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  • Nikon Announces ZR Compact 6K Cinema Camera

    Nikon Announces ZR Compact 6K Cinema Camera

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    Nikon has announced its very first cinema camera: the ZR. The compact full-frame “Z Cinema” camera is the first Nikon camera developed with RED, which the Japanese company acquired in 2024. Boasting a very compact form factor, the ZR features a magnesium alloy chassis (like the Z6 III) and an efficient thermal management design (sans cooling fan) that Nikon claims allows for long record times. The ZR is the first camera to use the new 12-bit RAWCODE RAW (R3D NE) codec, facilitating full control over ISO, exposure and color in post.

    The ZR is built around the partially-stacked 24.5-megapixel full-frame CMOS sensor and EXPEED 7 processing engine found in the Z6 III. The camera can record 6K/60p from the full sensor width in 12-bit RAW internally, 4K/60p with no crop, and 4K/120p using the DX portion of the sensor. Offering 7.5 stops of in-body image stabilization, the ZR boasts various features aimed at pro videographers, including dual base ISO 800/6400, custom in-camera LUT support, and the ability to set shutter angle.

    While the ZR has no electronic viewfinder, Nikon has equipped it with a high-quality 4-inch 3.07M-dot vari-angle DCI-P3 touchscreen display with a peak brightness of 1,000 nits. The camera also has built-in support for 32-bit float audio, and ports for a mic, headphones, HDMI, and USB charging.

    Available in late October 2025, the Nikon ZR will have a body-only price of $2,200. Among the kit configurations on offer will be the camera paired with the Z 24–50mm f/4–6.3 for $2,500.

     


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    PRESS RELEASE

    THE NIKON ZR: A NEW ERA OF LIMITLESS CINEMATIC POSSIBILITIES, BORN FROM NIKON’S SYNERGY WITH RED DIGITAL CINEMA

    The first Nikon Camera in the Z Cinema Series Combines Nikon’s Optical expertise and High-Performance AF with RED’s Color Science and Cinematic DNA

    MELVILLE, NY (September 10, 2025) – Today, Nikon announced their first cinema camera made for filmmakers, the ZR. The ZR is an ultra-lightweight, full-frame camera that marks an audacious introduction to the Z Cinema series, a collection that invokes the best technologies and philosophies of both companies. Designed for emerging cinematographers and high-end content producers, the supremely capable Nikon ZR packs an unparalleled amount of professional video production features at a price that puts cinematic quality within reach for all types of filmmakers.

     


    The Nikon ZR is as versatile as it is powerful, with a multitude of original and class-leading capture and workflow features never seen before in this level of camera. The new Nikon ZR can record up to 6K/60p (59.94p) and incorporates the new R3D NE1 RAW video file format with RED color science based on RED’s popular R3D RAW codec, with 15+ stops2 of dynamic range. This new codec uses color science and exposure standards of RED cameras to ensure accurate color matching, even for multi-cam shoots. The impressively huge 4 in. DCI-P3 LCD is nothing short of stunning, and bright enough to be used even in direct sunlight, while often eliminating the need for an external monitor. It also has class-leading audio capabilities such as 32-bit float audio from built-in and external microphones, plus OZO3 directional audio. The ZR also has 7.5 stops of built-in image stabilization (IBIS) and unlocks a whole new world of optical versatility, since the wide Nikon Z mount enables a large variety of lenses to be adapted using third-party lens adaptors4.

    “We aren’t holding anything back – our first Nikon camera developed with RED has all the creative controls that filmmakers need, with features that have never been seen in this level of handheld cinema camera,” said Fumiko Kawabata, Sr. Vice President of Marketing and Planning, Nikon Inc. “The Nikon ZR is the camera that will challenge the established video market and will demonstrate Nikon’s commitment to advancing the tools available to video production professionals.”

     


    Legendary RED Color Science, Built-In

    The new ZR features a full-frame sensor for excellent depth of field and video quality and supports internal recording up to 12-bit RAW 6K/60p. This is the first camera to use the new 12-bit R3D NE RAW codec, a new RAW format which REDCODE RAW users will find familiar. By leveraging its broad 15+ stop dynamic range, it achieves well-balanced image quality from highlights to shadows. Support for Log3G10 and the REDWideGamutRGB gamut reproduces exposure standards and colors consistent with RED color science, with true RED color tonality, skin tone integrity and tonal roll-off – similar to the output of RED’s cinema cameras such as the V-RAPTOR [X] and KOMODO-X. Two base ISO sensitivities are available, ISO 800 and ISO 64005, allowing users to choose the best option for a particular scene or situation such as bright daylight or low-light interior scenes. However, just like REDCODE RAW, ISO in R3D NE files is fully adjustable in post for maximum flexibility.

    Furthermore, users also have the option to shoot in N-RAW, ProRes RAW, and other formats to best suit their production and workflow. The camera also features a new view assist function which allows the user to store and select from up to ten LUTs in the camera. This will let the filmmaker preview the effect of the color grade in real time using the monitor. Three types of LUT data (17-point, 33-point, 65-point6) can be loaded into the camera. RED’s Creative LUT Kit is available for free via the RED website here.

    The ZR features a new Cinematic video mode, a user preset for those who want to easily enjoy the RED cinematic look with a faster workflow in less data-intensive non-RAW formats. Cinematic mode automatically adjusts the shutter angle to 180 degrees, changes the frame rate to 24 fps, and applies the RED Cine Bias Picture Control for gorgeous yet simple cinematic color. What’s more, nine RED-curated cinematic Picture Controls based on RED creative LUTs will be available for free download via Nikon Imaging Cloud, expanding possibilities for more diverse imaging expression.

    Incredible Audio: 32-Bit Float Audio Recording + OZO Audio Support for Built-In Mic

    With uncompromising attention to audio capabilities, the ZR is the world’s first7 cinema camera to support 32-bit float audio recording with both built-in and external microphones, as well as through the 3.5mm microphone jack. This unique ability enables the recording of clear, distortion-free sound from quiet to loud, without requiring on-location gain adjustment. It supports recording a wide range of sound sources, from interviews to live concerts, with maximum audio flexibility in post. The three high-performance mics built into the camera use Nokia’s OZO Audio technology to realize cutting-edge audio recording. Filmmakers can choose from one of the five polar pickup patterns8 — [Front (Super directional)], [Front], [All directions], [Rear], and [Stereo (binaural)] — that best suits the situation, from interviews or product tutorials to immersive audio applications.

    The ZR is also the first Nikon camera to feature a digital accessory shoe, which enables two-way digital communication between the camera and compatible accessories, allowing for advanced functionality such as tally lamp and microphone LED control. Additionally, the camera can supply power directly to supported accessories, eliminating the need for separate batteries or cables. The newly designed rubber shoe cover provides excellent dust and drip resistance, ensuring reliable performance in a variety of shooting environments. Going forward, Nikon will collaborate with third-party accessory manufacturers to offer a wide range of solutions that meet the diverse needs of filmmakers.

    High-Performance Autofocus with Nikon’s Deep Learning-Based AI Technology

    The impressive processing power of the EXPEED 7 image-processing engine installed in Nikon’s flagship camera Z9 and AI technology that utilizes deep learning, enables more accurate subject detection and tracking for optimal image processing in accordance with the subject, scene and situation. This makes capturing the intended subject with greater accuracy much easier, significantly expanding possibilities for film production. The camera also detects nine types of subjects automatically, including people, animals and vehicles. It even detects small faces occupying as little as 3% of the long side of the frame for precise focusing on distant human subjects. Users can also adjust AF speed and sensitivity to suit their creative style, enabling a slow rack for cinematic effect or fast-paced focus for action.


    Designed to Thrive in any Production Environment

    The ZR uses an innovative fanless design, with the entire camera body contributing to efficient heat dissipation and thermal management. This design decreases audible noise, enhances battery life and increases durability. The ZR can shoot uninterrupted recording for up to approximately 125 minutes9. Additionally, USB power delivery capability allows for long takes and worry-free shooting at events that require extended recording, such as weddings, concerts and interviews.

    With its magnesium alloy chassis, the ZR inherits the same rugged durability standards of Nikon’s Z6III. This means it’s designed to handle the pressures of professional production environments—indoors or out. The body is resistant to dust, sand and moisture, thanks to careful sealing at critical points like buttons, seams and ports. It’s a tool designed for real-world filmmaking—resilient under pressure and ready to shoot on location. The controls on the ZR also reflect a new filmmaker-oriented UI, with familiar menus, a new quick menu for filmmakers, as well as customizable button placement made for a cinematographer’s most used features.


    Additional Features of the Nikon ZR

    • Super lightweight with small footprint at just 1.19 lb. (body only).

    • A short 16mm flange focal distance (the shortest among full-frame cameras) offers greater flexibility in the lenses that can be used, allowing filmmakers to make the most of their existing lens assets.

    • The shutter angle can be adjusted from 5.6° to 360° for video recording. Shutter speed is also available.

    • The brightness of the information display (histogram/waveform monitor size, transparency and position, and zebra pattern color) can be changed.

    • Automatic rotation of vertical video for social media content creation.

    • A front tally light /rec lamp lets subjects know you are recording. Additionally, it receives tally control signals10 input via HDMI-CEC11 and displays the status of each camera when multiple cameras are used.

    • A superior dust- and drip-resistant, durable construction expands shooting possibilities.

    • Equipped with advanced still photography features inherited from the Z6III, as well as new features such as a preset for starscape photography and a new dehaze function.

