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  • What Is Product Photography? Types & Meaning

    What Is Product Photography? Types & Meaning

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    Product photography is always evolving, and it’s getting tougher to keep up with the latest trends. Your product images are doing more than showcasing an item—they’re selling it. High-quality product photography helps shoppers visualize, trust, and ultimately buy your products.

    Below, look at the definition of product photography, as well as best practices and examples to inspire your own.

    What is product photography?

    Product photography is the art of capturing images of goods for sale. These images are used in ecommerce stores, ads, packaging, and catalogs to highlight product features and inspire confidence in buyers.

    Also known as commercial product photography, it includes everything from simple white background shots to stylized lifestyle images. The goal is to help potential buyers understand, desire, and trust your product—visually.

    Hand holding Maui Moisture Bamboo Fibers Shampoo bottle with greenery and a second bottle in the background

    While traditional product photography uses cameras, some brands also use 3D renderings that mimic real photos. These can be effective, though purists argue that only real-camera images count as true product photography.

    Comprehensive Cranium Care, a brand of “hair” products for bald people, outsources its 3D renders.

    Types of product photography

    Product photography is a type of object photography and a type of advertising photography, but you can get even more granular:

    White background

    White background photos are the ones you see on ecommerce marketplaces like Amazon, AliExpress, and eBay. They may have individual product photos or white background shots that feature multiple images. This is arguably the most common product photo type you’ll see.

    Composite image showcasing white background product photography: a rustic wooden chair, a silver candy bar packaging mockup, and brown leather high-heeled boots—demonstrating clean, ecommerce-ready visuals commonly used on marketplaces like Amazon and eBay.

    360-degree

    360-degree photography captures a product from every angle, letting shoppers rotate and view it interactively—almost like holding it in their hands. These image sets are often stitched together with special software to create a seamless, scrollable experience on ecommerce sites.

    This is what professional photographer Eric of CiReC 360° specializes in. He relies heavily on Path for outsourced photo edits because each “image” is actually a series of several images, and the edits must be perfect across all shots. 

    Blue winter jacket with yellow accents shown in 360-degree product photography setup with editing software

    Lifestyle shots

    Lifestyle shots are photos that feature people using the product in a real-world setting. These tell a story and help shoppers imagine themselves with your product.

    Close-up of Youth To The People superfood serum bottle placed on a desk with accessories.

    Contextual

    Contextual photos are similar to lifestyle photography, but they may not feature people. These show the product in its natural environment (e.g., barstools in a kitchen, a yoga mat in a studio).

    Bright and modern kitchen interior with white cabinets and wood accents.

    Scale shots

    Scale shots are product photos that give a frame of reference so people can envision how big the products are. While product specs and dimensions are descriptive, sometimes shoppers need an image to see how big or small it is in comparison to common objects.

    Hands holding a white teacup with Art Deco gold accents on a matching saucer, highlighting product detail.

    Detail

    Detailed product shots are close-ups that highlight materials, textures, or small design elements. They’re crucial for luxury, beauty, apparel, or any product where touch and feel are important.

    Composite image of detailed product photography featuring close-up shots: a blue Nike sneaker highlighting fabric and stitching, a flat lay of handcrafted leather cardholders with visible textures and seams, and a brass fish-shaped keychain on a leather bag—showcasing material quality and intricate design elements for luxury and fashion products.

    Group

    Group product shots feature multiple items. Typically, these products are related in some way. You might bundle them together as a promotion, or feature the same item in different products. 

    Group product shot featuring three folded socks with blank labels beside open cardboard packaging, and a lineup of five artisanal soap bars on a marble surface—illustrating bundle photography for retail, ecommerce, or promotional product listings.

    Flat lay

    Flat lay photos are taken from a bird’s eye view. The bird’s-eye view photos show products arranged on a flat surface. These are perfect for social media and allow for creative storytelling through layout.

    Flat lay image combining beige high-heeled shoes arranged on a white background and a minimalist workspace setup with a white keyboard, notebook, pen, and Apple mouse on a soft pink backdrop—ideal for ecommerce, fashion, and lifestyle branding.

    Packaging

    Packaging product photos are the images that go on the box, bag, label, or whatever packaging holds your merchandise. These photos are important because they appeal to in-person shoppers. It’s especially important to consider this if the packaging hides the product, which you commonly see with food and beauty items. 

    Side-by-side product packaging photo featuring a close-up of Ben & Jerry’s Salted Caramel Almond ice cream container with condensation, and multiple berry-themed boxes of Pireti Berry White eye serum on a pink background—ideal for showcasing food and beauty packaging design for ecommerce.

    User-generated

    User-generated content (UGC) includes product photos taken by anyone other than your brand or employees. These photos are typically shared on social media, so you can repost or feature the content on your own website as a form of social proof. UGC product photography isn’t ideal as your main photo, but it’s a great complement to your product pages.

