نویسنده: AliBina

  • SeaLife Announces SportDiver S Underwater Housing for Smartphones

    SeaLife Announces SportDiver S Underwater Housing for Smartphones


    After the runaway success of their SportDiver Ultra housing, SeaLife Cameras has unveiled the SportDiver S, which offers a more-compact form factor along the lines of the original SportDiver. According to SeaLife, the new version of the housing offers compatibility with all current iPhone models, as well as all but the very largest Android smartphones.

    Depth-rated to 100 feet (30 meters)—a little less than the 130-feet (40-meter) rating of the Ultra version—the SportDiver S has similar controls and functionality to its bigger sibling. The housing features the same rectangular port used on the original SportDiver and the SportDiver Ultra, ensuring compatibility with accessories such as their six-inch Wide Angle Dome Lens and 52mm Wide-Angle Dome Lens (via their 67mm-52mm Lens Adapter)

    Like the Ultra, the “S” model boasts the Leak Avoidance System, which features a pre-dive pressure test to ensure the housing is properly sealed before entering the water. Should your waterproof seal be compromised, the system also includes a moisture sensor that activates an on-screen warning. Unlike the Ultra, the new model does not ship with a red color-correction filter. Filters—red, magenta, and yellow—must be purchased separately.

    Available now from retailers such as Backscatter, the SportDiver S costs $300—a full $100 less than the price of the Ultra model.

     



    When purchasing underwater photography equipment like the products mentioned in this article, please support DPG by supporting our retail partner—Backscatter.com.



    PRESS RELEASE

    SeaLife Unveils New SportDiver S Underwater Smartphone Housing

    MOORESTOWN, NJ – SeaLife has introduced the all-new SportDiver S, an underwater smartphone housing designed for divers & snorklers of all abilities. The new compact housing dives to a depth of 100 feet (30 meters) and offers several updates over the original SportDiver model, the new “S” version offers compatibility with all iPhone models including Max sizes, as well as many Android smartphones.

    Engineered for absolute reliability and ease of use, the SportDiver S allows divers and snorkelers to capture stunning photos and videos with their smartphones down to depths of 100 feet (30 meters). Constructed from premium polycarbonate, stainless steel, hard-anodized aluminum, and optical-grade glass, the housing weighs just 22.6 ounces pounds (641 grams) on land while offering almost neutral buoyancy in water, depending on the smartphone used.

    Ergonomically designed for comfortable handling and ease of use, the SportDiver S features a large shutter lever and rear control buttons, enabling effortless operation even while wearing dive gloves. Photographers can expand their creativity by utilizing advanced camera settings such as zoom control, exposure adjustment, auto/manual focus, white balance, lens selection, RAW+JPEG mode, and much more, depending on the phone model.

    The new housing works with the free SportDiver camera app, available for both Android and iOS platforms. The app when combined with the housing, turns a smartphone into a highly capable underwater camera, and easily switches between photo and video modes, harnessing the native camera technology of the smartphone to deliver the high-quality images and videos users have come to expect. Additionally, the app’s power-save mode temporarily turns off the camera and dims the display, conserving battery life while keeping instant accessibility with a single touch.

    The SportDiver S housing uses Bluetooth® Low Energy wireless technology, which automatically connects to the user’s smartphone when opening the SportDiver app. The free SportDiver app is compatible with iPhones and Android smartphones, which are available for free download on the Apple App Store and Google Play Store under the name “SportDiver”.  Unlike most other apps, the SportDiver app does not request your email address or personal information, ensuring your complete privacy.  The SportDiver housing features ultra-low power consumption, powered by two AAA batteries that last over 50 hours of continuous use.

    For enhanced imaging results, three optional removable underwater color-correction filters are available for purchase; Red for restoring natural underwater colors, Magenta for color correction of green water, or Yellow for deep blue water and fluorescent lights. The filters can be attached or removed while submerged and include a safety tether to prevent loss.

    SeaLife also offers optional lenses and a 52mm/67mm lens mount to further expand divers imaging creativity.

    Designed for added lights and versatility, the SportDiver S housing features three 1/4-20 tripod mount options, which allows it to be seamlessly mounted with any standard tripod-threaded light or light tray, such as SeaLife’s own Sea Dragon underwater photo/video lights. For best results, SeaLife recommends using an attached light source when diving with the SportDiver S.

    SportDiver S with Sea Dragon 3000F Color Boost Photo-Video Light

     

    Ensuring maximum protection for the user’s smartphone, the SportDiver S incorporates a sturdy holding spring and rubber grip tabs that securely holds the smartphone in place, providing shock-protection for small and larger phone models.

    Protecting your valuable smartphone remains a top priority. A Leak Avoidance System features a pre-dive pressure test to ensure the housing is airtight and waterproof before entering the water. In addition to the pre-dive pressure test, an internal moisture sensor activates an on-screen warning in the unlikely event the waterproof seal is compromised.

    The SportDiver S features a new interior design that protects sensitive components and electronics from damage in the event water drops accidentally enter the housing when opening the door after diving. The anti-fogging “Moisture Muncher” capsule prevents fogging and internal condensation.

    The housing is sealed with a high-temperature resistant silicone O-ring seal and a robust cam-lock sealing latch, ensuring a secure, waterproof seal.  Extra O-rings and O-ring lubricant are included.

    To ensure compatibility, users should consult SeaLife’s “fit-guide” on the website (www.sealife-cameras.com/sportdiver-compatibility/) or simply scan the QR code provided to determine if their phone model will fit seamlessly into the SportDiver S housing.





