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  • Marelux Announces MX-R5II Housing for the Canon EOS R5 Mark II

    Marelux Announces MX-R5II Housing for the Canon EOS R5 Mark II


    Marelux has released its underwater housing for the new Canon EOS R5 Mark II. The second-gen pro-level full-frame mirrorless camera features a back-illuminated, stacked 45MP sensor, shoots up to 30fps using its electronic shutter, and records 8K/60p RAW video internally.

    Aiming to take full advantage of the R5II’s capabilities, Marelux’s anodized aluminum alloy housing features an ergonomic design with controls arranged around the built-in handles. A quick-release baseplate allows the camera to be easily inserted with precision and removed again. Dual locking levers ensure the housing is safely closed, while ports and extension rings are secured in place using another locking lever. The housing ships with a vacuum detection and moisture alarm system.

    The housing is compatible with various novel accessories, including the Flashfuel FF2100, which combines a flash trigger and a power bank (for charging the camera as well as powering the flash trigger); and the Remote Shutter Module, which allows you to control the shutter remotely using the Marelux Artemis 4500 RMT video light.

    The MX-R5II housing has an MSRP of $3,398 and can be ordered directly from the Marelux website.

     


    PRODUCT INFORMATION

    MX-R5II Housing for Canon EOS R5II Mirrorless Digital Camera

    INTRODUCTION

    Marelux housing has the industry leading design that’s not only more compact than other brands but also more simplified in mechanical structure to make it easy to assemble. With 125mm port diameter, the biggest in the market, users can easily install and uninstall cameras with large lens through the housing.

    Marelux housing is built using uniquely anodized aluminum alloy which provides superb scratch resistance, sea water erosion durability as well as the attractive options of various surface colors. The housings maintain a perfect balance between sturdy body and lightweight. It has the best-in-class ergonomics with all the camera controls readily available at your fingertips including AF-ON and Q Menu.

    Marelux housing can be connected to other innovative products made by Marelux, such as 180-degree Smart Viewfinder etc., making diving and underwater photography easier, safer and more enjoyable.

    FEATURES

     









     

    Flashfuel FF2100 (Manual Flash Trigger + 2100mAh Power Bank Combo)


    • Patented Design: Tailored for underwater photography and high-speed shooting, combining flash triggering and camera power supply in a single compact device.

    • Ultra-durable Trigger Performance: Powered by a single CR123A 3V lithium battery, it can handle up to 300,000 flash triggers before replacement.

    • Robust USB-C Power Output: Integrates a 2100mAh rechargeable battery, offering up to 30W output (5–20V), capable of powering your camera directly.
     

    Remote Shutter Module


    • With an invention patent, the Remote Shutter Module is designed to enhance underwater photography by providing remote control capabilities to remotely control the camera shutter release via Marelux’s Artemis 4500 RMT Light (42703). It features an effective receiving distance of 10 meters and an optical signal receiving angle of 140 degrees, allowing for flexible positioning and reliable performance.
     

    Dual Locking System


    • Requires little effort to lock it in place, while making it almost impossible to be unlocked by accident, and it will take only a second to open if needed for a battery change.
     

    Manual Flash Trigger


    • The flash trigger can translate the electric signal from the camera into light signal, with an extremely long battery life of 10,000 triggers on only two CR2032 batteries.
     

    Built-in Lock


    • Extension ring and port can be safely locked in place with the built-in locking system on the housing with one simple click.
     

    Sturdy Baseplate


    • A 50kg force is applied to secure the camera with the design of the quick release baseplate, while being extremely convenient to operate.


     


     


    SPECIFICATIONS

    • Material: Anodized Aluminum Alloy

    • Dimensions: 354mm(W) x 187mm(H) x 156mm(D)

    • Weight In Air: 3.52kg

    • Depth Rating: 100m

    • Port Mount: Series 5


    INCLUDED ITEMS

    • 55201 Housing Mounting Ball x 2 

    • 12002 Main Housing O-Ring  x 1

    • 41201 Vacuum Detection/Moisture Alarm with CR2032 battery x 1  

    • 54401 Lubricant x 1 

    • Set of Allen keys x 1

    • 54101 Housing Hard Case x 1


    ACCESSORIES

    • 56201 M16 Vacuum Valve (with Hand Pump) – Pre-installed

    • 41110 Manual Flash Trigger for MX-R5II Housing

    • 41403 Flashfuel FF2100 Manual Flash Trigger and Built-in 2100mAh Power Bank Combo


    Item No.: 21106

    US$3,598.00





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  • Nauticam Announces Housing for the Canon PowerShot V1

    Nauticam Announces Housing for the Canon PowerShot V1


    Nauticam has unveiled its latest housing, the NA-CV1, designed to accommodate Canon’s new point-and-shoot, the PowerShot V1, released in February 2025. The compact (aka vlogging) camera features a 22.3-megapixel 1.4-inch sensor (which is similar in size to Micro four Thirds, but with a 3:2 aspect ratio), a DIGIC X image processor, and a fixed zoom lens with a focal length range equivalent to 16–50mm f/2.8–4.5. Boasting Canon’s Dual Pixel AF II autofocus system, the PowerShot V1 can record uncropped 4K/30p video oversampled from 5.7K and achieves 15fps burst shooting with its mechanical shutter.

    For the NA-CV1, Nauticam has opted to use their N50 port system but ship the housing with the N50 3.5-inch acrylic dome port, which allows the full 16–50mm zoom range out of the box. Switching to their N50 Short Port 25 gives users the opportunity to mount various Nauticam water-contact optics, such as the WWL-C (FOV: 130°–71°), WWL-1B (FOV: 130–80º) and SMC/CMC (via Nauticam’s bayonet mount adaptor). Like Nauticam’s other housings for compact cameras, users have the option of adding a tray and handles, an LCD magnifier, and a vacuum valve (via the housing’s M16 port)—the vacuum monitoring and leak detection system is pre-installed.

    The NA-CV1 housing is priced at $2,000 and is available now from retailers such as Backscatter.

     


    When purchasing underwater photography equipment like the products mentioned in this article, please support DPG by supporting our retail partner—Backscatter.com.


    PRODUCT INFORMATION

    INTRODUCING NA-CV1 FOR CANON POWERSHOT V1 DIGITAL CAMERA

    The Canon PowerShot V1 Camera

    Key Camera Specifications

    • 22.3MP 1.4″ CMOS Sensor

    • 16–50mm Equivalent f/2.8–4.5 Lens

    • Full-Width 4K 30p; 4K 60p with 1.4x Crop

    • 10-bit Recording; Canon Log 3

    • Dual Pixel AF II for PowerShot

    • Optical Stabilization; 3-Stop ND Filter

    • Active Cooling Extends Shooting Times

    The Nauticam NA-CV1 Housing

    NA-CV1 is the latest iteration in a lineup of advanced housings for very capable compact cameras supported by Nauticam. Many features found on professional DSLR systems have been integrated into this system, and the result is an underwater housing that allows the user to harness the full potential of this advanced compact camera in the water.