    Skincare brand Topicals has a carousel of UGC photos at the bottom of its website. It shows authenticity and social proof of its products.

    Before and after images of acne scar reduction using Topicals Faded Serum, showing visible skin improvement.

    How do you take product photos?

    While the art of product photography requires much more than a single article (there are courses listed below!), the high level process is as follows:

    1. Plan the shoot

    Define your shot list, goals, locations, and props. Know what you’re capturing and why.

    2. Set up your space

    Use natural light when possible or invest in lighting kits and reflectors. Use a white backdrop for standard product shots.

    3. Stabilize your camera

    Use a tripod for sharp, consistent angles—especially for ecommerce listings.

    4. Shoot multiple angles

    Show your product from the front, back, side, top, and bottom. Include close-ups and contextual shots where applicable.

    5. Edit your photos

    Adjust lighting, color balance, and crop. Remove backgrounds or retouch imperfections. If you’re not a pro editor, outsource this step.

    What equipment do you need for product photography?

    For product photography, all you really need is a smartphone camera. But for high-quality shots that convert shoppers, you’ll want a dSLR or mirrorless camera and 50 mm lens as the bare minimum. 

    Here’s a general overview: 

    Beginner (DIY at home):

    • Smartphone with high-res camera
    • Natural lighting near a window
    • White poster board or sweep background
    • Free editing tools (Snapseed, Lightroom Mobile)

    Intermediate:

    • DSLR or mirrorless camera (50mm lens recommended)
    • Tripod and remote shutter
    • Lightbox or softbox lighting kit
    • Reflectors and diffusers

    Pro-level / studio setup:

    • Macro or tilt-shift lenses
    • Studio lighting with modifiers
    • Professional backdrops or sweep tables
    • Grip gear (c-stands, clamps)
    • Pro editing software (Photoshop, Capture One)

    Tips and best practices for better ecommerce photos

    While your product photos should reflect your unique brand and appeal to your specific target audience, there are a few universal truths and best practices:

    Get the gear

    While smartphone photos may work for social posts or email, you want high-quality photos for main product pages. Invest in a high-quality camera and lens or hire a professional who has their own equipment to shoot your photos for you.

    Choose your background wisely

    Some ecommerce marketplaces require plain white backgrounds, and if you’re shooting for other channels you have more leeway. Whatever the background, it should reflect the aesthetic you’re after while keeping the focus on the product.

    Think about the context

    Consider the context for your products and for your shoppers. It’s important to show the product in use, using models and contextual backgrounds and props. But it’s also important to consider the context in which your shoppers are viewing the photos. If they’re on mobile (they likely are), offer zoomed-in shots and closeups of important product features.

    Maximize your investment

    Shoot with repurposing in mind. Professional product photos are a significant investment, and you want to make the most of it. Think about using your product photos on more than just ecommerce pages, but also in digital marketing and ad campaigns, on social media, in emails, and for labeling or packaging.

    Leverage symmetry for a premium feel

    Symmetry isn’t just pleasing to the eye—it can instantly elevate the perceived value of your product. For items with naturally balanced design elements (like cosmetics, shoes, tech, or jewelry), a symmetrical composition reinforces order, precision, and quality. Center the product, align key features, and shoot head-on for maximum effect. When used intentionally, symmetry creates a polished, editorial-style aesthetic that feels high-end and trustworthy.

    Remember the details

    It’s always important to edit your photos afterwards, no matter how great the original shot is. You may have to fix imperfections that have the potential to distract potential buyers and negatively impact conversions.

    Outsource the tedious bits

    Lots of photo edits, like background removal and color changes, are so detail-oriented and time-consuming. It can take an entire day just to edit a small batch of photos. If you find your time is bogged down with post-processing, consider outsourcing the edits. Be wary of any providers that use automation and AI, as they run the risk of imperfections the human eye won’t miss.

    Enjoy it

    At the end of the day, it’s important to have fun. Even though you have constraints on what you can do with the images, you can still get creative with it. Use outsourcing and other ways to take some of the stress out of your day to day so you can find your passion and get back to the work you love. 

    Enlist your dedicated virtual photo-editing team of designers who complete every edit by hand

    Enlist your dedicated virtual photo-editing team of designers who complete every edit by hand

    3 product photography examples

    Looking for some inspiration from real-world brands with compelling product photos that can inspire your own visuals? Here are three examples:

    1. Grounded Plants

    Three artificial indoor plants: banana leaf, fiddle leaf fig, and monstera in black pots on a gray background.

    The Grounded Plants brand has such a distinct look and feel, and the product photos are a continuation of that. The backgrounds are plain so not distracting but interesting enough to fit with its overall aesthetic. Plus, variety breaks up the monotony of a single hue.

    2. Otherland

    Assorted Otherland candles in various designs and colors, perfect for creating a cozy ambiance.

    Candle brand Otherland has a creative touch to its product photo backgrounds. It stages shots of its candles with fun props and backgrounds to evoke different moods for each candle.

