برچسب: Announces

  • Shark Photographer of the Year Announces 2025 Winners

    Shark Photographer of the Year Announces 2025 Winners

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    Young Shark Photographer of the Year 2025 – Panitbhand Paribatra Na Ayudhya

     

    Today, July 14th, is Shark Awarenews Day, and what better way to celebrate the planet’s charismatic elasmobranchs than revealing the winners of the 2025 Shark Photographer of the Year photo competition? UK-based charity Shark Trust bestowed the honor upon Julian Hebestreit for a lovely shot of a leopard shark cruising the waters of Byron Bay in New South Wales, Australia. Meanwhile, 14-year-old Panitbhand Paribatra Na Ayudhya was named Young Shark Photographer of the Year for a beautifully executed image of a whale shark feeding at the surface in the Maldives.

    Other winners included “British Isles” winner Hector Clarke and “Overseas” winner Martin Broen. In addition, a number of categories were aligned with various conservation programs and projects that the Shark Trust is currently undertaking. These included “Mediterranean Programme” winner Linda Mazza, “Living with Sharks” winner Gillian Marsh, and “Oceanics Programme” winner Byron Conroy. The final category, the “Great Eggcase Hunt”—which is also the name of the Shark Trust’s flagship citizen-science project—was won by Grant Evans.

    If you love photographing sharks, don’t forget that this year’s Underwater Awards Australasia competition includes a “Sharks” category. Get your entries in now, as the deadline (July 20th) is fast approaching! Happy Shark Awarenews Day!

     

    Shark Photographer of the Year 2025 – Julian Hebenstreit

     

    Overseas Winner – Martin Broen

     

    British Isles Winner – Hector Clarke

     

    Mediterranean Programme Winner – Linda Mazza

     

    Living with Sharks Winner – Gillian Marsh

     

    Oceanics Programme Winner – Byron Conroy

    Great Eggcase Hunt – Grant Evans



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  • Synology Announces DiskStation DS1825+ and DS725+ NAS Systems

    Synology Announces DiskStation DS1825+ and DS725+ NAS Systems

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    Synology has unveiled two additions to its DiskStation lineup—the DS725+ and DS1825+—which offer two and eight drive bays, respectively. The new 25 Plus series models offer 2.5GbE networking, support SATA SSDs and HDDs (both 2.5″ and 3.5″), and feature M.2 NVMe slots for use as cache.

    Like the DS925+ and DS1525+, the new models can be upgraded with the company’s DX525 expansion unit. You can add a single expansion unit to the DS725+ or two expansion units to the DS1825+. Calculated using 20TB drives, you get up to 40TB of storage with the DS725+ or 140TB with added expansion; and up to 160TB with the DS1825+ or an impressive 360TB with the added expansion. That’s a serious number of photos and videos!

    One caveat to consider when investing in these new 25 Plus series models is that Synology says complete functionality will only be available with Synology-branded drives—a proviso that the company says ensures the most reliable performance. This isn’t a huge deal if you’re using HDD drives, since Synology’s drives are competitively priced, but if you want to go the solid-state route, Synology SDDs are rather expensive compared to those of its competitors. (Non-certified drives can technically be used in the new NAS systems, but users that choose to do so will lose certain software- and firmware-related functionality.)

    The Synology DS725+ and DS1825+ will retail for $520 and $1,150, respectively—yes, that’s without any storage drives!

     

    Synology’s DiskStation 25-series includes the DS425+, DS725+, DS925+, DS1825+, and DS1525+



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  • Nauticam Announces Housing for the Canon EOS C400 Cinema Camera

    Nauticam Announces Housing for the Canon EOS C400 Cinema Camera

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    Nauticam has unveiled its housing for the Canon EOS C400. Sporting a cube-style design like that of the EOS C300 Mark III, the C400 features a full-frame 6K CMOS back-illuminated stacked image sensor with up to 16 stops of dynamic range. It can record 6K/60p full-frame footage in 12-bit Cinema RAW Light, as well as shoot 4K/120p and 2K/180p RAW video.

    Employing the company’s N120 port system, Nauticam’s NA-C400 housing features important controls within easy reach of the integrated ergonomic handles, including lens control dials, and exposure and capture controls. Making use of the camera’s remote functionality, the housing also features electronic controls at the rear and on the sides. The housing supports HDMI 2.0 and 1.4 for external monitors or recorders, while SDI output is also available for either surface monitoring or supported monitors. 

    Retailers such as Backscatter are now taking pre-orders for the NA-C400, which is priced at $11,000.

     



    When purchasing underwater photography equipment like the products mentioned in this article, please support DPG by supporting our retail partner—Backscatter.com.



    PRODUCT INFORMATION

    INTRODUCING NAUTICAM NA-C400

    The Canon EOS C400 Cinema Camera

    Canon’s EOS C-series Cinema Cameras have long been among the most versatile cinema cameras for underwater filmmakers and the C400 is no exception. Built around a 6K BSI full-frame sensor and the large RF-mount, the C-400 also features mechanical ND filters and Canon’s powerful Dual Pixel AF II.

    Key Camera Specifications:

    Canon EOS-C400

    • 6K Full Frame Back-Illuminated Sensor
    • 6K60, DCI 4K/2K, UHD 4K120
    • Full Frame, Super35 & Super16 Modes
    • Triple-Base ISO: 800, 3200, 12,800
    • Record Internal Cinema RAW Light, XF-AVC
    • Improved Dual-Pixel CMOS AF II


    The Nauticam NA-C400 Underwater Housing

    The Nauticam NA-C400 is a professional underwater aluminum housing that builds on Nauticam’s extensive cinema housing lineup. The NA-C400 features the large N120 port opening shared with other Canon RF and EF-mount cameras such as the R5II and R5C. This allows for the use of identical lens and port combinations when using a combination of RF-mount Canon cameras on a project with Nauticam housings.

