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  • How to Take Symmetrical Apparel Photos for Ecommerce


    Crooked collars, uneven sleeves, lopsided hems—these small details can make even high-quality products look unprofessional. For apparel product shots, getting perfect symmetry is one of those skills that separates amateur shots from photos that serve as sales tools.

    Clothing doesn’t cooperate like rigid products do. But there are plenty of proven tips and tricks to help with the three stages—prep, shooting, and post-production—so you can consistently create balanced, professional photos that convert.

    Why symmetry matters in apparel product photography

    Put simply, symmetry is pleasing to the eye. It represents order that our brain likes. Like a bookshelf with perfectly aligned spines or evenly stacked towels. But if you look at a building that has every window perfectly aligned except one, you’d notice it immediately.

    The same applies to your product photography. If your apparel shots are crooked, unbalanced, or asymmetrical, shoppers notice—and not in a good way. Symmetry triggers trust, which in turn can help boost your sales

    When buyers see balanced, well-aligned product images—like The Wildlife Trusts online storefront—they perceive higher quality and professionalism. It’s a subconscious signal that you care about details, which translates to caring about your products.

    Product grid from The Wildlife Trusts online store featuring illustrated T-shirts, tote bags, caps, and a water bottle, emphasizing nature-themed merchandise.

    Pre-shoot preparation: setting up for symmetry 

    The right prep can save you hours of editing later and help you achieve that balanced, professional look from the start.

    Choosing the right garments and prep

    • Select quality samples: Choose garments in excellent condition without permanent wrinkles, stretched fabric, or damaged seams that can’t be easily fixed.
    • Steam thoroughly: Remove all wrinkles and creases before shooting. Pay extra attention to sleeves, collars, and hems where asymmetry is most noticeable.
    • Know your fabrics: Delicate materials like silk need gentle handling and may require clips to maintain shape (without over stretching). Heavier fabrics like denim hold their form better but need proper steaming.
    • Arrange details evenly: Position buttons, zippers, and accessories symmetrically before shooting.
    • Check seam alignment: Ensure shoulder seams, side seams, and collar edges are properly positioned and won’t create uneven lines.

    Mannequin and display preparation

    • Choose proper sizing: Select mannequins (or models) that fit your garments without stretching or bunching the fabric. You can turn images into ghost mannequins later.
    • Align mannequin straight: Position mannequins facing directly forward. Shoot straight-on or at a slight up/down angle.
    • Support flat lays: Use foam core boards or batting inside garments to add structure and eliminate wrinkles for flat lay shots.
    • Add dimension: Stuff sleeves and body sections with batting to create natural-looking volume and shape.
    • Pin invisible points: Secure fabric from behind using straight pins to keep symmetrical draping.

    Some pieces won’t work symmetrical and that’s fine. Still apply all other prep and shooting tips to get high quality photos. For example, this cape on Project Cece’s online shop is asymmetrical and calls for balanced composition rather than forced symmetry.

    Product page for a red JULAHAS cotton cape on Project Cece, showing eco-labels and ordering options, emphasizing sustainable fashion marketing.

    During the shoot: capturing balanced apparel images

    Photographing and arranging products isn’t quick work—even teams with professional stylists might max out at 10 items per shoot day, though dedicated studios with specialized workflows can typically process more.

    Camera settings for optimal symmetry

    • Choose longer focal lengths: Use 50mm, 85mm or longer to minimize distortion that can make clothing look uneven or warped. If you’ve got limited space, zoom lenses can come in handy.
    • Set consistent aperture: Shoot around f/8-f/11 to keep the entire garment in sharp focus from front to back.
    • Position camera center: Keep your camera dead-center and level. For top-down shots, ensure the camera is truly overhead to avoid skewing.
    • Use a sturdy tripod: Essential for consistent framing, sharp images, and avoiding camera shake.
    • Set up even lighting: Use two lights (ideally), positioned on either side to eliminate uneven shadows. Adjust angles based on fabric thickness.
    • Enable camera gridlines: Use your camera’s grid overlay to align garments perfectly within the frame. You can also shoot tethered and connect to a monitor to catch any issues in real-time.
    • Frame precisely: Frame your shots exactly as needed from the start. If you plan on removing background or doing other edits like drop shadow, you can always adjust canvas size during editing. Just make sure to fully capture your product so you have plenty to work with in editing.

    Styling techniques for balance

    Different garments will benefit from different arm positions—some look better with hands close to the body, others with arms slightly bent away. Whatever you choose, make sure both sides match for symmetrical posing.

    Before and after image of a plaid dress showing improved styling with symmetrical arm positioning and cleaner garment presentation, alongside tips for balance and garment posing in product photography.

    • Use clips, pins, and even tape behind the garment to create perfect draping while keeping them invisible from camera view.
    • Review each shot immediately to catch issues before moving to the next setup. What looks balanced to your eye may appear crooked in the photo.
    • Make small adjustments between shots rather than major repositioning. 
    Dig deeper into why symmetry sells. Read “Symmetry in Product Photography: Why It Matters” to uncover the psychology and strategy behind balanced apparel images.

    Before and after image of a leather jacket showing ghost mannequin effect and symmetry correction in post-production, with tips on natural garment editing for eCommerce apparel photography.