    3. SOKO

    Close-up of model showcasing statement rings, threader earrings, and layered necklace from a luxury jewelry collection.

    SOKO sells jewelry that was handcrafted with sustainable materials in Nairobi, Kenya, so the magic is in the details. And the details aren’t lost when it comes to its product photos. The perfect mix of white background, detailed, and lifestyle shots, SOKO’s photos are as beautiful as the designs themselves.

    Product photography courses

    There are tons of product photography courses out there—ranging from beginners to advanced, and many specializing in specific niches.

    Here are some product photography courses worth checking out:

    • Product Photography for Ecommerce, Shopify Academy (free): Learn how to take product photos to sell online, including white background shots, home studio setup, and step-by-step process to outsourcing. 
    • Product Photography at Home, Craftsy ($29.99): Professional photographer and small-business owner Jessica Marquez leads the course. You’ll learn how to create tabletop setups for product shoots, including lighting, backgrounds, working with models, and post-production.
    • Shoot Products Like a Pro, Phil Stills (£197): 13 short modules take you through everything from lighting and studio setup to white backgrounds and cut-outs. You can try the first two modules for free.
    • Mobile Product Photography Class, Weebly (free): This product photography course shows you how to capture shots with your smartphone. The course is from 2017, so while some of the tactics may be outdated, a lot of the principles still apply.
    • Still Life Photography, UCLA Extension (?): Learn lighting and camera techniques, food and product photography, and basic Photoshop edits. This course is only available at certain times, so check back for enrollment information and updates.
    • Rachel Kimberley, virtual: This professional photographer has various photography courses on her website, including courses for flat lays, makers, lifestyle, and product styling. 

    13 product photography statistics

    Below are some recent product photography statistics, studies, and surveys to keep your finger on the pulse:

    1. The ecommerce photography market is worth $1 billion

    Globally, the ecommerce product photography market is estimated to be worth $1 billion in 2024. It’s predicted to grow to $2 billion by 2033, with an annual growth rate of about 8%.

    2. People process images in just 13 milliseconds

    One MIT University study found that the human brain can process images after viewing them for just 13 milliseconds. That means they can process a product image just as quickly. Your product photos play a huge role in the first impression, so it’s important they’re high-quality.

    3. People can recall 2,000+ images with 90% accuracy

    One 2013 study showed people 2,560 photographs for a period of just 1 second. After viewing all the images, they tested the participants’ memory recognition. The participants were able to recall more than 2,000 images with at least 90% accuracy, even after a period of three days.

    4. On a scale of 1 to 10 for difficulty, marketers rate producing visual content a 7

    In one survey from Venngage, marketers were given the option to rank the difficulty of consistently producing visual brand content, with 1 being the least difficult and 10 being the most difficult. On average, marketers ranked this task a 7. 

    5. Nearly half of marketers put 20–50% of their budget into visual content creation

    In that same Venngage survey, marketers were asked about their marketing budgets. Nearly half (45.7%) said they put anywhere between 20% and 50% of their budget towards creating visual content. This is likely to increase—there was a 9.5% increase in marketers planning to put at least half of their budget towards visual content production by the end of 2024.

    6. The photo printing market is worth more than $15 billion

    Globally, the photo printing and merchandise market is worth more than $15 billion. It’s forecasted to grow at a CAGR of more than 5%. By 2027, it’s estimated to be worth more than $20 billion.

    The following list shows the most-ordered printed photo products in 2023, from most to least:

    • Prints
    • Frames for wall decor
    • Frames for table/desk
    • Mugs
    • Photo Cards
    • Calendar
    • Clock
    • Albums
    • Puzzle
    • Notebooks
    • Canvas, banners, and signs

    8. 9 camera companies dominate the global market

    The Global Digital Cameras Market Recent Trends, In-depth Analysis, Size and Forecast To 2027 notes nine top camera companies in the world:

    • Canon
    • Nikon
    • Sony
    • Pentax
    • Olympus
    • Fujifilm
    • Casio
    • Panasonic
    • Samsung

    9. 53% of businesses want to try AI image generators

    AI product photography and editing is a trending topic. While the technology is far from perfect, more than half of businesses would like to experiment with using AI image generators, according to a survey from Semrush.

    10. Ice Cream Castles shortened their photo-editing workflow from 7 days to 1 day

    Children’s clothing brand Ice Cream Castles used to take an entire week to edit product photos before they were ready to use them. This took too much time they could’ve spent growing and improving the business—doing the things they love. They started outsourcing their edits and shortened photo edit turnaround time from 7 days to just 1 day

    Comparison chart showing reduced photo editing time and cost, from 37 hours to 6 hours and under $1 per image.

    11. Formkraft took 5 days to shoot photos for their new website

    Photography Prodoto shot product images for Formkraft’s new website that sells a range of merchandise and consumables. The shoot took five days and shot initial concepts for 18 Master Category images and four additional website banner images. It takes time to get high-quality shots!