    Mission Control

    Nauticam engineers obsess over placing essential controls where they are needed most so you never miss a shot looking for a button, dial or lever. Nauticam’s cinema lineup features large cinema-style lens control dials for precise control of focus and zoom. Exposure and capture controls are placed within easy reach of the ergonomic handles.

    In addition to mechanical controls for Power, Zoom, Focus and Lens Release, the NA-C400 features electronic controls at the rear, and both sides of the housing through the camera’s remote functionality. The left handle adjacent controls are for ‘Up’, ‘Down’, ‘ISO+’, and ‘ISO-‘. Right handle adjacent controls are for ‘Rec’, ‘Fn3’, ‘Fn4’, ‘IRIS+’ and ‘IRIS-‘. The main control board accesses ‘Left’, ‘Right’, ‘Up’, ‘Down’, ‘Set’, ‘1’, ‘2’, ‘Set’, ‘MENU/REC Review’.

     

    LCD Monitor Support

    The C400 features a detachable LCD screen that can be easily integrated into the NA-C400. The LCD monitor is supported inside the housing and is mounted at the rear of the camera with a supplied bracket that allows it to be easily viewed underwater through the shaded rear window making for a streamlined filming solution.


    HMDI/SDI

    The NA-C400 supports Nauticam’s optional HDMI 2.0 and 1.4 system that can accommodate external monitors or recorders in Nauticam housings. SDI output is also available for either surface monitoring or supported monitors. The NA-C400 has 1 M28 and 5 M16 bulkheads to accommodate a variety of configurations to suit mounted or remote setups.


    Battery

    The NA-C400 can accommodate either the BP-A30N or BP-A60N batteries or a combination of the BP-A30N and an FXLION NANO THREE 150Wh Micro V-Mount battery for extended runtimes.

    RESOURCES

    What’s In The Box:

    • NA-C400 Housing with vacuum valve pre-installed
    • Housing Cap
    • 2x Handles with mounting balls and 2x handle brackets
    • Panasonic CR-2450 Battery (pre-installed for moisture alarm)
    • Spare main O-ring, O-ring remover and lubricant  
    • Set of Allen Keys
    • Housing skids
    • Monitor Shade
    • Safety box

    Recommended Accessories:

    Housing Mount

    • 25221 M10 strobe mounting ball for housing
    • 25224 M10 strobe mounting ball for housing (with hole for using with lanyard)
    • 25228 M5 strobe mounting ball for housing
    • 16226 Mounting Bracket for Monitor Housing to use with Cinema Housings
    • 16701 Top Handle for E2/F/C70/BGH1/BMPCC
    • 17961 Swivel and Tilt Adjustable Monitor Mount System (To be release)

    Trim Weights

    • 16232 0.25kg Trim Weights for 16227 (4pcs)
    • 16233 0.5kg Trim Weights for 16227 (4pcs)

    Vacuum Valve

    • 25625 M16 Vacuum Valve II (Pushbutton Release)

    Handles

    • 28123 Pair of handles – size S (10mm closer to housing)

    DMI OUTPUT:

    Required accessories for HDMI 2.0 Cable System

    • 25089 M28 HDMI 2.0 Adapter
    • 25078 M28A1R225-M28A1R170 HDMI 2.0 Cable (for NA-BMPCCII/S1R/S1H to use with 17922/17909N)

    Compatible Monitor Options

    • 17922 Nauticam Atomos Ninja V Housing for Atomos Ninja V 5” 4Kp60 4:2:2 10-bit 

      Reorder/Monitor/Player (excl. HDMI 2.0 cable)
    • 17926 Nauticam NA-Ultra5 Housing for SmallHD Ultra 5 Camera Monitor

    Required accessories for HDMI 1.4 Cable System

    • 25033 Standard HDMI bulkhead with M16 thread (Mounted on the right side M16 of middle housing)
    • 25100 HDMI (D-A) 1.4 Cable in 200mm length for NA-a1 (for connection from HDMI bulkhead to camera)

    *25033 and 25100 is included in 17927 monitor housing

    Compatible Monitor Options

    • 17927 NA-Shinobi II Housing for Atomos Shinobi II 5.2″ Monitor with HDMI 1.4 input

    SDI OUTPUT:

    Required accessories for SDI Cable System

    • 17926S SDI Cable Set for use with NA-Ultra5/17922S  

    Compatible Monitor Options

    • 17922S Nauticam Atomos Ninja V-S Housing for Atomos Ninja V 5” 4Kp60 4:2:2 10-bit 

      Reorder/Monitor/Player (excl. HDMI 2.0 cable) with Atomos AtomX SDI Module
    • 17926 Nauticam NA-Ultra5 Housing for SmallHD Ultra 5 Camera Monitor

    Required accessories Surface Monitor

    • 25058 M16 SDI Bulkhead

      *Only support to be installed on the back door
    • 25060 SDI cable in 0.4m length (for connection from camera to underside of SDI Bulkhead)
    • 25064 SDI surface monitor cable in 15m length 

      (for connection from SDI Bulkhead to Surface Monitor on land)
    • 25065 SDI surface monitor cable in 45m length 

      (for connection from SDI Bulkhead to Surface Monitor on land)



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  • AOI Announces Protective Silicone Sleeves for Q1-Series Strobes

    AOI Announces Protective Silicone Sleeves for Q1-Series Strobes

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    Alongside the launch of its latest strobe—the UCS-Q1i—AOI has announced a set of protective silicone sleeves designed for strobes in the Q1 series, including the UCS-Q1i, UCS-Q1RC, and UCS-Q1. Engineered to offer a snug, secure fit, these durable silicone sleeves provide protection against scratches, abrasions, and minor impacts, extending the life of the strobe while allowing users to add a personal splash of color to their underwater setup.