    Post-production: fine-tuning your symmetry  

    Even with perfect shooting, most apparel photos need symmetry adjustments. Good clothing editing fixes natural flaws without making products look artificial and matches both sides, not copy-pastes half a garment.

    Before and after photo of a green puffer jacket showing improved symmetry and background removal, with editing tips on cropping and alignment using Photoshop grid overlays for precise garment presentation.

    Basic symmetry edits anyone can do

    • Crop and straighten: Use your editing app’s grid overlays to align garments perfectly within the frame and correct any camera tilt. In Adobe Photoshop, you can select several grids when cropping, such as Rule of Thirds or Triangle (both great for quickly centering your shots) or Grids (for more precision).

    Photoshop interface showing a leopard print top on a mannequin with the crop tool active and the Rule of Thirds grid overlay dropdown menu expanded for precise image composition.

    Cropped view of a leopard print knotted T-shirt on a mannequin inside Photoshop, with symmetrical framing adjustments applied using grid alignment tools.

    Professional symmetry editing techniques

    Four-stage photo editing process of a linen top including original, background removal, wrinkle removal, and symmetry correction, demonstrating garment photo enhancement.

    Professional symmetry editing involves complex, precise adjustments that require advanced skills:

    • Sleeve alignment: Matching sleeve length, cuff positioning, and draping between left and right sides
    • Side-edge corrections: Ensuring garment edges create perfect parallel lines and consistent silhouettes
    • Curve refinement: Smoothing necklines, armholes, and hemlines for balanced curves
    • Detail alignment: Positioning pockets, buttons, zippers, and decorative elements to mirror exactly

    These edits involve reshaping fabric digitally while keeping realistic texture and natural draping. Our mirror image symmetry service handles these complex fixes so you can focus on shooting and growing your business instead of spending hours on detailed post-production. 

    When to DIY vs. when to outsource

    Not every symmetry issue can be fixed with editing. Major fabric distortions or non-mirrored patterns need to be corrected during shooting—no amount of post-production can create symmetry that wasn’t captured originally.

    Some garments, like the patterned shirt from Omnes, look balanced in shape but have naturally asymmetric designs. For these pieces, focus on getting the overall structure right during shooting, then handle simple fixes like ghost mannequin effects, lighting adjustments, and wrinkle removal.

    OMNES product listing featuring a model wearing a pink floral shirt and pants set, with isolated product image of the top on white background.

    Basic edits like cropping and straightening work fine as DIY projects. But complex symmetry corrections can take hours per image. For busy photographers and ecommerce brands, professional editing usually costs less than your time while delivering better results. 

    And with marketplaces like Amazon requiring high-quality images, professional symmetry editing gives you that polished result that DIY edits can’t always achieve.

    Symmetry checklist 

    Check all these before approving your images and you’re good to go:

    • No obvious wrinkles (natural fabric draping is fine)
    • Sleeves and hems are aligned and match in length
    • Collar and necklines are centered and balanced
    • Buttons, zippers, and pockets are positioned symmetrically
    • Fabric drapes evenly on both sides
    • Lighting is balanced with no uneven shadows

    Consistently balanced shots for every product

    Not only does symmetrical apparel photography help your products look appealing, it also meets the high standards that customers expect in ecommerce. Whether you edit in-house or outsource the tricky stuff, what matters is finding the approach that works for your workflow and quality needs.

    Need help getting perfect symmetry? Path’s editors handle complex apparel fixes, saving you time while delivering professional results for any marketplace.

    The post How to Take Symmetrical Apparel Photos for Ecommerce appeared first on Path Edits.



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  • Nauticam Announces Housing for the Canon EOS C400 Cinema Camera

    Nauticam Announces Housing for the Canon EOS C400 Cinema Camera


    Nauticam has unveiled its housing for the Canon EOS C400. Sporting a cube-style design like that of the EOS C300 Mark III, the C400 features a full-frame 6K CMOS back-illuminated stacked image sensor with up to 16 stops of dynamic range. It can record 6K/60p full-frame footage in 12-bit Cinema RAW Light, as well as shoot 4K/120p and 2K/180p RAW video.

    Employing the company’s N120 port system, Nauticam’s NA-C400 housing features important controls within easy reach of the integrated ergonomic handles, including lens control dials, and exposure and capture controls. Making use of the camera’s remote functionality, the housing also features electronic controls at the rear and on the sides. The housing supports HDMI 2.0 and 1.4 for external monitors or recorders, while SDI output is also available for either surface monitoring or supported monitors. 

    Retailers such as Backscatter are now taking pre-orders for the NA-C400, which is priced at $11,000.

     



    When purchasing underwater photography equipment like the products mentioned in this article, please support DPG by supporting our retail partner—Backscatter.com.



    PRODUCT INFORMATION

    INTRODUCING NAUTICAM NA-C400

    The Canon EOS C400 Cinema Camera

    Canon’s EOS C-series Cinema Cameras have long been among the most versatile cinema cameras for underwater filmmakers and the C400 is no exception. Built around a 6K BSI full-frame sensor and the large RF-mount, the C-400 also features mechanical ND filters and Canon’s powerful Dual Pixel AF II.

