The Art of the Personal Project is a crucial element to let potential buyers see how you think creatively on your own. I am drawn to personal projects that have an interesting vision or that show something I have never seen before. In this thread, I’ll include a link to each personal project with the artist statement so you can see more of the project. Please note: This thread is not affiliated with any company; I’m just featuring projects that I find. Please DO NOT send me your work. I do not take submissions.
“Dragon” Glen de Souza founded the Dragon Keylemanjahro
School of Art & Culture in Cocorite, a suburb of Port of Spain, the capital of Trinidad and Tobago in 1986. The main purpose of the school is to keep children off the streets and away from drugs. Searching for artistic activities to engage them in, he rediscovered the art of stilt-walking, a tradition known in West Africa as the Moko Jumbies, protectors of the villages and participants in religious ceremonies. The art was brought to Trinidad by the slave trade but was forgotten soon after. Dragon Glen De Souza can be credited with bringing this tradition back to Trinidad and Tobago in a large-scale fashion. Today his school has over 100 members from age 4 and up. The stilts are made by Dragon and his students and can be as high as 12-15 feet. The children show their artistic talents mostly at the annual Carnival (celebrated in Trinidad and Tobago on February 12 and 13), which today is unthinkable without the presence of the Moko Jumbies. A “band” can have up to 80 children on stilts and they have won many of the prestigious prizes and trophies that are awarded by the National Carnival Commission. Designers like Peter Minshall, Brian Mac Farlane and Laura Anderson Barbata create dazzling costumes for the school which are admired by thousands of spectators. Besides stilt-walking the children learn the limbo dance, drumming, fire blowing (often all done on stilts) and how to ride unicycles. Between 1997 and 2004 New York City based photographer Stefan Falke took countless trips to Trinidad and Tobago to work on this essay which resulted in the book “MOKO JUMBIES:
The Dancing Spirits of Trinidad”, published by Pointed Leaf Press.
The images were in the official selection of the photo-journalism festival Visa Pour L’image in Perpignan, France, in 2004. This is the first time they’re exhibited in New York.
Between 1997 and 2004 New York City based photographer
Stefan Falke took countless trips to Trinidad and Tobago to work on this essay which resulted in the book “MOKO JUMBIES: The Dancing Spirits of Trinidad”, published by Pointed Leaf Press. The images were in the official selection of the photo-journalism festival Visa Pour L’image in Perpignan, France, in 2004 and at Deutsches Haus at NYU in New York in 2018.
Stefan Falke is a German born photographer who lives in New York City and works for international magazines, film studios and corporate clients. He has published four books: “MOKOJUMBIES: The Dancing Spirits of Trinidad“, about a stilt walking school in Trinidad, and “LA FRONTERA: Artists alongthe US-Mexican Border“, for which he photographed 200 artists on both sides of the entire 2000 miles long US-Mexico border to document the vibrant cultural activities in that region. His last two books, “Keep Going New York !!” and “ReflectingNew York” where self-published on Blurb.com.
APE contributor Suzanne Seasecurrently works as a consultant for photographers and illustrators around the world. She has been involved in the photography and illustration advertising and in-house corporate industry for decades. After establishing the art-buying department at The
Each month, we pick one of our recent estimates to write about in a Pricing & Negotiating article. Redacting the names of the photographer and client allows us to share valuable and educational information that would otherwise be confidential.
Concept: Portfolio content photography of an architecture and interior design firm’s recently completed restaurant & retail spaces within an airport Licensing: Collateral and Publicity use of up to 15 images in perpetuity Photographer: Architecture & Interiors specialist Client: Large retail space architecture and interior design firm
Summary
I recently helped one of our NYC photographers build an estimate for a good-sized architecture and interior design firm. The firm requested an estimate for photography to document 4 of their soon-to-be-finished spaces within a NYC area airport terminal. The final use of the photography would primarily be web collateral within the firm’s website, publicity efforts, as well as submissions to a few notable design award competitions. When we first began speaking with the client, they let us know that the completion date was about 3 weeks out. Moreover, they informed us that the photographs needed to be taken at night because the restaurants and shops would be open the following day.
The client was very specific with their shot list needs. They would, however, rely on the photographer to accomplish this list in an artistic manner. They also let us know that they would need the final images within 2 days of the shoot date in order to meet their award submission dates. The client would arrange all special permissions for the photographer, crew, and equipment access to the spaces due to our need to work after the airport terminal had closed. We also knew that although our client designed these 4 spaces, they would all be owned and operated by other brands. With this in mind, we attempted to upsell and inquired whether the brands or proprietors might be interested in use of the final work. These potential clients, however, were not interested.
Here is the estimate:
I added a “Client Provisions” note to describe what the client was to provide. For this project, the client would provide locations, all location access and coordination, all location styling and cleaning, all employee/staff coordination, crew meals and craft services.
Fees
I put the Photographer’s fees at $6,500 for the shoot, and licensing of up to 15 images. We understand that the NYC market is very competitive and there are many other photographers in the area that could accomplish this job. The saturated market (unfortunately) put downward pressure on the photographer’s fees. We felt that $6,500 was a fair and competitive fee based on the metropolitan area, client, and the use of up to 15 images. The client offered a budget of “between $10,000-13,000” for the project. Based on the rush retouching fees needed we felt comfortable coming in roughly $1,100 above that.