    The basic functions and ergonomic enhancements that Nauticam users have grown to know and love are incorporated in NA-CV1. The housing is machined from a solid block of aluminum, then hard anodized to seal out corrosive salt water. It is closed via a simple, yet secure locking rotary latch. The right side of the housing is sculpted to fit the palm of the user’s hand, and Nauticam’s two-stage shutter release lever provides clear differentiation between the half press and full press shutter release positions. All functions are clearly labeled.

    The Nauticam leak alarm and vacuum monitoring system is installed as standard equipment. This system provides an audible and visual alert to any water entry in the housing, and when combined with an optional accessory M16 Vacuum Valve II (25625) the watertight integrity of the system can be tested before ever entering the water and monitored during every dive.

    Expert product design, modern manufacturing techniques, top quality materials backed by a two-year warranty, and a critical focus on the user experience combine to produce the premier system for Canon Powershot V1.


    The N50 Port System

    The NA-CV1 ships with the N50 3.5″ Acrylic Dome Port that allows the full 16–50mm zoom range, but other ports are available from the N50 system. When combined with the 38703 N50 Short Port 25, you can add on the 83203 WWL-C for a converted FOV of 130 degrees to 71 degrees.  

    What’s in the Box?

    • NA-CV1 housing

    • N50 3.5″ Acrylic Port

    • Spare main housing O-ring (90131)

    • O-ring remover

    • CR2032 battery (for moisture alarm)

    • Lubricant

    • Set of Allen keys

    • Padded Housing Bag

    • Set of handle brackets with shutter release trigger

    Recommended Accessories

    • 25625 M16 Vacuum Valve II (Pushbutton Release)

    • 25131 LCD Magnifier attachment Rails

    • 25106 LCD Magnifier with Dioptric Adjustment

    • 71206 Easitray II with left handle (with 2pcs 1/4” screws)

    • 71207 Flexitray II with left handle (with 2pcs 1/4” screws)

    • 71208 Adjustable right handle II (for Easitray II & Flexitray II)

    • 38703 N50 Short Port with Bayonet Mount (To use with WWL-C or WWL-1B)

    • 83203 Wet Wide Lens for Compact Cameras (WWL-C)

    • 83202 Wet Wide Lens 1 (WWL-1B) 130 deg. FOV with compatible 28mm Lenses

    • 83214 Bayonet Mount Adaptor for SMC/CMC

    • 81301 Compact Macro Convertor 1 (CMC-1, 4.5X Magnification)

    • 81302 Compact Macro Convertor 2 (CMC-2, 2.8X Magnification)

    N50 Port Chart

    1. N50 3.5” acrylic dome port, Zoom Range 16–50mm (*The minimun focus distance at Wide 16mm is 25mm, and at Tele 50mm is 530mm)

    2. 38703 N50 Short Port 25 + 83203 WWL-C, Lens FOV 84–46º, Converted FOV 130–71º, Zoom Range 24–50mm (*Slight vignetting at 24mm)

    3. 38703 N50 Short Port 25 + 83202 WWL-1B, Lens FOV 75–46º, Converted FOV 130–80º, Zoom Range 28–50mm

    4. 38703 + 83214 Bayonet Mount Adaptor for SMC/CMC with MFO-1, CMC-2/1

     








    *Test at focal range 50mm Smallest Subject Size Working Distance
    without diopter 105 x 70 mm 175–∞
    with 81501 MFO-1 89 x 59.3 mm 116–1150 mm
    with 81302 CMC-2 48 x 32 mm 55–125 mm
    with 81301 CMC-1 38 x 25.4 mm 37–74 mm

    Technical Specifications

    • Dimensions: 165mm(W) x 139mm(H) x 128mm(D)

    • Weight in Air: TBD

    • Buoyancy in Water: TBD

    • Depth Rating: 100m

    • Port Mount: N50

    • Accessory Ports: Front M16 x 1, M10 x1 on Top





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  • Sony Announces Compact Full-Frame FX2 Cinema Camera

    Sony Announces Compact Full-Frame FX2 Cinema Camera


    Sony has unveiled the latest addition to its Cinema Line—the FX2. The compact full-frame video camera has a similar body design to the four-year-old full-frame FX3 and almost three-year-old cropped-sensor FX30. But where the FX3 borrowed the a7S III’s 12MP sensor and lacked an EVF, the FX2 takes the 33MP sensor from the a7 IV while featuring a video-camera-style 3.68-M-dot EVF, which can be tilted up to 90 degrees. Like the a7 IV, the FX2 supports Dual Base ISO (800 and 4000) when using S-Log3.

    With its a7 IV DNA, the FX2 promises to be a much more useful hybrid camera, offering not just high-end video recording and powerful video-focused tools, but also high-quality still image capture. (In addition, there’s a handy movie/still lever to switch between modes.) The FX2 can record up to 4K/30p and 1080/120p using the full width of the sensor, and supports Log shooting in Cine EI, Cine EI Quick, and Flexible ISO modes. Shooting 4K/60p entails an APS-C crop factor.

    To round things off, the FX2 offers a large dedicated record button, a full-size HDMI port, and an internal cooling fan. The camera has two memory card slots compatible with SD UHS-I/II cards, with one slot also capable of accepting a CFexpress 2 Type A card.

    Available in August, the Sony FX2 will be available for a body-only price of  $2,700.

     


    PRESS RELEASE

    Sony Electronics Introduces the FX2 Compact Camera, Expanding Cinema Line’s Versatility for Creatives

    The new FX2 has the look and operability of Cinema Line cameras with the ability to shoot high-resolution photos and comes equipped with an articulating eyepiece

    Sony Electronics Inc. is proud to announce today the latest addition to its established Cinema Line family, the FX2. The FX2 will offer a seamless entry point into the broader Cinema Line range, giving greater cinematic expression to independent creators or small crews needing a versatile camera.

    “The hybrid cinema camera was created based on user feedback and is engineered with unique features to support filmmaking, a new eyepiece, and enhancements for versatile production needs. The FX2 is intended to continue the Cinema Line’s goal of preserving authentic emotion in every shot and empower creators across all areas of content production,” says Theresa Alesso, President, Imaging Products and Solutions Americas, Sony Electronics Inc.

    FX2 Features: Full-frame Photo and Video Capabilities

    The FX2 comes with a full-frame sensor that delivers stunning imagery and beautiful bokeh effects. Equipped with a 33.0 effective megapixel1 back-illuminated Exmor R™ sensor with up to 15+ stops of wide latitude using S-Log3, it captures impressive detail in both highlights and shadows.