    • Slow-motion presets: Instant access to 4K/119.88p12 and Full HD/239.76p cinematic motion, as well as user modes for 4x and 5x slow-mo.

    • It also supports Frame.io Camera to Cloud using NX MobileAir, automatically transferring video data directly to the cloud for a faster and more efficient post-shooting workflow.



    RED Digital Cinema, Inc. Releases the V-RAPTOR XE

    RED Digital Cinema, Inc., a subsidiary of Nikon Corporation, is pleased to announce the release13 of the new V-RAPTOR XE digital cinema camera, which was released on September 9, 2025. The newest addition to its acclaimed Z CINEMA camera lineup, this streamlined version of the revolutionary V-RAPTOR [X], curates the essential tools for cinematic storytelling. Designed for independent creators who demand uncompromising image quality, the V-RAPTOR XE delivers large-format, cinema-grade features at a more accessible price point. The new camera retains RED’s industry-leading 8K large format (VV) global shutter sensor found in the V-RAPTOR [X] series, ensuring cinematic image fidelity, dynamic range, and low-light performance that filmmakers trust. Nikon and RED will meet a wide range of needs in film production with an extensive lineup of cinema-oriented products under the Z CINEMA series.


    New ME-D10 Shotgun Microphone

    The ME-D10 is a 32-bit float shotgun microphone compatible with the new digital accessory shoe developed for the ZR. It requires no battery or cable and has built-in shock mounts to minimize any interference. It offers two recording modes, PURE and FOCUS, which can be selected with a switch on the microphone. PURE mode features a wide dynamic range and a sound design true to the original source, allowing natural and accurate capture of raw audio, including the ambient atmosphere. FOCUS Mode accurately captures the intended voice, even in noisy surroundings such as those outdoors, ensuring clear audio for product presentations and live streams.

     


    Price and Availability

    The new Nikon ZR Cinema Camera will be available in late October 2025 for a suggested retail price of $2,199.95* for the body only. Additional kit configurations include: the body with the NIKKOR Z 50mm f/1.8 lens for $2,749.95*, with the NIKKOR Z 35mm f/1.4 for $2,849.95*, or with the NIKKOR Z 24-50mm f/4-6.3 for $2,499.95*. The ME-D10 shotgun microphone, also scheduled for release in late October, has a suggested retail price of $339.95*.

    For more information about the latest Nikon products, including the vast collection of NIKKOR Z lenses and the entire line of Z series cameras, please visit nikonusa.com.

    Specifications, equipment, and release dates are subject to change without any notice or obligation on the part of the manufacturer.

    1. A dedicated codec developed for Nikon cameras to record video in R3D format. The file extension is “.R3D”.

    2. Value based on measurement performed by Nikon

    3. OZO is a registered trademark of Nokia Technologies Oy.

    4. Certain features may be unavailable when other brands’ lens adapters are used.

    5. With R3D NE recording.

    6. With recording at video frame rates of 23.976p, 25p, 29.97p, 50p, and 59.94p.

    7. Among cameras with interchangeable lenses that record audio via the built-in microphone and 3.5-mm stereo mini-pin jack.

    8. Available when recording with H.264 or H.265 at 59.94p or lower.

    9. R3D NE 6K/59.94p: [Auto temperature cutout]: [High], at 25°C/77°F, using portable battery or other external power source.

    10. Supports Cerevo tally lamps.

    11. Up to six cameras can be connected.

    12. In DX crop mode

    13. The V-RAPTOR XE will be available from RED Digital Cinema, Inc. and RED authorized dealers. Visit RED’s official website for product details, as well as for information on release dates and sales regions.

    *SRP (Suggested Retail Price) listed only as a suggestion. Actual prices are set by dealers and are subject to change at any time.

     



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  • Nauticam Announces Housing for OM System OM-5 Mark II

    Nauticam Announces Housing for OM System OM-5 Mark II

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    Nauticam has unveiled their NA-OM5II housing for the new OM System OM-5 Mark II, the second iteration of the Japanese company’s entry-level mirrorless interchangeable lens Micro Four Thirds camera. The OM-5 Mark II features a 20-megapixel sensor, TruePic IX image processing engine, and five-axis image stabilization. The camera shoots 10fps continuously with its mechanical shutter and can record 4K/30p and 1080/120p video using the full sensor width.

    The NA-OM5II housing features Nauticam’s signature ergonomic design, with controls for the front and rear dials, REC, AF-ON, Fn1 and Fn2, and the Mark II’s new “CP” custom button. Naturally, there’s full compatibility with Nauticam’s extensive range of water-contact optics, such as the WWL-C, SMC-3, CMC-2, and MFO-3. Optical ports are provided for triggering strobes (using the company’s Mini Flash Trigger for Olympus), while a port is available for adding a Nikonos-style bulkhead for electrical triggering. An M16 port allows the installation of an HDMI bulkhead for use with monitor/recorders such as the Atomos Ninja V or monitors such as the Nauticam T7 HD UltraBright.

    The NA-OM5II is priced at $2,000 and is available now from retailers such as Backscatter.

     


    When purchasing underwater photography equipment like the products mentioned in this article, please support DPG by supporting our retail partner—Backscatter.com.


    PRODUCT INFORMATION

    INTRODUCING NA-OM5II

    OM System OM-5 Mark II Camera

    The OM-5 Mark II, renowned for its compact and lightweight design, is an ideal choice for travel photographers. It boasts a 20.4MP Live MOS sensor, a TruePic IX image processor, and robust 5-axis in-body image stabilization and exceptional weather sealing. Convenient charging is now possible with the introduction of a USB-C port. The OM-5 Mark II also incorporates the user-friendly menu system initially introduced on the OM-1 Mark II. For video recording, two new color profiles, OM Cinema 1 and OM Cinema 2, are available, allowing videographers to create cinematic video without specialized processing or grading. DCI 4K is supported at 24p, while UHD 4K is supported at frame rates up to 30p.

    Key Features

    • 20.4MP Live MOS Micro Four Thirds Sensor

    • TruePic IX Image Processor

    • DCI 4K/24p & UHD 4K/30p Video Recording

    • 5-Axis Sensor-Shift Image Stabilization

    • IP53-Rated, Weather-Sealed Construction

    • 121-Point Hybrid Contrast + Phase AF

    • SD Memory Card Slot

    • 2.36m-Dot Eye-Level OLED EVF

    • 3.0″ 1.04m-Dot Vari-Angle Touchscreen

    • Wi-Fi and Bluetooth

    NA-OM5II HOUSING

    The NA-OM5II adheres to Nauticam’s Mission Control philosophy, ensuring accessible and intuitive control for critical functions. These include Front & Rear dials, REC, AF-ON, CP, Fn1 and Fn2 Lever. Nauticam’s Port locking system facilitates rapid and seamless lens changes. Battery and memory card replacements are equally effortless thanks to the rotary-style housing lock and lens release button. An optional M14 vacuum valve unlocks the full capabilities of the pre-installed Vacuum Check and Leak Detection System. The NA-OM5II LCD window, available as an optional feature, enables the utilization of Nauticam Full Frame viewfinders for enhanced viewing. For lighting and accessories, the housing incorporates an M10 treaded mounting point, a cold shoe mount, and optional handles and tray equipped with strobe mounting balls.

    Flash Triggering

    For high-speed manual flash triggering, the optional Mini Flash Trigger for Olympus (26306) can be used. The trigger is powered by onboard coin-style lithium batteries, with thousands of flashes available from a set. Electrical triggering of legacy wired strobe systems is possible via an electrical Nikonos style bulkhead (optional).

    Premium Professional Optics

    A camera system is only as good as the optics placed in front of it. Nauticam’s extensive line of dome and flat ports support a wide variety of Micro Four Thirds lenses. For even higher image quality and versatility, the NA-OM5II can be used in conjunction with Nauticam’s lineup of Water Contact Optics. For example, with the Olympus 14-42mm f/3.5-5.6 EZ Lens, the Nauticam WWL-1 provides a full zoom through ultra wide-angle 130º field of view.

    Integrated Vacuum Check and Leak Detection System

    The Nauticam vacuum check and leak detection system is standard equipment on the NA-OM5II. When combined with the optional M14 Vacuum Valve II (PN 25624), this monitoring system continuously provides updates on the water tightness and safety of the housing. A simple coded LED lighting system informs the user if the vacuum is functioning properly or if the housing is losing vacuum. Leak detection is integrated into the same circuit, so if water enters the housing, an audible and visual indication will be given.