Crew
We added a First Assistant/Digital Tech at $650/day to help with lighting and camera equipment management, and computer/file management while the photographer was shooting. These fees were consistent with the crew rates on the photographer’s past projects of this nature.
Equipment
We included $750 for camera, lighting, and grip rentals. The photographer brought their own cameras, lenses, and simple lighting. We added $450 for the digital tech workstation rental laptop, cables, etc.
Misc.
We included $240 for insurance coverage. We then added $250 for the anticipated taxis/car services to get to and from the airport, additional meals, and other miscellaneous expenses.
Post-Production
We added $500 for the photographer to perform an initial edit of all the content and delivery to the client. We also included rush retouching rates of $225/hr for an estimated 2 hours per image.
Results
The photographer was awarded the project and the shoot was a success. During the shoot, there were quite a few issues as several of the locations were not totally finished. In order to accomplish some of the wider images, the photographer needed to have their camera placed in a location not closed to the public. Due to this factor, a good amount of additional retouching was needed on the images, which was approved by the client.
The Art of the Personal Project is a crucial element to let potential buyers see how you think creatively on your own. I am drawn to personal projects that have an interesting vision or that show something I have never seen before. In this thread, I’ll include a link to each personal project with the artist statement so you can see more of the project. Please note: This thread is not affiliated with any company; I’m just featuring projects that I find. Please DO NOT send me your work. I do not take submissions.
Working with Jan Barboglio in Mexico was an incredible experience that allowed me to capture the soul of her artistry through my photography, both still and motion. I focused on the rich textures, aged patinas, and intricate details that make her handcrafted ironwork so unique. The warmth of Mexico’s landscapes and historic architecture provided the perfect backdrop, enhancing the timeless beauty of her designs. I aimed to tell a story—one of tradition, craftsmanship, and the deep cultural heritage that inspires her work.
APE contributor Suzanne Sease currently works as a consultant for photographers and illustrators around the world. She has been involved in the photography and illustration advertising and in-house corporate industry for decades. After establishing the art-buying department at The Martin Agency, then working for Kaplan-Thaler, Capital One, Best Buy and numerous smaller agencies and companies, she decided to be a consultant in 1999. Follow her on Instagram
Heidi: This stunning cover image intersects magic, nature, and those who respect her. – tell us the backstory around how you and Kimi met this moment? Perrin: Kimi and I were invited on a bit of a reunion trip with our good friend Edmund Jin, We had all traveled extensively for a few years together and we wanted to revisit some of our adventures. We were about 100 miles from the mouth of Isle Magdaleña. Every year there’s a sardine run that is usually met with striped marlin as the main predatory fish. But this year was a transitional year from El Niño to La Niña, and the ocean seemed to have exploded with a few different types of baitfish and millions of mahi mahi. We swam playfully into the bait balls until that mahi fish crashed into us. At one point a bull mahi caught me right below the eye and now I have the cool little scar to show from that one. Kimi was filling her spearfishing cup and preparing to bring back a bunch of Mahi for Buddy and Turk. I swam over and asked if could shoot this particular baitball. It was a different type of mackerel. This vortex of fish was just so beautifully formed. She swam up through the bait and came out with two fish one in each hand. We laughed so hard I think I drank some saltwater.
How many covers have you two collaborated on? Perrin: This is our second Patagonia cover. I think we’ve gotten close to 15 though in the outdoor space, it’s been a beautiful journey of creating, and ocean time. Patagonia Cover, 2016
BTS of their first Patagonia cover, published in 2016
Nature reigns supreme as the ultimate producer. How do you know when you got the image and not overstay your welcome? Perrin: For this particular situation I think the bait fish were actually incredibly happy to have us. The moment we would swim away the ongoing feeding frenzy would continue. I feel that with my dive buddies and best friends we have language underwater that really doesn’t rely on speaking. it’s mostly hand gestures and facial expressions and occasional underwater grouper calls (a grunting noise that can be heard underwater. As soon as I shot this image I broke the silence communication and just yelled WE GOT IT.
How did this photo come across your desk at Patgonia and ultimately make it as the coveted cover placement? Jenning: I received a text from Kimi post dive saying she and Perrin shot some on point Patagonia photos that she thought I would love. It was a few weeks by the time Perrin got home from Mexico and sent me the submission. Its always a treat when we receive Perrin photos as he is a remarkable underwater photographer and we love all things Kimi. I renmbember excitingly downloading his photo folder, after a quick glance I knew what they (Kimi, Perrin + Mother Nature) managed to create + capture was something special. I shared my top selects with the Patagonia Journal (catalog) team who shared the same thoughts I did that the image set was solid and captured the essence of Patagonia photography. My department manager Heidi Volpe helped secure the coveted journal cover. I emailed Perrin + Kimi and told them to keep the photo on ice for us, since the journal is print the lead times are longer but I was jockeying for some prime real-estate for the bait ball story + images and to please be patient as I pushed photo thru the process to image final.
What does nature tell you about women in the water? Perrin: Women have a special place in the ocean. It’s always interesting the way whales and other cetaceans or even predatory fish that would typically be shy, always seem to swim directly up women in the ocean.
What cues do you tap into when searching for a potential location to free dive? There are a number of factors that play into looking for a new freedive spot. I think the biggest one is the underwater architecture of that location and how the tide affects that location. It’s also seasonal just as surf follows the seasons, so do fish. Everything is timing ( at least for the best spots).