    12. Medalia paintings convert at 17% when they feature artist photos

    A/B testing tool VWO’s customer Medalia sells Cuban and Haitian art online. They ran an experiment to see if featuring artist photos as well as product photos would boost conversions. It did. Products that featured artists converted 17.2% of the time compared to 8.8% without.

    13. More than half of photographers start out as hobbyists

    According to one survey, slightly more than 50% of photographers get their start with photography as a hobby. 

    Infographic by Aftershoot showing how photographers began their careers, with over 50% starting as a childhood hobby and others citing creative studies, career transitions, or life events.

    Now it’s time to edit your product photography

    You don’t have to do it all yourself. Outsourcing your edits can help you launch faster, stay consistent, and focus on the big picture.

    Path gives you a team of expert retouchers who complete every photo edit by hand—no AI, no cut corners. Just pixel-perfect images that convert.

    Wish you could just hand this over to a pro? Surprise, you can.

    Simple pricing for stress-free, pixel-perfect photo edits tailored to your needs.

    Product photography FAQs

    What is needed for product photography?

    • Camera
    • Lenses
    • Lighting
    • Tripod
    • Background
    • Reflectors and diffusers
    • Editing software
    • Props

    What is the meaning of product photography?

    Product photography is a subcategory of commercial photography that focuses on capturing high-quality images of products for marketing and promotional purposes. The images are used in advertisements, websites, catalogs, and other marketing materials to showcase the product in the best possible light.

    What is the idea of product photography?

    The idea of product photography is to give potential buyers a full impression of a product. In ecommerce, it essentially replaces the in-person product experience a shopper would have in-store.

    What is the role of product photography?

    The role of product photography is to help shoppers better understand the products they intend to purchase. It should showcase the product, build trust, enhance the brand image, boost sales, and ultimately reduce returns.

    What is object photography?

    Object photography is when you take a photo of an inanimate item. As such, product photography is technically a form of object photography—unless the product is living, like a succulent. In object photography, items are typically non-moving, or still.

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  • Sony and Canon Tease Upcoming Camera Announcements

    Sony and Canon Tease Upcoming Camera Announcements

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    Camera conspiracy theorists unite: Both Sony and Canon are teasing camera releases on March 26th with mysterious clues.

    Starting off with Sony, the company released a teaser-trailer-style clip of a veiled new camera model. There’s not much to go on, but eagle-eyed viewers have spied a button labeled “5” as well as a 3.5mm jack.

    Combined with the “Go small, shoot big” catch phrase, speculation centers on the announcement of a new cinema-style camera—something similar to the Sony FX6. Other guesses in the video comment section include a long-awaited update to the Sony a6700.

     


    For its part, Canon is also contributing to the rumor wheel with an Instagram post glimpse at two new camera models. Shrouded in shadow and only labeled with “V,” it seems likely that the cameras will fall into Canon’s new Powershot V1 “vlogging” compact cameras.

    Canon recently debuted the Powershot V1 at the CP+ show in Japan to much buzz. It’s a pivot in the company’s compact lineup with trendy vloggers in mind—featuring a 16–50mm equivalent f/2.8–4.5 lens and 4K/60p shooting mode.

    Set the countdown to March 26th…



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  • YouTube Trying Out AI-Generated Video Search Results

    YouTube Trying Out AI-Generated Video Search Results

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    YouTube is pioneering a novel way to search video uploads and it could fundamentally change how we use the platform.

    turned on iMac and Apple Magic Keyboard and mouse on table
    Turned on iMac and Apple Magic Keyboard and mouse on table. Photo by Jakob Owens

    And, naturally, it involves everyone’s favorite buzzword these days: AI. 

    Described by PetaPixel in much the same way that Google provides previews for search engine results, Alphabet’s YouTube is looking into having AI specifically take clips from videos that match your search results in a similar preview format. 

    In other words, it will help you cut to the chase and find exactly what you’re looking for, where, and when in a YouTube video. No more searching, waiting, and going through multiple advertisements to get what you need.

    It sounds like a pretty neat feature and, initially, it’s going to be limited to a few niche subjects such as travel and shopping, the website quotes YouTube brass. 

    That makes sense because those are both very lucrative areas for companies and content creators and it is also one where very specific, timely information makes the most sense. 

    If it works out here, we could see it expanding to other search results.

    One thing that comes to mind, however, is that often you will find yourself watching ads and various other monetization clips when digging through YouTube videos to find what you need. While that is a pain, it helps the creators of the content make money and, ostensibly, create more useful content. How will that system fare once everything is being quick clipped by AI remains to be seen but, if anything, hopefully it eliminates the overly long content that does nothing but generate clicks. 

    Any thoughts you might have on this somewhat novel idea are welcome in the comments. 

    We have some other news for you to read at this link.



