برچسب: with

  • Underwater Whale Photography with the Sigma 14mm F1.4 DG DN Art Lens

    Underwater Whale Photography with the Sigma 14mm F1.4 DG DN Art Lens


    I recently returned from two months of guiding, photographing, and filming ocean safaris in the South Pacific and Caribbean. I work for Just the Wild, a company that specializes in ethical in-water whale and other marine megafauna encounters. Akin to that, I also work as a professional nature and adventure photographer and filmmaker with a specialty in underwater imagery. Before departing, I felt like my underwater images had stagnated in look and aesthetic. Before leaving, I wanted to get my hands on a lens that few underwater shooters have yet to discover. I quickly honed in on the Sigma 14mm F1.4 DG DN | Art.

    This lens stood out to me because of its design for astrophotography. The night sky and underwater imagery world overlap a lot. When shooting underwater, you need to be using a lens that’s extremely wide, has fast and accurate autofocus, and, most important to me, satisfies my greed for sharpness.


    My underwater setup:

    My current go-to underwater setup is the Sony Alpha 1 with a Sigma 14mm F1.4 DG DN | Art contained within a Nauticam housing with a 230mm dome port. While my setup changes depending on what I’m shooting, I rarely make changes when it comes to shooting large animals such as whales.

    For anyone looking to get into the underwater world, there are now numerous great housing options. You can’t go wrong with Nauticam, Marelux, Isotta, Aquatica, and for entry-level, I’ve seen great results with Sea Frogs housings. Whatever you go with, make sure you get a housing with a vacuum pump. This will ensure you never flood your housing. I’ve lost a few cameras before I spent the extra money on that safety feature. I’d also recommend consulting distributors like Reef Photo & Video (an authorized Sigma dealer as well) on getting the proper dome and extension ring setup for your lens (I’ll come back to this on maximizing the sharpness for lenses like the 14mm F1.4).


    General tips and settings:

    Like I said earlier when it comes to underwater, you have to adapt your setup and settings to fit your target subject. That being said, these are the settings for 98% of my whale and other large animal species. The golden ticket to never missing a shot: 1/800 shutter or faster, F8 or above depending on light, and auto ISO.

    Now I know you’re scratching your head with the auto ISO. Isn’t it better to manually adjust? New mirrorless cameras give you the ability to set a range for your auto ISO. I limit my camera from being able to shoot above 6400. New mirrorless cameras can easily handle that ISO with very little noise. This allows me to worry more about my composition rather than my settings, which is essential in a dynamic situation like snorkeling with a whale.


    Standout features of the Sigma 14mm 1.4:

    BUILD QUALITY:

    Upon getting the lens, the first thing that stood out to me was the craftsmanship of the build. This lens boasts meticulous and detailed care the engineers put into it. You can’t help but marvel at the beautiful front element and the design of the aperture ring. The other must for me is the weather resistance. This lens is designed to be left outside all night photographing stars, making it tough. Every now and then, I have to open my housing on a boat, a not-so-dry environment, I might add. This lens gives me the peace of mind that my day won’t end in catastrophe if I get water on it.

    FOCAL LENGTH:

    As I mentioned before, the front element of this lens is a work of art. Boasting a 114-degree field of view, this lens is very wide. When shooting underwater, you want as little space between you and your subject as possible. The water and the particulates in it distort your color and detail, so have to be right up in the action. When you’re close to a 35-foot-plus giant, this lens assures that the entire animal will be in view.

    F1.4 APERTURE:

    For most other underwater shooters, having the ability to shoot at F1.4 isn’t a big sell. When shooting underwater with a dome port, you typically want an aperture of F8 or smaller, otherwise, your edges will become soft. However, I find it extremely useful when filming. When it comes to video, I don’t focus as much on the absolute sharpness I desire with my photos. Especially if I’m shooting a subject I can’t use lighting on, the F1.4 aperture allows me to film later in the day and in darker water. There’s now also the advent of new dome ports by Nauticam called WACP ports. These ports now allow you to shoot much sharper and wider apertures. These ports allow you to use your lenses at a wider aperture without sacrificing corner sharpness. While a port like this doesn’t yet exist for the 14mm, Nauticam has been consistently innovating, and I wouldn’t be surprised if they come out with one soon.

    EXAMPLE OF VIDEO SHOT AT F1.4

    SHARPNESS:

    Have I mentioned I’m a sharpness snob? One of the reasons I wanted to switch from a 16-35mm to a wide prime like the Sigma 14mm F1.4 DG DN | Art is the sharpness. Aside from this lens being insanely sharp on its own accord, the fact that it’s a fixed length makes it that much sharper underwater.

    When building your underwater rig, the distance between the front element and the dome port is a huge factor in how sharp your images will be. If you’re changing that distance by zooming in and out, you’ll affect how sharp your images are. By having the 14mm sitting at the perfect distance from the dome port at all time, it maximizes the sharpness of the lens. So much that I can massively crop in on my images and see things like sea lice and other parasites hitching a ride on our giant friends. It’s also extremely valuable for me to crop in on other details of these animals, such as their eye, or pectoral fin, to derive unique compositions. This is only possible with glass this sharp.

    EDGE-TO-EDGE QUALITY:

    Another huge draw to this lens for underwater shooters is the edge-to-edge quality. As underwater shooters, we’re constantly battling soft and distorted edges in our images. My first day with the lens, I had a humpback calf inches from the front of my lens. After reviewing the images, I quickly noticed the edges preserved almost all their detail, so much so that I could see the hair follicles on the whale. While still a little soft, something that’s inevitable underwater, the effect is leagues better than shooting on a fisheye or a zoom lens.

    AUTOFOCUS:

    There’s not much to say here besides that the autofocus is flawless. Once I have a whale in frame, I hold down the trigger and let the continuous autofocus go to work. Of the 20,000+ images I took over the two months, I don’t think I had a single miss. While I encounter a lot of animal guiding, every moment is unique and fleeting. Having the ability to capture every unrepeated moment might mean the difference between a good image and an exceptional one.


    Conclusions and final thoughts:

    My favorite aspect of the images the 14mm F1.4 DG DN | Art produces is the dimensionality of the photo’s aesthetics. After my first day with this lens, I sent a video I filmed with it to a colleague of mine, and his response was, “That whale looks like it’s about to pop out of the screen.” This was the look I’ve been craving in my images, which wasn’t possible with a 16-35mm. I’d recommend this lens to any underwater shooter who’s looking to obtain peak sharpness, flawless autofocus, and wants to add a unique aesthetic to your imagery.

    It’s safe to say that this lens will be my go-to workhorse on my future underwater adventures.



    Source link

  • Behind the Scenes on a Fashion Shoot with the Sigma BF

    Behind the Scenes on a Fashion Shoot with the Sigma BF


    The Sigma BF camera has become my unexpected companion on set. When I normally juggle multiple cameras for different casual use cases, this chic aluminum unibody camera now efficiently handles all of my behind-the-scenes needs.

    At its core is a 24.6 megapixel full-frame sensor delivering files crisp enough to blend seamlessly with my main camera’s output when needed. Its video capabilities are surprisingly high-quality for such a compact body: 6K at 30fps for primary footage and 120fps in Full HD when you need that slow-motion moment. It won’t replace dedicated cinema gear, but it exceeds expectations for quick clips and social content.

    The 230GB internal storage might be my favorite practical feature. Say goodbye to that sinking feeling when you realize you’ve left your cards at home. When the day wraps, one USB-C cable handles both file transfers and recharging — a small but meaningful workflow improvement. No more juggling multiple memory cards and card readers.

    Sigma embraces minimalism with the streamlined menu, shutter button, a single dial, and just a handful of essential buttons. The uncluttered screen allows for thoughtful and accurate composition. For lower lift shoots, I typically offer a second camera to an assistant to snap some BTS. The simple interface of the BF means they catch on fast, letting me focus on the main project.

    With no viewfinder or tilt/swivel screen, the fixed LCD screen initially threw me off. But what seemed like a limitation actually became liberating as it forced me to break my usual patterns and discover new perspectives. This disruption to my workflow pushed me to engage with subjects more intentionally, something that’s easy to lose when you’re operating on photographer autopilot. It’s definitely not for everyone, but this constraint ultimately refreshed my own creative approach.