Once you find the spot, what does your prep look like? I like to let people go first and watch the drift. Then work with the captain on how we can improve the angle of the current or the distance from the pinnacle or point of interest. If the current is fast you need a greater distance to breathe up enough before your dive.
How does your creativity differ in these two worlds: immersion in the ocean vs terra firma? Oh I really do my best to do everything in the ocean or around it. I’m not very good at being on dry land for too long. Photo: Nick Kelly
All black and white photos: Katharine Kollman
Photo: Geoff Coombs After so many years in the water, what are the most drastic changes you’ve seen, what can everyday people think about or what behaviors can we change to avoid further ocean impact? I always think about the saying (well you should have seen it in my day). that is usually coming from much older people. I feel that I watched it change drastically from a kid till now and again once I started traveling oceans and revisiting places only a few years later.
Single use plastic is an easy one but also just being conscious of the type of fish you are consuming and where it came from or more importantly how it was caught. The ocean faces challenges that are almost without borders however. I think there needs to be more attention addressing factory fishing and the global fishing fleets that are quite literally emptying the oceans.
You’ve contributed to several films around the ocean as a healer, how did you expand as a creative after working on those two projects? I think my style of work has always leaned towards the darker more mysterious parts of the ocean showing beauty in the shadows and unknown. After working on Learning to Drown and Daughter of the Sea I think the importance of telling these types of stories was just amplified. The ocean helped me through the darkest parts of my life and I hope it can help others as well.
What ocean-based projects are you working on now? We are just going into post production on the story of my friend Vaimiti, Its kinda a surf story but highlighting the cultural similarities and hardships that Hawaiians and Tahitians share through colonization and loss of identity and culture.
The next project is a Freedivers journey through a traumatic brain injury.
The Art of the Personal Project is a crucial element to let potential buyers see how you think creatively on your own. I am drawn to personal projects that have an interesting vision or that show something I have never seen before. In this thread, I’ll include a link to each personal project with the artist statement so you can see more of the project. Please note: This thread is not affiliated with any company; I’m just featuring projects that I find. Please DO NOT send me your work. I do not take submissions.
Throughout my 27 years of freelancing, I’ve constantly needed book projects to maintain my sanity.
Back in October 1999, my talented editor/designer/wife Jodi and I ambitiously published my first photography book, Back on the Farm. It was self-funded and wholly terrifying…but also thrilling. We printed 4,000 copies and I figured that if we could sell them all within 10 years, the book would be a success.
Two months later, the book had sold out and a new side business was born.
Over the next ten years, we published seven more photography books about various South Dakota subjects, including a children’s book written by Jodi, and books about the Missouri River, small towns and World War 2 veterans.
After that furious decade of publishing, our three busy kids needed more of our time and the books took a backseat. But it didn’t take long to realize that these book projects had been my main creative outlet. The freedom that book photography offered was something I sorely missed as my stable of advertising clients grew and my assignment work squeezed out any spare time for book projects.
I’d been photographing western South Dakota for my fine art catalog for years, and I always knew that another book was hiding among those images. I assembled the bones of the book during the pandemic and shot the remaining 60% of the photos between 2020 and 2024.
We published West River in October 2024. The book is a tribute to ranching families and the amazing landscape they inhabit, as well as a few other uniquely western South Dakota tidbits. The title is derived from how the Missouri River splits the state into halves, known by residents as East River and West River.
We are planning to publish East River in late 2027, and it will be an equal-sized companion piece to West River.
With these new book projects to work on, most of my sanity has returned! They’ve been great fun to plan and execute, and in turn I believe these personal projects make my corporate work better
Greg Latza is a freelance photographer based in Sioux Falls, South Dakota. The majority of his work is for agricultural, industrial and energy clients, most notably Tractor Supply Company and Kubota.
Suzanne Sease is a creative consultant and former ad-agency senior art buyer. She works with both emerging and established photographers and illustrators to create cohesive, persuasive presentations that clients can’t resist.
Suzanne offers something rare: an insider’s perspective on how client’s source creative talent. Her deep understanding of the industry is underscored by her impressive resume: 11 years as senior art buyer at The Martin Agency, seven years as an art producer for Capital One, and stints with the art-buying department at Kaplan-Thaler and the creative department at Best Buy, where she applied her expertise to reviewing bids to see which were most likely to come in on budget. Over the years, Suzanne has worked with a wildly diverse range of clients, including Seiko, Wrangler, Bank One, AFLAC, and Clairol Herbal Essence. Now, as a consultant, she is equipped to problem-solve for her clients from an unusually dynamic point of view.
As a longtime member of the photo community, Suzanne is also dedicated to giving back. Through her Art of the Personal Project column on the popular website aphotoeditor.com, she highlights notable personal projects by well-known and up-and-coming photographers. The column offers these artists excellent exposure while reflecting Suzanne’s passion for powerful imagery.
The Art of the Personal Project is a crucial element to let potential buyers see how you think creatively on your own. I am drawn to personal projects that have an interesting vision or that show something I have never seen before. In this thread, I’ll include a link to each personal project with the artist statement so you can see more of the project. Please note: This thread is not affiliated with any company; I’m just featuring projects that I find. Please DO NOT send me your work. I do not take submissions.
My initial basic idea was to stage a play as a photo and collage series.