    Designed for versatile shooting environments, the FX2 offers Dual Base ISO at 800 and 4000, ensuring optimal performance in both bright and low-light conditions. Its ISO sensitivity for video can be extended up to 102400, making it ideal for challenging lighting scenarios. The camera supports a wide range of recording formats—including 4:2:2 10-bit All-Intra—and records in high-quality options, such as XAVC S-I DCI 4K at 24.00p, providing professionals with the tools needed for flexible, high-end production workflows.

    The FX2 can also continuously record for up to 13 hours in 4K 60p2 thanks to its internal cooling fan and effective heat dissipation structure. The FX2 offers variable frame rate settings, allowing up to 60 fps in 4K (for a maximum 2.5x slow-motion effect) and up to 120 fps in Full HD (for up to 5x slow motion). It supports Log shooting in Cine EI, Cine EI Quick, and Flexible ISO modes, offering versatile workflows for different production needs. To further the cinematic expression of the camera, creators can import up to 16 user LUTs for on-camera preview, enabling precise color monitoring on set.

    Filmmakers can also easily and quickly create in-camera cinematic looks, with S-Cinetone™ set as the default, along with a range of Picture Profile and Creative Look presets. A de-squeeze display function is available, supporting both 1.3x and 2.0x anamorphic lenses for accurate framing.

    Improved Usability for Comfortable Solo Operation

    The FX2 features the same compact, flat-top design as Sony’s Cinema Line FX3 and FX30 cameras, ensuring familiarity and compatibility across setups. Built-in mounting points (UNC 1/4-20 x3) support a cageless configuration, offering greater flexibility for rigging. An optional top handle (ILME-FX2) enhances mobility and control, especially during handheld or dynamic shooting. Its lightweight, portable build—measuring approximately 5 1/8 x 3 1/8 x 4 1/8 in and weighing approximately 1 lb 8.0 oz—makes it ideal for solo operators or small crew productions.

    The camera offers advanced focus features designed for precision and creativity. Its new Real-time Recognition AF (auto focus) delivers fast and reliable performance with improved accuracy for human subjects, although its intelligent subject recognition extends to animals, birds, vehicles, and insects, with an Auto mode available for effortless detection. For even more control, tools like focus breathing compensation, AF Assist, and customizable autofocus transition speed and sensitivity give creators the flexibility to fine-tune focus for expressive, cinematic imagery. The FX2 comes with Active Mode and Dynamic active Mode, which is new to the Cinema Line, and are both designed to ensure smooth and steady handheld shooting.

    The Auto Framing feature automatically crops and tracks a subject to keep them in a prominent position when the camera is mounted on a tripod, producing footage that looks like it was shot by an experienced operator. The Framing Stabilizer function automatically keeps the subject in the same position within the frame, which can be useful, for example, when the camera operator is moving alongside the subject.

    From a still image perspective, the camera features an additional log shooting option with a newly added ‘Log shooting’ menu. This feature allows creators to shoot high-resolution 33MP stills, optimized for color grading in post-production. The FX2 also offers smooth operation with a MOVIE/STILL mode lever, allowing for a quick switchover between still and movie shooting. Depending on the selected mode, the displayed menu items will automatically adjust. Additionally, mode selection is made easy with a long press of the Fn button, which recalls and changes the shooting mode.

    FX2 Features: Improved but Familiar Hardware Inherited From Sony’s Cinema Cameras

    The FX2 is equipped with a new high-resolution 3.68-million-dot tiltable EVF3 (electronic view finder) designed specifically for video production, offering a wide viewing angle and enhanced immersion thanks to its included deep eyepiece. Complementing the EVF is a 3.0-type vari-angle touchscreen LCD, making it easy to frame shots from virtually any angle. Intuitively arranged controls on the top panel and grip, along with tally lamps for clear recording status, support efficient on-set operation. The camera also introduces a customizable “BIG6” home screen that provides quick access to essential shooting parameters, such as FPS, ISO, shutter speed (angle or speed), Look presets, white balance, iris, and neutral-density (ND) filter settings. Addressing the growing demand for vertical content creation, the FX2 supports vertical menu display during shooting—ideal for social media formats. The handle-equipped model further enhances professional usability with two XLR/TRS terminals and a 3.5mm stereo mic jack, enabling 4-channel, 24-bit digital audio capture.

    The camera offers extensive expandability and connectivity options, including an HDMI Type-A terminal capable of outputting up to 4K 60p 4:2:2 10-bit video and 16-bit RAW4 for high-end recording and monitoring. For seamless data transfer and remote control, it supports dual-band Wi-Fi (2.4 GHz and 5 GHz5) as well as wired LAN via a compatible adapter6. Additionally, the USB Type-C port enables SuperSpeed USB up to 10Gbps data transfers and supports USB Power Delivery (PD)7, while built-in USB and network streaming support enables live broadcasting and remote production workflows.

    Social Responsibility

    Aligned with Sony’s global environment plan, ‘Road to Zero’, this product supports the company’s vision for achieving a zero environmental footprint by 2050. The manufacturing process reflects this commitment through facilities powered entirely by renewable energy sources8.

    The camera system incorporates comprehensive accessibility options, including a Screen Reader function9 and Display Magnification, to support visually impaired users across an expanded range of menu items. Additional intuitive controls enhance usability for all shooters, featuring:

    • Real-time recognition autofocus that reduces manual adjustments

    • Streamlined touch interface operations for direct menu navigation

    • Tactile button design with clear differentiation

    These inclusive design elements ensure professional imaging tools remain accessible to creators of all abilities while maintaining full operational capability

    The FX2 will be available early August for a suggested retail price of $2,699.99 USD and $3,499.99 CAD body only or $3,099.99 USD and $3,999.99 CAD with XLR handle. It will be sold directly through Sony and at a variety of Sony’s authorized dealers throughout North America.

    1 For stills. Max. 27.6 megapixels for movie.

    2 Sony internal tests. USB power supply, XAVC S-I (All-I), 4K 60p 10-bit 4:2:2, 25 deg C (ambient, camera when recording started), Auto power off temperature: High, Cooling fan: Auto. The maximum continuous recording time for a single movie shooting session is approximately 13 hours (a product specification limit) Actual performance varies based on settings, environmental conditions, storage, and usage. Batteries are consumable products and their capacity degrades over time as they age. Sony does not guarantee the life span of the battery.

    3 Adjustable from 0° to +90° for flexible shooting angles.

    4 The output image will be in the APS-C size /Super 35mm equivalent angle of view.

    5 The 5 GHz band may not be available in some countries or region

    6 A commercially available USB-LAN adapter is required.

    7 A USB PD compatible external power supply device with 9V/3A or higher output capacity and a USB Type-C cable that can handle 3A or more is required

    8 Further reducing environmental impact, the product utilizes recycled packaging materials that minimize plastic content without compromising protection. These sustainable practices demonstrate our dedication to eco-conscious production while maintaining the highest quality standards.