    As an L-Mount camera, the BF plays nicely with lenses from Sigma, Leica, and Panasonic. I’ve been pairing it with a classic 50mm prime for straightforward BTS work, but Sigma’s variety of zoom lenses provide versatility when capturing wider sets or working in a smaller studio.

    Battery life typically handles a full day of stills, though heavy video recording will drain it faster. The ability to charge via fast USB-C keeps things moving when I’m recording extensively.

    A few standouts from the 13 color modes available are Standard, Rich, Teal & Orange, and Monochrome. The color modes offer creative options you can quickly cycle through to customize each photo without post-processing. I generally stick with the Rich color mode which warms up the image without drastically distorting colors, but having all of the alternatives helps match any specific mood or lighting situation.

    The simplicity and design are the obvious standouts of the BF, but arguably more importantly is how this camera facilitates human connection. Its distinctive design sparks conversations, and its approachable interface encourages others on set to pick it up and capture moments themselves. This collaborative aspect creates more authentic behind-the-scenes content than I could manage alone.

    In an industry where content deliverables now often include BTS video or social-friendly extras, having a camera like the BF feels less like a luxury and more like a smart adaptation. It seamlessly transitioned from being just a tool on set to becoming the camera I reach for in my personal life too. It’s so effortless to use that I find myself grabbing it for weekend walks, dinners with friends, or travel moments I used to leave undocumented.

    It’s rare for a camera to feel equally at home in both work and life, but the Sigma BF has genuinely brought back the simple joy of photography for me. No overthinking settings, no menu diving… just seeing, composing, and shooting. It reminded me why I fell in love with photography in the first place.

    This camera won’t replace your professional level gear, or those needing dual card slots or built-in viewfinders, because it’s not supposed to.

    What it offers instead is something increasingly rare: photography stripped back to its essence of seeing and capturing, consistently delivering beautiful results.


    Photo Shoot Credits

    Photographer: Jillian Lenser
    Wardrobe/AD: Sionán Murtagh
    Hair: Kayra Theodore
    MUA: Mai Ospedales
    Model: Raegan Camille
    Lighting Tech: Richard Saralertsophon
    Photo Assist: Atiwat Mondee
    BTS Photo/Video: Nic Bui
    Studio: TAWAN Studio
    Designers: Emily Eanae, Michael Chamberlin, Nan Yu





    Source link

  • Follow These Tutorials To Capture Night Sky Objects With The Camera You Have

    Follow These Tutorials To Capture Night Sky Objects With The Camera You Have


    Night sky is an addictive subject to photograph and if you look closer, there are many night sky objects that you can photograph, other than the moon and the Milky Way. On very clear nights, you will be able to see a lot of nebulae, star clusters, cloud complexes and even a galaxy without the aid of a telescope.

    Right now it is the Milky Way season in the Northern Hemisphere, but for those who live in the Southern Hemisphere, there are many objects in the Winter sky that are worth photographing. If you are new to astrophotography, start by photographing the moon and then move on to photograph the Milky Way, before working towards photographing deep space objects.


    Grab your Milky Way Photography Blueprint for free right here.


     

    In this article here, we have put together a collection of tutorials that are highly detailed and provide you with every information you need to photograph the sky at night. Don’t forget to check out the “Further Reading” section.

    Let us start with the Moon which is the natural satellite to our planet Earth and it is one of the closest and brightest subjects in the night sky, that you can easily photograph. If you observe the moon over a few weeks, you will get an understanding of the phases of the moon, its rising and setting time, etc. You just need to do a little bit of planning to get the best shot.

    Graphic by Light Stalking

    If you are wondering what if you do not have a camera yet, but only a smartphone that you use to capture photos right now? Smartphone technology has advanced quite a lot in the recent years and they can be used to capture beautiful images of the moon and some brighter objects in the night sky. Especially if you are a a beginner in astrophotography, with some practice and knowledge, you can capture interesting photos of the moon with your smartphone.

    Photo by Dahlia Ambrose using Samsung Galaxy S22 – 20x digital zoom. ISO 25, 69mm, -0.2 ev, f/2.4, 1/583s. Cropped to fill the frame.

    And, did you know that the moon is not just white, but has some colours due to the mineral deposits on its surface? If you zoom in on live view with a long lens, on a very clear night, you will be able to observe these colours faintly. You can photograph the moon and bring in those beautiful colours and this article will help you achieve that. It is interesting and can be done during any phase of the moon, but remember that you will have to take a series of shots to get the best results in terms of colours and details.

    Photo by Dahlia Ambrose

    We have heard of rules for correctly setting exposure for certain subjects in photography, rules that do not need to be followed as such, but rules that can help you get started initially and then can be refined further according to the situation. One such rule to capture the moon is the Looney 11 rule which can be a start to estimate exposure times. We will summarise the rule here:

    • Set aperture to f/11 and shutter speed to the reciprocal value of ISO.

    Check out the article to learn more about this rule.

    Graphic by Light Stalking

    We live in the Milky Way galaxy and it is one of the easiest subjects to photograph, after the moon. Depending on the time of the year, you will be able to photograph only specific areas of the Milky Way galaxy. The core is the most stunning region and it is above the horizon at night, a few months every year. So keep an eye on the weather forecast and find the darkest location possible and photograph the Milky Way with the camera you have in hand.

    Photo by John Lemieux

    If you want to go a bit further after some experience and photograph a nebula, the Orion Nebula is one of the easiest to capture and one that is most commonly photographed too. You can use the camera that you have in hand and a moderate focal length lens to capture the frames and then with some detailed post processing, you will have a beautiful image. You will need to capture a series of shots including calibration frames and everything is explained in detail in this article.

    Photo by Dahlia Ambrose

    Now, similar to the rule we mentioned above to set exposure for moon photography, if you are a beginner and not sure where to start in terms of settings for your night sky photography like stars, nebulae, etc., start with the 500 rule. It is not very accurate, but is a great start to get an image of the stars, galaxies and the Milky Way. Here is the rule summarised below:

    • Set your camera to ISO 3200 or 6400, your Aperture to f/2.8 (or as wide as possible) and your shutter speed to 500 divided by the focal length of your camera, taking into account the crop factor of your camera.

    There is also a 600 rule where you replace the 500 above with 600 and see if it works better than the above setting.

    Snapwire at Pexels

    With more advanced cameras and sensors, sometimes the 500 or 600 rule may not get you the best results, especially if you want to have a large print. Sometimes there may be some trailing in the stars instead of point sharp stars. To avoid this situation, the photographer needs to calculate exposure based on the type of camera and lens combination.

    A formula was devised by Frédéric Michaud for the Société Astronòmique du Havre called the NPF rule which is quite complex, where

    • N stands for aperture, the letter N is used to represent aperture in optics.
    • P for photosites or pixel density or pixel pitch (distance between two pixels)
    • F for focal length

    If you have an app called PhotoPills, you can easily calculate exposure times using the NPF rule on that app.

    Screenshot from PhotoPills App showing different exposure times for two different full frame cameras

    Star photography is easy, but in order to get the best results like sharp and noise free images, there are a few things that you will need to keep in mind. It also requires you to choose the right location, weather conditions, keep an eye on the moon phases and use the right tools and accessories to get the best shot. Last but not the least, patience and practice is key to perfect star images.

    Photo by Skeeze

    Cameras come with noise reduction features called high iso noise reduction and long exposure noise reduction. Many photographers seem to be confused if they need to leave these settings on for astrophotography, in order to get the best results. Depending on what you are shooting, these features can cause some delay in sequences, can cause heat, and also remove faint star details. Read to find if you should leave these settings on or off for astrophotography and why.

    Image by Benjamin Voros

    When capturing night sky or dep space object, you are working with very little light and longer exposure times. Factors like heat due to long exposure and high iso can induce thermal and/or digital noise in these photographs that can leave unwanted effects/artifacts in the images that also greatly reduce the sharpness and quality of the image. Here are some ways in which noise can be reduced in your night sky images.