In terms of content the series is a funky journey through the topics of our times to the outer edges of our collective cultural memory.
Mainly it is a homage to the theatre itself.
However, it has no stringent plot. I try to create constellations and relations between figures, in each image, that are full of tension and contradiction but don’t make a concrete statement – the plot is meant to arise in the viewer’s mind.
In response to recent developments, I embraced an analog approach. I’ve created stages like compositions with aquarelle paintings and populated them with illustrious figures related to each other through collage, like marionettes playing on a theatrical stage.
I draw my inspirations from across art history and various cultural influences. From the theatre, painting, photography and collage art throughout the centuries.
APE contributor Suzanne Sease currently works as a consultant for photographers and illustrators around the world. She has been involved in the photography and illustration advertising and in-house corporate industry for decades. After establishing the art-buying department at The Martin Agency, then working for Kaplan-Thaler, Capital One, Best Buy and numerous smaller agencies and companies, she decided to be a consultant in 1999. Follow her on Instagram
Each month, we explain a recent cost estimate, contract, or purchase order in the form of a Pricing & Negotiating article. By redacting the names of the photographer and the client, we can share useful information that would otherwise be confidential. You can read more about our Image Licensing service on the Consulting Services page of our website.
Concept: Additional licensing for previously shot conference images, including a new set of selects Licensing: Publicity and Collateral use of the original 25 images for an additional 3 years, and Publicity and Collateral use of 7 additional images for 5 years Photographer: Corporate and Portraiture photographer Client: U.S. non-profit healthcare organization Agency: Healthcare communications agency representing the client
A photographer partnered with me to help navigate an image licensing expansion for a recent conference shoot. The client, a non-profit healthcare organization working through a major healthcare communications agency, wanted to expand usage rights for a set of images and license additional selects from the previously photographed event.
Client Request
The original license covered a batch of 25 images from the conference shoot for use on digital, social, conference, and internal platforms – terms that generally fall under what we define as Publicity and Collateral use. The client had previously agreed to $6,900 in creative/licensing fees for this usage, granted for a period of 2 years.
As the client sought to extend the usage of these original images and license new selects from the shoot for a longer timeframe, we also identified an opportunity to improve clarity in the licensing terms. The original agreement did not include a definitions clause for the stated usage categories, and the terms digital, social, conference, and internal felt somewhat open to interpretation.
To address this, we recommended that the photographer adopt clearer and more standardized usage definitions. We updated the language in the new agreement to reflect our recommended terms and included a Definitions section, helping both parties better understand and align on how the images could be used.
The client specifically requested pricing for:
Extended Usage for the Original 25 Images: The client wanted to extend the current usage of the 25 images for an additional 3 years.
Unlimited Usage for the Original 25 Images: The client was also interested in pricing for unlimited, perpetual usage rights for the original 25 images.
New Selects: The client wanted to license additional selects from the conference shoot, requesting them for various usage periods: 2 years, 5 years, and unlimited use in perpetuity.
Proposed Options for Original 25 Images
Keeping the previously agreed-upon fees in mind, we wanted to propose a solution that expanded on the original licensing agreement to meet the client’s needs while ensuring proper compensation for the photographer. To navigate the negotiation, I worked closely with both the photographer and the agency client to craft a pricing structure that was fair and competitive. Here’s the expanded licensing structure we proposed:
Extending Usage for Original 25 Images
We proposed two options for extending the usage of the original 25 images:
Publicity and Collateral use for an additional 3 years: This extension would cover the same usage platforms (originally defined as digital, social, conference, and internal use) for an additional 3 years.
Additional Fees: $4,500 total.
This fee was calculated as a fair percentage of the original licensing cost, considering the multi-year extension and the added value.
Unlimited use of up to 25 images in perpetuity: This option offered the client perpetual, unlimited use of the original 25 images.
Additional Fees: $10,500 total.
Given that unlimited use provides value over an indefinite period, I suggested we propose a fee 2-5 times the original annual fee, offering a flat rate to ensure the photographer’s compensation for indefinite usage.
Proposed Options for Additional Selects
Pricing for Additional Selects from the Conference Shoot
For the new selects, we offered the following usage options and fees:
Publicity and Collateral Use for 2 Years
Fee: $325 per image (plus any additional retouching).
This price was based on the original per-image licensing cost, slightly increased to reflect the extended usage.
Publicity and Collateral Use for 5 Years
Fee: $650 per image (plus any additional retouching).
We scaled the price for the 5-year usage based on a multiple of the 2-year option, maintaining a competitive yet fair fee.
Unlimited Use in Perpetuity
Fee: $1,200 per image (plus any additional retouching).
The price for perpetual use was designed to reflect the value of indefinite usage rights, with a tiered discount offered for multiple images to make the offer more attractive to the client.
Proposed Pricing for Additional Selects with Unlimited Use
To accommodate the client’s interest in licensing additional images with unlimited usage, we proposed a discounted bundle for licensing 15 additional images with unlimited use in perpetuity. The proposed package rate was $12,750, or $850 per image. This offered a significant discount compared to the single image rate of $1,200 per image, encouraging the client to license more images at a reduced rate.
The Outcome
After the negotiations, the final terms and costs were agreed upon:
$4,500: Publicity and Collateral use of the original 25 images for an additional 3 years.
$4,550: Publicity and Collateral use of 7 additional images for 5 years, including basic color correction with delivery of the selects.