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  • Restaurant and Retail Images for a Design Firm – A Photo Editor

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    By Bryan Sheffield, Wonderful Machine

    Each month, we pick one of our recent estimates to write about in a Pricing & Negotiating article. Redacting the names of the photographer and client allows us to share valuable and educational information that would otherwise be confidential.

    Concept: Portfolio content photography of an architecture and interior design firm’s recently completed restaurant & retail spaces within an airport
    Licensing: Collateral and Publicity use of up to 15 images in perpetuity
    Photographer: Architecture & Interiors specialist
    Client: Large retail space architecture and interior design firm

    Summary

    I recently helped one of our NYC photographers build an estimate for a good-sized architecture and interior design firm. The firm requested an estimate for photography to document 4 of their soon-to-be-finished spaces within a NYC area airport terminal. The final use of the photography would primarily be web collateral within the firm’s website, publicity efforts, as well as submissions to a few notable design award competitions. When we first began speaking with the client, they let us know that the completion date was about 3 weeks out. Moreover, they informed us that the photographs needed to be taken at night because the restaurants and shops would be open the following day.

    The client was very specific with their shot list needs. They would, however, rely on the photographer to accomplish this list in an artistic manner. They also let us know that they would need the final images within 2 days of the shoot date in order to meet their award submission dates. The client would arrange all special permissions for the photographer, crew, and equipment access to the spaces due to our need to work after the airport terminal had closed. We also knew that although our client designed these 4 spaces, they would all be owned and operated by other brands. With this in mind, we attempted to upsell and inquired whether the brands or proprietors might be interested in use of the final work. These potential clients, however, were not interested.

    Here is the estimate:

    I added a “Client Provisions” note to describe what the client was to provide. For this project, the client would provide locations, all location access and coordination, all location styling and cleaning, all employee/staff coordination, crew meals and craft services.

    Fees

    I put the Photographer’s fees at $6,500 for the shoot, and licensing of up to 15 images. We understand that the NYC market is very competitive and there are many other photographers in the area that could accomplish this job. The saturated market (unfortunately) put downward pressure on the photographer’s fees. We felt that $6,500 was a fair and competitive fee based on the metropolitan area, client, and the use of up to 15 images. The client offered a budget of “between $10,000-13,000” for the project. Based on the rush retouching fees needed we felt comfortable coming in roughly $1,100 above that.

    Crew

    We added a First Assistant/Digital Tech at $650/day to help with lighting and camera equipment management, and computer/file management while the photographer was shooting. These fees were consistent with the crew rates on the photographer’s past projects of this nature.

    Equipment

    We included $750 for camera, lighting, and grip rentals. The photographer brought their own cameras, lenses, and simple lighting. We added $450 for the digital tech workstation rental laptop, cables, etc.

    Misc.

    We included $240 for insurance coverage. We then added $250 for the anticipated taxis/car services to get to and from the airport, additional meals, and other miscellaneous expenses.

    Post-Production

    We added $500 for the photographer to perform an initial edit of all the content and delivery to the client. We also included rush retouching rates of $225/hr for an estimated 2 hours per image.

    Results

    The photographer was awarded the project and the shoot was a success. During the shoot, there were quite a few issues as several of the locations were not totally finished. In order to accomplish some of the wider images, the photographer needed to have their camera placed in a location not closed to the public. Due to this factor, a good amount of additional retouching was needed on the images, which was approved by the client.

    Follow our Consultants @wonderful_at_work.



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  • Recalculating the Creative Life

    Recalculating the Creative Life

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    I recently read of a 19-year-old football player, a goalkeeper for Real Madrid, who was in a serious car accident and left unable to walk for two years. The story caught my attention because it was 14 years ago this month that I had my own accident, which shattered both my feet, cracked my pelvis, and left me unable to walk with a long road back to normal.

    Life, they say, is what happens when you’re busy making other plans. “Sh!t Happens,” says the bumper sticker a bit more succinctly. Indeed.

    Like the 19-year-old footballer’s accident, my fall in Italy didn’t just shatter my feet, but my plans and dreams. At the time, it felt like a heartbreaking detour.

    But it wasn’t a detour at all. A detour takes you from your planned path, diverts you for a while, and then plunks you down further up the road. You use more fuel and might feel lost for a moment or two, but then you’re back on track. Chances are, it won’t make that much of a difference.

    What happened to me in Italy didn’t just give me an alternate route to wherever I thought I was heading; it took me in an entirely new direction. It didn’t feel that way at the time—it didn’t even feel like a detour, but an impassable roadblock.

    I bet it felt like that to the young footballer, too. His name is Julio Iglesias. The name is probably familiar to you, though you might not know him as an athlete. The accident happened a long time ago; Iglesias is now 81 years old. He is one of the world’s most beloved and commercially successful Spanish singers, not to mention one of the best-selling musicians of all time. During his two-year recovery, one of his nurses gave him a guitar, and he discovered his gift for music. His accident wasn’t a detour. And it wasn’t a roadblock. It was a redirection.