    Key Camera Specifications:

    Canon EOS-C400

    • 6K Full Frame Back-Illuminated Sensor
    • 6K60, DCI 4K/2K, UHD 4K120
    • Full Frame, Super35 & Super16 Modes
    • Triple-Base ISO: 800, 3200, 12,800
    • Record Internal Cinema RAW Light, XF-AVC
    • Improved Dual-Pixel CMOS AF II


    The Nauticam NA-C400 Underwater Housing

    The Nauticam NA-C400 is a professional underwater aluminum housing that builds on Nauticam’s extensive cinema housing lineup. The NA-C400 features the large N120 port opening shared with other Canon RF and EF-mount cameras such as the R5II and R5C. This allows for the use of identical lens and port combinations when using a combination of RF-mount Canon cameras on a project with Nauticam housings.

    Mission Control

    Nauticam engineers obsess over placing essential controls where they are needed most so you never miss a shot looking for a button, dial or lever. Nauticam’s cinema lineup features large cinema-style lens control dials for precise control of focus and zoom. Exposure and capture controls are placed within easy reach of the ergonomic handles.

    In addition to mechanical controls for Power, Zoom, Focus and Lens Release, the NA-C400 features electronic controls at the rear, and both sides of the housing through the camera’s remote functionality. The left handle adjacent controls are for ‘Up’, ‘Down’, ‘ISO+’, and ‘ISO-‘. Right handle adjacent controls are for ‘Rec’, ‘Fn3’, ‘Fn4’, ‘IRIS+’ and ‘IRIS-‘. The main control board accesses ‘Left’, ‘Right’, ‘Up’, ‘Down’, ‘Set’, ‘1’, ‘2’, ‘Set’, ‘MENU/REC Review’.

     

    LCD Monitor Support

    The C400 features a detachable LCD screen that can be easily integrated into the NA-C400. The LCD monitor is supported inside the housing and is mounted at the rear of the camera with a supplied bracket that allows it to be easily viewed underwater through the shaded rear window making for a streamlined filming solution.


    HMDI/SDI

    The NA-C400 supports Nauticam’s optional HDMI 2.0 and 1.4 system that can accommodate external monitors or recorders in Nauticam housings. SDI output is also available for either surface monitoring or supported monitors. The NA-C400 has 1 M28 and 5 M16 bulkheads to accommodate a variety of configurations to suit mounted or remote setups.


    Battery

    The NA-C400 can accommodate either the BP-A30N or BP-A60N batteries or a combination of the BP-A30N and an FXLION NANO THREE 150Wh Micro V-Mount battery for extended runtimes.

    RESOURCES

    What’s In The Box:

    • NA-C400 Housing with vacuum valve pre-installed
    • Housing Cap
    • 2x Handles with mounting balls and 2x handle brackets
    • Panasonic CR-2450 Battery (pre-installed for moisture alarm)
    • Spare main O-ring, O-ring remover and lubricant  
    • Set of Allen Keys
    • Housing skids
    • Monitor Shade
    • Safety box

    Recommended Accessories:

    Housing Mount

    • 25221 M10 strobe mounting ball for housing
    • 25224 M10 strobe mounting ball for housing (with hole for using with lanyard)
    • 25228 M5 strobe mounting ball for housing
    • 16226 Mounting Bracket for Monitor Housing to use with Cinema Housings
    • 16701 Top Handle for E2/F/C70/BGH1/BMPCC
    • 17961 Swivel and Tilt Adjustable Monitor Mount System (To be release)

    Trim Weights

    • 16232 0.25kg Trim Weights for 16227 (4pcs)
    • 16233 0.5kg Trim Weights for 16227 (4pcs)

    Vacuum Valve

    • 25625 M16 Vacuum Valve II (Pushbutton Release)

    Handles

    • 28123 Pair of handles – size S (10mm closer to housing)

    DMI OUTPUT:

    Required accessories for HDMI 2.0 Cable System

    • 25089 M28 HDMI 2.0 Adapter
    • 25078 M28A1R225-M28A1R170 HDMI 2.0 Cable (for NA-BMPCCII/S1R/S1H to use with 17922/17909N)

    Compatible Monitor Options

    • 17922 Nauticam Atomos Ninja V Housing for Atomos Ninja V 5” 4Kp60 4:2:2 10-bit 

      Reorder/Monitor/Player (excl. HDMI 2.0 cable)
    • 17926 Nauticam NA-Ultra5 Housing for SmallHD Ultra 5 Camera Monitor

    Required accessories for HDMI 1.4 Cable System

    • 25033 Standard HDMI bulkhead with M16 thread (Mounted on the right side M16 of middle housing)
    • 25100 HDMI (D-A) 1.4 Cable in 200mm length for NA-a1 (for connection from HDMI bulkhead to camera)

    *25033 and 25100 is included in 17927 monitor housing

    Compatible Monitor Options

    • 17927 NA-Shinobi II Housing for Atomos Shinobi II 5.2″ Monitor with HDMI 1.4 input

    SDI OUTPUT:

    Required accessories for SDI Cable System

    • 17926S SDI Cable Set for use with NA-Ultra5/17922S  

    Compatible Monitor Options

    • 17922S Nauticam Atomos Ninja V-S Housing for Atomos Ninja V 5” 4Kp60 4:2:2 10-bit 