Grand Total: $9,050 for the extended image usage duration and additional selects.
The client was able to extend the original licensing agreement for the desired period while also licensing the new selects for an extended term. The photographer was fairly compensated for the additional usage and new images, while the client secured the expanded usage they needed.
Takeaways
Clear, well-defined pricing structures simplified the negotiations while ensuring the creative work was properly valued. By offering flexible licensing options such as time-limited extensions, perpetual use, and multi-image bundles, the photographer met the client’s needs without compromising on value. This transparent approach gave the client control over the decision-making process and allowed them to make informed choices within their budget, encouraged larger purchases, and fostered a fair, collaborative process to meet their needs. Ultimately, it strengthened the working relationship and demonstrated how thoughtful image license pricing can benefit both sides.
Being the country’s first national park and UNESCO World Heritage Site, Banff has a lot in store for visitors. Rocky alpine peaks, azure glacial lakes, a picture-perfect mountain town and village, and picturesque drives- you won’t run out of things to see in the area.
With so many spots to admire, it’s not enough to just visit the park. You have to take home the best Banff National Park photos after your adventure to immortalize the experience.
So, let us start with a cheat sheet on capturing the park’s beauty, particularly its mountains and lakes.
Niv Rozenberg
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1. Two Jack Lake
Two Jack Lake is just 15-minute away from Banff’s town center. Though this lake is not painted with shades of blue, it is still one of Banff’s must-visits. The lake itself is a reflection of what is up above. You will see clouds like feathers floating on the water and be in awe of how the lake changes with the season or weather.
The best time to take a photo in Two Jack Lake is during sunrise and sunset when vibrant colors are at their peak. To capture these photos without being in a hurry, especially in the morning, you can get a Banff campsite at Two Jack Lake. You may get a cotton candy sky at the peak of Mountain Rundle.
2. Lake Louise
Lake Louise is one of the famous spots, which is 61 kilometers away from the town of Banff. This place is jampacked with everything— from the Victoria Glacier, colossal mountain background, down to activities like skiing and hiking. The combination of blue and purple skies beaded with sparkling stars makes it feel like this spot is the closest you can get to outer space.
The months of June through September are ideal for taking photos here. You will be able to see the colors of the area and the thawed lake. If you like a snowy landscape, visit December and March. The most lovely time to explore the lake is from sunrise to midday.
John Lee
3. Peyto Lake
Forty kilometers north of Lake Louise, photographers’ favorite spot, Peyto Lake, is another breathtaking area in Banff National Park. It takes around 10 minutes to trek uphill to the Peyto Lake Lookout. Take note that the viewing platform can get crowded during midsummer.
To avoid getting people-filled photos, arrive in Peyto Lake early in the morning or during the evening of mid-November. Sunsets here are the best and can occur as late as 10 p.m. Another best time to have your camera ready is right after the first snowfall when the place is covered with ivory white ice as the blue lake glitters.
Tip: The place’s name is pronounced as /peya-to/ not /pey-to/.
4. Bow Lake
If you are searching for a place where you and your family can take a family-friendly hike, then we recommend you visit Bow Lake. From June through September is the finest season to see Bow Lake in Banff.
As the lake melts, spring arrives around mid-year and is a fantastic time. The combination of numerous wildflowers and a brilliant blue lake will give you a photocard-worthy snap! In the winter, Bow Lake offers a terrific photo stop along the highway, with an excellent bridge that makes for picture-perfect images.
Chong Wei
Walk close to the small footbridges at the water’s edge, and you will get a glimpse of the stunning lake popping against the snow-covered mountain and orange-blue gradient background. It is better to plan your visit to see a sunset to achieve these for your photos. Also, we suggest you park near the Num Ti Jah lodge.
5. Vermilion Lakes
The Vermillion Lakes is one of the spots where the sun is its most refined. Its last light of the day, sunrise, and golden hour are the must-see moments in this place. It is better to score a space on one of the docks to have the best vantage point.
Kevin Noble
Another Instagrammable click you can get from Vermilion is when you opt for kayaking or canoeing. Try to angle the camera behind you (better if you have a companion to take the photo), grab the paddle, and look at the landscape in front of you.
Not only will you capture a beautiful combination of land and waterscapes but also you may capture the wildlife in the area, particularly muskrats, bald eagles, and beavers.
6. Lake Minnewanka
Lisa Bourgeault
Lake Minnewanka, located near Two Jack Lake, has been used by First Nations Communities for 10,000 years. The lake is 142 meters deep and 21km long, making it one of the largest lakes in Alberta, Canada and the Canadian Rockies. It even provides Banff with hydroelectric power.
Lake Minnewanka is unlike other lakes having their respective signature image spot. It’s a great spot to see and take a picture of the Aurora Borealis because it faces north. Just a pro tip: you need to roam around the place to acquire the best shot.
But, the exciting part is you get to experience a photographic adventure. During winter, you can take a photo on top of the lake ice skating as it freezes. Yet, summer is also a lovely season to visit.
7. Tunnel Mountain
Steve Payne
How could Banff’s tiniest mountain provide so many magnificent vistas of the valley and panoramas of the town? Upon standing on Tunnel Mountain, you will have a vantage point of Mount Rundle and Banff Springs golf course. Do not forget to take a photo of the view in landscape mode to cover, including the clouds hugging the mountain peaks.