    If you’ve ever used GPS navigation in your car, you know the chastising tone of voice your navigation uses when you take a wrong turn. “Recalculating,” it repeats until it finds a way to re-route you. I can’t be the only one who hears it saying “dumbass”in the pauses in between.

    If you listen carefully, that’s the constant refrain of the creative life: “Recalculating…Recalculating…”

    The challenge is not “getting back on track.” It’s not avoiding the mistakes and missteps that take us off at the wrong exit. The challenge is to hear in that one-word mantra (recalculating…) not judgment but possibility. It’s to hear an invitation in the pauses in between. Heard with an open mind, it’s a call to adventure.

    In my home airport, Vancouver International, there is a quote on the wall that reminds travellers that “it’s not the destination that counts, but the journey,” which always makes me laugh because if there’s one time in life the destination really does matter, it’s air travel. The destination is the whole point!

    In the creative life, there is no destination. It’s not that it’s less important; it simply doesn’t exist. There is no place where one arrives, collects their luggage, and tosses their boarding passes in the bin on the way out of the airport, the journey now complete.

    The creative life is only journey.
    It is always recalculating.

    This isn’t positive thinking; it’s creative thinking, and it’s important if we’re going to approach our work with less rigidity and find greater joy in it. It’s absolutely necessary if we’re going to make work that isn’t safe.

    And, pragmatically, it’s helpful when you’re trying to create your work in the real world when light and circumstances don’t always go to plan. When you’re in the field and one of your lenses fails, forcing you to completely reconsider your entire approach. When you’re working on a body of work that you thought was going in one direction but takes a right turn at Albuquerque (Bugs Bunny fans will get the reference). Or when you’re photographing a scene and it’s just not working, or that moment you’ve waited so long for materializes differently than you planned.

    Do you bang your head against these circumstances, maybe use them as excuses, or (to return to my metaphor) do you take the off-ramp and see where it leads?

    Sometimes, all I’ve had to do is turn around (recalculating, recalculating) and point my camera at something else. 

    In hindsight, the best of my work has often resulted from the unexpected or the accidental. What initially appeared to be a roadblock was, in fact, an invitation to recalculate.

    Better minds than mine have observed that “what’s in the way is the way.” Whether it’s a roadblock or an off-ramp to something better is up to you.

    I’ve never found that my work (or my life) goes very well when I’m unbending and inflexible, when I adopt a stance of rigidity and stand my ground instead of embracing a spirit of openness and exploration. Trying stubbornly to bash my creative square peg into the round hole of circumstance has never been anything but exhausting, and I don’t do my best work when my tank is empty. None of us do.

    Stay open. The creative life is one of endless recalculations, and not only can nothing divert you if there’s no ultimate destination, but it’s the zig-zags that make the most interesting journeys.

    For the Love of the Photograph,
    David

    PS – I’ll be in Vancouver doing a free evening presentation at the theatre at Langara College on May 30. The event is free, thanks to Sony Canada and Kerrisdale Cameras. For all the details and to reserve your spot: https://www.eventbrite.com/e/light-space-and-time-an-evening-with-david-duchemin-tickets-1337180766669

    The biggest challenges for most photographers are not technical but creative.  They are not so much what goes on in the camera but what goes on in the mind of the person wielding it.  Light, Space & Time is a book about thinking and feeling your way through making photographs that are not only good, but truly your own. It would make an amazing gift for the photographer in your life, especially if that’s you. Find out more on Amazon. 



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  • Issue 143 of Underwater Photography Magazine Available

    Issue 143 of Underwater Photography Magazine Available

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    The latest edition of Underwater Photography magazine—Issue 143—is now available as a free download.

    The issue begins with a handy roundup of industry news and the latest imaging equipment. New gear highlights include the Nauticam housing for the Panasonic Lumix S1RII, Nauticam’s UltraBright Monitors, and the AOI Aura Light System multicolor light. We’re also excited to see Byron Conroy’s review of the new Nauticam Midrange Focus Optimizer (MFO-1)—an intriguing gadget that we hope to have a good play with ourselves one day!

    In other features, Peter Rowlands chats to veteran shooter and Ikelike Ambassador David Fleetham, the Backscatter team expounds the joys of fluoro using their new excitation filter for the Hybrid Flash, Lars Stenholt Kirkegaard goes on a fascinating nudibranch safari at Gulen Dive Resort in Norway, and Colin Munro recounts his search for the planet’s second-largest fish—the basking shark—off the west coast of Scotland and Southwest England.

    Getting your free copy of the latest issue of Underwater Photography magazine is a breeze: Simply sign up with your email to get access. If you’ve already signed up (and you’re logged in), you can download your copy directly here.  

     

     



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  • How The DJI Pocket 3 Fits Into My Workflow

    How The DJI Pocket 3 Fits Into My Workflow

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    Hybrid Photography

    I am a hybrid photographer, a photographer that shoots both stills and video. My main camera is the Sony a7RV and it is perfectly suited to my needs. It shoots 61mp stills and up to 8k video in 10 bit 422 colour.