    WHAT’S IN THE BOX

    • NA-OM5II Housing

    • Housing Cap

    • 2x Optical bulkhead caps

    • Panasonic CR-2032 Battery (pre-installed for moisture alarm)

    • 90139 Spare main O-ring, O-ring remover and lubricant

    • Set of Allen Keys

    • Padded housing bag and shoulder strap


    RECOMMENDED ACCESSORIES

    Housing Tray and Hand Strap

    • 71206 Easitray II with left handle (with 2pcs 1/4” screws)

    • 71207 Flexitray II with left handle (with 2pcs 1/4” screws)

    • 71208 Adjustable right handle II (for Easitray II & Flexitray II)

    • 71209 Flexitray plate II W with left handle (with 2 tripod holes)

    • 71311 Strobe mounting ball for Easitray& Flexitray

      (xxxxx Handle bracket for NA-OM5II may be required)

    • 36316 Hand strap for Mirrorless IL camera & compact camera housing (Standard)

    • 36323 Long hand strap for Mirrorless IL camera & compact camera housing

    Shutter Extension

    • 25200 Compact/MIL Housing Shutter Release Extension (for use with 71207/71209 and 71208)

    Mounts-Valves-Viewfinders

    • 25221 M10 strobe mounting ball for housing

    • 25311 Strobe mounting ball for cold shoe

    • 25624 M14 Vacuum Valve II (Pushbutton Release)

    • xxxxx NA-OM5II LCD window for Nauticam Full Frame viewfinder

    • 32211 Nauticam Full Frame Straight Viewfinder 32° / 1:1

    • 32213 Nauticam Full Frame Angle Viewfinder 32° / 1:1

    Surface USB-PD Power Bank

    • 26325 USB-C Bulkhead with USB-C Connector


    HDMI OUTPUT

    Required accessories for HDMI 1.4 Cable System

    • 25033 Standard HDMI bulkhead with M16 thread

    • 25076 HDMI (D-D) Cable in 200mm Length for NA-XT2/XH1/A6400 (for internal connection from HDMI bulkhead to camera) TBA

    Compatible Monitor Options

    • 16612 Nauticam 7” T7 UW ULTRA HD Monitor (HDMI 1.4 input, excl. cables) 25047 HDMI (D-D) cable in 800mm length (for connection between HDMI bulkheads)

      *25047 is required for use with 16612 monitor housing

    • 17927 NA-Shinobi II Housing for Atomos Shinobi II 5.2″ Monitor with HDMI 1.4 input

      *17927 includes 25033, 25038, 25100

    • 17922 Nauticam Atomos Ninja V Housing for Atomos Ninja 5 4kp60 4:2:2 10-bit recorder/monitor/player (excl. HDMI 2.0 cable)

    • 25082 HDMI 1.4 Cable for Ninja V housing in 0.75m Length (for connection from Ninja V housing to HDMI bulkhead)

      *25082 is required for use with 17922 monitor


    WET LENSES

    Macro

    • 81203 Super Macro Convertor 3 (2.3x Magnification)

    • 81301 Compact Macro Convertor 1 (CMC-1, 4.5x Magnification)

    • 81302 Compact Macro Convertor 2 (CMC-2, 2.8X Magnification)

    • 81501 Mid-range Focus Optimizer 1

    • 81503 Mid-range Focus Optimizer 3

    Wide-angle

    • 83202 Wet Wide Lens 1B (WWL-1B) 130 deg. FOV with compatible 28mm lenses (incl. float collar)

    • 83203 Wet Wide Lens Compact (WWL-C) 130 Deg. FOV with Compatible 24mm Lenses (incl. float collar)

    Macro to wide-angle

    • 87301 EMWL Set #1 (incl. focusing unit #2, 150mm relay lens and 3 objective lenses)

    • 87201 EMWL Focusing Unit #1 (for Canon FF 100mm & APS-C 60mm)

    • 87211 EMWL 150mm Relay Lens

    • 87212 EMWL Angled Relay Lens

    • 87221 EMWL 60° Objective Lens

    • 87222 EMWL 100° Objective Lens

    • 87223 EMWL 130° Objective Lens

    • 87226 EMWL 160° Objective Lens


    WET LENS ACCESSORIES

    • 25101 M67 flip diopter holder for M67 macro ports

    • 25108 M67 Double Flip Holder for M67 Macro Ports

    • 83250 M67 to Bayonet Converter II

    • 83214 Bayonet Mount Adaptor for SMC/CMC

    • 87501 Flip Holder for EMWL

    • 87512 Shade for 130° Objective Lens

    • 87513 Shade for 100° Objective Lens

    • 87519 Shade for 160° Objective Lens

    • 87518 Strobe Mounting Brackets for EMWL Relay Lens



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  • OM Digital Solutions Announces the OM System OM-5 II

    OM Digital Solutions Announces the OM System OM-5 II

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    OM System has announced the OM-5 Mark II, a “refined” version of the company’s mirrorless interchangeable lens Micro Four Thirds camera. The core of the camera hasn’t changed a great deal from the original Olympus OM-D EM-5 Mark III: You get the same 20-megapixel Live MOS sensor powered by the TruePic IX image processing engine, autofocus courtesy of the 121-point cross-type on-chip phase detection system, and the same five-axis image stabilization. It also retains its IP53 rating—one of very few interchangeable lens cameras to feature this rating for splash and dust proofing. The camera still delivers 10fps continuous shooting with the mechanical shutter, and is capable of shooting 4K/30p and 1080/120p video with no crop.

    Otherwise, the changes are relatively minor though welcome: There’s now a USB-C port (as opposed to the predecessor’s microUSB), a new dedicated “CP” button has been added to the top plate for accessing the camera’s computational photography capabilities (but it can be reprogrammed), and the menu system has been upgraded along the lines of that in the OM-3 and OM-1 Mark II, which should improve usability significantly. The OM-5 Mark II also integrates the company’s OM-Cinema Video Profiles.

    Available now from retailers such as Backscatter, the OM-5 II costs $1,200 body-only or $1,600 with the 12–45mm f/4 PRO lens as a kit.

     


    When purchasing underwater photography equipment like the products mentioned in this article, please support DPG by supporting our retail partner—Backscatter.com.


    PRESS RELEASE

    Introducing the OM SYSTEM OM-5 Mark II Mirrorless Interchangeable Lens Camera

    Evolution Where It Matters Most. Trusted Outdoor Performance, Now Refined

    BETHLEHEM, PA, June 17, 2025 – OM Digital Solutions Corporation proudly announces the launch of the OM SYSTEM OM-5 Mark II, a refined mirrorless interchangeable lens camera built for outdoor creators who demand reliability, portability, and real-world performance.

    An evolution of the highly trusted OM-5 family, the OM-5 Mark II brings targeted upgrades where they matter most—based on feedback from creators who live for the outdoors. Compact, lightweight, and featuring splash & dust proof construction, it remains a trusted companion in all terrains and weather conditions.

    The OM-5 Mark II improves what photographers value most. Enhanced handling, new creative tools, and dependable performance are packed into a rugged Micro Four Thirds system body that’s ready for adventure.

    Key Features of the OM SYSTEM OM-5 Mark II:

    • Proven compact, lightweight system that’s easy to carry and quick to deploy in the field for capturing inspiring outdoor shots flawlessly with a redesigned grip for superior ergonomics and more secure handling.

    • Class-leading 5-axis image stabilization for consistently sharp images in any situation.

    • New USB-C port allows charging from a power bank—perfect for extended outdoor shoots.

    • New OM-Cinema Video Profiles for impressive cinematic 4K movies.

    • Now features the acclaimed OM-1 series menu structure for intuitive control.

    • Available in two classic colors: Black and Silver, plus an all-new color, Sand Beige, inspired by natural tones and made for outdoor explorers.

    • Splash & dust proof (IP531) with freeze-proof protection to –10°C for confident shooting in challenging conditions.

    • Capture outdoor experiences exactly as you picture them with computational photography—powered by a new dedicated CP button for faster access.

    At OM SYSTEM, we believe creators deserve tools that support their vision without adding bulk or complication. The OM-5 Mark II is a camera built on trust—refined for those who explore more, carry less, and demand real performance from their gear.

    Pricing & availability for OM SYSTEM OM-5 Mark II

    • The OM-5 Mark II will be available at the end of June, at a suggested retail price of $1,199.99 US / $1,699.99 CAD.

    • A bundled in a kit with OM-5 Mark II and M.Zuiko Digital ED 12-45mm F4.0 PRO lens will be offered at a suggested retail price of $1,599.99 US / $2,199.99 CAD.

    • A bundled in a kit with OM-5 and M.Zuiko Digital ED 14-150mm F4.0-5.6 II OM lens will be offered at a suggested retail price of $1,499.99 US / $2,099.99 CAD

    Note: Sand Beige version is not available as a kit.

    Launch Offer

    2 Year Extended Warranty with Purchase of OM-5 Mark II

    June 17–July 31, 2025, all orders of OM-5 Mark II body or kit will receive a complementary 2 Year Extended Limited Warranty, which extends the limited warranty coverage to 3 years total from original purchase date.

    Detailed product specifications for the OM SYSTEM OM-5 Mark II

    Please see the OM SYSTEM website for detailed product specifications: https://explore.omsystem.com/om-5-mark-ii?olycmp=aff-om5ii_opr_jun25-pr-nala-link-om5ii_mpdp

    OM SYSTEM OM-5 Mark II Features & Technology Detail

    Compact, lightweight system with excellent mobility for capturing inspiring outdoor shots easily

    • Compact, lightweight system with excellent mobility: The OM SYSTEM OM-5 Mark II is a compact, lightweight, highly mobile camera that measures approximately 125.3 mm × 85.2 mm × 52.0 mm (WHD) and weighs about 418 g (including the battery and memory card). When paired with the M. ZUIKO DIGITAL ED 12-45mm F4.0 PRO standard zoom lens, it weighs approximately 672g (CIPA compliant), making it the perfect companion for capturing the beauty of everyday moments or documenting awe-inspiring adventures, whether you’re strolling through your neighborhood park or scaling a mountain.

      This model is equipped with in-body 5-axis Image Stabilization which provides up to 6.5 steps2 of shutter speed compensation at the center, and up to 5.5 steps2 at the corner. When paired with a compatible lens3, 5-axis sync IS delivers up to 7.5 steps4 at the center, and up to 6.5 steps at the corner4. Powerful image stabilization enables hand-held shooting in a wide range of conditions, and the compact, lightweight system makes it possible to instantly react to photo opportunities encountered outdoors.