    Sold in pairs, the sleeves are available in six vibrant colours: neon pink, orange, yellow, lime green, aqua blue, and graphite gray. The sleeves are designed for easy installation and removal, making them a versatile and stylish addition to any Q1-series strobe.

    Available now, the protective silicone sleeves will retail for USD25.

     



    When purchasing underwater photography equipment like the products mentioned in this article, please support DPG by supporting our retail partner—Backscatter.com.



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  • AOI Announces Protective Silicone Sleeves for Q1-Series Strobes

    AOI Announces Protective Silicone Sleeves for Q1-Series Strobes

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    Alongside the launch of its latest strobe—the UCS-Q1i—AOI has announced a set of protective silicone sleeves designed for strobes in the Q1 series, including the UCS-Q1i, UCS-Q1RC, and UCS-Q1. Engineered to offer a snug, secure fit, these durable silicone sleeves provide protection against scratches, abrasions, and minor impacts, extending the life of the strobe while allowing users to add a personal splash of color to their underwater setup.

    Sold in pairs, the sleeves are available in six vibrant colours: neon pink, orange, yellow, lime green, aqua blue, and graphite gray. The sleeves are designed for easy installation and removal, making them a versatile and stylish addition to any Q1-series strobe.

    Available now, the protective silicone sleeves will retail for USD25.

     



    When purchasing underwater photography equipment like the products mentioned in this article, please support DPG by supporting our retail partner—Backscatter.com.



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  • Marelux Announces MX-R5II Housing for the Canon EOS R5 Mark II

    Marelux Announces MX-R5II Housing for the Canon EOS R5 Mark II

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    Marelux has released its underwater housing for the new Canon EOS R5 Mark II. The second-gen pro-level full-frame mirrorless camera features a back-illuminated, stacked 45MP sensor, shoots up to 30fps using its electronic shutter, and records 8K/60p RAW video internally.

    Aiming to take full advantage of the R5II’s capabilities, Marelux’s anodized aluminum alloy housing features an ergonomic design with controls arranged around the built-in handles. A quick-release baseplate allows the camera to be easily inserted with precision and removed again. Dual locking levers ensure the housing is safely closed, while ports and extension rings are secured in place using another locking lever. The housing ships with a vacuum detection and moisture alarm system.

    The housing is compatible with various novel accessories, including the Flashfuel FF2100, which combines a flash trigger and a power bank (for charging the camera as well as powering the flash trigger); and the Remote Shutter Module, which allows you to control the shutter remotely using the Marelux Artemis 4500 RMT video light.

    The MX-R5II housing has an MSRP of $3,398 and can be ordered directly from the Marelux website.

     



    PRODUCT INFORMATION

    MX-R5II Housing for Canon EOS R5II Mirrorless Digital Camera

    INTRODUCTION

    Marelux housing has the industry leading design that’s not only more compact than other brands but also more simplified in mechanical structure to make it easy to assemble. With 125mm port diameter, the biggest in the market, users can easily install and uninstall cameras with large lens through the housing.

    Marelux housing is built using uniquely anodized aluminum alloy which provides superb scratch resistance, sea water erosion durability as well as the attractive options of various surface colors. The housings maintain a perfect balance between sturdy body and lightweight. It has the best-in-class ergonomics with all the camera controls readily available at your fingertips including AF-ON and Q Menu.

    Marelux housing can be connected to other innovative products made by Marelux, such as 180-degree Smart Viewfinder etc., making diving and underwater photography easier, safer and more enjoyable.




    FEATURES

     









     

    Flashfuel FF2100 (Manual Flash Trigger + 2100mAh Power Bank Combo)


    • Patented Design: Tailored for underwater photography and high-speed shooting, combining flash triggering and camera power supply in a single compact device.
    • Ultra-durable Trigger Performance: Powered by a single CR123A 3V lithium battery, it can handle up to 300,000 flash triggers before replacement.
    • Robust USB-C Power Output: Integrates a 2100mAh rechargeable battery, offering up to 30W output (5–20V), capable of powering your camera directly.

     

    Remote Shutter Module


    • With an invention patent, the Remote Shutter Module is designed to enhance underwater photography by providing remote control capabilities to remotely control the camera shutter release via Marelux’s Artemis 4500 RMT Light (42703). It features an effective receiving distance of 10 meters and an optical signal receiving angle of 140 degrees, allowing for flexible positioning and reliable performance.

     

    Dual Locking System


    • Requires little effort to lock it in place, while making it almost impossible to be unlocked by accident, and it will take only a second to open if needed for a battery change.

     

    Manual Flash Trigger


    • The flash trigger can translate the electric signal from the camera into light signal, with an extremely long battery life of 10,000 triggers on only two CR2032 batteries.

     

    Built-in Lock


    • Extension ring and port can be safely locked in place with the built-in locking system on the housing with one simple click.

     

    Sturdy Baseplate


    • A 50kg force is applied to secure the camera with the design of the quick release baseplate, while being extremely convenient to operate.