    I also have an iPhone 15 Pro. Its video capabilities are excellent, being able to capture 10bit 422 in Prores if using an external SSD. I also have a couple of drones, and a DJI Osmo Action, the original version. I find uses for all these cameras, so why on Earth would I want to add the DJI Pocket 3 to my camera bag? Let me explain.

    A Gap In Capability

    I shoot a lot of videos with the Sony a7RV. Much of this is shot either from a gimbal or from a locked off a tripod with a video head. Both of these are slow and cumbersome to set up and make shooting stills more difficult. Often when I am shooting video, I suddenly see a stills photo that I want to take.

    To do this I need to either remove the Sony from the gimbal or maneuver the tripod and camera to the right location. It’s slow and there is often a good chance that I will miss the shot.

    Man shooting video low level using a gimbal
    A large camera and gimbal can become very heavy. By Jose P Ortiz on Unsplash

    My workflow at the moment sees me dedicated myself to shooting either video or stills but not both at any given location. There are many times when I am out on a stills shoot, roaming a location when I yearn to shoot some video. However on a stills shoot I will not take the gimbal with me. That leaves me with the option of handheld video. Whilst Sony’s IBIS is pretty good, I still feel that handheld video is not a great option for stock agencies. It will be rejected more often than not.

    I also carry the DJI Osmo Action with me, but there are a lot of limitations. It is electronically stabilized, which often looks awful, has a small sensor and is now quite dated. It is primarily used as my vlogging camera.

    The Other Gap In Capability

    Since the beginning of the year, I have set myself a target to monetise my YouTube channel. The channel is focused on all things photography, stills, video, drones, editorials and more. There was an issue though.

    I like to create my videos on location. Me and my camera in a pretty location talking about the photography subject of the day.

    However, given my main camera will often be the subject of the video and the iphone was limited ergonomically, my choices were limited. Often, my script notes are on the phone making it tricky to use and shoot from simultaneously. The Osmo Action is very limited unless used as a fixed static camera. It’s not great for getting b-roll either of the location or the gear. Drones are great at tracking subjects and moving around but you really need a second person to operate them safely. So I needed something else.

    Video still of person talking to camera on busy Bangkok street
    Talking to camera in a hot and humid Bangkok

    Looking At The Options

    What I was looking for was a compact, mechanically stabilized video camera with output quality good enough for stock agencies. It had to be lightweight, easy to set up and decent in low light. I narrowed the choice down to two options. My iPhone on a DJI/Zhiyn gimbal or the DJI Pocket 3.

    I have used my iPhone with a gimbal for stock video on many occasions. The quality is decent in good light but drops off very quickly as the light fades. There is another drawback though. The iPhone is a portable computer on the go. I use it to navigate, check emails, post to social media and pay for things. None of these are easily done when it is attached to a gimbal.

    Video still of of Singapore skyline shot on a DJI Pocket 3
    Still from a DJI Pocket 3 Timelapse. By Jason Row Photography

    I had followed the progress of DJI’s Pocket cameras from the release of the original. The DJI pocket cameras are effectively a small camera attached to a handle through a gimbal. They are small, mechanically stabilized and, at a push, can fit into your pocket.

    They were interesting, but did not fit my needs. It seemed to be primarily aimed at vloggers shooting to camera pieces outside and for average quality b-roll footage for those vlogs. The Pocket 2 improved capabilities a little, but was still not really useful as a stock video camera.

    Then about six months ago and to much hype, DJI released the Pocket 3. This stood out for a very good reason, the 1” sensor.Now in large camera terms a 1” sensor is not huge but compared to previous Pockets and to smartphones it was huge.

    However there was another stand out feature. It also shot Log in 10 Bit colour. This is a big deal for videographers as it gives a lot more leeway when grading the footage in post. This was a pro level feature.

    A DJI Pocket 3 Camera shooting a timelapse in Bangkok
    The DJI Pocket 3 shooting a timelapes at Wat Arun in Bangkok. By Jason Row Photography

    Was The Hype Realistic?

    I rarely buy tech gear at first release. YouTube is full of creators that pump out “super psyched” videos on the launch day of pretty much anything that runs off batteries. The hype on the DJI Pocket 3 was immense, YouTubers extolling the many virtues and finding little wrong with the camera.

    Six months later, you start to get videos with titles like “The Downsides Of The Pocket 3” It is these videos that I like to watch in combination with 6 months’ reviews from established and well regarded filmmakers and photographers.

    What I learnt from these videos was that much, but not all of the hype was real. The DJI Pocket 3 was a very capable camera, producing a superb video image that belies its size. It was a tool with some excellent features. There were issues, downsides of course, but none that I could see that would affect my use of the camera. So I bought one.

