL – protective case for the camera with access to all ports
    • LHP-1 – lens hood that can be attached to the bayonet mount, is lightweight and can protect the lens from impact

    The Sony RX1R III is available to pre-order and will be available by the end of July 2025. The camera will cost approximately $5099.99.

    We have more news for you to read if you are interested at this link here.





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  • The Daily Edit – Anne Keller Champions More Women Behind the Lens with Roam Media Core – A Photo Editor


    Heidi: As a photographer and former mentor with Roam Media Core, what are your hopes for emerging femme creators working in outdoor photography?
    Anne: I started shooting photos in the bike industry in 2004. At the time, there was literally like one other woman shooting bikes. While I definitely felt supported by some of my male peers, I never had the experience of someone holding my hand and guiding me through the awkward first steps, or second steps, or third, etc. I didn’t even know that might have been a helpful thing to ask for.
    My experience last year as a mentor, and my hope for this year, is that we can create a safe space for that stumbling to happen, and for those hesitant questions to be asked. I think the experience of gaining entry is fairly universal. If this program helps provide any sort of guidance on how one builds a career in the outdoor world and hands over a few tools along the way, that sounds like success to me.
    It’s clear the industry needs more women behind the lens. The statistic I’ve heard is that in the world of action sports photography, participation hovers around 15%. That’s pretty low, so anything that can help reduce those barriers is a good thing.

    Andi Zolton bleeds a set of bike brakes in her garage and is one of only two US based women who wrench professionally on the MTB race circuit, and in her spare time co-operates the Roam women’s bike fest, and fixes stuff on her friend’s bikes

    How do the mentor and mentee relationships work? 
    The program brings on six experienced mentors. This year we have four photo mentors and two video mentors, each paired with a mentee. Applications opened in early May, and we had over 120 people apply, which to me speaks to the need for programming like this.
    The idea behind selecting mentees was to find folks with a solid foundation of skills who were career-focused and genuinely interested in working in the outdoor industry. This isn’t a beginner program, and it’s not meant for someone who just wants to learn how to shoot bikes. We wanted this to feel like a valuable experience for both mentees and mentors, like the mentors could be instrumental in providing guidance that may help further someone’s career objectives.
    The mentor and mentee teams begin virtual work about three months before Roam Fest. They spend that time getting to know each other, talking about goals, career ambitions, and building some trust. Then, each team is paired with two outdoor brands and works virtually with the brand’s marketing team to develop guidelines for a shoot. The program all comes together at Roam Fest, where everyone gathers in person to execute a series of brand product and athlete shoots.

    Have mentees developed brand relationships as well as community support?
    Yes, that’s absolutely the goal. The hope is that mentees can develop relationships with brands that show up at Roam Fest, and that some of those turn into long-term work.
    Community support happens a little more naturally, through time spent with their cohorts and mentors. Each mentee gets paired with one mentor, but much of the festival time is spent as a full group, which gives everyone the chance to learn from each other. Last year, that group dynamic ended up being one of the most impactful parts for both mentees and mentors.

    You’ve been based in Fruita, CO, a trail-centric town, since 2002. How has living there shaped your photography projects and creative aspirations?
    Well, for one thing, it’s forced me to spend a lot of early mornings or late evenings out on the trail, because our lovely desert environment looks flat and shitty in mid-day light… haha.
    Fruita and the greater Grand Valley are unique-looking places, and I think that’s been helpful from a visual standpoint. There’s a whole swath of the country that, while beautiful, starts to look pretty similar from one location to the next. The desert southwest is a far cry from that. Our landscape is distinct, and while it comes with some lighting challenges, it’s also a fun place to shoot. Nothing else really looks like it.
    From a brand and media standpoint, the Grand Valley’s also a great location. It’s a good spot to product test, there’s a range of trails, and it’s gotten a decent amount of media attention. While travel is always possible, it’s nice when your backyard is already on the radar and is a desirable place for brands to visit.

    You helped build Fruita’s sense of community through Hot Tomato Pizza. Now as a photographer, how do you use your photography in building community?
    That’s a great question, and maybe one I haven’t given a ton of thought to. But I think there’s something to be said about how much community already exists in the cycling world. It’s honestly one of my favorite things about the sport. It’s so common for surface connections to turn into friendships, just from time spent on bikes. Most of my favorite people have come into my life that way, and the way those threads weave through other circles is kind of amazing.
    While there might be six degrees of separation between us and Kevin Bacon, I’d argue it’s only one or two degrees between most people in the mountain bike world. So maybe it’s less about building community with a camera, and more about celebrating the community that already exists.

    What do running a crankin’ pizza business, developing a fiercely loyal MTB community, and photography have in common?
    Well, for starters, I no longer smell like garlic every day or fall asleep with dried flour crusties in my eyes, so that’s a plus.
    I don’t know that we were responsible for developing the MTB community. It was on its way. But I can definitely speak to the connection between running a business and being a photographer. The outside view is always the fun stuff. That’s about 10 percent of either job.
    It’s invigorating to be behind the bar pouring beers and laughing with your customer friends, just like it’s fun to be out in the woods behind the camera on a shoot. But that’s such a small percentage of the work. The rest is the grunt stuff. And I think being able to accept and embrace that part might be what separates the romantics from the realists.
    I loved making pizzas. I love shooting photos. But I’m pretty indifferent about staring at my computer editing for hours, entering invoices in QuickBooks, cutting onions, or washing dishes. The behind-the-scenes is rarely glamorous, and also where the majority of the work happens.
    It might sound cooler to talk about the passion behind both things, but I try not to. Both the food and creative industries are passion-driven, and I’ve seen a lot of people dive in because of that. But I’ve also seen a lot of those efforts fail, because the reality of running a business is about a lot more than being passionate. It’s a lot of muck, and I’d rather help people be ready for that than glorify it. So maybe the commonality is to be passionate, but be even better at the mundane.

    The Patagonia film Life of Pie features your story. What was it like seeing your entrepreneurial success translated into film?
    Oh gosh, it was a wild ride. While the film had premiered at a few smaller festivals before the bigger outdoor ones, 5Point in Carbondale was the first one that really felt like a launch.
    We were packed into an auditorium with over a thousand people, all laughing at the same scenes, cheering at others. When the film ended, people stood up clapping, cheering, stomping. It was so loud. That moment was probably the first time I actually felt the gravity of our story being told in that way.
    We never thought much about our success from an outside perspective. We were just in it, running the business. I think that’s true for most small business owners. You’re just doing the thing, not stepping back and thinking about the bigger picture. There was never any meta-level cognition about trying to ‘create something.’ But seeing that response was like holding up a mirror. It made the community impact feel very real.