     


     


    SPECIFICATIONS

    • Material: Anodized Aluminum Alloy
    • Dimensions: 354mm(W) x 187mm(H) x 156mm(D)
    • Weight In Air: 3.52kg
    • Depth Rating: 100m
    • Port Mount: Series 5


    INCLUDED ITEMS

    • 55201 Housing Mounting Ball x 2 
    • 12002 Main Housing O-Ring  x 1
    • 41201 Vacuum Detection/Moisture Alarm with CR2032 battery x 1  
    • 54401 Lubricant x 1 
    • Set of Allen keys x 1
    • 54101 Housing Hard Case x 1


    ACCESSORIES

    • 56201 M16 Vacuum Valve (with Hand Pump) – Pre-installed
    • 41110 Manual Flash Trigger for MX-R5II Housing
    • 41403 Flashfuel FF2100 Manual Flash Trigger and Built-in 2100mAh Power Bank Combo


    Item No.: 21106

    US$3,598.00



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  • Nauticam Announces Housing for the Canon PowerShot V1

    Nauticam Announces Housing for the Canon PowerShot V1

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    Nauticam has unveiled its latest housing, the NA-CV1, designed to accommodate Canon’s new point-and-shoot, the PowerShot V1, released in February 2025. The compact (aka vlogging) camera features a 22.3-megapixel 1.4-inch sensor (which is similar in size to Micro four Thirds, but with a 3:2 aspect ratio), a DIGIC X image processor, and a fixed zoom lens with a focal length range equivalent to 16–50mm f/2.8–4.5. Boasting Canon’s Dual Pixel AF II autofocus system, the PowerShot V1 can record uncropped 4K/30p video oversampled from 5.7K and achieves 15fps burst shooting with its mechanical shutter.

    For the NA-CV1, Nauticam has opted to use their N50 port system but ship the housing with the N50 3.5-inch acrylic dome port, which allows the full 16–50mm zoom range out of the box. Switching to their N50 Short Port 25 gives users the opportunity to mount various Nauticam water-contact optics, such as the WWL-C (FOV: 130°–71°), WWL-1B (FOV: 130–80º) and SMC/CMC (via Nauticam’s bayonet mount adaptor). Like Nauticam’s other housings for compact cameras, users have the option of adding a tray and handles, an LCD magnifier, and a vacuum valve (via the housing’s M16 port)—the vacuum monitoring and leak detection system is pre-installed.

    The NA-CV1 housing is priced at $2,000 and is available now from retailers such as Backscatter.

     



    When purchasing underwater photography equipment like the products mentioned in this article, please support DPG by supporting our retail partner—Backscatter.com.



    PRODUCT INFORMATION

    INTRODUCING NA-CV1 FOR CANON POWERSHOT V1 DIGITAL CAMERA

    The Canon PowerShot V1 Camera

    Key Camera Specifications

    • 22.3MP 1.4″ CMOS Sensor
    • 16–50mm Equivalent f/2.8–4.5 Lens
    • Full-Width 4K 30p; 4K 60p with 1.4x Crop
    • 10-bit Recording; Canon Log 3
    • Dual Pixel AF II for PowerShot
    • Optical Stabilization; 3-Stop ND Filter
    • Active Cooling Extends Shooting Times

    The Nauticam NA-CV1 Housing

    NA-CV1 is the latest iteration in a lineup of advanced housings for very capable compact cameras supported by Nauticam. Many features found on professional DSLR systems have been integrated into this system, and the result is an underwater housing that allows the user to harness the full potential of this advanced compact camera in the water.

    The basic functions and ergonomic enhancements that Nauticam users have grown to know and love are incorporated in NA-CV1. The housing is machined from a solid block of aluminum, then hard anodized to seal out corrosive salt water. It is closed via a simple, yet secure locking rotary latch. The right side of the housing is sculpted to fit the palm of the user’s hand, and Nauticam’s two-stage shutter release lever provides clear differentiation between the half press and full press shutter release positions. All functions are clearly labeled.

    The Nauticam leak alarm and vacuum monitoring system is installed as standard equipment. This system provides an audible and visual alert to any water entry in the housing, and when combined with an optional accessory M16 Vacuum Valve II (25625) the watertight integrity of the system can be tested before ever entering the water and monitored during every dive.

    Expert product design, modern manufacturing techniques, top quality materials backed by a two-year warranty, and a critical focus on the user experience combine to produce the premier system for Canon Powershot V1.


    The N50 Port System

    The NA-CV1 ships with the N50 3.5″ Acrylic Dome Port that allows the full 16–50mm zoom range, but other ports are available from the N50 system. When combined with the 38703 N50 Short Port 25, you can add on the 83203 WWL-C for a converted FOV of 130 degrees to 71 degrees.  

    What’s in the Box?

    • NA-CV1 housing
    • N50 3.5″ Acrylic Port
    • Spare main housing O-ring (90131)
    • O-ring remover
    • CR2032 battery (for moisture alarm)
    • Lubricant
    • Set of Allen keys
    • Padded Housing Bag
    • Set of handle brackets with shutter release trigger

    Recommended Accessories

    • 25625 M16 Vacuum Valve II (Pushbutton Release)
    • 25131 LCD Magnifier attachment Rails
    • 25106 LCD Magnifier with Dioptric Adjustment
    • 71206 Easitray II with left handle (with 2pcs 1/4” screws)
    • 71207 Flexitray II with left handle (with 2pcs 1/4” screws)
    • 71208 Adjustable right handle II (for Easitray II & Flexitray II)
    • 38703 N50 Short Port with Bayonet Mount (To use with WWL-C or WWL-1B)
    • 83203 Wet Wide Lens for Compact Cameras (WWL-C)
    • 83202 Wet Wide Lens 1 (WWL-1B) 130 deg. FOV with compatible 28mm Lenses
    • 83214 Bayonet Mount Adaptor for SMC/CMC
    • 81301 Compact Macro Convertor 1 (CMC-1, 4.5X Magnification)
    • 81302 Compact Macro Convertor 2 (CMC-2, 2.8X Magnification)

    N50 Port Chart

    1. N50 3.5” acrylic dome port, Zoom Range 16–50mm (*The minimun focus distance at Wide 16mm is 25mm, and at Tele 50mm is 530mm)

    2. 38703 N50 Short Port 25 + 83203 WWL-C, Lens FOV 84–46º, Converted FOV 130–71º, Zoom Range 24–50mm (*Slight vignetting at 24mm)