    A DJI Pocket 3 still capture of the Grand Palace in Bangkok
    Still image from DJI Pocket 3 video of the Grand Palace Bangkok. By Jason Row Photography

    How Is It Working Out

    So far, very good. I have had the Pocket 3 for a few months and have shot quite a bit of footage with it as well as a studio based, to camera YT video. The video quality is excellent and the range of features very good. I can shoot 4K up to 120fps, timelapses, ultra slow motion. It will track subjects, detect my face, both very useful for outdoor vlogging. It’s compact, has good battery life, connects easily to my Rode Wireless Go II mic system and provides me with an excellent range of gimbal moves.

    It’s early days but so far it is living up to the hype.

    https://www.youtube.com/watch?v=vYrJ9aFMeQk

    Why the DJI Pocket 3 was my best camera on a recent trip



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  • Gustav Schmiege – A Photo Editor

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    The Art of the Personal Project is a crucial element to let potential buyers see how you think creatively on your own.  I am drawn to personal projects that have an interesting vision or that show something I have never seen before.  In this thread, I’ll include a link to each personal project with the artist statement so you can see more of the project. Please note: This thread is not affiliated with any company; I’m just featuring projects that I find.  Please DO NOT send me your work.  I do not take submissions.

    Today’s featured artist:  Gustav Schmiege

    Working with Jan Barboglio in Mexico was an incredible experience that allowed me to capture the soul of her artistry through my photography, both still and motion. I focused on the rich textures, aged patinas, and intricate details that make her handcrafted ironwork so unique. The warmth of Mexico’s landscapes and historic architecture provided the perfect backdrop, enhancing the timeless beauty of her designs. I aimed to tell a story—one of tradition, craftsmanship, and the deep cultural heritage that inspires her work.

      

    To see more of this project, click here

    Jan Barboglio

    Instagram

    APE contributor Suzanne Sease currently works as a consultant for photographers and illustrators around the world.  She has been involved in the photography and illustration advertising and in-house corporate industry for decades.  After establishing the art-buying department at The Martin Agency, then working for Kaplan-Thaler, Capital One, Best Buy and numerous smaller agencies and companies, she decided to be a consultant in 1999.  Follow her on Instagram



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  • Israelite Jewish Traditional Wedding :: Kenyan Story Photographers

    Israelite Jewish Traditional Wedding :: Kenyan Story Photographers

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    Israelite Jewish Traditional Wedding :: Eden Nairobi Tumbili Road

    Congratulations Yaara & Adam
    Date | 24.07.21
    Location|Eden Nairobi Tumbili Road
    Nairobi Wedding Photographer | Antony Trivet Photography
    Assistant Photographer|Mackin Barasa
    Catering|Baraka Events
    One misconception people have is that destination weddings can be tough to plan, the truth is that planning luxury wedding events doesn’t have to be scary. However, visiting the venue beforehand and maybe having a bit of a hand in the planning to give yourself a photographic advantage may make things a lot easier. And another thing that is absolutely essential is to make sure that you have an amazing wedding planner.

    This wedding was one to remember as it took place at a beautiful venue on a beautiful day! As a wedding photographer based in Nairobi City County for over ten years, we have seen more beautiful wedding venues than we can count! Inevitably, there are a few favorites that stand out from the rest for their excellence. We recently booked a couple who brought us back to one of those favorite locations and a true gem among choices for wedding venues:- Eden Nairobi Tumbili Road. This historic hotel located on Tumbili Road offers a plethora of gorgeous backgrounds which is exactly what we needed for Yaara & Adams’ Israelite Jewish Traditional Wedding.

    Israelite Jewish Traditional Wedding :: Eden Nairobi Tumbili Road

    Israelite Jewish Traditional Wedding :: Eden Nairobi Tumbili Road

    Israelite Jewish Traditional Wedding :: Eden Nairobi Tumbili Road



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  • Looking at Old Photos Makes Us Happier

    Looking at Old Photos Makes Us Happier

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    If doomscrolling through social media has you down in the dumps, then your medicine may be only a snapshot away.

    Looking at old photos increases happiness and reduces anxiety according to a new study called “Frame of Mind.” Fujifilm teamed up with psychologist and mental health expert Dr. Lauren Cook to investigate the cognitive benefits of photography.

    “Photos act as emotional anchors, grounding us in moments of happiness and connection,” said Dr. Cook in a press release. “What we’ve found here is that taking a few minutes a day to look through our photos or snap some pics can be a great form of self-care and bring us more joy than things we’ve turned to in the past like shopping, reading, gardening or even journaling.”

    The notion that reminiscing over old images isn’t super surprising: But the specific data sets do reveal additional benefits including more smiles (64%), reduced anxiety (58%), and uplifted spirits (49%).

    Perhaps most significantly in this digital age, an astonishing 84% of survey takers reported increased satisfaction from choosing to view their old images rather than scrolling through social media apps.

    So next time you’ve got the Instagram ick or the Facebook flu, try flipping through some old photos instead—whether it’s of fish or friends.  

     



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