    This is how noise looks in photographs – this is for illustration purposes only. Image by MartinThoma

    Further Reading





    Source link

  • The Daily Edit – Anne Keller Champions More Women Behind the Lens with Roam Media Core – A Photo Editor


    Heidi: As a photographer and former mentor with Roam Media Core, what are your hopes for emerging femme creators working in outdoor photography?
    Anne: I started shooting photos in the bike industry in 2004. At the time, there was literally like one other woman shooting bikes. While I definitely felt supported by some of my male peers, I never had the experience of someone holding my hand and guiding me through the awkward first steps, or second steps, or third, etc. I didn’t even know that might have been a helpful thing to ask for.
    My experience last year as a mentor, and my hope for this year, is that we can create a safe space for that stumbling to happen, and for those hesitant questions to be asked. I think the experience of gaining entry is fairly universal. If this program helps provide any sort of guidance on how one builds a career in the outdoor world and hands over a few tools along the way, that sounds like success to me.
    It’s clear the industry needs more women behind the lens. The statistic I’ve heard is that in the world of action sports photography, participation hovers around 15%. That’s pretty low, so anything that can help reduce those barriers is a good thing.

    Andi Zolton bleeds a set of bike brakes in her garage and is one of only two US based women who wrench professionally on the MTB race circuit, and in her spare time co-operates the Roam women’s bike fest, and fixes stuff on her friend’s bikes

    How do the mentor and mentee relationships work? 
    The program brings on six experienced mentors. This year we have four photo mentors and two video mentors, each paired with a mentee. Applications opened in early May, and we had over 120 people apply, which to me speaks to the need for programming like this.
    The idea behind selecting mentees was to find folks with a solid foundation of skills who were career-focused and genuinely interested in working in the outdoor industry. This isn’t a beginner program, and it’s not meant for someone who just wants to learn how to shoot bikes. We wanted this to feel like a valuable experience for both mentees and mentors, like the mentors could be instrumental in providing guidance that may help further someone’s career objectives.
    The mentor and mentee teams begin virtual work about three months before Roam Fest. They spend that time getting to know each other, talking about goals, career ambitions, and building some trust. Then, each team is paired with two outdoor brands and works virtually with the brand’s marketing team to develop guidelines for a shoot. The program all comes together at Roam Fest, where everyone gathers in person to execute a series of brand product and athlete shoots.

    Have mentees developed brand relationships as well as community support?
    Yes, that’s absolutely the goal. The hope is that mentees can develop relationships with brands that show up at Roam Fest, and that some of those turn into long-term work.
    Community support happens a little more naturally, through time spent with their cohorts and mentors. Each mentee gets paired with one mentor, but much of the festival time is spent as a full group, which gives everyone the chance to learn from each other. Last year, that group dynamic ended up being one of the most impactful parts for both mentees and mentors.

    You’ve been based in Fruita, CO, a trail-centric town, since 2002. How has living there shaped your photography projects and creative aspirations?
    Well, for one thing, it’s forced me to spend a lot of early mornings or late evenings out on the trail, because our lovely desert environment looks flat and shitty in mid-day light… haha.
    Fruita and the greater Grand Valley are unique-looking places, and I think that’s been helpful from a visual standpoint. There’s a whole swath of the country that, while beautiful, starts to look pretty similar from one location to the next. The desert southwest is a far cry from that. Our landscape is distinct, and while it comes with some lighting challenges, it’s also a fun place to shoot. Nothing else really looks like it.
    From a brand and media standpoint, the Grand Valley’s also a great location. It’s a good spot to product test, there’s a range of trails, and it’s gotten a decent amount of media attention. While travel is always possible, it’s nice when your backyard is already on the radar and is a desirable place for brands to visit.

    You helped build Fruita’s sense of community through Hot Tomato Pizza. Now as a photographer, how do you use your photography in building community?
    That’s a great question, and maybe one I haven’t given a ton of thought to. But I think there’s something to be said about how much community already exists in the cycling world. It’s honestly one of my favorite things about the sport. It’s so common for surface connections to turn into friendships, just from time spent on bikes. Most of my favorite people have come into my life that way, and the way those threads weave through other circles is kind of amazing.
    While there might be six degrees of separation between us and Kevin Bacon, I’d argue it’s only one or two degrees between most people in the mountain bike world. So maybe it’s less about building community with a camera, and more about celebrating the community that already exists.

    What do running a crankin’ pizza business, developing a fiercely loyal MTB community, and photography have in common?
    Well, for starters, I no longer smell like garlic every day or fall asleep with dried flour crusties in my eyes, so that’s a plus.
    I don’t know that we were responsible for developing the MTB community. It was on its way. But I can definitely speak to the connection between running a business and being a photographer. The outside view is always the fun stuff. That’s about 10 percent of either job.
    It’s invigorating to be behind the bar pouring beers and laughing with your customer friends, just like it’s fun to be out in the woods behind the camera on a shoot. But that’s such a small percentage of the work. The rest is the grunt stuff. And I think being able to accept and embrace that part might be what separates the romantics from the realists.
    I loved making pizzas. I love shooting photos. But I’m pretty indifferent about staring at my computer editing for hours, entering invoices in QuickBooks, cutting onions, or washing dishes. The behind-the-scenes is rarely glamorous, and also where the majority of the work happens.
    It might sound cooler to talk about the passion behind both things, but I try not to. Both the food and creative industries are passion-driven, and I’ve seen a lot of people dive in because of that. But I’ve also seen a lot of those efforts fail, because the reality of running a business is about a lot more than being passionate. It’s a lot of muck, and I’d rather help people be ready for that than glorify it. So maybe the commonality is to be passionate, but be even better at the mundane.

    The Patagonia film Life of Pie features your story. What was it like seeing your entrepreneurial success translated into film?
    Oh gosh, it was a wild ride. While the film had premiered at a few smaller festivals before the bigger outdoor ones, 5Point in Carbondale was the first one that really felt like a launch.
    We were packed into an auditorium with over a thousand people, all laughing at the same scenes, cheering at others. When the film ended, people stood up clapping, cheering, stomping. It was so loud. That moment was probably the first time I actually felt the gravity of our story being told in that way.
    We never thought much about our success from an outside perspective. We were just in it, running the business. I think that’s true for most small business owners. You’re just doing the thing, not stepping back and thinking about the bigger picture. There was never any meta-level cognition about trying to ‘create something.’ But seeing that response was like holding up a mirror. It made the community impact feel very real.

    You mentioned loving rides “headed toward disaster but not quite tipping over.” How does that sense of edge translate into your photo work?
    Yes, I totally love Type 2 fun.
    How does that show up in photo work? The other day, I was crouched so close into the trail corridor that my friend clipped my helmet with his handlebar as he passed. Thankfully I had the helmet on.
    I’ve been hit by pedals, handlebars, crashed with packs full of camera gear, been caught in hailstorms, had to light fires to stay warm, been stuck out in the dark, destroyed lenses, soaked cameras in rainstorms or at stream crossings, etc
    I really believe that the best action sports photographers actually do the sports themselves, usually at a higher level. I think you kind of have to, in order to access those special places and know what to do once you get there. Mother Nature isn’t always cooperative, and the same sort of experience you’d have on a big adventure ride is often what happens on a remote shoot.
    Give me someone suffering up a rain-soaked, muddy hike-a-bike any day. That’s where the emotion shows up. Even if it’s not pretty.





    Source link

  • 50 Ecommerce Sites with Stunning Product Photography Ideas

    50 Ecommerce Sites with Stunning Product Photography Ideas


    Great product photography doesn’t just make your website look good—it drives clicks, conversions, and customer trust. Whether you’re shooting apparel, jewelry, home goods, or tech, how your products look online directly impacts how well they sell.

    But coming up with fresh photo ideas or perfecting your visual strategy isn’t always easy.

    That’s why we rounded up 50 ecommerce websites with standout product photography—organized by industry. These examples highlight how top brands use composition, lighting, styling, and editing techniques to elevate their imagery and move more product.

    Browse for inspiration. Steal a few ideas. And if you need help turning your own shots into polished product images, we can lend a hand there, too.

    1. Girlfriend Collective

    Women modeling colorful and fitted activewear sets including sports bras and leggings in black, sky blue, and purple for movement and style.

    Image source

    This set of images features clean, high-resolution portraits of models in active poses, styled against a neutral, seamless background. The garments are front and center, with no distractions from props, textures, or harsh lighting.