    You mentioned loving rides “headed toward disaster but not quite tipping over.” How does that sense of edge translate into your photo work?
    Yes, I totally love Type 2 fun.
    How does that show up in photo work? The other day, I was crouched so close into the trail corridor that my friend clipped my helmet with his handlebar as he passed. Thankfully I had the helmet on.
    I’ve been hit by pedals, handlebars, crashed with packs full of camera gear, been caught in hailstorms, had to light fires to stay warm, been stuck out in the dark, destroyed lenses, soaked cameras in rainstorms or at stream crossings, etc
    I really believe that the best action sports photographers actually do the sports themselves, usually at a higher level. I think you kind of have to, in order to access those special places and know what to do once you get there. Mother Nature isn’t always cooperative, and the same sort of experience you’d have on a big adventure ride is often what happens on a remote shoot.
    Give me someone suffering up a rain-soaked, muddy hike-a-bike any day. That’s where the emotion shows up. Even if it’s not pretty.





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  • This Will Improve Your Photographic Creativity In One Hour

    This Will Improve Your Photographic Creativity In One Hour


    If you have followed my ramblings for a while here at Light Stalking, you will know there is one technique that I really like as a way to improve creativity.

    That technique is to restrict yourself.

    That can be done in different ways. Using a single prime lens is one that I talked about recently. Restricting the number of shots you take is another, as is revisiting the same location multiple times.

    Today, I would like to talk about another restrictive technique that I think really boosts your creativity. Limiting yourself to just one hour. I tried it out recently for a YouTube video I was creating and found it a very compelling way to get more creative, and the images I have used in this article were taken in that one period. Let me explain a little more.

    https://www.youtube.com/watch?v=SCwy6qGuJE4

    Why Restrict Yourself?

    Restricting yourself in photography, in general, might seem a counterintuitive way of doing things. After all, digital gave us the freedom to shoot as much as we liked for as long as we wanted (given enough batteries).

    That, however, is the problem. That freedom to continue shooting everything can often come at the cost of creativity. We speed up, we shoot everything and anything, our photography becomes less considered, less patient, and in my opinion, less creative. I have a disdain for photographers who boast on social media about how many shots they got on a particular shoot. I would rather have 5 good shots than 500 average shots.

    Adding any of the restrictions I mentioned above, you will tighten up your compositions, take more time, and get better shots.

    So why one hour?

    Woman walks up cobbled street towards Durham Cathedral
    This image is from about 20 minutes in. By Jason Row Photography

    Restricting Yourself To One Hour

    When we go out with no fixed time frame in which to capture images, we can get lazy. We can overthink a single image, or conversely, we can try to capture far too much without thinking creatively. We can get a good shot, but ignore the fact that the light is going to improve in 5 minutes, missing out on a great shot. In short, we lose focus on what’s important.

    Many of us live busy lives, and often that can mean that when we do get the chance to take some photos, we tend to try and shoot as much as we can.

    As I mentioned, restricting yourself in general can be a very good thing in photography. Restricting yourself to one hour has some very specific and perhaps surprising results.

    The first thing that you will notice is that you start to think and compose quicker. You start to notice things faster and, in turn, see more of the details in a shot. You may well start to see the light differently, how it can change minute by minute at a given location.

    Rowing boats lined up on the River Wear in Durham
    Time limiting can actually boost creativity. By Jason Row Photography

    Another thing that you may well notice is that you don’t actually feel rushed. You are not trying to cram in as many shots as you can, rush around from location to location. That lack of haste is actually a creativity boost. You will find yourself slowing down despite the time restriction.

    So, how would you go about a one-hour photo shoot?

    The first thing is to manage your expectations. Not just about what you will capture but the location and the weather as well. The concept works best without too much preplanning.

    Pick a location that you think will be suitable. It could be a district of a city or town, a beach, or perhaps a mountain landscape. Choose a time to go and shoot, and don’t worry too much about the weather.

    In terms of equipment, don’t weigh yourself down with loads of kit. Like having too much time, having too much gear leads to indecision on what lens to use, whether to set up a tripod, etc. I like to restrict myself to one camera, one lens, which can be a prime or zoom. My preference is for zooms when shooting in just one hour.

    Get to the location and take a few minutes just to relax and look around. Then set a timer on your phone for exactly one hour and just wander. Try not to look at the timer; doing so can introduce haste. Instead, take your time to observe, compose and shoot. The key to a one-hour photo shoot is not the quantity, but the quality.

    A pretty, pink doored cafe in the heart of Durham, UK
    Remember to look back on your stroll. By Jason Row Photography

    If a particular shot or location is working, don’t feel the need to rush it and move on; instead, simply enjoy what you are doing. I would also advise not to chimp your photos, trust your instinct and enjoy the fruits of your labour when you get home. Often, chimping can lead us to continually retake the same shot, as well as delete shots that might not have worked. Those poor shots are worth keeping as they show us where we went wrong.

    When the timer alarm goes off, stop shooting, regardless of what you are taking at that moment. Put the camera away, perhaps get a coffee, relax and think back over the shots that you have taken.

    Reflection of a statue in the pub window in Durham, England
    There is always something to shoot. By Jason Row Photography

    What Will You Learn In One Hour?

    In a single one-hour shoot, you will learn not to rush and to take time with individual compositions rather than shooting everything you see. However, if you use the one-hour technique on a regular and frequent basis, you will learn much more.

    The first and perhaps most important thing is that you will become much more instinctive with your camera controls. The simple act of raising the camera, choosing the settings, and shooting will become second nature.

    Prebends Bridge and the River Wear in the heart of Durham, England
    The last shot of the hour. By Jason Rowe Photography

    You will find yourself scanning a scene much more carefully, yet picking out good compositions much quicker. You will also find yourself working on a single composition instead of hunting for many.

    Perhaps most importantly, you will find yourself gaining confidence. Confidence not only in your ability with the camera, but also with the work you are capturing.

    Restricting your photography to just one hour might seem counterintuitive; however, if you try it out regularly, you will soon find your creativity improving and your ability with the camera getting more instinctive. That can only be a good thing considering the limited time you need to put into it.