      Reorder/Monitor/Player (excl. HDMI 2.0 cable) with Atomos AtomX SDI Module
    • 17926 Nauticam NA-Ultra5 Housing for SmallHD Ultra 5 Camera Monitor

    Required accessories Surface Monitor

    • 25058 M16 SDI Bulkhead

      *Only support to be installed on the back door
    • 25060 SDI cable in 0.4m length (for connection from camera to underside of SDI Bulkhead)
    • 25064 SDI surface monitor cable in 15m length 

      (for connection from SDI Bulkhead to Surface Monitor on land)
    • 25065 SDI surface monitor cable in 45m length 

      (for connection from SDI Bulkhead to Surface Monitor on land)





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  • AOI Announces Protective Silicone Sleeves for Q1-Series Strobes

    AOI Announces Protective Silicone Sleeves for Q1-Series Strobes



    Alongside the launch of its latest strobe—the UCS-Q1i—AOI has announced a set of protective silicone sleeves designed for strobes in the Q1 series, including the UCS-Q1i, UCS-Q1RC, and UCS-Q1. Engineered to offer a snug, secure fit, these durable silicone sleeves provide protection against scratches, abrasions, and minor impacts, extending the life of the strobe while allowing users to add a personal splash of color to their underwater setup.

    Sold in pairs, the sleeves are available in six vibrant colours: neon pink, orange, yellow, lime green, aqua blue, and graphite gray. The sleeves are designed for easy installation and removal, making them a versatile and stylish addition to any Q1-series strobe.

    Available now, the protective silicone sleeves will retail for USD25.

     



    When purchasing underwater photography equipment like the products mentioned in this article, please support DPG by supporting our retail partner—Backscatter.com.





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  • AOI Announces Protective Silicone Sleeves for Q1-Series Strobes

    AOI Announces Protective Silicone Sleeves for Q1-Series Strobes



    Alongside the launch of its latest strobe—the UCS-Q1i—AOI has announced a set of protective silicone sleeves designed for strobes in the Q1 series, including the UCS-Q1i, UCS-Q1RC, and UCS-Q1. Engineered to offer a snug, secure fit, these durable silicone sleeves provide protection against scratches, abrasions, and minor impacts, extending the life of the strobe while allowing users to add a personal splash of color to their underwater setup.

    Sold in pairs, the sleeves are available in six vibrant colours: neon pink, orange, yellow, lime green, aqua blue, and graphite gray. The sleeves are designed for easy installation and removal, making them a versatile and stylish addition to any Q1-series strobe.

    Available now, the protective silicone sleeves will retail for USD25.

     



    When purchasing underwater photography equipment like the products mentioned in this article, please support DPG by supporting our retail partner—Backscatter.com.





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  • Marelux Announces MX-R5II Housing for the Canon EOS R5 Mark II

    Marelux Announces MX-R5II Housing for the Canon EOS R5 Mark II


    Marelux has released its underwater housing for the new Canon EOS R5 Mark II. The second-gen pro-level full-frame mirrorless camera features a back-illuminated, stacked 45MP sensor, shoots up to 30fps using its electronic shutter, and records 8K/60p RAW video internally.

    Aiming to take full advantage of the R5II’s capabilities, Marelux’s anodized aluminum alloy housing features an ergonomic design with controls arranged around the built-in handles. A quick-release baseplate allows the camera to be easily inserted with precision and removed again. Dual locking levers ensure the housing is safely closed, while ports and extension rings are secured in place using another locking lever. The housing ships with a vacuum detection and moisture alarm system.

    The housing is compatible with various novel accessories, including the Flashfuel FF2100, which combines a flash trigger and a power bank (for charging the camera as well as powering the flash trigger); and the Remote Shutter Module, which allows you to control the shutter remotely using the Marelux Artemis 4500 RMT video light.

    The MX-R5II housing has an MSRP of $3,398 and can be ordered directly from the Marelux website.

     



    PRODUCT INFORMATION

    MX-R5II Housing for Canon EOS R5II Mirrorless Digital Camera

    INTRODUCTION

    Marelux housing has the industry leading design that’s not only more compact than other brands but also more simplified in mechanical structure to make it easy to assemble. With 125mm port diameter, the biggest in the market, users can easily install and uninstall cameras with large lens through the housing.

    Marelux housing is built using uniquely anodized aluminum alloy which provides superb scratch resistance, sea water erosion durability as well as the attractive options of various surface colors. The housings maintain a perfect balance between sturdy body and lightweight. It has the best-in-class ergonomics with all the camera controls readily available at your fingertips including AF-ON and Q Menu.

    Marelux housing can be connected to other innovative products made by Marelux, such as 180-degree Smart Viewfinder etc., making diving and underwater photography easier, safer and more enjoyable.




    FEATURES

     









     

    Flashfuel FF2100 (Manual Flash Trigger + 2100mAh Power Bank Combo)


    • Patented Design: Tailored for underwater photography and high-speed shooting, combining flash triggering and camera power supply in a single compact device.
    • Ultra-durable Trigger Performance: Powered by a single CR123A 3V lithium battery, it can handle up to 300,000 flash triggers before replacement.
    • Robust USB-C Power Output: Integrates a 2100mAh rechargeable battery, offering up to 30W output (5–20V), capable of powering your camera directly.