    3. 38703 N50 Short Port 25 + 83202 WWL-1B, Lens FOV 75–46º, Converted FOV 130–80º, Zoom Range 28–50mm

    4. 38703 + 83214 Bayonet Mount Adaptor for SMC/CMC with MFO-1, CMC-2/1

     








    *Test at focal range 50mm Smallest Subject Size Working Distance
    without diopter 105 x 70 mm 175–∞
    with 81501 MFO-1 89 x 59.3 mm 116–1150 mm
    with 81302 CMC-2 48 x 32 mm 55–125 mm
    with 81301 CMC-1 38 x 25.4 mm 37–74 mm

    Technical Specifications

    • Dimensions: 165mm(W) x 139mm(H) x 128mm(D)
    • Weight in Air: TBD
    • Buoyancy in Water: TBD
    • Depth Rating: 100m
    • Port Mount: N50
    • Accessory Ports: Front M16 x 1, M10 x1 on Top



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  • Sony Announces Compact Full-Frame FX2 Cinema Camera

    Sony Announces Compact Full-Frame FX2 Cinema Camera

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    Sony has unveiled the latest addition to its Cinema Line—the FX2. The compact full-frame video camera has a similar body design to the four-year-old full-frame FX3 and almost three-year-old cropped-sensor FX30. But where the FX3 borrowed the a7S III’s 12MP sensor and lacked an EVF, the FX2 takes the 33MP sensor from the a7 IV while featuring a video-camera-style 3.68-M-dot EVF, which can be tilted up to 90 degrees. Like the a7 IV, the FX2 supports Dual Base ISO (800 and 4000) when using S-Log3.

    With its a7 IV DNA, the FX2 promises to be a much more useful hybrid camera, offering not just high-end video recording and powerful video-focused tools, but also high-quality still image capture. (In addition, there’s a handy movie/still lever to switch between modes.) The FX2 can record up to 4K/30p and 1080/120p using the full width of the sensor, and supports Log shooting in Cine EI, Cine EI Quick, and Flexible ISO modes. Shooting 4K/60p entails an APS-C crop factor.

    To round things off, the FX2 offers a large dedicated record button, a full-size HDMI port, and an internal cooling fan. The camera has two memory card slots compatible with SD UHS-I/II cards, with one slot also capable of accepting a CFexpress 2 Type A card.

    Available in August, the Sony FX2 will be available for a body-only price of  $2,700.

     



    PRESS RELEASE

    Sony Electronics Introduces the FX2 Compact Camera, Expanding Cinema Line’s Versatility for Creatives

    The new FX2 has the look and operability of Cinema Line cameras with the ability to shoot high-resolution photos and comes equipped with an articulating eyepiece

    Sony Electronics Inc. is proud to announce today the latest addition to its established Cinema Line family, the FX2. The FX2 will offer a seamless entry point into the broader Cinema Line range, giving greater cinematic expression to independent creators or small crews needing a versatile camera.

    “The hybrid cinema camera was created based on user feedback and is engineered with unique features to support filmmaking, a new eyepiece, and enhancements for versatile production needs. The FX2 is intended to continue the Cinema Line’s goal of preserving authentic emotion in every shot and empower creators across all areas of content production,” says Theresa Alesso, President, Imaging Products and Solutions Americas, Sony Electronics Inc.

    FX2 Features: Full-frame Photo and Video Capabilities

    The FX2 comes with a full-frame sensor that delivers stunning imagery and beautiful bokeh effects. Equipped with a 33.0 effective megapixel1 back-illuminated Exmor R™ sensor with up to 15+ stops of wide latitude using S-Log3, it captures impressive detail in both highlights and shadows.

    Designed for versatile shooting environments, the FX2 offers Dual Base ISO at 800 and 4000, ensuring optimal performance in both bright and low-light conditions. Its ISO sensitivity for video can be extended up to 102400, making it ideal for challenging lighting scenarios. The camera supports a wide range of recording formats—including 4:2:2 10-bit All-Intra—and records in high-quality options, such as XAVC S-I DCI 4K at 24.00p, providing professionals with the tools needed for flexible, high-end production workflows.

    The FX2 can also continuously record for up to 13 hours in 4K 60p2 thanks to its internal cooling fan and effective heat dissipation structure. The FX2 offers variable frame rate settings, allowing up to 60 fps in 4K (for a maximum 2.5x slow-motion effect) and up to 120 fps in Full HD (for up to 5x slow motion). It supports Log shooting in Cine EI, Cine EI Quick, and Flexible ISO modes, offering versatile workflows for different production needs. To further the cinematic expression of the camera, creators can import up to 16 user LUTs for on-camera preview, enabling precise color monitoring on set.

    Filmmakers can also easily and quickly create in-camera cinematic looks, with S-Cinetone™ set as the default, along with a range of Picture Profile and Creative Look presets. A de-squeeze display function is available, supporting both 1.3x and 2.0x anamorphic lenses for accurate framing.

    Improved Usability for Comfortable Solo Operation

    The FX2 features the same compact, flat-top design as Sony’s Cinema Line FX3 and FX30 cameras, ensuring familiarity and compatibility across setups. Built-in mounting points (UNC 1/4-20 x3) support a cageless configuration, offering greater flexibility for rigging. An optional top handle (ILME-FX2) enhances mobility and control, especially during handheld or dynamic shooting. Its lightweight, portable build—measuring approximately 5 1/8 x 3 1/8 x 4 1/8 in and weighing approximately 1 lb 8.0 oz—makes it ideal for solo operators or small crew productions.