    • Excellent core performance provides high image quality: Thanks to the inclusion of the 20.37 million effective pixel5 Live MOS sensor and the TruePic IX image processing engine, this model delivers natural gradations in images with minimal noise and high image quality even at high- sensitivity settings. It is equipped with 121-point all cross-type On-chip Phase Detection AF for high-speed, high-precision AF.

      The camera is compatible with a USB Type-C connection, allowing it to be charged/supplied with power by a power bank. This design allows users to enjoy shooting outdoors without worrying about battery life.

    Designed for the outdoors, OM-5 Mark II now comes in three body colors, including the all-new Sand Beige.

    An ergonomic grip with finger rests that provide a secure, comfortable hold while shooting. The smooth, streamlined top makes it easy to wipe away dirt and dust during your adventures.

    To match its outdoor personality, the OM-5 Mark II comes in two trusted classics—Black and Silver—and a new, exclusive Sand Beige version, created to blend with natural environments and reflect the tones of rock, earth, and desert. This edition celebrates the spirit of adventure and the beauty of outdoors.

    Worry-free shooting even during changing weather, such as sudden rain, with splash & dust proof performance (IP531)

    The design includes sealing throughout, delivering IP531 protection class splash & dust proof performance with freeze-proof protection to –10°C, the same high level of weather resistance as the OM SYSTEM OM-1 Mark II flagship model. Thanks to this design, users can keep focusing on photo opportunities while enjoying the outdoors even in punishing shooting conditions without having to worry about damage from sudden rain, snow, or water spray—like that from waterfalls.

    The OM-5 Mark II is also equipped with the Supersonic Wave Filter (SSWF) Dust Reduction System, which is renowned among professional photographers worldwide. When the camera is turned on, the SSWF vibrates at a super high speed over 30,000 times per second to instantaneously remove dust and dirt. It eliminates dust and dirt stuck to the image sensor, keeping it from ending up in shots, and making it possible to swap lenses with peace of mind outdoors.

    Powerful computational photography tools built for creativity on the go

    Compositing techniques that were once only possible through post-processing on a computer are now built directly into the OM-5 Mark II, thanks to its advanced computational photography capabilities. Simply capture an image and unlock new photographic expressions with the latest digital technology.

    The OM-5 Mark II introduces a dedicated CP (Computational Photography) button, giving creators immediate access to powerful tools that once required complex software. With a quick turn of the Control Dial, users can easily switch between:

    • Handheld High Res Shot

    • Tripod High Res Shot

    • Live ND (ND2–16)

    • Focus Stacking

    • HDR (HDR1 and HDR2)

    • Multiple Exposure

    Live ND, for example, lets you photograph scenes with moving elements—such as flowing water, drifting clouds, or swaying trees—with a silky, dreamy effect, all without needing to carry physical ND filters. It simulates the long-exposure effect directly in-camera, even in bright daylight.

    Also included are features like Live Composite, which allows real-time monitoring of long exposures—ideal for capturing star trails, light painting, or fireworks—and Pro Capture, which begins buffering images as soon as the shutter button is half-pressed, helping ensure you never miss the perfect moment.

    New Night Vision, Starry Sky AF and Handheld Assist modes make photographing the night sky more accessible and enjoyable, helping you capture the beauty of a starry sky without a tripod.

    Additional Features

    • Same new menu configuration as on the OM-1 series

    • Easily record beautiful, cinematic video in OM-Cinema1/OM-Cinema2 picture modes specifically designed for videos.

    • Video recording lamp (tally light)

    • Set custom mode name (up to 12 alphanumeric characters)

    Related Accessories

    F-5AC USB AC Adapter (available now): The battery can be charged in the camera when connected to the USB cable included with the OM-5 Mark II.

    Suggested retail price: $29.99 USD / $34.99 CAD

    RM-WR2 Wireless Remote Control (available now): This wireless remote-control features IP57 class6 splash & dust proof construction, enabling remote shooting (communication range: within 10m of the camera body) in any kind of environment when connected to the OM-5 Mark II. It also features an energy-saving design that uses Bluetooth® Low Energy for communication, which can be used to start and stop video recording. It includes a cable for use as a wired remote control.

    Suggested retail price: $99.99 USD / $139.99 CAD

    Supporting Software and Apps

    OM Image Share App (OI.Share): This smartphone app is used to connect to the camera via Wi-Fi, transfer shooting data, and perform remote operations. On the OM-5 Mark II, OI.Share can be used to update the firmware on the camera body and backup/restore camera settings.

    OM Workspace image editing software: This image editing software includes advanced RAW processing and editing features. It allows processing settings that can be applied on the camera and editing such as tone curve and dehazing. In addition, the AI Noise Reduction function for RAW processing7 is equipped. Applying this function when processing RAW files shot with a supported camera8 generates clearer images.

    1. When paired with a relevant splash & dust proof lens (according to lens standard). This does not apply during charging or HDMI connection.

    2. CIPA2024 standard compliant. Yaw/Pitch/Roll compensation performance, M.ZUIKO DIGITAL ED 12-45mm F4.0 PRO at a focal distance of f = 45mm (35mm equivalent f = 90mm)

    3. Check the product site for information on compatible lenses.

    4. CIPA2024 standard compliant. Yaw/Pitch/Roll compensation performance, M.ZUIKO DIGITAL ED 12-100mm F4.0 IS PRO at a focal distance of f = 100mm (35mm equivalent: f = 200mm), halfway shutter release button IS: OFF

    5. 21.77 million pixels

    6. When connected wirelessly. IP51 when connected via a cable.

    7. The additional program AI Noise Reduction must be downloaded. There are limitations on computers that can use this feature. Please see the online compatibility table for further details.

    8. Supported cameras: OM SYSTEM OM-5 Mark II, OM SYSTEM OM-3, OM SYSTEM OM-1 Mark II, OM SYSTEM OM-1, E-M1 Mark II, E-M1 Mark III, E-M1X, OM SYSTEM OM-5, E-M5 Mark III. Additional programs and supported data must be downloaded.



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  • Hasselblad Announces X2D II 100C Medium Format Camera

    Hasselblad Announces X2D II 100C Medium Format Camera

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    Swedish high-end camera maker Hasselblad has launched its latest flagship medium format camera—the X2D II 100C. The new camera improves on its predecessor—the X2D 100C—in key areas, starting with its 100-megapixel BSI CMOS sensor, which promises up to 15.3 stops of dynamic range (up from 15 stops on the original camera). Like its predecessor, the new camera captures 16-bit RAW images, but the base ISO is now 50 (down from 64). In-body image stabilization also sees a major improvement, with 10 stops of shake reduction (compared to 7 stops previously).

    Significantly, the X2D II 100C is the first Hasselblad camera to feature continuous autofocus, which is achieved via a LiDAR-assisted phase-detect AF system with 425 zones (up from 294). Hasselblad says moving subjects—such as people, animals, and vehicles—are accurately detected and tracked by making use of deep learning algorithms. Continuous autofocus works with many but not all lenses. Most XCD lenses are compatible, including the new XCD 35–100mm f/2.8–4 E, which was launched alongside the camera.

    The new camera brings various hardware enhancements, too. There’s a new joystick for moving the autofocus area and navigating menus; there’s an added custom button (bringing the total number of custom buttons to eight); and the 3.6-inch 2.35M-dot OLED rear display is now brighter (1,400 nits). The EVF remains the same: a 1/2-inch 5.76M-dot OLED affair with a magnification of 1.00x. The camera also retains its predecessor’s CFexpress Type B card slot and rather novel 1TB internal SSD.

    Finally, Hasselblad claims the X2D II 100C is the “first medium format camera to support true end-to-end HDR.” Hasselblad Natural Colour Solution with High Dynamic Range (HNCS HDR) “effectively reduces overexposure, enhances highlight retention, and reveals greater tonal depth, resulting in richly detailed HDR images that reflect what the eyes naturally see.” Recorded as HDR HEIF or Ultra HDR JPEG files, these HDR images can be directly displayed on the new OLED rear display.

    Available now, the Hasselblad X2D II 100C is priced at $7,400, while the new XCD 35–100mm f/2.8–4 E standard zoom lens costs $4,600.

     


    PRESS RELEASE

    HASSELBLAD INTRODUCES 100MP HDR FLAGSHIP MEDIUM FORMAT CAMERA AND STANDARD ZOOM LENS: X2D II 100C AND XCD 2.8–4/35–100E

    Powered by AF-C continuous autofocus, Hasselblad Natural Colour Solution with High Dynamic Range, 10-stop stabilisation, and Phocus Mobile 2, the X2D II 100C delivers unmatched creative control in a compact, powerful system.

    Following the groundbreaking success of the X2D 100C, Hasselblad today releases the X2D II 100C, the industry’s first 100-megapixel medium format camera with true end-to-end high dynamic range (HDR)[1]. With AF-C continuous autofocus[2], Hasselblad Natural Colour Solution with High Dynamic Range (HNCS HDR), and industry-leading 10-stop in-body image stabilisation, the new camera delivers even more true-to-life colour, faster focusing performance, and greater hand-held control. Combined with Phocus Mobile 2, it offers a seamless workflow and expands creative possibilities across landscape, portrait, street, and travel photography.