     

    Remote Shutter Module


    • With an invention patent, the Remote Shutter Module is designed to enhance underwater photography by providing remote control capabilities to remotely control the camera shutter release via Marelux’s Artemis 4500 RMT Light (42703). It features an effective receiving distance of 10 meters and an optical signal receiving angle of 140 degrees, allowing for flexible positioning and reliable performance.

     

    Dual Locking System


    • Requires little effort to lock it in place, while making it almost impossible to be unlocked by accident, and it will take only a second to open if needed for a battery change.

     

    Manual Flash Trigger


    • The flash trigger can translate the electric signal from the camera into light signal, with an extremely long battery life of 10,000 triggers on only two CR2032 batteries.

     

    Built-in Lock


    • Extension ring and port can be safely locked in place with the built-in locking system on the housing with one simple click.

     

    Sturdy Baseplate


    • A 50kg force is applied to secure the camera with the design of the quick release baseplate, while being extremely convenient to operate.


     


     


    SPECIFICATIONS

    • Material: Anodized Aluminum Alloy
    • Dimensions: 354mm(W) x 187mm(H) x 156mm(D)
    • Weight In Air: 3.52kg
    • Depth Rating: 100m
    • Port Mount: Series 5


    INCLUDED ITEMS

    • 55201 Housing Mounting Ball x 2 
    • 12002 Main Housing O-Ring  x 1
    • 41201 Vacuum Detection/Moisture Alarm with CR2032 battery x 1  
    • 54401 Lubricant x 1 
    • Set of Allen keys x 1
    • 54101 Housing Hard Case x 1


    ACCESSORIES

    • 56201 M16 Vacuum Valve (with Hand Pump) – Pre-installed
    • 41110 Manual Flash Trigger for MX-R5II Housing
    • 41403 Flashfuel FF2100 Manual Flash Trigger and Built-in 2100mAh Power Bank Combo


    Item No.: 21106

    US$3,598.00





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  • Aquatica Unveils Housing for Canon EOS R5 Mark II

    Aquatica Unveils Housing for Canon EOS R5 Mark II


    Aquatica has announced its housing for the Canon EOS R5 Mark II. The second incarnation of the pro-level full-framer sports a new back-illuminated, stacked 45MP sensor, promising much greater readout speeds. The new hardware allows the camera to shoot full-resolution RAW images with AF at 30fps using its electronic shutter as well as record 8K/60p RAW video internally.

    Hewn from aluminum, anodized and baked with tough powder coat paint, Aquatica’s housing features integrated handles, stainless steel push buttons, and compatibility with both native RF and legacy EF lenses (using a mount adapter and extension ring). The housing has a large-bore M24 port supporting HDMI 2.0 output to a recorder/monitor like the Atomos Ninja V+.

    The housing can be ordered in four configurations: (i) with dual Nikonos bulkheads, (ii) with dual optical bulkheads and an LED trigger, (iii) with a single Ikelite bulkhead, and (iv) with Ikelite TTL capability (which requires the separate purchase of Ikelite’s DL5 Canon TTL converter). All versions include Aquatica’s Surveyor vacuum circuitry (pump, valve and sensor) as standard.

    The housing is available for pre-order from retailers such as Backscatter at an MSRP of at $3,400.

     



    When purchasing underwater photography equipment like the products mentioned in this article, please support DPG by supporting our retail partner—Backscatter.com.



    PRODUCT INFORMATION

    Aquatica AR5 II: 20099

    Price includes your choice of strobe connectors & our complete vacuum, sensor & pump system:

    • Double Nikonos
    • Single Ikelite-Manual
    • Dual Optical-Flash trigger included
    • Ikelite TTL capability

      *Ikelite DL5 external converter required #46074

    We are proud to present one of our latest housings: The AR5II for the Canon EOS R5 MKII Mirrorless camera! Continuing in Aquatica’s reputation for offering premium quality and at affordable prices, the AR5II housing has the finest ergonomics and control accessibility combined with the famed ruggedness of our all aluminum construction and distinctive hard coating.

    THE CAMERA

    The EOS R5 Mark II Mirrorless Camera is the multimedia professional’s solution for versatility, image quality, and intelligence. Features:

    • 45MP Full-Frame Stacked BSI CMOS Sensor
    • DIGIC Accelerator Processing
    • Dual Pixel Intelligent AF, Eye Control
    • 8K 60 Raw/4K 60 SRAW/4K 120 10-Bit Video
    • Up to 30 fps, Pre-Continuous Shoot Mode
    • 76m-Dot EVF with OVF Sim. View Assist
    • 2″ Vari-Angle Touchscreen LCD
    • In-Camera Upscaling to 179MP
    • CFexpress & SD UHS-II Memory Card Slots
    • Wi-Fi 6E / Wi-Fi 6 Support


    ABOUT THE HOUSING

    As to be expected with all Aquatica housings, it is CNC machined from 6061 T6 Aluminum with a MIL-A-8625 anodized coating and added on top  a baked on, extra tough powder coat paint. All control shafts and push buttons are made from T304 stainless steel. This, as for all our housings, will take a licking and keep going!