Along your hike to the top, do not forget to take a few snaps of the wildflowers along the trail and the trail itself. Remember to look up and capture the gnarly old trees on Tunnel Mountain.
Fun Fact: Did you know Tunnel Mountain has no tunnel? When a projected path for the Canadian Pacific Railway was to be blasted in 1882, the moniker Tunnel Mountain was given. A cheaper alternative route was built around the mountain, but the title Tunnel Mountain stuck.
8. Sulphur Mountain
Sonya Brady
Sulphur Mountain will give you some views you have never seen before. With six stunning mountain ranges and the sweep of the Bow Valley in front of you, your visit will undoubtedly be beautiful.
On top of the Sulphur Mountain gondola, you can take pictures of Banff’s exemplary mountaintop sunsets. Aside from the view, you can also enjoy taking pictures of your scrumptious meal at the top of Sulphur Mountain. It is also lovely to give your Banff national park album a hint of vibrancy from the food. Do not forget to take pictures of the state-of-the-art Above Banff interpretive center.
9. Castle Mountain
Peter Law
Castle Mountain is hard to miss, especially when traveling to the Bow Valley Parkway. The mountain certainly lives up to its name, with its castle-like peaks and characteristics. For the past 30 years, Castle Mountain has been referred to as Mount Eisenhower.
This location is excellently photographed at any time of year. I believe the angle there is excellent when you depart at Castle Junction. When driving from Banff, a highway rest stop right after passing the Redearth turn-off can provide some foreground mountain aspects for beautiful shots.
10. The Three Sisters
Igor Kyryliuk
After a blizzard left a heavy veil of snow on the northern face of all three summits, Albert Rogers named them the Three Nuns in 1883. However, George Dawson renamed them the Three Sisters in 1886, known as Big Sister, Middle Sister, and Little Sister, respectively.
The Three Sisters may be seen from practically anywhere in Canmore. There are, however, specific locations where they are best photographed. The Canmore bridge, located near the public boat launch, is the first. You might be able to photograph some deer crossing the river if you’re lucky.
The second vantage point is along the bike route that connects Canmore’s downtown with the Three Sisters Mountain Village. Another location is in Policemen’s Creek, known for being the photographer’s favorite.
Plan your stay in Banff
Braden Jarvis
Planning your trip well is one significant variable to having the best Banff National park pictures. Having everything organized, especially your accommodation, will prevent you from making rushed visits to every spot. Also, take note of the following:
Banff is open year-round.
Summer is best for hiking, mountain biking, photography, and paddling.
Some mountain landscapes turn more beautiful in winter as the snow veils over their peaks.
Do not forget food and wildlife in your list of picture-worthy ideas aside from mountains and lakes.
“Wow” is an understatement when describing the beauty of Antelope Canyon. Its beautiful and glowing red canyon walls, sleek curves, scalloped rock faces as well as striking light beams can leave you speechless.
Fortunately, you don’t have to be a professional photographer just to get great Antelope Canyon pictures. With your camera, you can actually take great photos of the area.
Keep reading this article for tips on how and where to position your camera to get spectacular shots.
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Antelope Canyon: Interesting Facts
Antelope Canyon
Antelope Slot Canyon is located in Page, Arizona.
It is made up of the Upper and Lower Antelope Canyons. Both canyons are part of the Navajo land in Northern Arizona. The Navajo people are responsible for the care and preservation of the Antelope Canyon.
The formation was created millions of years ago. These canyons were created due to water and wind erosion caused by flash floods in Arizona. Both slot canyons are open for tourists. Oftentimes, when people say Antelope Canyon, they normally refer to the Upper Antelope Canyon.
The Upper Antelope Canyon is more popular than the Lower Antelope Canyon. However, tours for the Lower Antelope Canyon are relatively cheaper. With a Navajo guide, you may visit both slot canyons in one day.
The road leading to the canyons is gated by the Navajo Nation. The Navajo Nation protects its people as well as the canyons. That is why only guided tours with authorized tour guides are allowed entry into the canyon.
As majestic as it is, this natural beauty can cause danger during monsoon season. Rainwater can quickly fill up the canyon which can cause flash flooding due to the canyon’s narrowness. In 1997 a flash flood cost the lives of some tourists.
Because of the 1997 incident, visiting the canyon is only through guided tours. Aside from the issues of safety, only authorized guide tours are permitted entry into the canyon to prevent vandalism and preserve this natural landmark.
If you are planning to visit the canyons, make sure to check the weather conditions on your planned dates. You want to enjoy your trip and bring home great memories and not get stranded on the ledge because of the rain.
The Lower Antelope Canyon
Lower Antelope Canyon
The Lower Antelope Canyon is also called “The Corkscrew” and has a Navajo name “Hazdistazi”. The Navajo name for the Lower Antelope Canyon translates to “spiral rock arches”.
If you like narrow passageways and ladders, you may find the Lower Antelope Canyon to your liking. The canyons here are shallower and lighter in shade than the Upper Antelope Canyon because of their upright V shape.
The Lower Antelope Canyon is located near the Upper Antelope Canyon. Unfortunately, in 2018 tour operators no longer offer general tours and even photography tours.
The Famous Upper Antelope Canyon
Upper Antelope Canyon
The Upper Antelope Canyon is also called “The Crack” and has a Navajo name “Tsé bighánílíní”. The Navajo name for the Upper Canyon translates to “ the place where water runs through cracks”.