    This style of photography strikes the right balance between editorial polish and ecommerce clarity—a smart direction for any brand focused on performance, comfort, or versatility.

    Start a new order

    2. Quince

    Women modeling coordinated red summer outfits and swimwear in a beachside fashion photoshoot, showcasing relaxed resortwear and seasonal style.

    Image source

    Quince uses warm, natural light and textured backdrops like stone, sand, and wood) to create a sun-soaked, lifestyle-driven aesthetic. The product photography feels candid and cinematic, blending fashion with storytelling. Clothing is styled casually and captured in movement or relaxed poses, helping customers imagine how pieces feel and function in real life.

    3. Victoria’s Secret

    Victoria’s Secret lingerie campaign featuring models in different bra styles for strapless, low-cut, racerback, and wireless support needs.

    Image source

    Victoria’s Secret has secured its spot on the top of the list for product photography for years. It knows how to present their products in a way that speaks to its target audience, and even makes more than 20 million people tune into its annual televised fashion show. 

    4. ModCloth

    Rainbow Bright Pride Collection featuring colorful striped and fruit-print outfits modeled outdoors with bold colors and festive styling.

    Image source

    ModCloth shows its products on models of different shapes and sizes, showing the versatility of various items and allowing its customers to better predict how it would look on them. It does the same with color variations, too.

    5. Thirdlove

    Women modeling soft neutral-toned loungewear including a robe, cropped sweatshirt, and relaxed pants, with seamless black undergarments.

    Image source

    Instead of using image editing to create color variants for its products, Third Love shoots custom photography for most of the variants. This creates a more lifelike effect that appeals to shoppers.

    6. SSENSE

    Street style black leather bag with pink plush charm and flowing skirt, alongside green satin bikini floating in pool water with ripples.

    Image source

    This split-screen from SSENSE showcases the brand’s signature editorial-meets-ecommerce photography style—bold, artistic, and culturally tuned-in.

    A street-style inspired shot featuring a flowing, pastel-toned skirt, structured black bag, and plush accessory charm. The blurred background and candid motion capture personality, movement, and context—showing the product in the wild.

    The flat lay shows a green bikini submerged just below the surface of a rippling pool. The water distortion and sun reflections turn a simple product shot into an abstract composition. It’s aspirational, seasonal, and emotionally evocative—perfectly suited for a trend-forward audience.

    7. Coterie

    Close-up of Coterie baby diapers shown from front and back angles, highlighting soft texture, absorbent core, and comfort-fit design.

    Image source

    These product photos from Coterie offer a clean, clinical, and elevated aesthetic that aligns with the brand’s premium baby care positioning. Shot against a soft, gradient blue background, the diapers are perfectly centered and isolated—creating a sterile but comforting environment that enhances product trust.

    What works well:

    • Perfect symmetry and clarity: Both the front and back views are shot with precision and balance, emphasizing shape, texture, and material. This symmetry helps customers understand fit and structure at a glance.
    • Soft, diffused lighting: Gentle lighting minimizes harsh shadows and ensures every detail of the diaper—such as the elastic bands, fabric texture, and wetness indicator—is clearly visible.
    • No distractions: The minimalist backdrop and absence of props keep the focus entirely on the product, reinforcing a sense of hygiene and quality.

    🪞 Symmetry sells—especially in fashion. Learn how perfectly mirrored product photos boost conversions and trust.

    Jewelry 

    8. Deliqa Gems

    Assorted gemstone rings including pink, blue, and yellow stones with gold settings, featuring halo, solitaire, and multi-stone cluster designs.

    Image source

    Each ring is photographed against a seamless white background, allowing the viewer to focus solely on the craftsmanship, color, and cut. This is essential for high-conversion jewelry ecommerce.

    The lighting is soft but directional—eliminating harsh shadows while enhancing gemstone brilliance and gold luster. It’s especially effective for faceted stones, making them pop with fire and depth.

    Deliqa shows different angles—front, top-down, and profile views, giving online shoppers a true-to-life sense of scale and form, mimicking an in-store experience.

    Retouching is used judiciously: reflections are polished, shadows are uniform, and every gem is color-corrected for maximum vibrancy.

    9. Electric Picks

    Delicate and modern gold jewelry featuring a smooth pendant necklace, sculptural earrings, and a minimalist drop necklace with gemstone accents.

    Image source

    Electric Picks’s jewelry product photography strikes a perfect balance between lifestyle and studio shots—an ideal approach for modern ecommerce. The left image shows the necklace worn on a model, adding context, warmth, and emotional appeal. The other two are clean studio shots that focus on detail and form. This blend helps shoppers envision the item both in real life and up close.

    All three images use natural-looking, diffused light that avoids harsh reflections (a must for shiny metals like gold). The earrings in particular benefit from soft-edged shadows that give them dimension without distraction.

    10. ROEN

    Elegant gold engagement rings with natural and lab-grown diamonds, including solitaire, pear-cut, and marquise settings, styled and close-up on hand.

    Image source 

    ROEN’s jewelry photography example delivers a premium, high-end aesthetic that aligns with luxury engagement ring shopping—balancing emotion, clarity, and craftsmanship.

    The leftmost image shows the product on a hand in warm, soft lighting, immediately evoking romance, elegance, and aspiration. It adds emotional weight to the otherwise clinical product lineup.

    The remaining three images showcase the rings against clean, light-gray backdrops with subtle shadows that lift the products off the page. Each shot is expertly lit to maximize sparkle, metal luster, and form—especially in the center stone.

    Side views, angled shots, and direct front views all help customers evaluate details like band thickness, setting style, and stone cut. 

    11. Susan Alexandra

    Small tan dog on a rainbow beaded leash alongside a matching orange beaded dog toy, sitting on a city sidewalk in bright sunlight.

    Image source 

    This playful product photo brilliantly blends creativity and humor to showcase a beaded dog leash set. The real dachshund and its beaded twin—linked by matching rainbow leashes—instantly grab attention and make the image unforgettable.

    This image is a strong example of how injecting personality and playfulness into product photography can make a brand stand out—especially for fun accessories.

    12. OUTOFOFFICE

    Close-up shots of contemporary gold and silver jewelry including hoop earrings, chunky rings, a statement chain necklace, and multi-stone ear cuffs.

    Image source 

    This set of product photos uses clean styling and close-up detail to showcase modern jewelry in a minimal, elevated way. Each frame focuses on a different piece—earrings, rings, bracelets, and necklaces—while keeping the background simple and distraction-free.

    This style is ideal for luxury, designer, or minimalist brands that want to convey sophistication and clarity in their product presentation.

    13. Jewels & Aces

    Close-up of pierced ears showcasing dainty gold chain earrings and studs with diamonds and baguette-cut stones, styled in minimalist fashion.

    Image source 

    This series of close-up earring shots exemplifies how subtle styling and soft lighting can elevate small, intricate jewelry. Each image highlights a layered ear stack featuring dainty gold chains and diamonds, worn in unique yet coordinated pairings.

    Here’s what we like: 

    • Warm, natural light: The lighting enhances the gold tones and gemstone sparkle without harsh shadows.
    • Tight framing: Zoomed-in ear shots keep the focus on detail, allowing customers to see how each piece fits and drapes.
    • Consistent tone: The cohesive color palette and similar poses across models create a polished, trustworthy brand image.

    💍 Want your jewelry shots to sparkle like ROEN or Electric Picks? Learn the secret techniques for high-converting images in our expert guide: How to Edit Jewelry Product Photos Like a Pro

    14. Glasses Direct

    Eyeglass size guide showing how to find frame measurements—lens diameter, bridge width, and arm length—on the inner temple of glasses.

    Image source

    While Glasses Direct has straightforward yet beautiful white background product photos, supporting visuals round out the impact for potential customers. Illustrations that outline dimensions help shoppers estimate how the frames would fit on their own faces.

    15. hardgraft

    Premium men’s accessories including a charcoal dopp kit set, black leather holdall, tan suede sneakers, and a cocoa wool pencil wrap.

    Image source

    With a muted, desaturated palette and soft directional lighting, each item is photographed with studio precision against a neutral background. hardgraft’s deliberate use of shadows adds depth and dimension without distraction, allowing the tactile richness of suede, leather, and wool to take center stage. 