    The AR5II housing supports not only the new RF mount lenses but also the EF mount by simply using our new adaptor extension ring #48474. This new adapter can easily be installed and will enable the AR5 housing to function with any previous Canon EF lens and its corresponding extension ring.

    Surveyor monitoring system INCLUDED

    What was previously an optional accessory, we are now including our field proven Surveyor Vacuum System (Pump, valve and sensor) as standard.


    VIEWFINDERS

    The Aquatica AR5 II housing is supplied with our Galileo type eye piece. This high quality and coated optical finder gives a bright and full view of the view finder. For those seeking the ultimate in viewing for still image, the optional Aqua View Finder, available in straight and 45 degrees version, are among the best of the industry, they can easily be installed in a matter of a few minutes by the user. The enlarged and enhanced image provided by the Aqua View Finder (#20054 & 20059) is second to none in clarity; it provides the photographer with tack sharp corner to corner viewing of the camera view finder for composing and critical focusing.

    SPECIFICATIONS

    Part Number:

    • 20099-NK-VC: with double Nikonos bulkheads & complete Surveyor vacuum circuitry
    • 20099-KM-VC: with single Ikelite bulkhead & complete Surveyor vacuum circuitry
    • 20099-OPT-VC: with dual optical bulkheads, LED trigger & complete Surveyor vacuum circuitry
    • 20099-KTTL-VC: with Ikelite TTL capability & complete Surveyor vacccum circuitry

      *Ikelite DL5 External converter required #46074. Purchased separately from Ikelite.

    Composition:  Aerospace grade 6061 T6 Aluminum with MIL-A-8625 Anodized Coating then finished with a baked on, super tough, abrasion resistant powder coat paint.  Control shafts and all push buttons are T304 Stainless Steel

    HDMI: Large 23.75mm (.950 inch) HDMI Bulkhead Opening

    Depth Rating: 90m ~ 300 ft.  Can be upgraded to 130m, ~ 450 ft with our deep spring kit

    Weight: 6.5 lb (2.94kg)

    Dimensions: 9.50” x 7.10” x 5.96” (W x H x D) (241mm x 180mm x 151mm)

    Port System: Compatible with all Aquatica DSLR sized Bayonet Mount Ports


    SUPPORTED ACCESSORIES

    • Aqua View and Aqua View 45 & 180 viewfinders
    • Full line of the Delta 3 Arm System
    • 5HD Monitor
    • Aquatica Close Up Kit
    • Aquatica Housing Lanyard K


    RETAIL PRICE AT ONLY $3,399.00

    For more information, please contact: info@aquatica.ca or call 514-737-9481





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  • Nauticam Announces Housing for the Canon PowerShot V1

    Nauticam Announces Housing for the Canon PowerShot V1


    Nauticam has unveiled its latest housing, the NA-CV1, designed to accommodate Canon’s new point-and-shoot, the PowerShot V1, released in February 2025. The compact (aka vlogging) camera features a 22.3-megapixel 1.4-inch sensor (which is similar in size to Micro four Thirds, but with a 3:2 aspect ratio), a DIGIC X image processor, and a fixed zoom lens with a focal length range equivalent to 16–50mm f/2.8–4.5. Boasting Canon’s Dual Pixel AF II autofocus system, the PowerShot V1 can record uncropped 4K/30p video oversampled from 5.7K and achieves 15fps burst shooting with its mechanical shutter.

    For the NA-CV1, Nauticam has opted to use their N50 port system but ship the housing with the N50 3.5-inch acrylic dome port, which allows the full 16–50mm zoom range out of the box. Switching to their N50 Short Port 25 gives users the opportunity to mount various Nauticam water-contact optics, such as the WWL-C (FOV: 130°–71°), WWL-1B (FOV: 130–80º) and SMC/CMC (via Nauticam’s bayonet mount adaptor). Like Nauticam’s other housings for compact cameras, users have the option of adding a tray and handles, an LCD magnifier, and a vacuum valve (via the housing’s M16 port)—the vacuum monitoring and leak detection system is pre-installed.

    The NA-CV1 housing is priced at $2,000 and is available now from retailers such as Backscatter.

     



    When purchasing underwater photography equipment like the products mentioned in this article, please support DPG by supporting our retail partner—Backscatter.com.



    PRODUCT INFORMATION

    INTRODUCING NA-CV1 FOR CANON POWERSHOT V1 DIGITAL CAMERA

    The Canon PowerShot V1 Camera

    Key Camera Specifications

    • 22.3MP 1.4″ CMOS Sensor
    • 16–50mm Equivalent f/2.8–4.5 Lens
    • Full-Width 4K 30p; 4K 60p with 1.4x Crop
    • 10-bit Recording; Canon Log 3
    • Dual Pixel AF II for PowerShot
    • Optical Stabilization; 3-Stop ND Filter
    • Active Cooling Extends Shooting Times

    The Nauticam NA-CV1 Housing

    NA-CV1 is the latest iteration in a lineup of advanced housings for very capable compact cameras supported by Nauticam. Many features found on professional DSLR systems have been integrated into this system, and the result is an underwater housing that allows the user to harness the full potential of this advanced compact camera in the water.