    Launching alongside the X2D II 100C is the XCD 2.8–4/35–100E, a wide-angle to medium telephoto zoom lens that covers the most commonly used focal lengths. With a wide f/2.8 aperture and flagship optics designed for top-tier performance, it excels in low-light conditions and delivers the fastest focusing speed in the Hasselblad XCD lens lineup.

    HASSELBLAD X2D II 100C: BRILLIANCE AT EVERY MOMENT

    For the first time on a Hasselblad camera, the X2D II 100C introduces AF-C continuous autofocus. Powered by deep learning algorithms, the system delivers reliable performance, accurately detecting and tracking moving subjects. Phase Detection Autofocus (PDAF) coverage has been expanded from 294 to 425 zones and works together with LiDAR-assisted focusing to ensure fast and accurate results. A new AF illuminator further improves autofocus performance in low-light conditions and also serves as a self-timer indicator. Together, these enhancements give users a faster, more responsive focusing system for capturing brilliance at every moment.

    The X2D II 100C is the first medium format camera to support true end-to-end HDR[1]. HNCS HDR harnesses high dynamic range to elevate Hasselblad’s signature natural colours to new levels of brilliance. Even in harsh lighting, it effectively reduces overexposure, enhances highlight retention, and reveals greater tonal depth, resulting in richly detailed HDR images that reflect what the eyes naturally see. HDR images are processed in-camera as HDR HEIF or Ultra HDR JPEG and can be instantly reviewed on the new 3.6-inch OLED touchscreen at up to 1 400-nit peak brightness—75 percent brighter than the X2D 100C—delivering vivid, true-to-life clarity. With Phocus Mobile 2, users can edit HDR images and apply HNCS HDR processing to RAW files. When shared on HDR-capable platforms, these images showcase the full brilliance of HNCS HDR, revealing colours and tones with unprecedented fidelity.

    The X2D II 100C’s enhanced 100-megapixel medium format BSI CMOS sensor embodies Hasselblad’s commitment to uncompromising image quality. With 16-bit colour depth delivering approximately 281 trillion colours, it captures the subtle gradations that bring a photograph to life. A new native ISO of 50 and an increased dynamic range of 15.3 stops provide precise control from the deepest shadows to the brightest highlights.

    The sensor’s extraordinary resolution demands equally extraordinary stabilisation. To achieve this, Hasselblad engineers followed the most stringent calibration protocols, resulting in a 5-axis, 10-stop in-body stabilisation system that delivers up to eight times the stability of the X2D 100C when capturing distant subjects. Users can now capture hand-held long exposures lasting several seconds without a tripod, unlocking new creative possibilities.

    With Phocus Mobile 2, the Hasselblad workflow achieves a new level of portability, allowing users to edit on the go while staying fully immersed in their creative process. Available on iOS devices[3], the app seamlessly connects to Hasselblad X and V system cameras[4] for wireless image transfer, and also allows for remote control with a live view, firmware updates, and even waking the camera when powered off. It offers a range of editing tools, including HDR image editing and Hasselblad Natural Noise Reduction (HNNR), an AI-powered feature that reduces noise in RAW files without affecting details or Hasselblad’s signature colours.

    The X2D II 100C retains the remarkable storage capabilities of its predecessor, featuring 1TB of internal SSD storage directly on the camera. With an added CFexpress Type B slot, users can shoot with confidence, free from concerns about storage limitations or the need for additional memory cards.

    Designed to be even more compact, the X2D II 100C weighs 7.5 percent less than the X2D 100C for improved handling comfort. Crafted through an advanced finishing process, the new graphite grey matte coating offers exceptional durability and a refined, subtle texture, while the black nameplate adds a touch of distinction. The signature ergonomic grip has also been redesigned with a textured surface to enhance comfort and control during extended shoots.

    The 3.6-inch OLED screen tilts 90° upward and around 43° downward, and pulls out while staying clear of the electronic viewfinder (EVF), making it easier to compose and capture shots from high and low angles. A newly added 5D joystick enables swift focus point selection and intuitive menu navigation without touching the screen. With eight customisable buttons, the camera offers greater flexibility and a more personalised control experience.

    XCD 2.8–4/35–100E: A COMPACT STANDARD ZOOM LENS WITH FLAGSHIP PERFORMANCE

    The new XCD 2.8–4/35–100E is a versatile standard zoom lens that seamlessly bridges wide-angle to medium telephoto focal lengths. With approximately 3× optical zoom, it delivers a 28–76mm full-frame equivalent focal length and an aperture range of f/2.8 to f/4. Effectively combining the range of seven Hasselblad prime lenses into one, it excels in capturing sweeping landscapes, intimate portraits, dynamic street photography, and spontaneous travel moments with confidence.

    At its widest aperture of f/2.8, the lens delivers exceptional low light performance, while producing smooth, creamy bokeh and distinct background separation.

    The “E” in XCD 2.8–4/35–100E stands for “Exclusive” and represents the top-tier optical performance, delivering the same edge-to-edge image quality as Hasselblad’s XCD prime lenses. Its advanced optical design comprises 16 elements in 13 groups, including three aspherical and five ED elements, ensuring sharp resolution and authentic colour that meet the demands of a 100-megapixel sensor.

    The XCD 2.8–4/35–100E is powered by the fastest stepping motor in the XCD lens lineup. This compact internal focusing group, paired with optimised control algorithms, enables smooth and accurate autofocus. When paired with the X2D II 100C’s AF-C system, it confidently tracks moving subjects and ensures precise focus in action shots.

    The integrated leaf shutter offers full flash synchronisation from 1/4000 second to 68 minutes, allowing photographers to balance fill flash in bright light or shoot wide open without compromise.

    Despite its bright aperture and extended zoom range, the lens remains remarkably compact, measuring just 138 mm in length and weighing just 894 grams. It features the highly praised control rings from XCD V Series lenses, allowing quick adjustments to shutter speed, aperture, ISO, exposure compensation, and subject switching. The engraved “H” logos and subtle “V” insignia on the control rings reflect Hasselblad’s commitment to minimalist design and enduring quality, creating a lens that performs as elegantly as it appears.

    VANDRA BACKPACK AND FILTERS FOR HASSELBLAD CREATORS

    Inspired by Sweden’s Freedom to Roam, the Vandra Camera Backpack blends functionality and style. With about 20-litre capacity, it can easily hold a Hasselblad body, two lenses, and accessories.

    Hasselblad also introduces three new 86 mm UV, ND8, and CPL filters, all fully compatible with the XCD 2.8–4/35–100E.

    AVAILABILITY AND PRICING

    The Hasselblad X2D II 100C is priced at $7,399 / €7,200.

    The XCD 2.8–4/35–100E lens is priced at $4,599 / €4,800.

    The Vandra Backpack is priced at $469 / €429.

    The UV 86mm Filter is priced at $299 / €259.

    The ND8 86mm Filter is priced at $329 / €289.

    The CPL 86mm Filter is priced at $559 / €469.

    Please consult your nearest Hasselblad Flagship Store, authorised dealer, or the Hasselblad online store for purchasing details. For more information, visit www.hasselblad.com.

    [1] As of 25 August 2025. HDR is not supported in some situations. Refer to the FAQ page for more details.

    [2] Requires a compatible XCD lens with upgraded firmware. Refer to the FAQ page for more details. Not

    available with electronic shutter.

    [3] Requires a compatible iPhone or iPad device. Refer to the FAQ page for more details.

    [4] Compatible with certain models. Refer to official website.



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  • Nikon Announces Second-Generation Z 24–70mm f/2.8 S II

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    Updated full-frame midrange zoom promises much speedier autofocus and vastly improved autofocus tracking performance during zooming

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  • Marelux Announces MX-A1 II Housing for the Sony Alpha 1 II

    Marelux Announces MX-A1 II Housing for the Sony Alpha 1 II

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    Marelux has unveiled its underwater housing for the Sony Alpha 1 II, announced in November 2024. The second-gen pro-level full-frame mirrorless camera combines a 50.1MP stacked image sensor with the BIONZ XR image processor, delivering 20fps continuous shooting (lossless compressed or uncompressed RAW) as well as 8K/30p and 4K/120p video recording. The Alpha 1 II features a deeper grip than its predecessor, so we’ve been seeing a steady stream of new housings, the latest being the Marelux MX-A1 II.

    Designed to make the most of the Alpha 1 II’s capabilities, Marelux’s anodized aluminum alloy housing features an ergonomic design with controls arranged around the built-in handles. A quick-release baseplate allows the camera to be easily inserted with precision and removed again. Dual locking levers ensure the housing is safely closed, while ports and extension rings are secured in place using another locking lever. The housing ships with a vacuum detection and moisture alarm system.

    Various innovative accessories are compatible with the new housing. These include the Flashfuel FF2100, which combines a flash trigger and a power bank (for charging the camera as well as powering the flash trigger); and the Remote Shutter Module, which allows you to control the shutter remotely using the Marelux Artemis 4500 RMT video light.

    The MX-A1 II housing has an MSRP of $3,498 and can be ordered directly from the Marelux website.

     


    PRODUCT INFORMATION

    MX-A1 II Housing for Sony Alpha 1 II Mirrorless Digital Camera

    INTRODUCTION

    Marelux housing has the industry leading design that’s not only more compact than other brands but also more simplified in mechanical structure to make it easy to assemble. With 125mm port diameter, the biggest in the market, users can easily install and uninstall cameras with large lens through the housing.