    9 Download of compatible language file may be necessary. Please refer to the Help Guide for details.





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  • Retra Announces Flash Pro Max II

    Retra Announces Flash Pro Max II



    Retra has announced a new version of its top-of-the-line strobe—the Flash Pro Max II. The fifth-generation strobe—coming two years after the fourth-generation Flash Pro Max, Flash Prime+ and Flash Pure—improves on its predecessor in key areas, according to Retra.

    First, as you might have guessed, it’s significantly more powerful, packing 190 Watt-seconds (Ws) of output, up from the 140Ws of the Pro Max. Retra says that translates to “65% more actual light output” because the new strobe features a redesigned reflector, “optimized” power handling, and a better triggering system, where less energy is lost to heat. According to the company, recycle times have been improved by 25%, and at “low” power settings, it’s possible to shoot continuously at up to 60fps.

    Other aspects have been improved, too: The target light is twice as bright as before (1,000 lumens as opposed to 500 lumens), the power dial now offers 17 positions (instead of 13), and the strobe even starts up faster. As previously, the battery compartment accepts four AA batteries as standard, plus an additional four AAs when the Booster is added, but the strobe, battery cap and Booster all now boast gold-plated contacts. Retra says you’ll get up to 2,000 flashes at 25% power using the 8×AA configuration.

    If all that wasn’t enough, Retra are sweetening the deal for their launch offer: If you pre-order now, you’ll get a Booster and two USB chargers free of charge. Shipping from June 30th, the Retra Flash Pro Max II costs $1,800 with the standard three-year warranty, with the option to extend the warranty to five years for $50 extra.

     


    When purchasing underwater photography equipment like the products mentioned in this article, please support DPG by supporting our retail partner—Backscatter.com.


    PRODUCT INFORMATION

    Introducing the Retra Flash Pro Max II: Maximum Power. Proven Reliability

     


    We’re proud to announce the launch of the Retra Flash Pro Max II, our most advanced professional strobe to date. Built on five generations of innovation and field-proven performance, the Pro Max II redefines what’s possible in underwater lighting—delivering Li-ion-level performance using safe and widely available NiMh batteries.


    Power Meets Efficiency

    With an impressive 190Ws of flash power, the Pro Max II produces 65% more actual light output compared to its predecessor—all while maintaining the same compact size and weight. This significant leap in brightness is achieved through a redesigned reflector, optimized power handling, and an improved triggering system that channels more energy into light rather than heat.

    Whether you’re shooting fast-paced action or intricate macro scenes, you’ll appreciate the 25% faster recycle times and the ability to shoot up to 2000 flashes at 25% power using the 8×AA configuration. It even supports continuous shooting up to 60 frames per second on low power settings.

     

     

    Designed for the Creative Edge

    The 120% brighter pilot light, now outputting 1000 lumens, provides exceptional visibility for precise snooting and creative lighting setups. With 17 power levels available via the control dial, you get fine-tuned control over your light output in any situation.

    We’ve also added several hardware enhancements for reliability and ease of use:

    • Real gold-plated contacts in the strobe and battery cap ensure dependable performance, even in harsh conditions.

    • The startup procedure is now faster, with no waiting required in BATT/TEST mode.


     

    Special Pre-Order Offer

    The Retra Flash Pro Max II is available now for pre-order at a special price of $1799¹, which includes:

    • Retra Flash Pro Max II

    • Booster (free of charge)

    • Dual USB battery chargers (free of charge)

    Every unit comes with a standard 3-year Retra Warranty, with the option to extend to 5 years for just $50¹ per strobe (standard warranty conditions apply). Save $280¹ with this launch offer.

    Shipping starts exactly on 30th June 2025—with no delays.

    If you would like to purchase in EUR (€), please write to us and we’ll be happy to assist.

     

     

    Built for the Long Run

    The Pro Max II is more than just powerful—it’s built for the long haul. We chose NiMh batteries not just for their safety and travel ease, but because we’ve refined our electronics to deliver Li-ion performance without compromise. This means faster recycle times, greater autonomy, and trusted reliability on every dive.

    Whether you’re working on demanding commercial shoots or chasing creative breakthroughs, the Retra Flash Pro Max II is ready to perform.

    1All prices exclude local taxes and shipping costs. Import duties and customs fees are not inclusive. If shipping address is within the EU tax zone, VAT is automatically added during checkout (except for RetraCare+Warranty Extension).

     





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  • Keldan Announces Video 4XR and Video 8XR Lights, and RC2 Remote Control

    Keldan Announces Video 4XR and Video 8XR Lights, and RC2 Remote Control


    Known for their high-end—but not especially compact—video lights, Keldan is addressing the demand for travel-friendly gear with the release of three significant products: the RC2, a diminutive version of their RC1 wireless remote control; and two handy remote-controllable lights, the Video 4XR and the Video 8XR.

    Like its bigger sibling, the RC2 works wirelessly underwater but is shorter range: 2–3 meters (6.5–10 feet) as opposed to the 50-meter (165-feet) range of the RC1. As such, it is designed for lights mounted on the camera rig or placed within a short distance from the remote. Like the RC1, the new model has two independent brightness channels, each of which can address any number of lights simultaneously, and works with all lights in Keldan’s “XR” series.

    With the new Video 4XR, Keldan hasn’t just upgraded their popular Video 4X light with a remote receiver; the new version also has a higher lumen output—11,000 lumens rather than 10,000 lumens. While the 4XR replaces the 4X in Keldan’s lineup, the previous version of the 8XR—which boasts a 20,000-lumen output and a color rendering index (CRI) of 86—sits alongside the new 8XR, which has a slightly lower output of 17,000 lumens but a significantly higher CRI of 96. According to Keldan, the high CRI makes the new 8XR the perfect light for shooting macro.

    Available soon from retailers such as Backscatter, the RC2, Video 4XR 11000lm CRI86, and Video 8XR 17000lm CRI96 are priced at $640, $1,970, and $2,650, respectively. There are also now various bundles available, such as dual Video 4XR and RC2 for $4,280, and dual Video 8XR 17000lm CRI96 and RC2 for $5,640.

     


    When purchasing underwater photography equipment like the products mentioned in this article, please support DPG by supporting our retail partner—Backscatter.com.


    PRESS RELEASE

    Remote Control RC2

    Our pioneer Remote Control RC1 has now a little brother, called RC2. The RC2 is smaller, runs on a single button cell and it is designd for short range use (Lights mounted on the camera or in proximity to the camera).

     

    Wireless remote control

    The KELDAN RC2 is a wireless Remote Control based on ultrasonic technology. It is available for Video 4XR / 8XR /18XR / 24XR series lights.