    The basic functions and ergonomic enhancements that Nauticam users have grown to know and love are incorporated in NA-CV1. The housing is machined from a solid block of aluminum, then hard anodized to seal out corrosive salt water. It is closed via a simple, yet secure locking rotary latch. The right side of the housing is sculpted to fit the palm of the user’s hand, and Nauticam’s two-stage shutter release lever provides clear differentiation between the half press and full press shutter release positions. All functions are clearly labeled.

    The Nauticam leak alarm and vacuum monitoring system is installed as standard equipment. This system provides an audible and visual alert to any water entry in the housing, and when combined with an optional accessory M16 Vacuum Valve II (25625) the watertight integrity of the system can be tested before ever entering the water and monitored during every dive.

    Expert product design, modern manufacturing techniques, top quality materials backed by a two-year warranty, and a critical focus on the user experience combine to produce the premier system for Canon Powershot V1.


    The N50 Port System

    The NA-CV1 ships with the N50 3.5″ Acrylic Dome Port that allows the full 16–50mm zoom range, but other ports are available from the N50 system. When combined with the 38703 N50 Short Port 25, you can add on the 83203 WWL-C for a converted FOV of 130 degrees to 71 degrees.  

    What’s in the Box?

    • NA-CV1 housing
    • N50 3.5″ Acrylic Port
    • Spare main housing O-ring (90131)
    • O-ring remover
    • CR2032 battery (for moisture alarm)
    • Lubricant
    • Set of Allen keys
    • Padded Housing Bag
    • Set of handle brackets with shutter release trigger

    Recommended Accessories

    • 25625 M16 Vacuum Valve II (Pushbutton Release)
    • 25131 LCD Magnifier attachment Rails
    • 25106 LCD Magnifier with Dioptric Adjustment
    • 71206 Easitray II with left handle (with 2pcs 1/4” screws)
    • 71207 Flexitray II with left handle (with 2pcs 1/4” screws)
    • 71208 Adjustable right handle II (for Easitray II & Flexitray II)
    • 38703 N50 Short Port with Bayonet Mount (To use with WWL-C or WWL-1B)
    • 83203 Wet Wide Lens for Compact Cameras (WWL-C)
    • 83202 Wet Wide Lens 1 (WWL-1B) 130 deg. FOV with compatible 28mm Lenses
    • 83214 Bayonet Mount Adaptor for SMC/CMC
    • 81301 Compact Macro Convertor 1 (CMC-1, 4.5X Magnification)
    • 81302 Compact Macro Convertor 2 (CMC-2, 2.8X Magnification)

    N50 Port Chart

    1. N50 3.5” acrylic dome port, Zoom Range 16–50mm (*The minimun focus distance at Wide 16mm is 25mm, and at Tele 50mm is 530mm)

    2. 38703 N50 Short Port 25 + 83203 WWL-C, Lens FOV 84–46º, Converted FOV 130–71º, Zoom Range 24–50mm (*Slight vignetting at 24mm)

    3. 38703 N50 Short Port 25 + 83202 WWL-1B, Lens FOV 75–46º, Converted FOV 130–80º, Zoom Range 28–50mm

    4. 38703 + 83214 Bayonet Mount Adaptor for SMC/CMC with MFO-1, CMC-2/1

     








    *Test at focal range 50mm Smallest Subject Size Working Distance
    without diopter 105 x 70 mm 175–∞
    with 81501 MFO-1 89 x 59.3 mm 116–1150 mm
    with 81302 CMC-2 48 x 32 mm 55–125 mm
    with 81301 CMC-1 38 x 25.4 mm 37–74 mm

    Technical Specifications

    • Dimensions: 165mm(W) x 139mm(H) x 128mm(D)
    • Weight in Air: TBD
    • Buoyancy in Water: TBD
    • Depth Rating: 100m
    • Port Mount: N50
    • Accessory Ports: Front M16 x 1, M10 x1 on Top





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  • 20 Monochrome Photographs For Creative Photography Ideas


    Monochrome images can be captured by looking around in our day to day scenes, architectural structures, landscapes at certain times of the day, or even by making use of coloured lights to bring in a monochromatic colour to the scene. If you have not shot monochrome images other than black and white, these images here will inspire you to observe your surroundings and capture more monochrome images.

    The post 20 Monochrome Photographs For Creative Photography Ideas appeared first on Light Stalking.



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  • Nominations Open for the Inaugural ADEX 360 BLU Awards

    Nominations Open for the Inaugural ADEX 360 BLU Awards



    If you were one of the nearly 50,000 attendees at the last Asia Dive Expo in Singapore—or any of the 30 previous editions of the hugely popular dive show—you will already know that ADEX is a must-attend event on the dive calendar. But the next one just got even more interesting, with the announcement of the first ADEX 360 BLU Awards.

    Per the press release (below), the ADEX 360 BLU Awards will honor “outstanding individuals and organisations in the field of diving, innovation, ocean conservation, arts, and more,” with some 46 awards being given out during an evening ceremony on the second day of ADEX 32nd Edition in April 2026. The awards fall into four categories—“Sports & Education,” “Ocean Tourism,” “Arts & Science,” and “Individual Excellence”—and you’ll be pleased to know that “Photographer of the Year” is among them.