It is characterized by high and dark canyon walls, light beams shining down, and falling sand. The Upper Antelope Canyon is somehow shaped like an inverted V. It is narrow at the top while it is wide and passable at the bottom.
Because of its high canyon walls, light beams are easily created when the sun shines at certain angles. The narrow top also makes the canyons look darker and the surrounding atmosphere cooler.
How to Visit Antelope Canyon?
The Antelope Canyon is only open for scheduled tours. You may inquire about tour packages, exclusive deals, and even discount codes from tour companies. It is highly encouraged that you make reservations for tour slots at least three months in advance.
The whole tour usually lasts for 1.5 hours which is inclusive of the travel time and touring the canyon. So many people who want to visit this place. It is not surprising for many want to witness this majestic site up close and personal.
Road to Antelope Canyon
Most tourists flock to Antelope Canyon during summertime. Midday is the most crowded time. Tourists prefer to visit during this time so they can get more great stock photos. If you want to avoid the crowd and take your time taking pictures, you can visit earlier or later in the afternoon.
Tips for Capturing Gorgeous Antelope Canyon Pictures
Both slot canyons are photogenic. However, you can capture more stunning photographs at the Upper Antelope canyon. It is during midday that you can get gorgeous photos of light beams as well as falling sand.
Don’t forget to look up
Tourists Looking Up
When you are on tour with so many tourists, taking great pictures can be challenging. One important piece of advice to get great shots is to look up. The canyons look lovely from that perspective. Also, if you are lucky, you can get gorgeous images of light beams shining down.
Tripods and selfie sticks are prohibited
Only handheld photography is permitted. Unfortunately, handheld photography in the Upper Canyon can be challenging especially after midday because the canyon walls look noticeably darker.
Taking Selfie
As an avid photographer, you will surely be in awe at the lighting conditions in the canyons. At the Upper Antelope Canyon, for instance, you can capture various gorgeous pictures of the sandstone walls changing color throughout the day depending on the sun’s angle.
You may also find yourself wandering about, looking for the perfect shot because there are several compositions you can make. If you hire a Navajo guide, they can bring you into the canyon at the right time for you to capture amazing light beams.
Light beams don’t last long
Antelope Canyon Light Beam
You have to bring in your A-game and capture as many pictures as you can. If you still have time after you take all the necessary shots, you can stare at the majestic view in front of you and absorb it all. Not everyone gets to witness such beauty of nature.
The Antelope Canyon is a great surprise and unique experience if you are an enthusiastic landscape photographer. You take a lot of abstract photographs and the art compositions are limitless. Not everyone will have the same composition. Each photo is unique.
If you get to take shots of a particular spot in the canyon with your preferred lighting condition, the result is magical. You will notice that the contrasts and transitions between cold and hot tones are spectacular.
Depending on the time of day you are inside the canyon, you can capture varying contrasts of purple, red, and orange. If you have an active imagination, you may spot some human or animal formation to capture on a frame.
What Is So Special About Antelope Canyon?
Antelope Canyon is special because of its wave-like canyon walls. These walls change color throughout the day depending on lighting conditions. The sunbeams and falling sand also add to the spectacle of the place. These make Antelope Canyon the most photographed slot canyon in the southwest USA.
If you’re thinking of visiting the area, it is from the end of March until the first weeks of October that you can enjoy Antelope Canyon the most. It is from 11:00 am until 1:30 pm that you can witness the ultimate beauty of the Antelope Canyon, especially the Upper Antelope Canyon.
On average, it can take you 1 to 1.5 hours to walk through Antelope Canyon both Upper and Lower Antelope canyons. You get to traverse a distance of approximately 1,800 meters (1.10 miles) round trip. Walking is easier in the Upper canyon than in the Lower canyon.
Final Thoughts
Beautiful Canyon
Antelope Canyon is one breathtaking and jaw-dropping natural destination. It offers tourists a different kind of experience. This American Southwest is truly amazing. A true gem of the world.
The lines, tones, as well as color separation, are a spectacle to behold. These are perfect elements for an abstract photograph. It is a perfect place for abstract photographers to create their masterpieces and draw design inspiration from.
If you seek thrill and fun, it is best to visit the Lower Antelope Canyon. On the other hand, if you want to take great stock photos, then the Upper Antelope Canyon is your best bet.
Whatever your reasons are for visiting the Antelope Canyon, one common thing stands out from all tourists – the appreciation and gratitude for Mother Nature’s creation. Bring your most trustworthy camera and create priceless memories in Antelope Canyon, Arizona.
A playground for the wealthiest, Monaco is not just one of the most prosperous countries economically speaking. It’s a photogenic country, from luscious green gardens, clustered hills, and magnificent architectural designs to the infamous Mediterranean Sea. This place is way more abundant than money.
With so many good spots, it’s a nice idea to have a list of the very best areas to take your camera out and click its shutter. Below is a list of places where you can take the best Monaco pictures for your gallery.
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Palais du Princes
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Palais du Princes is the official residence of Prince Albert II. The palace is a quick 5-minute stroll through the Rocher lanes or a 10-minute incline hike through the Major ramp for more fit people. The vistas are pretty stunning, so the walk is well worthwhile.
Even though this place is a private residence, it is still open for visitors occasionally. Please take part in the castle tours to learn more about Monaco and the history of its royal family.