    Marelux housing is built using uniquely anodized aluminum alloy which provides superb scratch resistance, sea water erosion durability as well as the attractive options of various surface colors. The housings maintain a perfect balance between sturdy body and lightweight. It has the best-in-class ergonomics with all the camera controls readily available at your fingertips including AF-ON and Q Menu.

    Marelux housing can be connected to other innovative products made by Marelux, such as 180-degree Smart Viewfinder etc., making diving and underwater photography easier, safer and more enjoyable.


    FEATURES

     









     

    Flashfuel FF2100 (Manual Flash Trigger + 2100mAh Power Bank Combo)


    • Patented Design: Tailored for underwater photography and high-speed shooting, combining flash triggering and camera power supply in a single compact device.

    • Ultra-durable Trigger Performance: Powered by a single CR123A 3V lithium battery, it can handle up to 300,000 flash triggers before replacement.

    • Robust USB-C Power Output: Integrates a 2100mAh rechargeable battery, offering up to 30W output (5–20V), capable of powering your camera directly.
     

    Remote Shutter Module


    • With an invention patent, the Remote Shutter Module is designed to enhance underwater photography by providing remote control capabilities to remotely control the camera shutter release via Marelux’s Artemis 4500 RMT Light (42703). It features an effective receiving distance of 10 meters and an optical signal receiving angle of 140 degrees, allowing for flexible positioning and reliable performance.
     

    Dual Locking System


    • Requires little effort to lock it in place, while making it almost impossible to be unlocked by accident, and it will take only a second to open if needed for a battery change.
     

    Manual Flash Trigger


    • The flash trigger can translate the electric signal from the camera into light signal, with an extremely long battery life of 10,000 triggers on only two CR2032 batteries.
     

    Built-in Lock


    • Extension ring and port can be safely locked in place with the built-in locking system on the housing with one simple click.
     

    Sturdy Baseplate


    • A 50kg force is applied to secure the camera with the design of the quick release baseplate, while being extremely convenient to operate.


     


     


    SPECIFICATIONS

    • Material: Anodized Aluminum Alloy

    • Dimensions: 354mm(W) x 187mm(H) x 156mm(D)

    • Weight In Air: 3.52kg

    • Depth Rating: 100m

    • Port Mount: Series 5


    INCLUDED ITEMS

    • 55201 Housing Mounting Ball x 2 

    • 12002 Main Housing O-Ring  x 1

    • 41201 Vacuum Detection/Moisture Alarm with CR2032 battery x 1  

    • 54401 Lubricant x 1 

    • Set of Allen keys x 1

    • 54101 Housing Hard Case x 1

    ACCESSORIES

    • 56201 M16 Vacuum Valve (with Hand Pump) – Pre-installed

    • 41111 Manual Flash Trigger for MX-A1II Housing

    • 41403 Flashfuel FF2100 Manual Flash Trigger and Built-in 2100mAh Power Bank Combo


    Item No.: 21209

    US$3,498.00



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  • Inon Announces ZD Front Mask for Insta360 Ace Pro 2 and DJI Osmo Action 5 Pro

    Inon Announces ZD Front Mask for Insta360 Ace Pro 2 and DJI Osmo Action 5 Pro

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    If you want to use your action camera with Inon’s latest wet lenses—the UFL-GR140 ZD/UFL-GR140 Pro ZD and UFL-G140 ZD semi-fisheye lenses, and the UCL-G55 ZD, UCL-G100 ZD and UCL-G165II ZD close-up lenses—you’ll need their latest ZD Front Mask, which attaches to your action cam’s waterproof case.

    There’s already an ZD Front Mask for GoPro HERO9–13. Now, Inon has introduced ZD Front Masks for the Insta360 Ace Pro 2 and DJI Osmo Action 5 Pro. If you prefer a pistol grip, Inon will soon be releasing the 4D Light Grip, which can be used with the ZD Front Masks for GoPro, Insta360, and DJI action cameras.

    The new ZD Front Masks are available now, while the 4D Light Grip is arriving in September. Consult your Inon dealer for pricing.

     


    When purchasing underwater photography equipment like the products mentioned in this article, please support DPG by supporting our retail partner—Backscatter.com.


    PRESS RELEASE

    INON INC. releases two new ZD Front Mask on August 5, 2025: the ZD Front Mask for Ace Pro 2, designed to fit the official Dive Case for Insta360 Ace Pro 2, and the ZD Front Mask for Osmo Action 5 Pro, made specifically for the official Osmo Action 60m Waterproof Case.

    Attaching the INON ZD Front Mask allows the use of the underwater semi-fisheye conversion lens UFL-GR140 ZD (*1) which can deliver wide and quality view with its  large-aperture optics across more wide-angle FOV settings on Ace Pro 2 and Osmo Action 5 Pro, as well as the compact UFL-G140 ZD.*

    Also, the wide variety of INON close-up lenses (UCL-G165ll ZD, UCL-G100 ZD, UCL-G55 ZD) (*2) now allows Ace Pro 2 and Osmo Action 5 Pro users to enjoy macro imaging that wouldn’t be possible with the camera alone.

    INON also releases the 4D Light Grip in late September, which can be mounted onto the housings of various action cameras. This highly versatile grip allows users to attach both an action camera and a light at the same time.

    (*1) Lens hoods included with UFL-GR140 ZD shipped before Augst 5, 2025 may be visible in footage. Please use the updated “Lens Hood II (for UFL-GR140)” which is available for separate purchase.

    (*2) UCL-G100 and UCL-G55 shipped on or after August 5, 2025 will come with newly designed Focus Stick that helps prevent interference when used with Ace Pro 2 and Osmo Action 5 Pro. For existing UCL-G100/UCL-G55 users, updated Focus Stick II is available for purchase to replace the original Focus Stick.

    ZD Front Mask for Ace Pro 2

    Released date: August 5, 2025

    JAN/EAN: 4570018121203

    ZD Front Mask for Osmo Action 5 Pro

    Released date: August 5, 2025

    JAN/EAN: 4570018121210

     













    Model ZD Front Mask for Ace Pro 2 ZD Front Mask for Osmo Action 5 Pro
    Compatible housing Insta360 Ace Pro Dive Case DJI Osmo Action 60m Waterproof Case
    Mount INON ZD Mount
    Compatible lenses UFL-GR140 ZD/UFL-GR140 Pro ZD

    UFL-G140 ZD

    UCL-G55 ZD

    UCL-G100 ZD

    UCL-G165II ZD
    Size

    (excl. handle)    		 82.0 mm/3.2 inch (W) ×

    98.0 mm/3.9 inch (H) ×

    41.0mm/1.6 inch (D)    		 82.0 mm/3.2 inch (W) ×

    98.0 mm/3.9 inch (H) ×

    34.0mm/1.3 inch (D)
    Weight

    (incl. handle)    		 Air: approx. 60g/2.1oz, underwater approx. 25g/0.9oz
    Material PC, POM, etc.
    Accessory Male Adapter (GP)
    Compatibility* Please see attached PDF  
    Remarks Third party housings are not supported Third party housings are not supported

    Compatibility with Osmo Action 3/4 has not been confirmed*

    *The compatibility information is for reference only as the lens hood or Focus Stick may interfere when the camera moves violently.

    ZD Front Mask for Ace Pro 2 Grip Set

    To be released: September 2025

    JAN/EAN: 4570018121234

    ZD Front Mask for Osmo Action 5 Pro Grip Set

    To be released: September 2025

    JAN/EAN: 4570018121241

    4D Light Grip

    To be released: September 2025

    JAN/EAN: 4570018121258



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  • Nauticam Announces Housing for Nikon Z5 II

    Nauticam Announces Housing for Nikon Z5 II

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    Nauticam has unveiled their NA-Z5II housing for the new Nikon Z5 II, the second iteration of the Japanese company’s entry-level full-frame mirrorless camera. The Z5 II features a 24MP backside-illuminated sensor paired with Nikon’s latest EXPEED 7 processing engine, promising class-leading low-light performance and 11fps continuous shooting with the manual shutter (up from just 4.5fps on the Z5). On the video side, the Z5 II can shoot both 4K/30p and Full HD/120p with no crop.

    Designed to accommodate both Z-mount lenses and F-mount lenses (via the FTZ/FTZ II adapter), Nauticam’s housing features important controls ergonomically positioned next to the integrated handles. As you’d expect, there’s full compatibility with Nauticam’s extensive range of water-contact optics, such as the FCP-1, WWL-C, SMC-3, CMC-2, and MFO-3. Both optical and electrical flash triggering options are available, while the M16 port allows the installation of an HDMI bulkhead for use with monitor/recorders such as the Atomos Ninja V or monitors such as the new Nauticam T7 HD UltraBright.

    The NA-Z5II is priced at $3,800 and can be pre-ordered now from retailers such as Backscatter.

     


    When purchasing underwater photography equipment like the products mentioned in this article, please support DPG by supporting our retail partner—Backscatter.com.


    PRODUCT INFORMATION

    INTRODUCING NA-Z5II

    The Nikon Z5II Camera

    The Nikon Z5II, a refinement of its predecessor, boasts enhanced processing speed, subject recognition autofocus, and exceptional low-light performance. Equipped with a full-frame FX-format 24.5MP BSI CMOS sensor and an EXPEED 7 image processor, the Z5II delivers remarkable image quality.

    The AI-driven autofocus, derived from the Z9 and enhanced by deep learning technology, now employs sophisticated Subject Detection for nine distinct subject types. This ensures precise focus and tracking, even in challenging lighting conditions.