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  • Introducing Nauticam’s Midrange Focus Optimizer (MFO-3)

    Introducing Nauticam’s Midrange Focus Optimizer (MFO-3)


    We got our first look at the Midrange Focus Optimizer (MFO-1) at last year’s DEMA Show. Now, Nauticam has unveiled a new Midrange Focus Optimizer called the MFO-3. (Yeah, we’re intrigued about the mysterious MFO-2 as well!)

    While the MFO-1 is designed to perform various functions when used with your macro lens—extending the focus range, minimizing lens aberration, and boosting magnification—the MFO-3 is designed for a more specific task: close focusing. Nauticam says that the MFO-3’s greatly improved “focus-to-the-glass performance” is especially useful for blackwater photographers. At the same time, according to Nauticam, the optic still offers “ample” working distance when you need it. Thus, Nauticam claims you’ll benefit whether you’re shooting “thumbnail-sized nudibranchs or grapefruit-sized frogfish.”

    Effectively, the MFO-3 converts your 90mm, 100mm or 105mm lens into roughly a 60mm equivalent, and, depending on your lens, provides a working distance of between ~0mm and ~1500mm! Nauticam has provided the results from testing the MFO-3 with a variety of popular longer-focal-length lenses, and the company also shows how the MFO-3 compares with the MFO-1 and SMC-3 (see tables below).

    The Nauticam Midrange Focus Optimizer 3 (MFO-3) costs $730 and is available from retailers such as Backscatter. Keep an eye out: Blackwater master Mike Bartick has been testing the MFO-3 in the field and we’ll be publishing his review on DPG soon.

     



    When purchasing underwater photography equipment like the products mentioned in this article, please support DPG by supporting our retail partner—Backscatter.com.



    PRODUCT INFORMATION

    Midrange Focus Optimizer 3 (MFO-3)

    Nauticam once again demonstrates its commitment to underwater photographers with the introduction of the Mid-range Focus Optimizer 3 (MFO-3). As full-frame mirrorless cameras become the go-to choice for serious underwater imaging, a key limitation has emerged: the lack of close-focusing, wide-angle macro lens options—especially for blackwater photography. The MFO-3 is designed to solve that problem without requiring new camera lenses or ports.

    Optimized for use with longer focal length full-frame macro lenses (such as 90mm, 100mm, and 105mm), the MFO-3 transforms these lenses into an approximate 60mm equivalent.  It also delivers significantly enhanced “focus-to-the-glass” performance while still offering ample working distance when needed. Whether you’re capturing thumbnail-sized nudibranchs or grapefruit-sized frogfish, this water-contact optic delivers outstanding image quality—without the need to swap out your camera lens or port.

    While it’s an outstanding tool for blackwater, the MFO-3 is just as capable in a wide range of macro environments. And despite its larger physical size, it actually boasts a lower in-water weight than the SMC-3, making it easier to handle and balance in the water.


    Midrange Focus Optimizer 3 (MFO-3) Specifications

    • Dimensions: OD 84mm x H 114.2mm
    • Weight in air: 602g
    • Buoyancy in water: Negative 120g
    • Max Magnification (*1): 0.9x
    • Lens FOV/Converted FOV: 23°/38°
    • Working distance (*1): 0–1500mm
    • Body construction: Hard-anodized aluminum alloy
    • Lens construction: 4 elements in 3 groups
    • Lens coatings: Anti-reflection Coating
    • Mount thread diameter: M67
    • Depth rating: 100m

    *1 Tested with Nikon Nikkor Z MC 105mm f/2.8 VR S Macro Lens

    Comparison with MFO-1 and SMC-3















     

    81503 MFO-3

    81501 MFO-1

    81203 SMC-3

    Dimensions (OD x H mm)

    Ø 84 x 114.2mm

    Ø 70 x 26mm

    Ø 70 x 32mm

    Weight in air

    602g

    218g

    307g

    Buoyancy in water

    Negative 120g

    Negative 150g

    Negative 215g

    Lens FOV/Converted FOV(*1)

    23°/38°

     

     

    Max. Magnification (*1)

    0.9X

    1.2X

    2.3X

    Working distance (*1)

    0–1500mm

    108–1005mm

    46–98mm

    Lens construction

    4 elements in 3 groups

    3 elements in 2 groups

    3 elements in 2 groups

    Lens coatings

    Anti-reflection

    Anti-reflection

    Anti-reflection

    Mount thread

    M67

    M67

    M67

    Depth rating

    100m

    100m

    100m

    *1. Tested with Nikon Nikkor Z MC 105mm f/2.8 VR S Macro lens

     

    Compatible Lenses with MFO-3















    Lens

    Sensor


    format

    Lens FOV.

    Max.


    Magnification

    Working


    distance

    Converted FOV.

    Canon RF 100mm f/2.8 L Macro IS USM (with Modified Aperture)

    FF

    24°

    0.9X

    0–1490mm

    40º

    Canon EF 100mm f/2.8L Macro IS USM

    FF

    24°

    0.9X

    0–1490mm

    40º

    Nikon NIKKOR Z MC 105mm f/2.8 VR S Macro

    FF

    23°

    0.9X

    0–1500mm

    38°

    Nikon AF-S VR Micro-NIKKOR 105mm f/2.8G IF-ED

    FF

    23°

    0.8X

    5–1490mm

    38°

    Nikon AF-S Micro NIKKOR 60mm f/2.8G ED

    DX

    26.5°

    0.5X

    0–1500mm

    45º

    Sony FE 90mm f/2.8 Macro G OSS

    FF

    27°

    0.8X

    0–1500mm

    45º

    Fujifilm GF 120mm f/4 Macro R LM OIS WR

    Medium 


    Format

    25.7°

    0.9X

    15–1500mm

    43º

    Olympus M. Zuiko Digital ED 60mm f2.8 Macro

    M43

    20°

    0.5X

    0–1500mm

    33º

    OM System M.Zuiko Digital ED 90mm f/3.5 Macro IS PRO(Normal macro mode)

    M43

    14°

    0.7X

    0–1480mm

    23º

    Canon EF-S 60mm f2.8 Macro USM

    APS-C

    24.5°

    TBD

    TBD

    TBD

    Panasonic Lumix S 100mm f2.8 Macro

    FF

    24°

    TBD

    TBD

    TBD

     

    Included in the box

    • Front and rear rubber caps
    • Neoprene bag
    • M67 Spacer ring for SMC/CMC
    • Cleaning cloth


    SKU # 81503

    $ 730.00





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  • 50 Ecommerce Sites with Stunning Product Photography Ideas

    50 Ecommerce Sites with Stunning Product Photography Ideas


    Great product photography doesn’t just make your website look good—it drives clicks, conversions, and customer trust. Whether you’re shooting apparel, jewelry, home goods, or tech, how your products look online directly impacts how well they sell.