    The styling is minimal but intentional—products are cleanly isolated yet carry subtle lifestyle cues, like an unzipped kit or a pencil-stuffed wrap. This clean and cohesive look highlights craftsmanship and quality, appealing to discerning customers who appreciate quiet sophistication.

    16. Mulberry

    Fashion editorial featuring women outdoors wearing colorful knitwear and carrying designer handbags including a tan crossbody and burgundy leather tote.

    Image source

    This campaign showcases handbags in vibrant, outdoor settings that feel both editorial and approachable. Rather than sterile studio shots, these lifestyle images embed the bags into real-world fashion moments—making them feel aspirational yet accessible.

    Each look is styled to suggest a narrative—countryside strolls, spring fashion—adding depth and relatability to the product. Shooting outdoors brings out texture and color in the bags, while the blooming florals and tree-lined road evoke seasonal charm. Bold outfits and confident poses draw attention, but the handbags remain the focal point, always held prominently and clearly lit.

    17. Birkenstock

    Birkenstock summer footwear including slip-on sandals and sneakers in various colors and materials, shown in outdoor lifestyle and studio settings.

    Image source

    Birkenstock’s product photography strikes a balance between lifestyle and studio visuals. From sun-drenched sidewalk shots to clean, floating product images, each photo highlights the brand’s signature comfort and craftsmanship. The use of natural textures—brick, stone, and foliage—adds warmth and tactility, making the sandals feel at home in any setting. 

    Meanwhile, crisp lighting and soft shadows emphasize material quality, like nubuck leather and contoured cork soles. Their floating product shot, set against a cool gradient background, draws the eye to every strap and buckle with sculptural clarity. Birkenstock’s visuals are proof that even casual footwear can look iconic with the right photography.

    18. Chalo

    Artisan leather footwear collection including brown and black boots, close-ups of stitching details, and traditional craftsmanship process.

    Image source 

    This image series presents handcrafted leather boots through a rich visual narrative that blends craftsmanship, product detail, and styling. From top-down flat lays to styled shots and macro textures, it balances artistic flair with product clarity.

    Warm, earthy hues echo the natural materials and craftsmanship, making the entire set feel cohesive and tactile. Including the artisan’s hands working on the leather gives authenticity and emphasizes the handmade quality—connecting product to maker.

    Technology

    19. Bang & Olufsen

    Rose gold Bang & Olufsen portable speaker partially buried in sand with leather strap, illustrating durability and beach-friendly audio design.

    Image source

    This photo is a stellar example of minimal, lifestyle-oriented product photography that speaks volumes without clutter—a highly effective way to market portable tech like Bluetooth speakers.

    Shooting the speaker partially buried in sand immediately communicates durability, portability, and outdoor utility—perfect for beach days or travel. Plus, the fine mesh texture of the speaker contrasts beautifully with the rough, grainy sand, drawing the eye directly to the product.

    The subtle motion blur of sand being brushed aside adds energy and realism, reinforcing the “on-the-go” lifestyle. And the soft pinkish-gold tone of the speaker and tan leather strap blend seamlessly with the neutral sandy palette, creating a warm, aspirational tone.

    20. Apple

    Apple Intelligence promotion showing iPhone 16 Pro, MacBook Air, and iPad Air with pricing and product visuals on sleek gradient backgrounds.

    Image source

    The iconic tech brand has made smartphones, computers and other tech devices look sexier than ever. The brand has such a strong visual aesthetic, and all product photos support that image—including photos on its distributors’ sites.

    21. Sonos

    Matte black Sonos Bluetooth portable speaker and over-ear wireless headphones, with modern design and Time Best Inventions 2024 badge.

    Image source

    This image from Sonos showcases a Bluetooth speaker and a pair of over-ear headphones in a highly polished, product-centric style that’s ideal for ecommerce and tech retail. The clean, white background removes all distractions, keeping the focus entirely on the product design—perfect for a high-end tech brand.

    Subtle drop shadows under both products add depth and dimension, helping them stand out while maintaining a crisp, modern aesthetic. The matte black finishes are lit specifically to highlight contours without losing the rich, dark texture—key for showcasing premium materials.

    Plus, including the TIME Best Inventions 2024 badge for the headphones subtly reinforces credibility and innovation without overwhelming the visual.

    Beauty, cosmetics, and skincare

    22. Max Factor

    Max Factor makeup lineup including Facefinity foundation, False Lash Effect mascara, Lipfinity 24HR lip color, and neutral eyeshadow palette.

    Image source

    The bright white backdrop keeps all the focus on the products and makes the colors pop. It’s also super consistent, which is great for brand identity and gives everything a polished, high-end vibe. 

    Each product is facing forward in a clear, easy-to-identify way. No weird tilts or artsy shadows—just straightforward, scroll-stopping clarity. You immediately know what’s what: foundation, mascara, lip color, and an eyeshadow palette.

    Max Factor doesn’t just show product containers:

    • The lip color shows the wand and box.
    • The mascara is open, showing the brush (which is a key selling feature).
    • The eyeshadow palette is open to show the actual shades.

    Basically, the photos answer the unspoken “But what does it look like inside?” question before you even have to ask.

    23. Essie

    Close-up of hand with creative nail art, including smiley face and abstract designs, resting on paint-splattered yellow fabric with paintbrushes nearby.

    Image source

    This photo nails the vibe. The mix of bright turquoise, fiery red, and cheery yellow nail art really pops against the warm-toned background. It draws your eye to the nails without needing a spotlight. Each nail tells a mini story—smiley face, abstract flames, a playful “X”—making it feel custom, not cookie-cutter. This is less “salon menu,” more “expression in progress.”

    And you get more than just the nails. The texture of the fabric, the paintbrushes, the speckles—it adds a sense of realness and movement, like we just walked in on an artist mid-project.

    24. Wiselands

    Wiselands skincare featuring Flax & Chia Concentrated Cream and Daily Rosemary Cleanser with sustainable, vegan, cruelty-free ingredients.

    Image source

    Wiselands uses rich, moody lighting to elevate its product photography, giving skincare essentials a luxe, tactile presence. The close-up shots highlight the amber glass packaging and gold typography, with warm shadows that enhance the sense of calm and care. Subtle skin contact and soft textures create an intimate, grounded feel—perfectly suited for a brand focused on clean, conscious ingredients. 

    The lighting is deliberately imperfect, mimicking golden-hour warmth that flatters both the product and the skin it’s meant for. It’s a masterclass in using tone and minimalism to communicate trust and quality.

    25. Crown Affair

    Crown Affair haircare trio featuring The Leave-In Conditioner, The Texturizing Air Dry Mousse, and The Dry Shampoo, displayed with minimalist packaging.

    Image source 

    The minimalist layout and monochrome color palette for Crown Affair’s product photos ooze luxury. It’s giving calm confidence without shouting for attention. 

    Each product is centered, evenly lit, and spaced the same—perfect for a sleek grid or product catalog. Cohesion like this builds brand trust fast. And the soft shadows and contrast between black and white bottles add just enough depth to keep things visually interesting without losing the clean aesthetic.

    26. Vacation Inc.

    Vacation skincare and fragrance products, featuring Classic Whip SPF 50 sunscreen mousse and tropical-themed perfume mist bottles labeled “Vacation” and “After Sun.”

    Image source

    Sunscreen brand Vacation Inc. uses bold, retro-inspired design. The packaging and photo styling lean heavily into a nostalgic ’80s/’90s vacation aesthetic, reinforcing the brand’s identity. Everything from the fonts to the saturated colors supports this.

    Despite the vibrant branding, the layout is clean. Products are isolated against a pale gradient background, keeping attention on the packaging.

    Outdoors and sporting goods

    27. Linus 

    Child riding a blue Linus bike while wearing a helmet, captured mid-action against a concrete urban background with bold shadows.

    Image source

    This example from bike brand Linus takes a lifestyle over product approach. We’re sold on the vibe before the bike. It’s aspirational but also relatable—perfect for parents and cool kids alike.

    The mid-movement shot adds energy and makes the product feel fun and adventurous. The text placement is smart: bold, centered, and readable without overpowering the image.

    28. Pow Gloves

    Winter sports gear including knit headwear with snow goggles and insulated women's gloves, worn by skiers in a snowy outdoor setting.