    Outstanding features

    • Range of 2m

    • Control brightness individually on 2 channels

    • Each Channel can address an unlimited number of lights

    • Each Channel has a separate ID to avoid interference when multiple controllers are used at the same dive site

    • Remote Control works with all “XR” series lights

    • Easy mounting with M4 screw holes or with an optional Ball adapter

    Many advantages when using a remote control

    • No more swimming back and forth to adjust lighting

    • Fast and easy control of your lighting

    • Place the lights wherever you want

    • Allows for new and more creative ways of shooting

    • Works around the corner and through walls

    • Saves battery life

    4XR 11000lm CRI86

    The popular Video 4X is now available as a remote controllable Video 4XR 11000lm CRI86. Even more powerful, containing superb 11000lm with an enhanced color rendering index of CRI 86. This is the perfect light for small and handy rigs.

    Ready for wireless Remote Control

    The Video 4XR light is ready for our wireless Remote Control, either the RC1 or RC2.

    USB-C charge adapter

    With the 4XR light we include a very travel friendly, small and lightweight USB-C charge adapater which allows to charge the Li-Ion battery from an USB-C charger with min. 30Watt output. Attention: The light is supplied with the USB-C adapter only but not with the USB-C charger.

    LED technology with outstanding efficiency

    The Video 4XR 11000 lm CRI 86 is equiped with an LED of the latest generation with a color temperature of 5600 Kelvin. The spectral power distibution is very even, resulting a color rendering index of 86 CRI (Ra). A unique feature is the variable power with 9 settings with a brightness range of 1:50.

    Soft 110° beam

    The light has a very soft and speckle free beam of 110° in water (120° in air).

    Self-contained

    The self contained design makes this light very easy to use. There is no need for special mountings for the battery canister. The included bracket with ball mount allows easy mounting on standard arm systems.

    Small and lightweight

    The design is optimized for very small dimensions and light weight. The complete set ads only 0.63kg (0.20kg in water) to your gear.

    Tough Design

    The LED can not break and has almost unlimited lifetime. The integrated overtemperature protection allows safe use of the light in air. The protection circuit controls the housing temperature and the power will be limited to keep the temperature within a safe range.

    Travel Safe Li-Ion Battery

    The battery passed successfully the mandatory UN38.3 safety test as required by IATA and it is therefore certified for air transport. The capacity of this battery is below the maximum allowed capacity of 100Wh. It contains an integrated protection circuit against harmful conditions like over discharge, deep discharge, over current and short circuit. 

    Charge Display

    The green charge level indicator displays the available relative charge. The two digit display shows the remaining time. While the battery is discharging, the display shows the remaining runtime in minutes (e.g.”18” = 18 minutes). When connected to the charger, the display shows the remaining charge time in units of 10 minutes (e.g.”18” = 180 minutes).


    8XR 17000lm CRI96

    We have added a high CRI version to our 8XR series lights. With its outstanding color rendering index of CRI 96, the Video 8XR 17000 Lumen is the perfect light for shooting macro. Of course it is ready for the RC1 and RC2 Remote Control.

    Ready for wireless Remote Control

    The Video 8XR light is ready for our wireless Remote Control RC1 + RC2.

    LED technology with outstanding efficiency

    The Video 8XR 17000 lm CRI 96 is equipped with a LED of the latest generation with a color temperature of 5600 Kelvin. The spectral power distribution is very even, resulting in a color rendering index of 96 CRI (Ra). A unique feature is the variable power with 9 settings with a brightness range of 1:80.

    Soft 110° beam

    The light has a very soft and speckle free beam of 110° in water (120° in air).

     


    Self-contained

    The self contained design makes this light very easy to use. There is no need for special mountings for the battery canister. The included bracket with ball mount allows easy mounting on standard arm systems.

    Small and lightweight

    The design is optimized for very small dimensions and light weight. The complete set ads only 0.87kg (0.30kg in water) to your gear.

    Tough Design

    The LED can not break and has almost unlimited lifetime. The integrated overtemperature protection allows safe use of the light in air. The protection circuit controls the housing temperature and the power will be limited to keep the temperature within a safe range.

    Travel Safe Li-Ion Battery

    The battery passed successfully the mandatory UN38.3 safety test as required by IATA and it is therefore certified for air transport. The capacity of this battery is below the maximum allowed capacity of 100Wh. It contains an integrated protection circuit against harmful conditions like over discharge, deep discharge, over current and short circuit. 

    Charge Display

    The green charge level indicator displays the available relative charge. The two digit display shows the remaining time. While the battery is discharging, the display shows the remaining runtime in minutes (e.g.”18” = 18 minutes). When connected to the charger, the display shows the remaining charge time in units of 10 minutes (e.g.”18” = 180 minutes).


    Bundles with RC2   

    With the 4XR and 8XR series, we are offering bundles including two lights and a RC2 remote control. KELDAN does not promote this bundles on the KELDAN website but they can be ordered from a KELDAN dealer.


    USB-C Charger 16.8V/1A

    Does it sometimes annoy you when you need to pack a whole lot of chargers on a trip? Certainly no more with this one. The travel friendly USB-C Charge adapter is just what you need to travel. It connects to an USB-C charger with 30W or higher. With a weight of only 63 grams, it provides an output of 16.8V/1A and can charge all batteries of the 4 and 8 series.

    Travel friendly, super small and lightweight USB-C charge adapter

    Can be connected to a USB-C charger with minimum 30Watt output. It provides an output of 16.8V/1A. This charger is suitable for the following Li-Ion batteries:

    • Battery4 Li-Ion 49Wh (Art. 1212) used with the Video 4X/4XR series lights, Charge time approx. 4 hours

    • Battery8 Li-Ion 99Wh (Art. 1211) used with the Video 8X/XR series lights, Charge time approx. 8 hours





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  • AOI Announces UIS-P1 Strobe

    AOI Announces UIS-P1 Strobe


    AOI is now shipping its latest strobe—the UIS-P1. Boasting a guide number (GN) of 22, the new “midrange” flash features an aluminum, polycarbonate and fiberglass build, a ring-shaped flash tube, and fiber-optic connectivity. The strobe is powered by two 21700 rechargeable lithium-ion batteries and comes with a 1-inch ball adapter. There’s manual control on offer via a 10-step power knob with intermediate stops, while a self-orienting LCD display shows either remaining shots based on power selection in manual mode or power output in InTeLi mode—AOI’s proprietary TTL mode found on their UCS-Q1RC model.

    InTeLi mode offers OM System RC TTL, Sony TTL, i-Macro, TTL HSS and M-HSS functionalities. The i-Macro (Intelligent Macro) function is designed to offer precise exposure for macro shooting; it was initially available for OM System cameras only, but now Sony cameras are also supported. Wide-angle photographers shooting TTL will also appreciate the InTeLi mode’s new “out of range” warning feature.

    A diffuser comes as a standard accessory, while a reflector ring (“reduces beam angle and improves light output by +1 f-stop”) and a reducer ring (“narrows beam angle, limits light leaks, and reduces backscatter”) are offered as optional accessories. The strobe also features a 3,000-lumen LED continuous light with three power levels, offering a 90-degree beam angle and a color rendering index (CRI) of 90.