    But coming up with fresh photo ideas or perfecting your visual strategy isn’t always easy.

    That’s why we rounded up 50 ecommerce websites with standout product photography—organized by industry. These examples highlight how top brands use composition, lighting, styling, and editing techniques to elevate their imagery and move more product.

    Browse for inspiration. Steal a few ideas. And if you need help turning your own shots into polished product images, we can lend a hand there, too.

    1. Girlfriend Collective

    Women modeling colorful and fitted activewear sets including sports bras and leggings in black, sky blue, and purple for movement and style.

    Image source

    This set of images features clean, high-resolution portraits of models in active poses, styled against a neutral, seamless background. The garments are front and center, with no distractions from props, textures, or harsh lighting.

    This style of photography strikes the right balance between editorial polish and ecommerce clarity—a smart direction for any brand focused on performance, comfort, or versatility.

    Start a new order

    2. Quince

    Women modeling coordinated red summer outfits and swimwear in a beachside fashion photoshoot, showcasing relaxed resortwear and seasonal style.

    Image source

    Quince uses warm, natural light and textured backdrops like stone, sand, and wood) to create a sun-soaked, lifestyle-driven aesthetic. The product photography feels candid and cinematic, blending fashion with storytelling. Clothing is styled casually and captured in movement or relaxed poses, helping customers imagine how pieces feel and function in real life.

    3. Victoria’s Secret

    Victoria’s Secret lingerie campaign featuring models in different bra styles for strapless, low-cut, racerback, and wireless support needs.

    Image source

    Victoria’s Secret has secured its spot on the top of the list for product photography for years. It knows how to present their products in a way that speaks to its target audience, and even makes more than 20 million people tune into its annual televised fashion show. 

    4. ModCloth

    Rainbow Bright Pride Collection featuring colorful striped and fruit-print outfits modeled outdoors with bold colors and festive styling.

    Image source

    ModCloth shows its products on models of different shapes and sizes, showing the versatility of various items and allowing its customers to better predict how it would look on them. It does the same with color variations, too.

    5. Thirdlove

    Women modeling soft neutral-toned loungewear including a robe, cropped sweatshirt, and relaxed pants, with seamless black undergarments.

    Image source

    Instead of using image editing to create color variants for its products, Third Love shoots custom photography for most of the variants. This creates a more lifelike effect that appeals to shoppers.

    6. SSENSE

    Street style black leather bag with pink plush charm and flowing skirt, alongside green satin bikini floating in pool water with ripples.

    Image source

    This split-screen from SSENSE showcases the brand’s signature editorial-meets-ecommerce photography style—bold, artistic, and culturally tuned-in.

    A street-style inspired shot featuring a flowing, pastel-toned skirt, structured black bag, and plush accessory charm. The blurred background and candid motion capture personality, movement, and context—showing the product in the wild.

    The flat lay shows a green bikini submerged just below the surface of a rippling pool. The water distortion and sun reflections turn a simple product shot into an abstract composition. It’s aspirational, seasonal, and emotionally evocative—perfectly suited for a trend-forward audience.

    7. Coterie

    Close-up of Coterie baby diapers shown from front and back angles, highlighting soft texture, absorbent core, and comfort-fit design.

    Image source

    These product photos from Coterie offer a clean, clinical, and elevated aesthetic that aligns with the brand’s premium baby care positioning. Shot against a soft, gradient blue background, the diapers are perfectly centered and isolated—creating a sterile but comforting environment that enhances product trust.

    What works well:

    • Perfect symmetry and clarity: Both the front and back views are shot with precision and balance, emphasizing shape, texture, and material. This symmetry helps customers understand fit and structure at a glance.
    • Soft, diffused lighting: Gentle lighting minimizes harsh shadows and ensures every detail of the diaper—such as the elastic bands, fabric texture, and wetness indicator—is clearly visible.
    • No distractions: The minimalist backdrop and absence of props keep the focus entirely on the product, reinforcing a sense of hygiene and quality.

    🪞 Symmetry sells—especially in fashion. Learn how perfectly mirrored product photos boost conversions and trust.

    Jewelry 

    8. Deliqa Gems

    Assorted gemstone rings including pink, blue, and yellow stones with gold settings, featuring halo, solitaire, and multi-stone cluster designs.

    Image source

    Each ring is photographed against a seamless white background, allowing the viewer to focus solely on the craftsmanship, color, and cut. This is essential for high-conversion jewelry ecommerce.

    The lighting is soft but directional—eliminating harsh shadows while enhancing gemstone brilliance and gold luster. It’s especially effective for faceted stones, making them pop with fire and depth.

    Deliqa shows different angles—front, top-down, and profile views, giving online shoppers a true-to-life sense of scale and form, mimicking an in-store experience.

    Retouching is used judiciously: reflections are polished, shadows are uniform, and every gem is color-corrected for maximum vibrancy.

    9. Electric Picks

    Delicate and modern gold jewelry featuring a smooth pendant necklace, sculptural earrings, and a minimalist drop necklace with gemstone accents.

    Image source

    Electric Picks’s jewelry product photography strikes a perfect balance between lifestyle and studio shots—an ideal approach for modern ecommerce. The left image shows the necklace worn on a model, adding context, warmth, and emotional appeal. The other two are clean studio shots that focus on detail and form. This blend helps shoppers envision the item both in real life and up close.

    All three images use natural-looking, diffused light that avoids harsh reflections (a must for shiny metals like gold). The earrings in particular benefit from soft-edged shadows that give them dimension without distraction.

    10. ROEN

    Elegant gold engagement rings with natural and lab-grown diamonds, including solitaire, pear-cut, and marquise settings, styled and close-up on hand.

    Image source 

    ROEN’s jewelry photography example delivers a premium, high-end aesthetic that aligns with luxury engagement ring shopping—balancing emotion, clarity, and craftsmanship.

    The leftmost image shows the product on a hand in warm, soft lighting, immediately evoking romance, elegance, and aspiration. It adds emotional weight to the otherwise clinical product lineup.