    Image source

    Pow Gloves delivers high-impact product photography that leans into performance, texture, and environment. Shot in snowy alpine conditions, its imagery captures real-world functionality while keeping the product in crisp focus. 

    Frosted lenses, fleecy knits, and matte leathers pop against blurred white backdrops, highlighting both material quality and cold-weather capability. The models are active but cropped, letting the gloves and headwear shine without distraction.

    29. Beestinger

    Side-by-side visuals of archery stabilizers for target shooting, hunting, and Beestinger components, featuring compound bows in action and close-up gear details.

    Image source

    Beestinger’s product photography balances precision and action, capturing the high-performance world of archery stabilizers. Each image speaks directly to its audience—whether it’s competitive target shooters or camo-clad hunters—by showing the gear in realistic, high-stakes contexts. 

    Sharp detail on textures like carbon fiber, metal finishes, and compound bows communicates quality and durability. Meanwhile, the use of tight crops and dynamic angles keeps the focus on function, not fluff. By pairing lifestyle imagery with close-up product visuals, Beestinger hits the bullseye on authenticity and trust—two essentials in any performance-driven category.

    30. CamelBak

    CamelBak customizable drinkware collection featuring bottles and mugs with engraved graphics and text options for personal designs.

    Image source

    The top-down flat lay showcases CamelBak’s water bottles in a scattered, playful arrangement. Each bottle is angled differently, giving the scene energy and allowing each product to stand out while still feeling part of a cohesive set.

    The smooth teal gradient adds visual interest without stealing the spotlight. It complements the product colors and adds depth, helping the matte finishes of the bottles pop.

    The lighting is soft but directional enough to highlight the textures—especially the powder-coated surfaces and engraved designs. This gives a tactile sense of quality without relying on close-ups.

    The photo manages to feel unified while showing a range of products: mugs, tumblers, bottles—each in a different color and size. It’s a great way to communicate customization options without crowding the frame.

    31. Lift Foils

    Lifestyle and action shots of people foil surfing in ocean waves, including riders in motion, beach scenes, and a woman carrying a hydrofoil board.

    Image source

    Lift Foils captures the thrill and elegance of hydrofoil surfing through cinematic, lifestyle-driven photography. Their imagery effortlessly blends action and atmosphere—highlighting both product performance and the aspirational lifestyle that surrounds it. 

    From crisp shots of foil boards slicing through tropical waves to grounded moments of riders gearing up at the shoreline, every frame conveys motion, freedom, and connection to nature. The gear is presented in real use, allowing water, sunlight, and setting to act as natural visual enhancers. This approach not only showcases the quality of the product but also sells the lifestyle it unlocks. It’s adventure marketing at its finest.

    32. Landyachtz

    Artistic skateboard designs from Landyachtz including Dinghy Classic Midnight Dip, Tugboat Atmosphere, and Dinghy Legend with bold prints.

    Image source

    Landyachtz uses clean, minimal product photography to make bold skateboard designs pop. Set against bright white backgrounds, each board is perfectly centered and evenly lit, allowing the intricate deck artwork—from hand-illustrated mountains to surreal portraits—to shine without distraction. 

    This studio-style approach highlights every detail of shape, texture, and color, making the craftsmanship unmistakable. The consistency across the images also creates a seamless browsing experience, while the sharp, high-resolution shots invite zoom-level inspection. It’s a textbook example of how white-background photography can still feel expressive and brand-forward.

    33. Ethnotek

    Side-by-side view of a colorful roll-top sling bag on a rock and a woman wearing a patterned backpack in a field, showcasing options for daily commutes, hiking, and customizable travel gear.

    Image source

    Ethnotek’s product photography perfectly reflects the brand’s vibrant, adventure-ready identity. Shot in natural, wild settings, their bags are photographed in real-world use—slung over shoulders, perched on rocks, or trekking through fields. 

    This lifestyle-forward approach puts the product in context, emphasizing durability and design for travel and outdoor enthusiasts. The saturated colors of the bags stand out beautifully against the natural backdrops, and each shot is carefully composed to showcase both form and function. The result is photography that feels aspirational, authentic, and deeply connected to the brand’s do-good, go-anywhere ethos.

    Furniture and home goods

    34. MADE

    Outdoor garden lounge setup with striped upholstered sectional sofas, wood coffee table, and potted tropical plants, shown in a sunny patio space. Modern home furniture collection showing a beige sofa, sculptural pendant lighting, and a wooden bed with storage drawers in styled interiors.

    Image source

    MADE’s product photography captures the harmony of modern living with a refined, editorial edge. Each image is carefully styled to showcase not just the product—sofas, lighting, or beds—but the ambiance they create. The lighting is soft and consistent, emphasizing texture, shape, and color in a natural way. Warm, muted tones pair with clean architectural lines, drawing the eye through the space and highlighting each design detail without distraction. 

    The result is an inviting, aspirational scene that feels livable yet elevated. MADE’s photography doubles as interior inspiration, turning every product into part of a cohesive lifestyle story.

    35. LOEHR

    Contemporary furniture including a round black table with a yellow cushioned chair, a minimalist open shelf, and a bold orange wood desk.

    Image source

    LOEHR’s product photography is a prime example of modern minimalism. With sharp, architectural compositions and pristine lighting, each image distills furniture design down to its purest form. 

    Materials and textures are foregrounded—brushed metals, matte lacquers, and soft upholstery—without unnecessary staging or visual clutter. The crisp shadows and natural gradients from ambient light add depth while preserving the clarity of shape and line. 

    The result is bold, geometric forms. LOEHR’s photography doesn’t just display a product—it reflects the brand’s design philosophy: functional, thoughtful, and quietly radical.

    36. Simon Pearce

    Summer lifestyle scenes with a brunch table set with bagels and juice near a window, and a champagne bottle chilling on an outdoor deck.

    Image source

    Set against airy, sun-drenched environments, Simon Pearce’s imagery brings out the artisanal quality of each glass and ceramic piece. The clear sparkle of handblown glassware, the creamy textures of stoneware, and the golden tones of sunlight on surfaces are all captured with refined precision. Lifestyle compositions feel warm and inviting—perfectly styled without feeling staged. 

    Whether it’s a mimosa brunch or champagne on the patio, the photography captures the brand’s essence: craftsmanship, comfort, and understated luxury. This is storytelling through light, texture, and good taste.

    37. Motel a Miio

    Colorful handmade ceramic dish sets, mugs, plates, and bowls with textured glazes on sale with 20–30% discount tags displayed.

    Image source

    Motel a Miio’s product photography bursts with color, warmth, and Mediterranean charm. The brand highlights the artisanal quality of its handmade ceramics through rich textures, sunlit surfaces, and thoughtful arrangements. 

    Each image showcases the uniqueness of glazing and form—from the dreamy aqua blues of bowls to the peachy-pink blush of plates. Natural shadows and earthy backdrops give the shots a tactile, sun-kissed feel, inviting viewers to imagine relaxed outdoor dining or cozy kitchen moments. The photography is not just beautiful—it’s transportive, evoking a laid-back, design-forward lifestyle rooted in craftsmanship.

    38. Studio Neat

    Minimalist tool collection featuring the Keen utility knife, Mark One retractable pen, and Mark Two pocket pen in a clean floating product layout.

    Image source

    Studio Neat uses minimalist product photography. In this example, each item is suspended against a clean, white backdrop with gentle shadows, emphasizing their streamlined form and material finish. The floating composition gives the products a modern, weightless feel, aligning with their functional and design-forward ethos. 

    Every visual choice—neutral lighting, soft gradients, centered framing—supports a sleek and utilitarian aesthetic. 

    Cars and automotive

    39. Carvana

    Grid display of different vehicle types including SUVs, sedans, trucks, coupes, minivans, convertibles, wagons, hatchbacks, EVs, hybrids, and plug-in hybrids.

    Image source

    Carvana takes a clean, uniform approach to product photography by displaying each vehicle category in profile against a pure white background. The consistency in angle, lighting, and car color (white) helps customers compare models quickly while reinforcing trust through visual clarity. 

    For ecommerce brands managing large SKUs or configurable product categories, this style benefits from clipping path, retouching, and shadow effects to ensure clean, scalable presentation across all digital platforms.