    The nomination period is from June 1st to October 1st, 2025, with shortlisted nominees put to public vote between October 10th, 2025 and February 10th, 2026. Check out the press release below to find out more or head over to the ADEX website.

     



    PRESS RELEASE

    ADEX 360 BLU AWARDS 2026

    Honouring Excellence: Celebrating the Industry and Community!

    The ADEX 360 BLU Awards 2026 will honour outstanding individuals and organisations in the field of diving, innovation, ocean conservation, arts, and more. The diverse range of traditional and new award categories will recognise everyone who plays a role in this space, ensuring we celebrate contributions from both the industry and the community. We hope to celebrate leadership, sustainability, and creativity, while supporting marine conservation through a high-impact charity auction.

    As part of the ADEX 32nd Edition Singapore Ocean Week, the longest-running and largest dive show in Asia, the ADEX 360 BLU Awards will be held on Saturday, April 11th, 2026, at Suntec Singapore. This ceremony is not only a celebration of excellence but a tribute to the passionate individuals, leaders, and changemakers who are shaping the future of diving and ocean protection.

    Nominations are open to individuals and organisations worldwide and awards will be presented at both Asia and Global levels, with dedicated trophies recognising contributions across the diving world.

    Award categories cover four key pillars, which are:

    • Sports & Education
    • Ocean Tourism
    • Arts & Science
    • Individual Excellence

    Some of the awards include:

    • Diver of the Year – Celebrating a diver whose achievements have significantly advanced diving and marine exploration.
    • Ocean Hero of the Year – Honouring a changemaker whose impact and advocacy have made a real difference for our oceans.
    • Most Certified Dive Centre of the Year – Recognising excellence in dive training and outreach across the region.
    • Photographer of the Year – For imagery that captures the soul of the sea and the urgency to protect it.
    • Best E-Learning Platform of the Year – Acknowledging innovation in accessible, high-quality dive education.
    • Eco-Tourism Dive Resort of the Year – Celebrating leadership in sustainable diving and responsible travel.
    • Lifetime Achievement Award – Awarded to individuals whose lifelong dedication has shaped the global dive community.

    The nomination period is open from June 1 to October 1, 2025. A shortlisting official committee will announce the Top 10 per sub-category by October 9, 2025, with public voting taking place from October 10, 2025 to February 10, 2026. Final winners will be announced live at the ADEX 360 BLU Awards Ceremony in April 2026.

    To view the full list of award categories and descriptions, visit: www.adex.asia/adex-360-blu-awards

    To submit a nomination, visit: www.adex.asia/adex360-blu-awards-form

    Join us as we recognise those who inspire, protect, innovate, and lead in diving and ocean advocacy. The ADEX 360 BLU Awards 2026 are more than just awards, they are a celebration of our global ocean community.

    ADEX 32nd Edition

    The 32nd edition of the Asia Dive Expo, Asia’s largest and longest-running dive expo, will be held from April 10–12, 2026, at Suntec Singapore, during Singapore Ocean Week to celebrate ocean-related industries, culture, and conservation. ADEX 2026 will be dedicated to the Humphead Wrasse, raising awareness for its protection, and the Blue Revolution – Reduce, Innovate, Reuse: a commitment to promoting sustainability in ocean and diving practices. The show will feature diving innovation, ocean culture, sustainability, and community, from the TEK Asia Conference and underwater arts to tourism, tech, conservation, and beyond.

    Media Contact:

    MIHIRI S KORALA

    mihiri@uw360.asia

    +94 77 770 6009

    ADEX – Asia Dive Expo

    www.adex.asia

     





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  • Underwater Awards Australasia 2025 Open for Submissions

    Underwater Awards Australasia 2025 Open for Submissions



    The Underwater Awards Australasia 2025 is now accepting entries. The premier underwater imaging competition focused on the Australasian region is a three-way collaboration between DPG, Underwater Australasia, and UW Images. This year, entrants are competing for prizes in nine categories, including the contest’s unique “Reels Showcase” video category, with the top image or video among the category winners receiving the distinction of “Best of Show.”

    This year’s prize pool has increased in value by more than 40% compared to last year, to a total of A$70,000! The prizes include dive trips with the world’s top resorts and liveaboards as well as the latest underwater imaging equipment and dive gear—even an underwater photography drone and an underwater scooter with photographic platform. The prestigious judging panel comprises photo judges Tobias Friedrich, Jayne Jenkins, Matty Smith, Tanya Houppermans, Scott Portelli and William Tan; and video judges Philip Hamilton and Ross Long.

    The competition will culminate in an exhibition and awards ceremony at Go Diving Show ANZ in Sydney, in September 2025. The exhibition will feature high-quality metal prints of the finalist entries in the photo categories. Made by the competition’s Printing Partner PhotoMart, the prints will be available for purchase at the show, with the proceeds going to Environmental Partners Australian Marine Conservation Society and Take 3 for the Sea.

    Head over to UnderwaterCompetition.com to find out more about the categories, prizes and judging panel, and make sure to read the rules and guidelines carefully before submitting. Entry fees are US$10 per image or video entered. The competition closes on July 20th, 2025.

     

     





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