    The remaining three images showcase the rings against clean, light-gray backdrops with subtle shadows that lift the products off the page. Each shot is expertly lit to maximize sparkle, metal luster, and form—especially in the center stone.

    Side views, angled shots, and direct front views all help customers evaluate details like band thickness, setting style, and stone cut. 

    11. Susan Alexandra

    Small tan dog on a rainbow beaded leash alongside a matching orange beaded dog toy, sitting on a city sidewalk in bright sunlight.

    Image source 

    This playful product photo brilliantly blends creativity and humor to showcase a beaded dog leash set. The real dachshund and its beaded twin—linked by matching rainbow leashes—instantly grab attention and make the image unforgettable.

    This image is a strong example of how injecting personality and playfulness into product photography can make a brand stand out—especially for fun accessories.

    12. OUTOFOFFICE

    Close-up shots of contemporary gold and silver jewelry including hoop earrings, chunky rings, a statement chain necklace, and multi-stone ear cuffs.

    Image source 

    This set of product photos uses clean styling and close-up detail to showcase modern jewelry in a minimal, elevated way. Each frame focuses on a different piece—earrings, rings, bracelets, and necklaces—while keeping the background simple and distraction-free.

    This style is ideal for luxury, designer, or minimalist brands that want to convey sophistication and clarity in their product presentation.

    13. Jewels & Aces

    Close-up of pierced ears showcasing dainty gold chain earrings and studs with diamonds and baguette-cut stones, styled in minimalist fashion.

    Image source 

    This series of close-up earring shots exemplifies how subtle styling and soft lighting can elevate small, intricate jewelry. Each image highlights a layered ear stack featuring dainty gold chains and diamonds, worn in unique yet coordinated pairings.

    Here’s what we like: 

    • Warm, natural light: The lighting enhances the gold tones and gemstone sparkle without harsh shadows.
    • Tight framing: Zoomed-in ear shots keep the focus on detail, allowing customers to see how each piece fits and drapes.
    • Consistent tone: The cohesive color palette and similar poses across models create a polished, trustworthy brand image.

    💍 Want your jewelry shots to sparkle like ROEN or Electric Picks? Learn the secret techniques for high-converting images in our expert guide: How to Edit Jewelry Product Photos Like a Pro

    14. Glasses Direct

    Eyeglass size guide showing how to find frame measurements—lens diameter, bridge width, and arm length—on the inner temple of glasses.

    Image source

    While Glasses Direct has straightforward yet beautiful white background product photos, supporting visuals round out the impact for potential customers. Illustrations that outline dimensions help shoppers estimate how the frames would fit on their own faces.

    15. hardgraft

    Premium men’s accessories including a charcoal dopp kit set, black leather holdall, tan suede sneakers, and a cocoa wool pencil wrap.

    Image source

    With a muted, desaturated palette and soft directional lighting, each item is photographed with studio precision against a neutral background. hardgraft’s deliberate use of shadows adds depth and dimension without distraction, allowing the tactile richness of suede, leather, and wool to take center stage. 

    The styling is minimal but intentional—products are cleanly isolated yet carry subtle lifestyle cues, like an unzipped kit or a pencil-stuffed wrap. This clean and cohesive look highlights craftsmanship and quality, appealing to discerning customers who appreciate quiet sophistication.

    16. Mulberry

    Fashion editorial featuring women outdoors wearing colorful knitwear and carrying designer handbags including a tan crossbody and burgundy leather tote.

    Image source

    This campaign showcases handbags in vibrant, outdoor settings that feel both editorial and approachable. Rather than sterile studio shots, these lifestyle images embed the bags into real-world fashion moments—making them feel aspirational yet accessible.

    Each look is styled to suggest a narrative—countryside strolls, spring fashion—adding depth and relatability to the product. Shooting outdoors brings out texture and color in the bags, while the blooming florals and tree-lined road evoke seasonal charm. Bold outfits and confident poses draw attention, but the handbags remain the focal point, always held prominently and clearly lit.

    17. Birkenstock

    Birkenstock summer footwear including slip-on sandals and sneakers in various colors and materials, shown in outdoor lifestyle and studio settings.

    Image source

    Birkenstock’s product photography strikes a balance between lifestyle and studio visuals. From sun-drenched sidewalk shots to clean, floating product images, each photo highlights the brand’s signature comfort and craftsmanship. The use of natural textures—brick, stone, and foliage—adds warmth and tactility, making the sandals feel at home in any setting. 

    Meanwhile, crisp lighting and soft shadows emphasize material quality, like nubuck leather and contoured cork soles. Their floating product shot, set against a cool gradient background, draws the eye to every strap and buckle with sculptural clarity. Birkenstock’s visuals are proof that even casual footwear can look iconic with the right photography.

    18. Chalo

    Artisan leather footwear collection including brown and black boots, close-ups of stitching details, and traditional craftsmanship process.

    Image source 

    This image series presents handcrafted leather boots through a rich visual narrative that blends craftsmanship, product detail, and styling. From top-down flat lays to styled shots and macro textures, it balances artistic flair with product clarity.

    Warm, earthy hues echo the natural materials and craftsmanship, making the entire set feel cohesive and tactile. Including the artisan’s hands working on the leather gives authenticity and emphasizes the handmade quality—connecting product to maker.

    Technology

    19. Bang & Olufsen

    Rose gold Bang & Olufsen portable speaker partially buried in sand with leather strap, illustrating durability and beach-friendly audio design.

    Image source

    This photo is a stellar example of minimal, lifestyle-oriented product photography that speaks volumes without clutter—a highly effective way to market portable tech like Bluetooth speakers.

    Shooting the speaker partially buried in sand immediately communicates durability, portability, and outdoor utility—perfect for beach days or travel. Plus, the fine mesh texture of the speaker contrasts beautifully with the rough, grainy sand, drawing the eye directly to the product.

    The subtle motion blur of sand being brushed aside adds energy and realism, reinforcing the “on-the-go” lifestyle. And the soft pinkish-gold tone of the speaker and tan leather strap blend seamlessly with the neutral sandy palette, creating a warm, aspirational tone.

    20. Apple

    Apple Intelligence promotion showing iPhone 16 Pro, MacBook Air, and iPad Air with pricing and product visuals on sleek gradient backgrounds.

    Image source

    The iconic tech brand has made smartphones, computers and other tech devices look sexier than ever. The brand has such a strong visual aesthetic, and all product photos support that image—including photos on its distributors’ sites.