    The camera offers advanced focus features designed for precision and creativity. Its new Real-time Recognition AF (auto focus) delivers fast and reliable performance with improved accuracy for human subjects, although its intelligent subject recognition extends to animals, birds, vehicles, and insects, with an Auto mode available for effortless detection. For even more control, tools like focus breathing compensation, AF Assist, and customizable autofocus transition speed and sensitivity give creators the flexibility to fine-tune focus for expressive, cinematic imagery. The FX2 comes with Active Mode and Dynamic active Mode, which is new to the Cinema Line, and are both designed to ensure smooth and steady handheld shooting.

    The Auto Framing feature automatically crops and tracks a subject to keep them in a prominent position when the camera is mounted on a tripod, producing footage that looks like it was shot by an experienced operator. The Framing Stabilizer function automatically keeps the subject in the same position within the frame, which can be useful, for example, when the camera operator is moving alongside the subject.

    From a still image perspective, the camera features an additional log shooting option with a newly added ‘Log shooting’ menu. This feature allows creators to shoot high-resolution 33MP stills, optimized for color grading in post-production. The FX2 also offers smooth operation with a MOVIE/STILL mode lever, allowing for a quick switchover between still and movie shooting. Depending on the selected mode, the displayed menu items will automatically adjust. Additionally, mode selection is made easy with a long press of the Fn button, which recalls and changes the shooting mode.

    FX2 Features: Improved but Familiar Hardware Inherited From Sony’s Cinema Cameras

    The FX2 is equipped with a new high-resolution 3.68-million-dot tiltable EVF3 (electronic view finder) designed specifically for video production, offering a wide viewing angle and enhanced immersion thanks to its included deep eyepiece. Complementing the EVF is a 3.0-type vari-angle touchscreen LCD, making it easy to frame shots from virtually any angle. Intuitively arranged controls on the top panel and grip, along with tally lamps for clear recording status, support efficient on-set operation. The camera also introduces a customizable “BIG6” home screen that provides quick access to essential shooting parameters, such as FPS, ISO, shutter speed (angle or speed), Look presets, white balance, iris, and neutral-density (ND) filter settings. Addressing the growing demand for vertical content creation, the FX2 supports vertical menu display during shooting—ideal for social media formats. The handle-equipped model further enhances professional usability with two XLR/TRS terminals and a 3.5mm stereo mic jack, enabling 4-channel, 24-bit digital audio capture.

    The camera offers extensive expandability and connectivity options, including an HDMI Type-A terminal capable of outputting up to 4K 60p 4:2:2 10-bit video and 16-bit RAW4 for high-end recording and monitoring. For seamless data transfer and remote control, it supports dual-band Wi-Fi (2.4 GHz and 5 GHz5) as well as wired LAN via a compatible adapter6. Additionally, the USB Type-C port enables SuperSpeed USB up to 10Gbps data transfers and supports USB Power Delivery (PD)7, while built-in USB and network streaming support enables live broadcasting and remote production workflows.

    Social Responsibility

    Aligned with Sony’s global environment plan, ‘Road to Zero’, this product supports the company’s vision for achieving a zero environmental footprint by 2050. The manufacturing process reflects this commitment through facilities powered entirely by renewable energy sources8.

    The camera system incorporates comprehensive accessibility options, including a Screen Reader function9 and Display Magnification, to support visually impaired users across an expanded range of menu items. Additional intuitive controls enhance usability for all shooters, featuring:

    • Real-time recognition autofocus that reduces manual adjustments
    • Streamlined touch interface operations for direct menu navigation
    • Tactile button design with clear differentiation

    These inclusive design elements ensure professional imaging tools remain accessible to creators of all abilities while maintaining full operational capability

    The FX2 will be available early August for a suggested retail price of $2,699.99 USD and $3,499.99 CAD body only or $3,099.99 USD and $3,999.99 CAD with XLR handle. It will be sold directly through Sony and at a variety of Sony’s authorized dealers throughout North America.

    1 For stills. Max. 27.6 megapixels for movie.

    2 Sony internal tests. USB power supply, XAVC S-I (All-I), 4K 60p 10-bit 4:2:2, 25 deg C (ambient, camera when recording started), Auto power off temperature: High, Cooling fan: Auto. The maximum continuous recording time for a single movie shooting session is approximately 13 hours (a product specification limit) Actual performance varies based on settings, environmental conditions, storage, and usage. Batteries are consumable products and their capacity degrades over time as they age. Sony does not guarantee the life span of the battery.

    3 Adjustable from 0° to +90° for flexible shooting angles.

    4 The output image will be in the APS-C size /Super 35mm equivalent angle of view.

    5 The 5 GHz band may not be available in some countries or region

    6 A commercially available USB-LAN adapter is required.

    7 A USB PD compatible external power supply device with 9V/3A or higher output capacity and a USB Type-C cable that can handle 3A or more is required

    8 Further reducing environmental impact, the product utilizes recycled packaging materials that minimize plastic content without compromising protection. These sustainable practices demonstrate our dedication to eco-conscious production while maintaining the highest quality standards.

    9 Download of compatible language file may be necessary. Please refer to the Help Guide for details.



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  • Retra Announces Flash Pro Max II

    Retra Announces Flash Pro Max II

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    Retra has announced a new version of its top-of-the-line strobe—the Flash Pro Max II. The fifth-generation strobe—coming two years after the fourth-generation Flash Pro Max, Flash Prime+ and Flash Pure—improves on its predecessor in key areas, according to Retra.

    First, as you might have guessed, it’s significantly more powerful, packing 190 Watt-seconds (Ws) of output, up from the 140Ws of the Pro Max. Retra says that translates to “65% more actual light output” because the new strobe features a redesigned reflector, “optimized” power handling, and a better triggering system, where less energy is lost to heat. According to the company, recycle times have been improved by 25%, and at “low” power settings, it’s possible to shoot continuously at up to 60fps.