    The EXPEED 7 processor also enables Pre-Release Capture, a feature that captures up to one second prior to shutter release at an impressive 30 frames per second. This allows photographers to capture the precise moment and avoid missed shots.

    In addition to its impressive imaging capabilities, the Z5II has been enhanced to deliver exceptional video recording performance. It supports UHD 4K video recording at up to 60 fps and Full HD recording at up to 120 fps, enabling videographers to capture dynamic and immersive footage.

    Key Features

    • 24.5MP Full-frame BSI-CMOS Sensor

    • EXPEED 7 Image Processor

    • N-RAW (12 bit), H.265/HEVC (8 bit/10 bit), H.264/AVC (8 bit)

    • Full HD 120p for Slow Motion Video

    • Up to 30 fps JPEG Shooting

    • Class-leading autofocus detection down to –10EV

    • Automatic detection of 9 subjects

    • 7.5 stops of built-inimage stabilization

    • 2 SD Memory Card Slots

    THE NA-Z5II HOUSING

    The NA-Z5II underwater housing upholds Nauticam’s dedication to innovation. Essential controls are conveniently accessible via ergonomic handles, facilitating an efficient setup that optimizes time spent in the water and minimizes time spent on rig maintenance. The N120 port system accommodates both Nikon Z Mount and legacy F Mount lenses via the FTZ/FTZ II adapter. Nauticam’s extensive range of ports and in-house corrective optics complement the NA-Z5II’s capabilities. When equipped with an accessory vacuum valve, the integrated vacuum check and leak detection system provides continuous updates on the housing’s watertight integrity. A vacuum system reset switch, located beneath the tray, eliminates the necessity to open the back of the housing during lens or port changes. The optional NA-Z5II LCD window for Full Frame viewfinders enables the utilization of Nauticam Full Frame viewfinders for enhanced viewing. The NA-Z5II is capable of supporting additional mounting with 1/4-20, M10, and M5 holes on the top for monitors and lighting, while the bottom accepts the 25218 Tripod Mounting Ball set. The NA-Z5II is ready for customization to meet your specific shooting requirements.


    Nikon F-Mount & Z-Mount Lens Support

    The Nauticam NA-Z5II is designed to accomodate both Z-Mount and F-Mount lenses. With the new compact design of the NA-Z5II housing, there are newly released zoom and focus gears that will drive off the main zoom/focus knob on the housing. There is also the 22225 N120 FTZ Adapter ER 25 with Knob which will allow you to use previous generation Z-Mount zoom and focus gear along with F-Mount lenses and their corresponding gears. For complete compatibility details, you can view the NA-Z6III/Z5II Port Chart.


    Premium Professional Optics

    Nauticam’s professional water-contact optics deliver the highest underwater image quality. The FCP, WACP, and WWL lines enhance wide-angle, while the MFO and SMC offer exceptional macro and super macro capabilities. The EMWL allows you to shoot macro, wide-angle, or combine the styles for unique images.

    Mission Control

    In true Nauticam fashion, essential controls are placed as close to the handles as possible, making these housings the most intuitive and user-friendly available. Our engineers strategically position controls where they’re needed most, rather than simply near the corresponding buttons on the camera. Dials feature rubberized finger grooves, and levers are designed for smooth operation.


    Integrated Vacuum Check & Leak Detection Electronics

    The Nauticam vacuum check and leak detection system is shipped with NA-Z50II as standard equipment. Combined with an optional accessory vacuum valve (PN 25625), this monitoring system provides constant updates on the water tight and safe-to-dive status of the housing. A simple color coded LED lighting system lets the user know that the vacuum is solid, or that the housing is losing vacuum. Leak detection is built into the same circuit, so if there is water intrusion, an audible and visual indication will occur. The Nauticam system is temperature compensated, eliminating false alarms caused by a change in outside temperature, or from a camera heating up on an action packed dive.


    Flash Triggering

    Flash triggering on the Nikon Z5Il in the NA-Z5II is available via either optical or electrical triggering.

    Optical Triggering

    • 26350 Flash Trigger for Nikon (Compatible with NA-D5/D500/D850)

    • 26352 Manual Flash trigger for Nikon II (for Z6III)

    • 26601 HSS TTL Converter for Nikon (NA-Z8/Z9/Z6III)

    Electrical Triggering

    • 25013 M14 Nikonos 5-Pin bulkhead with hotshoe connection and 26326 M24-M16 Adaptor

    WHAT’S IN THE BOX

    • NA-Z5II Housing

    • N120 Port Cap

    • 2x Optical Bulkhead Caps

    • 2x Handles with mounting balls and 2x handle brackets

    • Pre-installed Leak Detection & Moisture Alarm with CR-2032 Battery

    • Spare Main Houisng O-ring, O-ring remover and Nauticam Lubricant

    • Set of Allen Keys

    • Manual Instruction Card

    • Padded Housing Bag and Shoulder Strap


    RECOMMENDED ACCESSORIES

    • 25218 Mounting Ball Set for Tripod (for NA-A9/A7RIII/BMPCC/XT3)

    • 25221 M10 strobe mounting ball for housing

    • 25224 M10 strobe mounting ball for housing (with hole for using lanyard)

    • 25228 M5 strobe mounting ball for housing

    • 25625 M16 Vacuum Valve II (Pushbutton Release)

    • 28130 Hand Strap for 28113

    • 28123 Pair of handles – size S (10mm closer to housing)

    • 25413 27cm lanyard with 2 snap hooks

    • NA-Z5II LCD window for Nauticam Full Frame viewfinder

    • 32212 Nauticam Full Frame Straight Viewfinder 40 / 0.8:1

    • 32214 Nauticam Full Frame Angle Viewfinder 40 / 0.8:1

    • 87213 Reverse Angled Viewfinder for EMWL 40 / 0.8:1

    • 87214 Reverse Straight Viewfinder for EMWL 40 / 0.8:1


    SURFACE USB-PD POWER BANK

    • 26325 USB-C Bulkhead with USB-C Connector

    • 26326 M24-M16 Adaptor for use with 26325


    HDMI OUTPUT

    Required accessories for HDMI 1.4 Cable System

    • 25033 Standard HDMI bulkhead with M16 thread

    • 26326 M24-M16 Adaptor for use with 26325 *instead of existing 25081

    • 25076 HDMI (D-D) Cable in 200mm Length for NA-XT2/XH1/A6400 (for internal connection from HDMI bulkhead to camera)

    Compatible Monitor Options

    • 16612 Nauticam 7” T7  UW ULTRAHD Monitor  (HDMI 1.4 input, excl. cables) 25047 HDMI (D-D) cable in 800mm length (for connection between HDMI bulkheads) *25047 is Required for use with 16612 monitor housing

    • 17927 NA-Shinobi II Housing for Atomos Shinobi II 5.2″ Monitor with HDMI 1.4 input *17927 includes 25033, 25038, 25100

    • 17922 Nauticam Atomos Ninja V Housing for Atomos Ninja 5 4kp60 4:2:2 10-bit recorder/monitor/player (excl. HDMI 2.0 cable)

    • 25082 HDMI 1.4 Cable for Ninja V housing in 0.75m Length (for connection from Ninja V housing to HDMI bulkhead) *25082 is Required for use with 17922 monitor. 


    MONITOR/TRIPOD MOUNTING SYSTEM

    • 17951 Nauticam Atomos Shogun housing mounting system

    • 17952 Nauticam Monitor Housing Mounting Adaptor

    • 17954 Tripod plate for NA-A7S and NA-GH4

    • 17960 Universal Quadra-Pod Plate for Nauticam Housings

    • 17961 Swivel and Tilt Adjustable Monitor Mount System (compatible with 16612/17927/17922 etc.)

    • 25218 Mounting Ball Set for Tripod (for NA-A9/A7RIII/BMPCC/XT3)


    WET LENSES

    Macro

    • 81202 Super Macro Convertor 2 (4x Magnification)

    • 81203 Super Macro Convertor 3 (2.3x Magnification)

    • 81301 Compact Macro Convertor 1 (CMC-1, 4.5x Magnification)

    • 81302 Compact Macro Convertor 2 (CMC-2, 2.8X Magnification)

    • 81501 Mid-range Focus Optimizer 1

    • 81503 Mid-range Focus Optimizer 3

    Wide-angle

    • 83202 Wet Wide Lens 1B (WWL-1B) 130 deg. FOV with compatible 28mm lenses (incl. float collar)

    • 83203 Wet Wide Lens Compact (WWL-C) 130 Deg. FOV with Compatible 24mm Lenses (incl. float collar)

    • 85204 Wide Angle Conversion Port – 2 (WACP-2) 140 Deg. FOV with Compatible 14mm Lenes (incl. float collar)

    • 85205 N100 0.36x Wide Angle Conversion Port Compact (WACP-C)

    • 85206 N120/N100 0.36x Wide Angle Conversion Port with Integrated Float Collar and Interchangeable Port Mounting Ring – (WACP-1B)

    • 85207 N120/N100 Fisheye Conversion Port with Integrated Float Collar (FCP) 170 Deg. FOV with Compatible 28mm Lenses

    Macro to wide-angle

    • 87302 EMWL Set #2 (incl. focusing unit #2, 150mm relay lens and 3 objective lenses)

    • 87202 EMWL Focusing Unit #2 (for Canon FF 100mm & APS-C 60mm)

    • 87211 EMWL 150mm Relay Lens

    • 87212 EMWL Angled Relay Lens

    • 87221 EMWL 60° Objective Lens

    • 87222 EMWL 100° Objective Lens

    • 87223 EMWL 130° Objective Lens

    • 87226 EMWL 160° Objective Lens


    WET LENS ACCESSORIES

    • 25101 M67 flip diopter holder for M67 macro ports

    • 25108 M67 Double Flip Holder for M67 Macro Ports

    • 83250 M67 to Bayonet Converter II

    • 83214 Bayonet Mount Adaptor for SMC/CMC

    • 87501 Flip Holder for EMWL

    • 87512 Shade for 130° Objective Lens

    • 87513 Shade for 100° Objective Lens

    • 87519 Shade for 160° Objective Lens

    • 87518 Strobe Mounting Brackets for EMWL Relay Lens



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  • Solitude World Announces New Underwater Photo Competition in 2026: REAL FOCUS

    Solitude World Announces New Underwater Photo Competition in 2026: REAL FOCUS

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    Our friends at Solitude World—who run Solitude Acacia Resort, Solitude Lembeh Resort, as well as three liveaboards, including the recently launched Solitude Gaia—have unveiled an interesting new underwater photography competition centered around their resorts in Anilao and Lembeh.