    Available now from retailers such as Backscatter, the AOI UIS-P1 is priced at $900.

     


    When purchasing underwater photography equipment like the products mentioned in this article, please support DPG by supporting our retail partner—Backscatter.com.


    PRESS RELEASE

    Amazing Intelligence in the New AOI UIS-P1

    AOI has unveiled its latest underwater strobe, the UIS-P1, targeting the mid-range market. Building on the success of the AOI UCS-Q1RC, which introduced RC Flash compatibility and broke conventions in underwater photography, AOI continues to set new standards. Managing Director Victor Tsui stated, “Despite competitors introducing products with similar form factors, designs, or capabilities, the UCS-Q1RC and UCS-Q1 remain best-sellers in AOI’s lineup.”

    An “Intelligent Advantage”

    The new AOI UIS-P1 leverages a beloved feature of the UCS-Q1RC: the AOI InTeLi™ mode. Widely recognized as one of the most consistent and accurate TTL modes in the underwater strobe market, it revolutionized underwater macro photography. Its standout feature, the Intelligent Macro (i-Macro™) function, offers precise exposure for macro shots and has become a game-changer, particularly when paired with the best-selling OM System Tough TG series.

    What is the AOI InTeLi™ Mode?

    The AOI InTeLi™ Mode represents the next generation of TTL flash compatibility, optimized specifically for underwater use. Calibrated to manufacturer’s specifications, it ensures consistently accurate exposures, surpassing previous generation of TTL. Underwater macro photography is further enhanced by i-Macro™, which was initially available for OM System cameras. Now, the AOI InTeLi™ Mode also supports Sony cameras, offering Sony TTL, i-Macro, TTL HSS, and M-HSS functionalities.

    Bridging Technology and Creativity

    Contrary to popular belief, research shows that underwater photographers readily embrace technological advancements to enhance their art. With the UIS-P1, AOI integrates the full suite of AOI InTeLi™ features, a bright ring-shaped flash tube, an intuitive user interface, and innovative functions, making it a standout performer in the mid-range segment. One new feature specifically benefiting wide-angle fans is the “out of range” warning when in TTL mode.

     


    Keeping in mind that underwater photographers are multidimensional, AOI has designed three additional product add-ons that will allow the strobe to be more utilitarian:

    1. Diffuser – Softens light output and evens out light coverage (Offered as standard accessory).

    2. Reflector Ring – Reduced beam angle and improves light output by +1 F-stop (Offered as optional accessory).

    3. Reducer Ring – Narrows beam angle, limit light leaks, and reduces backscatter (Offered as optional accessory).

    Specifications & Features

    AOI InTeLi™ Mode:

    Full Manual Mode:

    High Performance:

    User-Friendly Features:

    • Self-orienting TFT LCD display screen


      • Displays remaining frames based on power selection

      • Displays power output in InTeLi™ Mode

      • Provides access to settings menu

    • Colored indicator for strobe operation status

    • Tactile and Intuitive Knob and Button Controls

    Durable Build:

    • Materials: Marine Grade Aluminum alloy, Polycarbonate with Fiberglass

    • Depth-rated to 100m

    • Sealed battery chamber to isolate electrical components from water damage should flooding occur.

    Battery and Performance:

    The new AOI UIS-P1 is set to light up the underwater photography scene for the mid-range segment with its InTeLi™ mode—offering ‘intelligent’ performance, user-centric design, and an affordable price point.





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  • Panasonic Announces Lumix S1RII with 8K Video

    Panasonic Announces Lumix S1RII with 8K Video


    It’s been more than five years since Panasonic launched their Lumix S1R and Lumix S1 full-frame mirrorless cameras with an emphasis on photography and video, respectively. Now the follow-up photo-centric model—the Lumix S1RII—has finally landed, and there are few similarities between the old and new cameras. Built around a new 44.3-megapixel BSI CMOS image sensor and L² image processing engine, the S1RII is significantly smaller and lighter than its predecessor—so we can expect a slew of new underwater housings.

    Promising the “best photos” of any Lumix camera, Panasonic says the new sensor offers a stop better noise performance as well as improved color rendering. Like other recent Panasonic cameras, the S1RII boasts Phase Hybrid AF featuring 779 phase-detect AF points as well as AI-powered subject detection and tracking. Using the mechanical shutter, you get an impressive 10fps burst shooting with continuous autofocus, while the electronic shutter offers 40fps. Another significant improvement is the in-body image stabilization, which delivers up to eight stops of shake reduction with shorter lenses or seven stops with compatible telephoto lenses. It’s worth noting that the camera’s maximum flash sync speed is now 1/250s, which is—unfortunately—inferior to its predecessor’s 1/320s.

    On the video side, the specs are equally impressive: The S1RII is the first Lumix camera to record 8K/30p 10-bit video with 14 stops of dynamic range. The camera can also record internal Apple ProRes RAW HQ/ProRes RAW 5.8K to a CFexpress Type B card (albeit with an APS-C crop)—another first for the Lumix S series. Other recording options include (oversampled) 6.4K open-gate video for flexible cropping and reframing, and (subsampled) 4K/120p slow-motion capture. Serious videographers will also appreciate the advanced video assist tools, including waveforms and vector scopes for exposure and color monitoring, and real-time LUTs.

    To round things off, the S1RII has dual card slots (CFexpress Type B, UHS-II SD), support for external recording to an SSD, a 5.76M-dot OLED EVF (0.78x magnification) and a 1.83M-dot 3-inch vari-angle rear LCD. The camera uses the same battery as the S5II/S5IIX.

    Available now from retailers such as Backscatter, the Panasonic Lumix S1RII is priced at $3,300.

     


    When purchasing underwater photography equipment like the products mentioned in this article, please support DPG by supporting our retail partner—Backscatter.com.


    PRESS RELEASE

    Panasonic Announces New LUMIX S1RII Full-Frame Mirrorless Camera

    Newark, N.J. (February 25, 2025) – Panasonic is proud to introduce the new LUMIX S1RII – the latest high- resolution model of the Full-Frame mirrorless LUMIX S Series.

    The LUMIX S1RII features a newly developed 44.3MP BSI CMOS sensor and high-performance engine with L2 Technology that work together to deliver impressive stills and videos with LUMIX’s esteemed natural color science. The high-resolution mode, allowing for handheld shooting at approximately 177MP, enables users to enjoy the presence and detail of subjects. With revolutionary video performance, it is the first LUMIX camera to realize 8K video recording at 14 stops1 of dynamic range, broadening the possibilities of video creation. The popular Open Gate feature has been enhanced, allowing to shoot in 6.4K, and even up to 8.1K/7.2K2 with a future firmware update. Furthermore, as a first for the LUMIX S series, it supports internal recording of 5.8K Apple ProRes RAW HQ/ProRes RAW3 to a CFexpress Type B card. This makes it possible to record high- quality video data with minimal setup and without using external devices or cables, providing greater mobility for one-man operations and small-scale shoots.