    40. CarBahn

    Grid of high-performance car parts including ECU tuning, carbon fiber kits, suspension components, intake systems, engines, air filters, and car care products displayed in a workshop setting.

    Image source

    CarBahn’s product photography leans into a high-performance, gearhead aesthetic with bold contrast, sharp lighting, and industrial backdrops. Each category image emphasizes material texture and mechanical precision. There’s a tactile, real-world feel, with shots that oscillate between clean studio setups and gritty workshop environments. 

    This style is ideal for performance auto brands. Related edits might include color correction, reflection and glare removal, and precision shadow work to enhance contrast and depth without over-editing the hardware’s raw appeal.

    41. Mercedes-Benz

    Mercedes-Benz electric concept van with futuristic LED grille and sleek aerodynamic design, showcased under studio lighting.

    Image source

    Mercedes-Benz’s product photography captures futuristic elegance with cinematic precision. This concept vehicle is shot under ambient, gradient lighting that complements the sleek contours and metallic finish, making it feel like a luxury object from the future. The low angle and subtle reflections emphasize design innovation—fluid lines, illuminated details, and aerodynamic form—while keeping the focus on craftsmanship and vision.

    Lifestyle and miscellaneous

    42. StickerBrand

    Bold wall murals including a Japanese wave illustration in a café and a leafy tropical wallpaper behind a green-themed bedroom setup.

    Image source

    StickerBrand’s product photography transforms wall decals into immersive, real-life design statements. Each wall is staged in context—whether it’s a moody café corner or a leafy bedroom escape—so shoppers can picture the product in their own space. The lighting is soft and natural, allowing the decals to blend seamlessly with furniture, textiles, and finishes while still standing out with crisp lines and vibrant color.

    43. Bambi Baby

    UPPAbaby family product lineup featuring parents walking with the Vista V3 stroller and close-up images of the V3 bassinet and stroller in various colors.

    Image source

    Bambi Baby’s product photography blends lifestyle and catalog styles to showcase both the function and feeling behind its premium baby gear. 

    The left side of this example shows a warm, everyday moment—a family on a walk at golden hour. This emotional lifestyle shot balances beautifully with the crisp, isolated product shots on the right, which highlight detail, color variations, and pricing. This dual approach supports both storytelling and conversion. 

    44. Bentley

    Tracker hard-shell suitcase collection in a variety of bold colors and finishes, arranged in a line with the tagline “Travel Colourfully.”

    Image source

    Bentley’s luggage line embraces bold, clean, and ultra-modern product photography that celebrates color as a core brand identity. The suitcases are displayed in a tight lineup with seamless lighting and minimal shadows, highlighting each hue without distraction. The gradient floor and backdrop also complement the tones of each suitcase.

    45. Walmart

    Walmart homepage promotions highlighting tech and summer savings, including laptops, PS5, pools, and beauty tools against bright blue backgrounds.

    Image source

    Walmart uses bright, consistent, and brand-forward product photography to energize its promotional graphics. Each product—from beauty tools and smart tech to outdoor gear—is presented against soft, uniform color backdrops that create an airy and cheerful visual experience. Items are expertly isolated, often enhanced with clipping paths, drop shadows, and vibrant retouching to make them pop while maintaining a cohesive brand aesthetic.

    Food and drink

    46. Candy Club

    Colorful assortment of gummy candy including rainbow strips, chocolate clusters, sour hearts, and sprinkles, spilling out of open Candy Club jars.

    Image source

    Vibrant gummies, chocolates, and sour belts spill playfully from jars across a crisp white background, letting the intense colors and textures take center stage. The overhead layout creates a sense of abundance, while the neatly styled candy piles maintain a polished, crave-worthy aesthetic. Candy Club’s photos are a visual sugar rush that makes every sweet treat look like a party.

    47. Rauch

    ariety of RAUCH branded beverages including Happy Day orange juice, Bravo multivitamin, MyTea lemon iced tea, Yippy kids drink, and 100% Orange glass bottle on a light background.

    Image source

    Rauch brings a playful, shelf-ready polish to its product photography. Against a smooth gradient backdrop that shifts from citrus yellow to cream, each beverage line is given equal spotlight with symmetrical placement and minimal distractions.

    Each product floats with a subtle shadow, allowing vibrant packaging to take center stage. The lighting is soft yet evenly distributed, enhancing the saturated colors and fruity visual cues without harsh glare

    48. Backyard Butchers

    Premium meat box selections labeled The Steakhouse, The Backyard, and The Farmhouse, featuring vacuum-sealed cuts of USDA choice beef, pork, and chicken.

    Image source

    Backyard Butchers nails a clean, trust-building presentation that’s perfect for high-value food subscriptions. Its product photography highlights premium meat packs in pristine kitchen settings with natural light, fresh produce, and minimal props—immediately reinforcing freshness, quality, and home delivery convenience.

    49. Tony’s Chocolonely

    Tony’s Chocolonely product display with a cream embroidered chocolate hat, colorful chocolate bar gift pack, and milk honey almond nougat bar on vibrant color backgrounds.

    Image source

    Tony’s Chocolonely brings the same bold, joyful energy of its packaging into its product photography. Vibrant, solid-color backgrounds create instant visual impact while keeping the focus squarely on the products. Items are shot straight-on with clean clipping paths and slight shadows to create a floating effect, lending a sense of playfulness and modernity. Every shot is bright, color-blocked, and punchy enough to pop in any feed or grid.

    50. Ghia

    Ghia non-alcoholic aperitif and canned drinks styled creatively with the tagline

    Image source 

    Set against a creamy, sunlit backdrop, Ghia combines perfect product symmetry with unexpected moments—like a pour shot mid-air or cans balancing precariously on glassware. The lighting is soft yet directional, giving glass and liquid a gentle glow while letting label colors pop with vintage flair.

    Create your perfect product photos

    Great product photography doesn’t just capture what you’re selling—it captures why someone should care. Across industries, from fashion to food to tech, the most successful ecommerce brands use thoughtful visuals to build trust, spark desire, and drive conversions.

    If you need help making your own photos stand out, we’re here to help. From background removal and retouching to full-on image enhancements, our team can take your product photos from functional to phenomenal.

    Ready to elevate your product visuals? See how our photo editing services work and get started transforming your images today.

    Simple pricing for stress-free, pixel-perfect photo edits tailored to your needs



    Source link

  • Fujifilm Announced The X-E5 With A New Film Simulation Dial

    Fujifilm Announced The X-E5 With A New Film Simulation Dial


    Fujifilm announced the launch of its new rangefinder style mirrorless camera in the X-E series, the Fujifilm-X-E5, that has a classic look and comes with an updated elegant design. One of the most interesting design features is the customizable “Film Simulation” (FS) dial that features an indicator window.

    Image via Fujifilm

    The Fujifilm-X-E5 allows you to navigate between Fujifilm’s own presets via the FS dial and also allows the user to save their own three customizable film simulation settings. Fujifilm has used the term “recipes” for the film simulation settings, much like the presets that users develop and save in some mobile photo apps as recipes.

    The X-E5 has a compact design and comes with a 40.2MP APS-C sensor. It features a five-axis in-body image stabilization, AI powered autofocus and many other interesting features for aadvanced image capture.

    Here are some of the most important features of the Fujifilm X-E5:

    • 40.2MP APS-C, X-Trans CMOS 5 HR sensor
    • X-Processor 5 imaging engine
    • Five-axis sensor-shift IBIS
    • 3″ touchscreen LCD with three-axis tilting
    • Single SD/SDHC/SDXC card slot
    • Captures videos up to 6.2K
    • Lower base ISO of 125, improving low light performance
    • Latest AF Algorithm, subject detection AF
    • Teleconverter with digital zoom settings of 1.4 and 2.0x
    • Continuous shooting for uncompressed Raw images – up to 20 fps
    • Long exposure up to 1 hour in bulb mode
    • 20 unique Film Simulation modes
    • Maximum frame rate of 29.97 fps in 6.2K, 59.94 fps in 4K, and 240 fps in Full HD
    • Weight approximately 445 g
    • Built-in Wi-Fi 5 and Bluetooth 4.2 
    • USB-C power input for charging

    More details about the Fujifilm X-E5 can be found here. Along with the announcement of the X-E5, Fujifilm has also announced the FUJIFILM XF 23mm f/2.8 R WR Lens that comes with a 11 blades round aperture, manual focus ring, autofocus motor and is a great lens for low light shooting. Both these products are available to pre-order and are estimated to ship by end of August, 2025.