    21. Sonos

    Matte black Sonos Bluetooth portable speaker and over-ear wireless headphones, with modern design and Time Best Inventions 2024 badge.

    Image source

    This image from Sonos showcases a Bluetooth speaker and a pair of over-ear headphones in a highly polished, product-centric style that’s ideal for ecommerce and tech retail. The clean, white background removes all distractions, keeping the focus entirely on the product design—perfect for a high-end tech brand.

    Subtle drop shadows under both products add depth and dimension, helping them stand out while maintaining a crisp, modern aesthetic. The matte black finishes are lit specifically to highlight contours without losing the rich, dark texture—key for showcasing premium materials.

    Plus, including the TIME Best Inventions 2024 badge for the headphones subtly reinforces credibility and innovation without overwhelming the visual.

    Beauty, cosmetics, and skincare

    22. Max Factor

    Max Factor makeup lineup including Facefinity foundation, False Lash Effect mascara, Lipfinity 24HR lip color, and neutral eyeshadow palette.

    Image source

    The bright white backdrop keeps all the focus on the products and makes the colors pop. It’s also super consistent, which is great for brand identity and gives everything a polished, high-end vibe. 

    Each product is facing forward in a clear, easy-to-identify way. No weird tilts or artsy shadows—just straightforward, scroll-stopping clarity. You immediately know what’s what: foundation, mascara, lip color, and an eyeshadow palette.

    Max Factor doesn’t just show product containers:

    • The lip color shows the wand and box.
    • The mascara is open, showing the brush (which is a key selling feature).
    • The eyeshadow palette is open to show the actual shades.

    Basically, the photos answer the unspoken “But what does it look like inside?” question before you even have to ask.

    23. Essie

    Close-up of hand with creative nail art, including smiley face and abstract designs, resting on paint-splattered yellow fabric with paintbrushes nearby.

    Image source

    This photo nails the vibe. The mix of bright turquoise, fiery red, and cheery yellow nail art really pops against the warm-toned background. It draws your eye to the nails without needing a spotlight. Each nail tells a mini story—smiley face, abstract flames, a playful “X”—making it feel custom, not cookie-cutter. This is less “salon menu,” more “expression in progress.”

    And you get more than just the nails. The texture of the fabric, the paintbrushes, the speckles—it adds a sense of realness and movement, like we just walked in on an artist mid-project.

    24. Wiselands

    Wiselands skincare featuring Flax & Chia Concentrated Cream and Daily Rosemary Cleanser with sustainable, vegan, cruelty-free ingredients.

    Image source

    Wiselands uses rich, moody lighting to elevate its product photography, giving skincare essentials a luxe, tactile presence. The close-up shots highlight the amber glass packaging and gold typography, with warm shadows that enhance the sense of calm and care. Subtle skin contact and soft textures create an intimate, grounded feel—perfectly suited for a brand focused on clean, conscious ingredients. 

    The lighting is deliberately imperfect, mimicking golden-hour warmth that flatters both the product and the skin it’s meant for. It’s a masterclass in using tone and minimalism to communicate trust and quality.

    25. Crown Affair

    Crown Affair haircare trio featuring The Leave-In Conditioner, The Texturizing Air Dry Mousse, and The Dry Shampoo, displayed with minimalist packaging.

    Image source 

    The minimalist layout and monochrome color palette for Crown Affair’s product photos ooze luxury. It’s giving calm confidence without shouting for attention. 

    Each product is centered, evenly lit, and spaced the same—perfect for a sleek grid or product catalog. Cohesion like this builds brand trust fast. And the soft shadows and contrast between black and white bottles add just enough depth to keep things visually interesting without losing the clean aesthetic.

    26. Vacation Inc.

    Vacation skincare and fragrance products, featuring Classic Whip SPF 50 sunscreen mousse and tropical-themed perfume mist bottles labeled “Vacation” and “After Sun.”

    Image source

    Sunscreen brand Vacation Inc. uses bold, retro-inspired design. The packaging and photo styling lean heavily into a nostalgic ’80s/’90s vacation aesthetic, reinforcing the brand’s identity. Everything from the fonts to the saturated colors supports this.

    Despite the vibrant branding, the layout is clean. Products are isolated against a pale gradient background, keeping attention on the packaging.

    Outdoors and sporting goods

    27. Linus 

    Child riding a blue Linus bike while wearing a helmet, captured mid-action against a concrete urban background with bold shadows.

    Image source

    This example from bike brand Linus takes a lifestyle over product approach. We’re sold on the vibe before the bike. It’s aspirational but also relatable—perfect for parents and cool kids alike.

    The mid-movement shot adds energy and makes the product feel fun and adventurous. The text placement is smart: bold, centered, and readable without overpowering the image.

    28. Pow Gloves

    Winter sports gear including knit headwear with snow goggles and insulated women's gloves, worn by skiers in a snowy outdoor setting.

    Image source

    Pow Gloves delivers high-impact product photography that leans into performance, texture, and environment. Shot in snowy alpine conditions, its imagery captures real-world functionality while keeping the product in crisp focus. 

    Frosted lenses, fleecy knits, and matte leathers pop against blurred white backdrops, highlighting both material quality and cold-weather capability. The models are active but cropped, letting the gloves and headwear shine without distraction.

    29. Beestinger

    Side-by-side visuals of archery stabilizers for target shooting, hunting, and Beestinger components, featuring compound bows in action and close-up gear details.

    Image source

    Beestinger’s product photography balances precision and action, capturing the high-performance world of archery stabilizers. Each image speaks directly to its audience—whether it’s competitive target shooters or camo-clad hunters—by showing the gear in realistic, high-stakes contexts. 

    Sharp detail on textures like carbon fiber, metal finishes, and compound bows communicates quality and durability. Meanwhile, the use of tight crops and dynamic angles keeps the focus on function, not fluff. By pairing lifestyle imagery with close-up product visuals, Beestinger hits the bullseye on authenticity and trust—two essentials in any performance-driven category.

    30. CamelBak

    CamelBak customizable drinkware collection featuring bottles and mugs with engraved graphics and text options for personal designs.

    Image source

    The top-down flat lay showcases CamelBak’s water bottles in a scattered, playful arrangement. Each bottle is angled differently, giving the scene energy and allowing each product to stand out while still feeling part of a cohesive set.

    The smooth teal gradient adds visual interest without stealing the spotlight. It complements the product colors and adds depth, helping the matte finishes of the bottles pop.