    Evolved real-time recognition Phase Hybrid AF, now with AI tracking, quickly and precisely detects human eyes and faces and follows a subject’s movements smoothly. With high-speed continuous shooting at approximately 40 fps4 and AF tracking, dynamic subjects can be captured accurately and effortlessly. The SH pre-burst mode even starts taking pictures before the shutter is fully pressed, ensuring you never miss a shot.

    Our widely acclaimed image stabilization system continues to improve, with the LUMIX S1RII achieving 8.0-stop shutter speed compensation5 with in-body stabilization, and 7.0-stop6 even in the telephoto range with Dual I.S. 2. The advanced video image stabilization features cropless E.I.S. video distortion correction, reducing peripheral distortion while preserving the original angle of view. This allows for greater flexibility in handheld wide-angle shooting. The newly designed compact body and the tilt and free-angle monitor are adaptable to any shooting style, making it an excellent companion for those seeking both mobility and creative flexibility.

    The LUMIX S1RII will be compatible with the “LUMIX Lab” smart phone application, enabling you to load LUTs directly into the camera. This streamlines the post-production process, allowing for smoother client deliveries and giving you more time to focus on creativity. A new “LUMIX Flow” app will be launched to enhance production workflows across various scenarios, such as short films, documentaries, music videos, and corporate promotional videos. This app offers a range of features, from storyboard creation and shooting to file organization. The LUMIX S1RII integrates with third party software such as “Frame.io” for more efficient postproduction and collaboration. For the first time in LUMIX history, the LUMIX S1RII supports tethering via “Capture One,” assisting a diverse range of creators across various production scenarios.

    Guided by our philosophy of creating technology that fuels creative passion, the LUMIX S1RII is a next-generation mirrorless camera built for creators who want to bring their own unique vision to life.

    Main Features

    • High resolution and high image quality for both stills and videos with a newly developed sensor and next-generation engine

      • Utilizes a newly developed approximately 44.3MP full-frame BSI CMOS image sensor.

      • Features a 177MP (approx.) handheld high-resolution mode that captures the immersive presence and details of subjects with precision.

      • Offers high-resolution recording that captures the texture and fine details of subjects and supports LUMIX’s first 8K 30p video recording (*2) with 14 stops (*1) of dynamic range.

      • Supports 5.8K Apple ProRes RAW HQ / ProRes RAW internal recording to a CFexpress Type B card.

    • Enhanced core performance that unlocks new creative possibilities

      • Redefined real-time recognition Phase Hybrid AF with improved eye and face detection and AI-driven tracking accuracy for people.

      • Enhanced 8.0-stop (*3) in-body image stabilization (B.I.S.) and newly developed cropless E.I.S. video distortion correction, which stabilizes without cropping the angle of view.

      • High resolution and high-speed continuous shooting, offering approximately 40 fps (*2) with the electronic shutter “SH” mode, and an extended continuous shooting “H+ (High Speed Plus)” mode of approximately 10 fps (*2) with a mechanical shutter, allowing you to experience post

        view blackout-free shooting.

    • Powerful apps that seamlessly support the production workflow

      • Compatible with “Capture One,” making it the first LUMIX camera to work seamlessly with the widely used editing software in professional studio photography.

      • Compatible with “Frame.io,” enabling smooth progression from shooting to editing, as well as cloud sharing and collaboration.

      • Supports “LUMIX Lab,” simplifying the transfer, editing, and color personalization of photos and videos for seamless smartphone integration and social media sharing.

      • Supports new “LUMIX Flow,” which assists with storyboard creation, on-site checks during filming, and automatic data organization after shooting to support the video production workflow.

      • LUMIX mode: Assists with storyboard creation, on-site checks during filming, and automatic data organization after shooting to support the video production workflow.

        ■ Smartphone mode: Experience the joy of video creation, such as scripting and editing a short drama, documentary video or dance video, with just a smartphone.

        ■ External monitor: Use a smartphone as an external monitor while shooting, allowing you to swiftly change and adjust the camera settings on the mobile device.

    DMW-BG2

    Panasonic is pleased to introduce the new DMW-BG2 battery grip, designed to match the feel of the S1RII when holding the camera vertically. The battery in the battery grip can be exchanged while the camera is on, and the grip also supports providing power to the camera for shooting in certain extensive modes.

    Price and availability

    The new LUMIX S1RII will be available in late March for $3299.99 at valued channel partners.

    1 When Dynamic Range Expansion (Log) is enabled.

    2 8.1K/7.2K Open Gate recording will be available in the firmware update scheduled for 2025.

    3 8.1K / 7.2K RAW HDMI output will be available in the firmware update scheduled for 2025.

    4 The continuous burst shooting speed may decrease depending on various conditions such as the lens used, aperture and shutter speed.

    5 Center: 8.0-stop; Periphery: 7.0-stop. Based on the CIPA 2024 standard [Yaw/Pitch/Roll direction: focusing distance f=60mm when S-R2060 is used. 5-axis.]

    6 Center: 7.0-stop; Periphery: 7.0-stop. Based on the CIPA 2024 standard [Yaw/Pitch/Roll direction: focusing distance f=105mm when S-R24105 is used. 5-axis.]





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  • The Nature Photography Contest Announces 2024 Winners

    The Nature Photography Contest Announces 2024 Winners


    Underwater Winner: “Moby Dick” by James Ferrara

     

    The winners of the second annual edition of The Nature Photography Contest have been revealed, with Christopher Paetkau crowned overall winner for a wonderful shot of a polar bear resting in a field of vibrant fireweed flowers. Alongside Paetkau’s “Photography of the Year,” Thomas Vijayan was named “Photographer of the Year” for demonstrating “his keen eye for composition, storytelling, and the delicate balance that governs the natural world” across various categories.

    Among those different categories, of course, it was “Underwater” that we were most excited to see. DPGer James Ferrara’s perfectly framed shot of a sperm whale cruising through clumps of sargassum weed—featured in his DPG Photographer of the Week article—was the category winner among a wonderful selection of finalists by Simon Biddie, Ilaria Mariagiulia Rizzuto, Kwon Chan, Lorincz Ferenc, Wan Yong Chong, Remuna Beca, Andy Lambert, Jun He, and Theo Maynier.

    Check out the “Underwater” category finalists below, and head over to the competition website to see the rest of the recognized images. The Nature Photography Contest 2025 is expected to launch in May.