    We have more news for you to read if you are interested at this link here.





    Source link

  • Making a Career in Underwater Photography, with Mekan

    Making a Career in Underwater Photography, with Mekan



    A couple of years ago, a trio of incredible—and incredibly heart-wrenching—photos took first place in the environmental category, “No Time to Waste,” of the UN World Oceans Day Photo Competition, hosted by DPG. Those images of an entangled humpback remain, in my view, among the most arresting underwater photos demonstrating the terrible cost of humanity’s impact on the oceans. I hoped that one day I’d be able to meet the photographer, Álvaro Herrero, aka Mekan, and congratulate him on those striking pictures—and on contributing so powerfully to the conversation about marine protection.

    As it turned out, when I finally had the pleasure of meeting Mekan at ADEX earlier this year, I was congratulating him on another amazing achievement: being crowned Underwater Photographer of the Year 2025—this time with a heart-warming shot of a healthy humpback mom and her calf. Mekan isn’t just a lovely guy, modest about his accomplishments; he’s also incredibly passionate and ready to share with anyone who shares his passion. No wonder, then, that this talented Spaniard is the perfect person to be joining Nicolas Remy in the next Underwater Club Masterclass event to talk about “Making a Career in Underwater Photography.”

    This promises to be another unmissable two-hour webinar. As well as chatting about some of his most spectacular underwater images, Mekan will be sharing how he has managed to turn his passion into a full-time job. In particular, he’ll be discussing the income streams that make that possible, including leading trips, teaching photo courses, selling prints, and doing photo shoots for clients. Appropriately, Mekan will also cover how to make the most of wins in photo competitions and using social media to support your work. As usual, during the live Q&A portion, participants will get the chance to ask questions. It’s sure to be an extremely inspiring session.

    As always, TUC members join for free, while non-members will need to purchase tickets to the event at AU$49 (approx. US$35). Note that this is also the price of monthly membership, so this is the perfect opportunity to join the club and take advantage of all of the membership benefits.

    Here are the event times:

    • July 20th, 4pm Los Angeles time (PDT)
    • July 20th, 6pm Dallas time (CDT)
    • July 20th, 7pm Miami time (EDT)
    • July 20th, 12am (midnight) London time (GMT)
    • July 21st, 7am Singapore time (SGT)
    • July 21st, 9am Sydney time (AEST)
    • July 21st, 11am Auckland time (NZST)






    Source link

  • 21 Photographs Of Trees – Interesting Compositions With These Silent Giants

    21 Photographs Of Trees – Interesting Compositions With These Silent Giants


    Trees – we find them almost everywhere around us, even in the most urban spaces where they are grown to add some life to the lifeless concrete jungles. While trees may be a common subject found easily, and one that is used to frame other subjects or as a supporting element in photography, it is quite difficult to effectively photograph them on their own, especially their grandeur or their importance in a particular space.

    Photo by Mel

    When photographing trees, importance needs to be given to the gear, especially lenses used, location, angles and perspective, composition, weather, atmospheric conditions and the right light. Although trees are difficult to photograph, the process of slowing down, waiting for the right light and capturing a compelling shot can be very rewarding. Try using interesting compositions like framing, juxtaposition, reflections, centered composition, patterns, etc.

    Here are 21 photographs of trees that make use of interesting compositions.

    If you are already familiar with basic compositional guidelines like the rule of thirds or the leading lines and wish to take your compositional skills to the next level, we recommend you to check out this eBook “Advanced Composition” by Photzy, that will help you turn your photographs into works of art.

    Photo by Henrik Hansen
    Photo by iuliu illes 
    Photo by  Adrián Valverde
    Photo by  Jessica Furtney
    Photo by Oli Gibbs
    Photo by  Ian Wagg 
    Photo by Jeremy Bishop 

    If you wish to move beyond the rule of thirds and other simple compositional guidelines to advanced techniques that use curves, repetitions, light and shadows, focal points, etc., then we recommend you to check out this eBook “Advanced Composition” by Photzy which is a 239 pages practical guide, that is packed with training, assignments, lessons and plenty of quizzes to test your knowledge.

    Photo by Chad Stembridge 
    Photo by Intricate Explorer 
    Photo by Redd Francisco 
    Photo by Maksim Shutov 
    Photo by Meg MacDonald
    Photo by Mahrshi Bisani
    Photo by Daniel Peters

    Using basic compositional guidelines all the time can make your photographs look similar and sometimes boring. There are plenty of ways to compose an image other than the basic ways and this eBook “Advanced Composition” by Photzy will show you 47+ ways you can move beyond the basic rule of thirds.

    Photo by 🇸🇮 Janko Ferlič 
    Photo by Angelika P
    Photo by Casey Horner
    Photo by Dave Hoefler 
    Photo by deshawn wilson
    Photo by David Clode 

    Further Reading





    Source link

  • This Lion Just Walked Off With a Very Expensive Lens

    This Lion Just Walked Off With a Very Expensive Lens


    We have heard of many incidents in national parks where wildlife walk away or play with expensive camera gear. Most of the incidents happen during wildlife safaris where a photographer may have accidentally dropped their gear or the gear fell off their bags, etc.

    Image via Dansen Raddy

    One of the most recent incidents is one where a lion walked away with a photographer’s very expensive lens and looks like this incident happened in Kenya’s Maasai Mara National Park. The incident was captured by another photographer, who posted the footage on his Instagram.

    The footage was shared on many social media channels, reposted by other accounts and has gone viral. While a lot of viewers found the footage funny and entertaining, it has raised concerns and a bit of anger among other wildlife photographers.

    https://www.youtube.com/watch?v=KMr8RhBOziE

    As photographers, we always need to be ethical and mindful of the wildlife and their surroundings. Incidents like these only show that photographers are more concerned about getting the shot than being more responsible.

    A lot of comments on the video shared here talk about how these incidents should not be entertained. Looks like there are also instances where photographers intentionally drop their gear to gain popularity on social media which is really sad, and more so when one claims to be a serious photographer.

    While some viewers commented that the scene seem like a planned one, there are comments from witnesses who mention that it was an accident. Other concerns raised were how close the photographers and their vehicles were to the animals, which is not acceptable at all in photography and raises questions about giving animals their space and not disturbing them or their environment when capturing their photographs.

    What are your thoughts on incidents like these and the rise in the number of such incidents? Let us know in the comments section below.

    We have more news for you to read if you are interested at this link here.





    Source link

  • Instagram Now Supports Images with 3:4 Aspect Ratio

    Instagram Now Supports Images with 3:4 Aspect Ratio



    If you’ve really been paying attention to the Instagram profile grid over the last couple of days, you will have spotted that your vertical images that you meticulously cropped to 4:5 aspect ratio are now having the sides trimmed just a little bit. That’s because Instagram has switched to a 3:4 grid ratio on profile pages as it introduces support for images with a 3:4 aspect ratio—i.e., the aspect ratio of the vast majority of smartphone sensors.

    The change comes only four months after Instagram did away with their square profile grid, causing many carefully crafted profile pages to no longer look quite so cool. Presumably, the latest move will result in a new wave of similarly incensed users—who spent the last four months perfectly lining up their 4:5 aspect images—but the support for the 3:4 aspect ratio is an eminently sensible decision given that an overwhelming majority of users are trying to make full use of the available screen real estate by posting vertical images shot on their phone.

    Of course, users of Micro Four Thirds cameras—underwater shooters included—can also pop the champagne, as their days of cropping vertical images are now officially behind them. Meanwhile, everyone else can at least celebrate the little bit extra in our photos we get to show the world. (Instead of a maximum size of 1080 by 1350 pixels, vertical images can now be 1080 by 1440 pixels.) Before you get too excited, though, keep in mind that there’s a very good chance Instagram will not be switching to a 2:3 grid ratio anytime soon, given the ubiquity of the 3:4 smartphone sensor. Still, one can always dream!

     





    Source link