During your visit, you can take your Monaco picture of the Mediterranean Sea’s stunning views. Upon entering the residence, there is an Italian-style gallery. The Blue Room is famous for its blue and gold accent silk tapestry.
The best Instagram-worthy you can capture here is the Changing of the Guard at 11:55 in the morning. You do not want to miss this ceremony!
Monaco Grand Prix
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Nobody wants to miss the infamous Grand Prix in Monaco. The Formula One Grand Prix is unquestionably one of the most thrilling sporting events. Monaco’s circuit is one of those that are used for Formula One racing.
On April 14, 1929, the inaugural Formula One Monaco Grand Prix took place. It’s noteworthy that the Monaco Grand Prix is the shortest of all the races (just 3.337km).
Boulevard Albert 1 is where the race begins, and Place du Casino is where it ends. The Automobile Club of Monaco is organizing this competition. Even though the region is exceptionally congested during races, it is worthwhile to visit.
Keep in mind that the Cannes Film Festival takes place in May. Make sure to bring your motion camera to take a photo of the fast-moving automobiles.
Bateau Bus
Another great spot you might want to take your Monaco pictures in is the Bateau Bus. It is a tiny boat where you can sit outside and carry your outdoor camera for some snaps as you look back to Monte Carlo.
By just paying 2 Euros for a trip to Port Hercule, you can have a chance to get a glimpse of some lovely views from the water.
It will only take 3 to 5 minutes to cross the harbor in a fun and exciting way. A day trip would also be best in the evening as the lights glisten while you float on the water.
Musée Oceanographique de Monaco
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Who would have thought there would be a guard watching the oceans for over a century? The Oceanographic Museum, built on the side of Monaco’s fabled Rocher, was established by H.S.H. Prince Albert II of Monaco’s great-great-grandfather Prince Albert I.
It has been keeping an eye on the oceans for more than a century. The Museum has more than 6,000 specimens on exhibit and is known for its global expertise. The architecture of the museum is photo-worthy since it elicits the marine world.
On Wednesdays, you can visit the touch tank and feed the animals there. A light and sound show will also be found in the Whale Room. Prepare your camera because this place needs your unlimited snaps.
Cathédrale de Monaco
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If you have eyes for architecture, then this Monaco picture spot will definitely. The cathedral is situated at 4 Rue Colonel-Bellando-de-Castro. You will be in awe of the intricate details of its facade.
Aside from the Roman-Byzantine architectural design of the building, many notable persons are buried in the area, making it more historic.
Photo Tip: The cathedral is best photographed when the sun directly hits its exterior. The light and shadow play will create more texture for your snap.
Jardin Exotique
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Located at 62 Blvd. du Jardin Exotique, modern Monaco is one of the famous places to visit in this country. Jardin Exotique started receiving visitors in 1933.
The garden encapsulated a lot of species of different varieties from across Latin America, Mexico, and Africa. Any spot here would definitely be beautiful.
The large succulents and cacti will make you feel like you are in Eden of some dessert. Ready your camera and enjoy their Observatory Cave and Anthropology Museum. There are tours available every hour after 10 am.
Jardin de Saint-Martin
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Looking over the Port de Fontvieille, Saint-Martin is one of the photogenic spots in Monaco. You will see how the orange-washed houses contrast with the aquamarine waters of the port.
This place is near the Palace of Justice. To get the best Monaco pictures, try to angle your camera at your back as you glance through the terrace. Make sure to cover the houses and the waters too!
Another garden spot is near the statue of Prince Albert I. There are stairs nearby that the photographer can use as a platform to take the photo at a higher angle. The subject should stand the railings as if it is a balcony overlooking the tall, beautiful buildings across.
Pro Tip: Wear some aesthetic or white pieces of clothing to make your Monaco pictures more pleasing.
The Meditteranean
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Lying from the east and south of Monaco, the Meditteranean Sea is known for its deep blue waters across the globe. Beneath the Museum of Oceanography, you will find a pathway connecting to the marina. I will share with you some not-so-famous spots where you can enjoy the view.
To find this path from Port Hercule, you need to stay by the water. Enjoy the view, and do not forget to take some snaps of the sea! Search for the stone staircase that links you through the rocky beach.
Bridge St Huntsville Movie Theater
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Bridge Street is located at Huntsville Al 35806. It hosts the number one theater in North Alabama. You can enjoy a nice full bar and scene with plenty of food options, and upgrade your movie with their luxurious loungers.
To choose your movies and reserve tickets beforehand, you can go to Cinemark’s official page or site and have your reserved theater seating. To read more of the previous visitors’ reviews, you can go to their Facebook page or find relevant content in other sites.
Other Things Aside From the Eye-Catching Views
There you go; I hope the list of vantage points will help you on your trip to Monaco. Aside from that, there are also some things worth knowing about the place. You will enjoy the following:
The mild climate is terrific!
It is a great place to shop luxuriously
You can get there by helicopter (if you want an epic experience!)
The place will teach you about marine science
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October is the perfect month to visit the place especially when you bring your friends with you. Last but not least, even though Monaco is known for the lavish lifestyle it requires, your travel does not have to be expensive.
There are free museums and viewpoints within the country. Some activities will not cost you a fortune.
However, if you worry about your accommodation, you can stay in a city nearby Monaco. In that way, you can find some affordable places to stay in. Manage your bookings beforehand!