    The lighting is soft but directional enough to highlight the textures—especially the powder-coated surfaces and engraved designs. This gives a tactile sense of quality without relying on close-ups.

    The photo manages to feel unified while showing a range of products: mugs, tumblers, bottles—each in a different color and size. It’s a great way to communicate customization options without crowding the frame.

    31. Lift Foils

    Lifestyle and action shots of people foil surfing in ocean waves, including riders in motion, beach scenes, and a woman carrying a hydrofoil board.

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    Lift Foils captures the thrill and elegance of hydrofoil surfing through cinematic, lifestyle-driven photography. Their imagery effortlessly blends action and atmosphere—highlighting both product performance and the aspirational lifestyle that surrounds it. 

    From crisp shots of foil boards slicing through tropical waves to grounded moments of riders gearing up at the shoreline, every frame conveys motion, freedom, and connection to nature. The gear is presented in real use, allowing water, sunlight, and setting to act as natural visual enhancers. This approach not only showcases the quality of the product but also sells the lifestyle it unlocks. It’s adventure marketing at its finest.

    32. Landyachtz

    Artistic skateboard designs from Landyachtz including Dinghy Classic Midnight Dip, Tugboat Atmosphere, and Dinghy Legend with bold prints.

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    Landyachtz uses clean, minimal product photography to make bold skateboard designs pop. Set against bright white backgrounds, each board is perfectly centered and evenly lit, allowing the intricate deck artwork—from hand-illustrated mountains to surreal portraits—to shine without distraction. 

    This studio-style approach highlights every detail of shape, texture, and color, making the craftsmanship unmistakable. The consistency across the images also creates a seamless browsing experience, while the sharp, high-resolution shots invite zoom-level inspection. It’s a textbook example of how white-background photography can still feel expressive and brand-forward.

    33. Ethnotek

    Side-by-side view of a colorful roll-top sling bag on a rock and a woman wearing a patterned backpack in a field, showcasing options for daily commutes, hiking, and customizable travel gear.

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    Ethnotek’s product photography perfectly reflects the brand’s vibrant, adventure-ready identity. Shot in natural, wild settings, their bags are photographed in real-world use—slung over shoulders, perched on rocks, or trekking through fields. 

    This lifestyle-forward approach puts the product in context, emphasizing durability and design for travel and outdoor enthusiasts. The saturated colors of the bags stand out beautifully against the natural backdrops, and each shot is carefully composed to showcase both form and function. The result is photography that feels aspirational, authentic, and deeply connected to the brand’s do-good, go-anywhere ethos.

    Furniture and home goods

    34. MADE

    Outdoor garden lounge setup with striped upholstered sectional sofas, wood coffee table, and potted tropical plants, shown in a sunny patio space. Modern home furniture collection showing a beige sofa, sculptural pendant lighting, and a wooden bed with storage drawers in styled interiors.

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    MADE’s product photography captures the harmony of modern living with a refined, editorial edge. Each image is carefully styled to showcase not just the product—sofas, lighting, or beds—but the ambiance they create. The lighting is soft and consistent, emphasizing texture, shape, and color in a natural way. Warm, muted tones pair with clean architectural lines, drawing the eye through the space and highlighting each design detail without distraction. 

    The result is an inviting, aspirational scene that feels livable yet elevated. MADE’s photography doubles as interior inspiration, turning every product into part of a cohesive lifestyle story.

    35. LOEHR

    Contemporary furniture including a round black table with a yellow cushioned chair, a minimalist open shelf, and a bold orange wood desk.

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    LOEHR’s product photography is a prime example of modern minimalism. With sharp, architectural compositions and pristine lighting, each image distills furniture design down to its purest form. 

    Materials and textures are foregrounded—brushed metals, matte lacquers, and soft upholstery—without unnecessary staging or visual clutter. The crisp shadows and natural gradients from ambient light add depth while preserving the clarity of shape and line. 

    The result is bold, geometric forms. LOEHR’s photography doesn’t just display a product—it reflects the brand’s design philosophy: functional, thoughtful, and quietly radical.

    36. Simon Pearce

    Summer lifestyle scenes with a brunch table set with bagels and juice near a window, and a champagne bottle chilling on an outdoor deck.

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    Set against airy, sun-drenched environments, Simon Pearce’s imagery brings out the artisanal quality of each glass and ceramic piece. The clear sparkle of handblown glassware, the creamy textures of stoneware, and the golden tones of sunlight on surfaces are all captured with refined precision. Lifestyle compositions feel warm and inviting—perfectly styled without feeling staged. 

    Whether it’s a mimosa brunch or champagne on the patio, the photography captures the brand’s essence: craftsmanship, comfort, and understated luxury. This is storytelling through light, texture, and good taste.

    37. Motel a Miio

    Colorful handmade ceramic dish sets, mugs, plates, and bowls with textured glazes on sale with 20–30% discount tags displayed.

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    Motel a Miio’s product photography bursts with color, warmth, and Mediterranean charm. The brand highlights the artisanal quality of its handmade ceramics through rich textures, sunlit surfaces, and thoughtful arrangements. 

    Each image showcases the uniqueness of glazing and form—from the dreamy aqua blues of bowls to the peachy-pink blush of plates. Natural shadows and earthy backdrops give the shots a tactile, sun-kissed feel, inviting viewers to imagine relaxed outdoor dining or cozy kitchen moments. The photography is not just beautiful—it’s transportive, evoking a laid-back, design-forward lifestyle rooted in craftsmanship.

    38. Studio Neat

    Minimalist tool collection featuring the Keen utility knife, Mark One retractable pen, and Mark Two pocket pen in a clean floating product layout.

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    Studio Neat uses minimalist product photography. In this example, each item is suspended against a clean, white backdrop with gentle shadows, emphasizing their streamlined form and material finish. The floating composition gives the products a modern, weightless feel, aligning with their functional and design-forward ethos. 

    Every visual choice—neutral lighting, soft gradients, centered framing—supports a sleek and utilitarian aesthetic. 

    Cars and automotive

    39. Carvana

    Grid display of different vehicle types including SUVs, sedans, trucks, coupes, minivans, convertibles, wagons, hatchbacks, EVs, hybrids, and plug-in hybrids.

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    Carvana takes a clean, uniform approach to product photography by displaying each vehicle category in profile against a pure white background. The consistency in angle, lighting, and car color (white) helps customers compare models quickly while reinforcing trust through visual clarity. 