    Other aspects have been improved, too: The target light is twice as bright as before (1,000 lumens as opposed to 500 lumens), the power dial now offers 17 positions (instead of 13), and the strobe even starts up faster. As previously, the battery compartment accepts four AA batteries as standard, plus an additional four AAs when the Booster is added, but the strobe, battery cap and Booster all now boast gold-plated contacts. Retra says you’ll get up to 2,000 flashes at 25% power using the 8×AA configuration.

    If all that wasn’t enough, Retra are sweetening the deal for their launch offer: If you pre-order now, you’ll get a Booster and two USB chargers free of charge. Shipping from June 30th, the Retra Flash Pro Max II costs $1,800 with the standard three-year warranty, with the option to extend the warranty to five years for $50 extra.

     



    When purchasing underwater photography equipment like the products mentioned in this article, please support DPG by supporting our retail partner—Backscatter.com.



    PRODUCT INFORMATION

    Introducing the Retra Flash Pro Max II: Maximum Power. Proven Reliability

     


    We’re proud to announce the launch of the Retra Flash Pro Max II, our most advanced professional strobe to date. Built on five generations of innovation and field-proven performance, the Pro Max II redefines what’s possible in underwater lighting—delivering Li-ion-level performance using safe and widely available NiMh batteries.


    Power Meets Efficiency

    With an impressive 190Ws of flash power, the Pro Max II produces 65% more actual light output compared to its predecessor—all while maintaining the same compact size and weight. This significant leap in brightness is achieved through a redesigned reflector, optimized power handling, and an improved triggering system that channels more energy into light rather than heat.

    Whether you’re shooting fast-paced action or intricate macro scenes, you’ll appreciate the 25% faster recycle times and the ability to shoot up to 2000 flashes at 25% power using the 8×AA configuration. It even supports continuous shooting up to 60 frames per second on low power settings.

     

     

    Designed for the Creative Edge

    The 120% brighter pilot light, now outputting 1000 lumens, provides exceptional visibility for precise snooting and creative lighting setups. With 17 power levels available via the control dial, you get fine-tuned control over your light output in any situation.

    We’ve also added several hardware enhancements for reliability and ease of use:

    • Real gold-plated contacts in the strobe and battery cap ensure dependable performance, even in harsh conditions.

    • The startup procedure is now faster, with no waiting required in BATT/TEST mode.


     

    Special Pre-Order Offer

    The Retra Flash Pro Max II is available now for pre-order at a special price of $1799¹, which includes:

    • Retra Flash Pro Max II
    • Booster (free of charge)
    • Dual USB battery chargers (free of charge)

    Every unit comes with a standard 3-year Retra Warranty, with the option to extend to 5 years for just $50¹ per strobe (standard warranty conditions apply). Save $280¹ with this launch offer.

    Shipping starts exactly on 30th June 2025—with no delays.

    If you would like to purchase in EUR (€), please write to us and we’ll be happy to assist.

     

     

    Built for the Long Run

    The Pro Max II is more than just powerful—it’s built for the long haul. We chose NiMh batteries not just for their safety and travel ease, but because we’ve refined our electronics to deliver Li-ion performance without compromise. This means faster recycle times, greater autonomy, and trusted reliability on every dive.

    Whether you’re working on demanding commercial shoots or chasing creative breakthroughs, the Retra Flash Pro Max II is ready to perform.

    1All prices exclude local taxes and shipping costs. Import duties and customs fees are not inclusive. If shipping address is within the EU tax zone, VAT is automatically added during checkout (except for RetraCare+Warranty Extension).

     



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  • Keldan Announces Video 4XR and Video 8XR Lights, and RC2 Remote Control

    Keldan Announces Video 4XR and Video 8XR Lights, and RC2 Remote Control

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    Known for their high-end—but not especially compact—video lights, Keldan is addressing the demand for travel-friendly gear with the release of three significant products: the RC2, a diminutive version of their RC1 wireless remote control; and two handy remote-controllable lights, the Video 4XR and the Video 8XR.

    Like its bigger sibling, the RC2 works wirelessly underwater but is shorter range: 2–3 meters (6.5–10 feet) as opposed to the 50-meter (165-feet) range of the RC1. As such, it is designed for lights mounted on the camera rig or placed within a short distance from the remote. Like the RC1, the new model has two independent brightness channels, each of which can address any number of lights simultaneously, and works with all lights in Keldan’s “XR” series.

    With the new Video 4XR, Keldan hasn’t just upgraded their popular Video 4X light with a remote receiver; the new version also has a higher lumen output—11,000 lumens rather than 10,000 lumens. While the 4XR replaces the 4X in Keldan’s lineup, the previous version of the 8XR—which boasts a 20,000-lumen output and a color rendering index (CRI) of 86—sits alongside the new 8XR, which has a slightly lower output of 17,000 lumens but a significantly higher CRI of 96. According to Keldan, the high CRI makes the new 8XR the perfect light for shooting macro.

    Available soon from retailers such as Backscatter, the RC2, Video 4XR 11000lm CRI86, and Video 8XR 17000lm CRI96 are priced at $640, $1,970, and $2,650, respectively. There are also now various bundles available, such as dual Video 4XR and RC2 for $4,280, and dual Video 8XR 17000lm CRI96 and RC2 for $5,640.

     



    When purchasing underwater photography equipment like the products mentioned in this article, please support DPG by supporting our retail partner—Backscatter.com.



    PRESS RELEASE

    Remote Control RC2

    Our pioneer Remote Control RC1 has now a little brother, called RC2. The RC2 is smaller, runs on a single button cell and it is designd for short range use (Lights mounted on the camera or in proximity to the camera).

     

    Wireless remote control

    The KELDAN RC2 is a wireless Remote Control based on ultrasonic technology. It is available for Video 4XR / 8XR /18XR / 24XR series lights.