    Called Real Focus, the competition will be run at the two popular muck-diving destinations over a 10-week period from February 15th to April 30th, 2026. Each image captured during that time and submitted into the contest will additionally become a “valuable scientific datapoint,” contributing to a species behaviour study led by well-known marine biologist Dr David Harasti (who is a skilled underwater photographer in his own right). The work culminates in a research paper aimed at better understanding marine life in Anilao and Lembeh.

    Entrants that book the minimum three-night stay are permitted to submit up to five images in each of four categories—and entrants can, of course, book multiple stays over the 10 weeks. As you’d expect, there’s a special emphasis on macro photographers practicing ethical behavior, and dive guides will act as spotters only and not be allowed to provide any photographic assistance.

    For more information about the shootout, head over to the competition page on the Solitude World website.

     


    PRESS RELEASE

    Solitude World Blazes the Trail with Groundbreaking Underwater Photo Competition: REAL FOCUS

    A New Era of Underwater Photo Competitions

    Solitude World is once again blazing the trail—not just in travel, but in how we interact with the underwater world. Introducing a one-of-a-kind photo competition that spans two of the world’s muck diving capitals: Anilao, Philippines and Lembeh, Indonesia. REAL FOCUS is a groundbreaking event that isn’t just about the perfect shot—it’s about scientific contribution, conscious diving, and meaningful change.


    Why This Is Groundbreaking

    This revolutionary competition will run simultaneously in two iconic muck diving locations—Anilao and Lembeh—positioned almost perfectly along the same longitude. Over 10 weeks, REAL FOCUS offers an unprecedented opportunity to study marine species in parallel environments. By collecting image data under near-identical conditions—such as moon phase, depth, and water temperature—the competition generates a neutral, geographically unbiased dataset.

    This data feeds directly into a dedicated three-year species behaviour study led by Dr Dave Harasti, a globally recognised marine biologist. Every submitted image becomes more than an entry—it’s a valuable scientific datapoint. Together, these contributions will support a peer-reviewed research paper and help deepen our understanding of marine life dynamics in two of the world’s most biodiverse underwater ecosystems.

    “This was a concept I’ve been exploring for years. I wanted Solitude World to create an event with purpose, to go beyond just a photo competition,” says Andrew Lok, Managing Director of Solitude World. “We are the only ones in the world with bases in two of the best muck destinations, why not take advantage of that?” he continues.


    Event Details: Everyone Can Join

    Dates: February 15 – April 30, 2026

    Locations: Solitude Acacia Resort (Anilao) and Solitude Lembeh Resort (Indonesia)

    Eligibility: minimum 3-night stay required


    General Rules

    • Book as many stays as you like

    • For each 3-night stay, participants may submit up to five (5) entries in each of the four (4) categories

    • No dive guide assistance during shooting (guides will act only as spotters)

    Participants must follow a strict code of ethical conduct. Any harmful behaviour, such as touching, chasing, staging, or manipulating marine life, will result in all submissions for that day being disqualified. Entries may resume the next day with a renewed commitment to responsible practices.

    This initiative promotes conscious photography, proving that impactful images can be captured without interference, fostering a deeper respect for the ocean and its creatures.


    The REAL FOCUS: Contribution Over Competition

    At its core, this isn’t about competition. It’s about contribution.

    Every image submitted becomes part of a larger mission: a 3-year species behaviour study spearheaded by Dr Dave Harasti, a globally recognised marine biologist. Your shots will directly feed into a research paper aimed at better understanding marine life across both dive sites.

    And this isn’t just about the prizes. It’s about changing underwater behaviour, encouraging photographers to hone their craft without touching, staging or manipulating marine life. Stunning images can—and should—come from respectful, natural interactions.


    Gathering the Tribe

    This project has been two years in the making. Our partners will be #makrogehtimmer, a Facebook group created in 2023, that is a growing community of nearly 5,000 underwater photography enthusiasts dedicated to ethical macro photography.

    To ensure the integrity of this event, the judging panel was selected for their 100% advocacy for changing how we shoot underwater.


    Panel of Judges

    • Dr. Georg Nies (Germany) – Head of Jury

    • Lilian Koh (Singapore)

    • Imran Ahmad (Malaysia)

    • Ram Yoro (Philippines)

    • Dr Alex Tattersall (United Kingdom)

    Judging will be conducted live and anonymously, ensuring a purely merit-based review with no indication of the photographer’s identity or the Solitude resort/location where the images were captured.

    CLICK HERE TO: Meet the Judicators


    Prizes and Sponsors

    With over USD 25,000 in prizes, the competition is backed by some of the most respected names in the diving and photography world:

    • Solitude Acacia Resort

    • Solitude Lembeh Resort

    • Solitude Liveaboards & Resorts

    • Gull

    • Mini Gear Europe

    • Fotocore

    Stay tuned—more sponsors will be announced in the lead-up to the event.


    Be Part of the Movement

    REAL FOCUS isn’t just an event—it’s a call to action. Solitude World invites divers, photographers, and ocean lovers to take part in a transformational experience that honours both artistry, advocacy and respect.

    To learn more and register, visit: www.solitude.world/realfocus



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  • Isotta Announces First Housing for Smartphones

    Isotta Announces First Housing for Smartphones

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    Isotta has unveiled its new anodized aluminum housing for smartphones—a first for the Italian company. Isotta tells us that the single image on their website shows the prototype, but given the finish, it looks to be very close to the final product. We can expect full product shots in the coming weeks. According to the new phone’s spec sheet, the housing is “compatible with any phone model currently on the market” and can be fitted with “an adjustable mount for additional lenses.”

    Like many smartphone housings, connection to your phone is via Bluetooth, so you won’t need a special app to make use of the housing’s hardware controls for basic operation. The picture of the prototype doesn’t reveal much about those hardware controls, but the spec sheet intriguingly states that there’s a “joystick for cursor control.” What is clearly visible is Isotta’s signature single-handed open/close knob, but the spec sheet notes that the back of the housing is “completely detachable” from the front.

    Also of note is that the housing features a compartment for a rechargeable 21700 battery—which presumably explains the housing’s prominent bulge—and there’s a USB-C socket for charging. The battery is designed to keep your phone juiced for longer and it may well also power the built-in “moisture sensor with LED indicator.” The housing is also ready to receive a vacuum system, but this is an optional extra.

    Shipping in mid-September, Isotta’s smartphone housing can be pre-ordered from Backscatter now. Final surprise: The housing isn’t only available in “Isotta red”—there’s a black version, too.

     


    When purchasing underwater photography equipment like the products mentioned in this article, please support DPG by supporting our retail partner—Backscatter.com.


    PRODUCT DESCRIPTION

    SMARTPHONE HOUSING

    PRE-ORDER NOW!*

    *Delivery expected in mid-September 2025.

    TECHNICAL DATA

    • Red and Black colored anodized aluminum body;

    • Designed to attach up to 3 spheres;

    • Bluetooth connection;

    • Compatible with any phone model currently on the market;

    • Ergonomic for horizontal or vertical use; perfect for Instagram shots;

    • Prepared to attach an adjustable mount for additional lenses;

    • Joystick for cursor control;

    • Dedicated button for shooting, ok and back;

    • No app needs for basic function;

    • 1 USB-C socket for charging the housing’s battery (charger not included);

    • 1 USB-C socket to use the housing’s battery as powerbank for the phone (cable not included);

    • 1 rechargeable 21700 battery (not included);

    • Double O-Ring seals on the removable parts;

    • Back housing completely detachable from the front housing;

    • Single-hand closing knob;

    • Prepared for ISOTTA vacuum system (not included);

    • Moisture sensor with LED indicator;

    • Working depth: 100 meters;

    • Sizes (LxHxP): 113/176 mm x 80 mm x 235 mm;

    • Air weight: about 1 Kg without the phone;

    • Water weight: about 300 gr without the phone;


    WHAT IS INCLUDED

    • Housing;

    • Humidity sensor;

    • Replacement O-ring kit;

    • Silicone lubricant 15gr / 0,5 oz;

    • Warranty: 2 years manufacturer’s (excluding batteries);


    Sales price without tax 850,00 €

    Sales price, 22% VAT included*1037,00 €

    *Price inclusive of VAT rate at 22%, valid for Italy and the member countries of the European Community.



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