     

    Underwater Finalist: “A Sunrise Glide” by Simon Biddie

     

    Underwater Finalist: “Bad Boy” by Ilaria Mariagiulia Rizzuto

     

    Underwater Finalist: “Big Dreams” by Kwon Chan

     

    Underwater Finalist: “Carp Love” by Lorincz Ferenc

     

    Underwater Finalist: “Circle of Life” by Wan Yong Chong

     

    Underwater Finalist: “Connection” by Remuna Beca

     

    Underwater Finalist: “Jellyfish” by Andy Lambert

     

    Underwater Finalist: “Pike Hunting” by Ferenc Lorincz

     

    Underwater Finalist: “Place of Residence” by Jun He

     

    Underwater Finalist: “Sous Ecorte” by Theo Maynier





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  • Ikelite Announces “Deluxe Version” Fixed Port Housings for Sony a6700 with Power Zoom 16–50mm Lens

    Ikelite Announces “Deluxe Version” Fixed Port Housings for Sony a6700 with Power Zoom 16–50mm Lens


    Ikelite Announces “Deluxe Version” Fixed Port Housings for Sony a6700 with Power Zoom 16–50mm Lens

    Ikelite has released two “deluxe versions” of its housing for the Sony a6700 featuring a fixed flat port with standard 67mm threads. The housings, which specifically accommodate the camera with the Sony E PZ 16–50mm f/3.5–5.6 OSS lens attached, are designed for use with macro and wide-angle wet lenses with 67mm threads—in much the same way as you would shoot with a compact camera underwater. To make it easier to attach heavier wide-angle lenses, Ikelite recommends using a compatible 67mm-to-bayonet adapter.

    The two housing configurations are as follows: The 200FP/T housing bundles the Sony a6700 housing with the Dual Tray with Dual Handles, Trigger Extensions, Vacuum System, a spare O-ring, and TTL circuitry. The built-in TTL electronics mean that you just need to add a single sync cord or a dual sync cord and one or two compatible Ikelite DS strobes, respectively.

    By contrast, the 200FP/F housing bundles the Sony a6700 housing with the Dual Tray with Dual Handles, Trigger Extensions, Vacuum System, a spare O-ring, and a built-in Fiber Optic Transmitter. The transmitter attaches to the camera’s hotshoe and translates its flash signals to LED pulses that can be read by compatible strobes by manufacturers such as Inon, Sea&Sea, Retra, Weefine, Kraken, AOI, and Backscatter. Strobes can only be used in manual mode.

    Available now from retailers such as Backscatter, the 200FP/T housing is priced at $1,690, while the 200FP/F housing costs $1,715.



     


    When purchasing underwater photography equipment like the products mentioned in this article, please support DPG by supporting our retail partner—Backscatter.com.

     





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  • Ikelite Announces Housing for the Nikon Z5 II

    Ikelite Announces Housing for the Nikon Z5 II


    Ikelite has announced its housing for the Nikon Z5 II. The second-generation entry-level full-frame mirrorless camera is a significant step up from its predecessor. The 24MP backside-illuminated sensor is paired with Nikon’s latest EXPEED 7 processing engine, promising excellent low-light performance and doubling the burst shooting speed with the manual shutter—11fps with full AF/AE compared to the 4.5fps of the Z5. In addition, unlike its predecessor, the Z5 II can shoot 4K/30p video with no crop.

    With its housing, Ikelite aims to get the most out of the new camera. As well as the company’s signature ABS-PC body with transparent back, Dry Lock (DL) port system, and oversized control levers for shutter release and autofocus, the housing can accommodate Ikelite’s USB Charging and Data Transfer Bulkhead, meaning you never have to take the camera out of the housing. Needless to say, if you want to be able to switch between TTL and manual strobe exposure on the fly, you have the option of adding the DL1 DS Link TTL Converter—and a couple of DS strobes.

    Available from retailers such as Backscatter, Ikelite’s Nikon Z5 II housing is priced at $1,895.

     


    When purchasing underwater photography equipment like the products mentioned in this article, please support DPG by supporting our retail partner—Backscatter.com.


    PRODUCT INFORMATION

    SKU: 71075

    200DL Underwater Housing for Nikon Z5 II Mirrorless Digital Cameras

    A full featured and durable waterproof housing for Nikon Z5 II mirrorless digital cameras. Suitable for scuba, snorkel, surf, pool, and any application in or around the water.

    $ 1,895.00

    View Port Chart (PDF)

    • Controls: Controls are provided for everything except Joystick up/down/left/right, Fn1, Fn2, Diopter adjustment dial, or DOF button

    • Strobe Connector: Ikelite Bulkhead with Manual Hotshoe

    • Port Mount: DL (Dry Lock)

    • Accessory Port: M16 Thread

    • Depth Rating: 200 feet (60 meters)

    • Weight: 4.7 lb

    • Dimensions: 8.75 x 6.875 x 6.5″ (220 x 175 x 165 mm)

    • Rear O-Ring: 0132.59

    • Front O-Ring: 0132.45

    Pre-Dive Checks

    There is no greater assurance than being able to see your camera and o-ring seal through the back of the housing. Our signature open-groove design suspends the rear o-ring in a natural position that is easier to maintain and more reliable than forcing the o-ring into a channel. Once the housing is closed you can see the o-ring form a solid, waterproof seal.

    We recommend using a pump with gauge to pull a vacuum on the housing and check for leaks prior to entering the water.

    Construction

    Our specially formulated ABS-PC blend housing is highly durable yet significantly lighter than aluminum. The light color keeps your camera cooler when shooting in warm, sunny environments.

    Lens Support

    Ikelite lens ports are the lightest on the market, yet robust and capable of standing up to rough surf.

    We support a wide variety of lenses. Most popular zoom lenses and select focus rings can be engaged using simple gearing that puts adjustment right at your fingertips. Zoom and focus gears differ depending on which lens you are using.

    Lens ports and zoom gears sold separately. Refer to the appropriate port chart for compatibility information.

    Wi-Fi Transfer

    Use the camera’s built-in Wi-Fi feature to download photos to another device without removing the camera from the housing. The Wi-Fi feature is only usable above water within close proximity to the connected device.

    Compatibility

    Unless otherwise noted, this housing does not accommodate the use of add-on grips, battery grips, eyepieces, LCD covers, or other accessories.

    Differences in lens and control placement prevent other camera models from being used in or adapted to this housing. We are not aware of any other models which may be used in or adapted to this housing.

    In the Box

    • Housing

    • Rear O-ring # 0132.59 (installed)

    • Front O-ring # 0132.45 (installed)

    • Zoom Gear Retainer # 75900 (installed)

    • Port Hole Cover # 0200.92 (installed)

    • Waterproof Bulkhead Cap # 9104.7 (installed)

    • Base with Left-Hand Quick Release Handle # 4077.67 (installed)

    • Tool for Zoom Gear Retainer # 0945.06

    • .050″ Hex Key # 0945.11

    • 1/16″ Hex Key # 0945.16

    • Silicone Lubricant 1cc tube





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