    Outstanding features

    • Range of 2m
    • Control brightness individually on 2 channels
    • Each Channel can address an unlimited number of lights
    • Each Channel has a separate ID to avoid interference when multiple controllers are used at the same dive site
    • Remote Control works with all “XR” series lights
    • Easy mounting with M4 screw holes or with an optional Ball adapter

    Many advantages when using a remote control

    • No more swimming back and forth to adjust lighting
    • Fast and easy control of your lighting
    • Place the lights wherever you want
    • Allows for new and more creative ways of shooting
    • Works around the corner and through walls
    • Saves battery life

    4XR 11000lm CRI86

    The popular Video 4X is now available as a remote controllable Video 4XR 11000lm CRI86. Even more powerful, containing superb 11000lm with an enhanced color rendering index of CRI 86. This is the perfect light for small and handy rigs.

    Ready for wireless Remote Control

    The Video 4XR light is ready for our wireless Remote Control, either the RC1 or RC2.

    USB-C charge adapter

    With the 4XR light we include a very travel friendly, small and lightweight USB-C charge adapater which allows to charge the Li-Ion battery from an USB-C charger with min. 30Watt output. Attention: The light is supplied with the USB-C adapter only but not with the USB-C charger.

    LED technology with outstanding efficiency

    The Video 4XR 11000 lm CRI 86 is equiped with an LED of the latest generation with a color temperature of 5600 Kelvin. The spectral power distibution is very even, resulting a color rendering index of 86 CRI (Ra). A unique feature is the variable power with 9 settings with a brightness range of 1:50.

    Soft 110° beam

    The light has a very soft and speckle free beam of 110° in water (120° in air).

    Self-contained

    The self contained design makes this light very easy to use. There is no need for special mountings for the battery canister. The included bracket with ball mount allows easy mounting on standard arm systems.

    Small and lightweight

    The design is optimized for very small dimensions and light weight. The complete set ads only 0.63kg (0.20kg in water) to your gear.

    Tough Design

    The LED can not break and has almost unlimited lifetime. The integrated overtemperature protection allows safe use of the light in air. The protection circuit controls the housing temperature and the power will be limited to keep the temperature within a safe range.

    Travel Safe Li-Ion Battery

    The battery passed successfully the mandatory UN38.3 safety test as required by IATA and it is therefore certified for air transport. The capacity of this battery is below the maximum allowed capacity of 100Wh. It contains an integrated protection circuit against harmful conditions like over discharge, deep discharge, over current and short circuit. 

    Charge Display

    The green charge level indicator displays the available relative charge. The two digit display shows the remaining time. While the battery is discharging, the display shows the remaining runtime in minutes (e.g.”18” = 18 minutes). When connected to the charger, the display shows the remaining charge time in units of 10 minutes (e.g.”18” = 180 minutes).


    8XR 17000lm CRI96

    We have added a high CRI version to our 8XR series lights. With its outstanding color rendering index of CRI 96, the Video 8XR 17000 Lumen is the perfect light for shooting macro. Of course it is ready for the RC1 and RC2 Remote Control.

    Ready for wireless Remote Control

    The Video 8XR light is ready for our wireless Remote Control RC1 + RC2.

    LED technology with outstanding efficiency

    The Video 8XR 17000 lm CRI 96 is equipped with a LED of the latest generation with a color temperature of 5600 Kelvin. The spectral power distribution is very even, resulting in a color rendering index of 96 CRI (Ra). A unique feature is the variable power with 9 settings with a brightness range of 1:80.

    Soft 110° beam

    The light has a very soft and speckle free beam of 110° in water (120° in air).

     


    Self-contained

    The self contained design makes this light very easy to use. There is no need for special mountings for the battery canister. The included bracket with ball mount allows easy mounting on standard arm systems.

    Small and lightweight

    The design is optimized for very small dimensions and light weight. The complete set ads only 0.87kg (0.30kg in water) to your gear.

    Tough Design

    The LED can not break and has almost unlimited lifetime. The integrated overtemperature protection allows safe use of the light in air. The protection circuit controls the housing temperature and the power will be limited to keep the temperature within a safe range.

    Travel Safe Li-Ion Battery

    The battery passed successfully the mandatory UN38.3 safety test as required by IATA and it is therefore certified for air transport. The capacity of this battery is below the maximum allowed capacity of 100Wh. It contains an integrated protection circuit against harmful conditions like over discharge, deep discharge, over current and short circuit. 

    Charge Display

    The green charge level indicator displays the available relative charge. The two digit display shows the remaining time. While the battery is discharging, the display shows the remaining runtime in minutes (e.g.”18” = 18 minutes). When connected to the charger, the display shows the remaining charge time in units of 10 minutes (e.g.”18” = 180 minutes).


    Bundles with RC2   

    With the 4XR and 8XR series, we are offering bundles including two lights and a RC2 remote control. KELDAN does not promote this bundles on the KELDAN website but they can be ordered from a KELDAN dealer.


    USB-C Charger 16.8V/1A

    Does it sometimes annoy you when you need to pack a whole lot of chargers on a trip? Certainly no more with this one. The travel friendly USB-C Charge adapter is just what you need to travel. It connects to an USB-C charger with 30W or higher. With a weight of only 63 grams, it provides an output of 16.8V/1A and can charge all batteries of the 4 and 8 series.

    Travel friendly, super small and lightweight USB-C charge adapter

    Can be connected to a USB-C charger with minimum 30Watt output. It provides an output of 16.8V/1A. This charger is suitable for the following Li-Ion batteries:

    • Battery4 Li-Ion 49Wh (Art. 1212) used with the Video 4X/4XR series lights, Charge time approx. 4 hours

    • Battery8 Li-Ion 99Wh (Art. 1211) used with the Video 8X/XR series lights, Charge time approx. 8 hours



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