    For ecommerce brands managing large SKUs or configurable product categories, this style benefits from clipping path, retouching, and shadow effects to ensure clean, scalable presentation across all digital platforms.

    40. CarBahn

    Grid of high-performance car parts including ECU tuning, carbon fiber kits, suspension components, intake systems, engines, air filters, and car care products displayed in a workshop setting.

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    CarBahn’s product photography leans into a high-performance, gearhead aesthetic with bold contrast, sharp lighting, and industrial backdrops. Each category image emphasizes material texture and mechanical precision. There’s a tactile, real-world feel, with shots that oscillate between clean studio setups and gritty workshop environments. 

    This style is ideal for performance auto brands. Related edits might include color correction, reflection and glare removal, and precision shadow work to enhance contrast and depth without over-editing the hardware’s raw appeal.

    41. Mercedes-Benz

    Mercedes-Benz electric concept van with futuristic LED grille and sleek aerodynamic design, showcased under studio lighting.

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    Mercedes-Benz’s product photography captures futuristic elegance with cinematic precision. This concept vehicle is shot under ambient, gradient lighting that complements the sleek contours and metallic finish, making it feel like a luxury object from the future. The low angle and subtle reflections emphasize design innovation—fluid lines, illuminated details, and aerodynamic form—while keeping the focus on craftsmanship and vision.

    Lifestyle and miscellaneous

    42. StickerBrand

    Bold wall murals including a Japanese wave illustration in a café and a leafy tropical wallpaper behind a green-themed bedroom setup.

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    StickerBrand’s product photography transforms wall decals into immersive, real-life design statements. Each wall is staged in context—whether it’s a moody café corner or a leafy bedroom escape—so shoppers can picture the product in their own space. The lighting is soft and natural, allowing the decals to blend seamlessly with furniture, textiles, and finishes while still standing out with crisp lines and vibrant color.

    43. Bambi Baby

    UPPAbaby family product lineup featuring parents walking with the Vista V3 stroller and close-up images of the V3 bassinet and stroller in various colors.

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    Bambi Baby’s product photography blends lifestyle and catalog styles to showcase both the function and feeling behind its premium baby gear. 

    The left side of this example shows a warm, everyday moment—a family on a walk at golden hour. This emotional lifestyle shot balances beautifully with the crisp, isolated product shots on the right, which highlight detail, color variations, and pricing. This dual approach supports both storytelling and conversion. 

    44. Bentley

    Tracker hard-shell suitcase collection in a variety of bold colors and finishes, arranged in a line with the tagline “Travel Colourfully.”

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    Bentley’s luggage line embraces bold, clean, and ultra-modern product photography that celebrates color as a core brand identity. The suitcases are displayed in a tight lineup with seamless lighting and minimal shadows, highlighting each hue without distraction. The gradient floor and backdrop also complement the tones of each suitcase.

    45. Walmart

    Walmart homepage promotions highlighting tech and summer savings, including laptops, PS5, pools, and beauty tools against bright blue backgrounds.

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    Walmart uses bright, consistent, and brand-forward product photography to energize its promotional graphics. Each product—from beauty tools and smart tech to outdoor gear—is presented against soft, uniform color backdrops that create an airy and cheerful visual experience. Items are expertly isolated, often enhanced with clipping paths, drop shadows, and vibrant retouching to make them pop while maintaining a cohesive brand aesthetic.

    Food and drink

    46. Candy Club

    Colorful assortment of gummy candy including rainbow strips, chocolate clusters, sour hearts, and sprinkles, spilling out of open Candy Club jars.

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    Vibrant gummies, chocolates, and sour belts spill playfully from jars across a crisp white background, letting the intense colors and textures take center stage. The overhead layout creates a sense of abundance, while the neatly styled candy piles maintain a polished, crave-worthy aesthetic. Candy Club’s photos are a visual sugar rush that makes every sweet treat look like a party.

    47. Rauch

    ariety of RAUCH branded beverages including Happy Day orange juice, Bravo multivitamin, MyTea lemon iced tea, Yippy kids drink, and 100% Orange glass bottle on a light background.

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    Rauch brings a playful, shelf-ready polish to its product photography. Against a smooth gradient backdrop that shifts from citrus yellow to cream, each beverage line is given equal spotlight with symmetrical placement and minimal distractions.

    Each product floats with a subtle shadow, allowing vibrant packaging to take center stage. The lighting is soft yet evenly distributed, enhancing the saturated colors and fruity visual cues without harsh glare

    48. Backyard Butchers

    Premium meat box selections labeled The Steakhouse, The Backyard, and The Farmhouse, featuring vacuum-sealed cuts of USDA choice beef, pork, and chicken.

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    Backyard Butchers nails a clean, trust-building presentation that’s perfect for high-value food subscriptions. Its product photography highlights premium meat packs in pristine kitchen settings with natural light, fresh produce, and minimal props—immediately reinforcing freshness, quality, and home delivery convenience.

    49. Tony’s Chocolonely

    Tony’s Chocolonely product display with a cream embroidered chocolate hat, colorful chocolate bar gift pack, and milk honey almond nougat bar on vibrant color backgrounds.

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    Tony’s Chocolonely brings the same bold, joyful energy of its packaging into its product photography. Vibrant, solid-color backgrounds create instant visual impact while keeping the focus squarely on the products. Items are shot straight-on with clean clipping paths and slight shadows to create a floating effect, lending a sense of playfulness and modernity. Every shot is bright, color-blocked, and punchy enough to pop in any feed or grid.

    50. Ghia

    Ghia non-alcoholic aperitif and canned drinks styled creatively with the tagline

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    Set against a creamy, sunlit backdrop, Ghia combines perfect product symmetry with unexpected moments—like a pour shot mid-air or cans balancing precariously on glassware. The lighting is soft yet directional, giving glass and liquid a gentle glow while letting label colors pop with vintage flair.

    Create your perfect product photos

    Great product photography doesn’t just capture what you’re selling—it captures why someone should care. Across industries, from fashion to food to tech, the most successful ecommerce brands use thoughtful visuals to build trust, spark desire, and drive conversions.

    If you need help making your own photos stand out, we’re here to help. From background removal and retouching to full-on image enhancements, our team can take your product photos from functional to phenomenal.

    Ready to elevate your product visuals? See how our photo editing services work and get started transforming your images today.

    Simple pricing for stress-free, pixel-perfect photo edits tailored to your needs



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