    Item Description US Retail
    SL408 SportDiver S Underwater Smartphone Housing $299.95

     




    Included with SeaLife SportDiver S, Model SL408:


    • SportDiver S Underwater Smartphone Housing
    • Three ¼-20 Accessory mounts (for lights, trays & grips)
    • Vacuum pump
    • Rubber Grip Tabs (12x Small, 12x Medium and 12x Large)
    • Spare O-rings (1x Main Seal and Vacuum Check Port O-ring)

     


     


    • O-ring lubricant
    • O-ring removal tool
    • Anti-Glare Strips (3)
    • Moisture Muncher sample pack (1 capsule)
    • AAA alkaline batteries (2)
    • SportDiver EVA Carry Case
    • Wrist lanyard


    For larger smartphones, including Samsung’s range of Galaxy Ultra models and Google’s Pixel range, users can select the deeper diving (130’/40m) SeaLife SportDiver Ultra, which includes a red color-correction filter, seven ¼-20 accessory mounts, and a custom-fit EVA travel case.  All SeaLife SportDiver models function with the same SportDiver app, and adapt to all SportDiver accessories.

    SeaLife’s SportDiver S phone housing will be available worldwide in late April 2025.

    SportDiver S with six-inch Wide Angle Dome Lens

    SportDiver S with Lens Adapter and 52mm Wide-Angle Dome Lens

     

    SportDiver S with Sea Dragon 6000 Color Boost Auto Photo/Video Light Kit





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  • DJI Has Released A Teaser Clip “Spin Your World” Ahead Of Its Product Launch

    DJI Has Released A Teaser Clip “Spin Your World” Ahead Of Its Product Launch


    DJI has been one of the leading manufacturers for high quality drones and they have constantly been innovative and bringing drones into the market that suits every photographer’s needs. Their drones range from beginner’s to professional models and the technologies, hardware used are constantly improved with each new model.

    While a lot of drone professionals have been waiting for this new drone that has been rumoured about, DJI released a new teaser on its channels, which is a very short video clip titled “Spin Your World.” It looks like the drone’s gimbal is capable of rotating, which means it will be a great feature for filmmakers and content creators to capture dramatic aerial footage.

    The released video can be seen below:

    https://www.youtube.com/watch?v=hHYubl5JlRs

    The video released by DJI shows how the drone is capable of capturing more dynamic videos using unique perspectives. The footage on DJI’s social media like X and YouTube, also shows a three camera system which is spherical with “Hasselblad” written on top. The spherical system may allow for more flexibility for the cameras to move sideways, up and down and may come with advanced stabilization features.

    A lot of rumoured information have been flooding online sites and forums about the new drone and its specifications. Followers on social media and especially drone enthusiasts, seem to be very excited about this new technology and predict this drone could be a Mavic 4 Pro following DJI’s Mavic 3 series.

    The new drone seems to have a compact foldable design like its predecessors and may be weighing less than a kilogram. This also means that the drone pilot will need a license to fly the drone in most countries. The product is expected to be launched next week on the 13th of May.

    We have more news for you to read if you are interested at this link here.





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  • Food/Drink Product Photography For A Holiday Campaign – A Photo Editor


    By Andrew Souders, Wonderful Machine

    Each month, we explain a recent cost estimate, contract, or purchase order in the form of a Pricing & Negotiating article. By redacting the names of the photographer and the client, we can share useful information that would otherwise be confidential. You can read more about our Pricing & Negotiating services on the Consulting Services page of our website.

    Concept: Product Photography for a Holiday Campaign in collaboration with a celebrity
    Licensing: Publicity and Collateral use of 4 still photos and 1 animated GIF for 1 year
    Photographer: Still Life/Product and Food/Drink specialist
    Client: Sparkling beverage brand

    Summary

    I recently worked with a photographer to develop an estimate for a holiday-themed product photoshoot for a well-known beverage brand’s collaboration with a high-profile celebrity. The project involved creating still life images of a holiday table centerpiece featuring the client’s product alongside the celebrity’s co-branded food item. We considered the various creative needs, including product shots and lifestyle setups where hands would interact with the product.

    The deliverables included up to four high-resolution still photos and one animated GIF intended for digital PR, social media, and the client’s website, with a one-year global license. The shots were primarily designed for web use, however, there was also the possibility of some print use.

    Fees

    The client provided a shot list outlining key visuals and requested Publicity and Collateral licensing for one year of global use. The creative and licensing fee was set at $5,500 for producing the still images and animated GIF, which we felt was in line with the single shoot day and somewhat limited use. Additionally, we added a pre-production day to help with coordination, studio setup, and creative planning, at a cost of $750.

    Crew

    Though the project’s production requirements were relatively simple, we decided to include the photographer’s preferred assistant to ensure everything ran smoothly. This covered the assistant’s day rates for both the prep/set build day and the shoot day, with a rate of $500 per day, bringing the total to $1,000 for two days.

    Styling

    The creative brief emphasized the importance of some festive styling for the tablescape, which would serve as the backdrop for the products. The photographer took on the basic prop styling, and we included $250 for 5 hours of prop sourcing and $800 to purchase props and décor items. We also brought in a food stylist for two days to ensure the products looked their best on camera. The food stylist was responsible for sourcing supplemental ingredients and food items to complement the products, so we budgeted $2,000 for two days of prep and styling work.

    Casting and Talent

    The brief called for a hand model to interact with the products in several shots, so we budgeted $360 for the hand model’s session, which included a $300 half-day rate and a 20% agency fee. The model’s usage fee for one year of global publicity and collateral use was budgeted at $1,200.

    Locations

    The photographer had a local studio they worked with regularly, so we included one rental day for the set build and one for the shoot. The studio rental was budgeted at $500 per day, bringing the total to $1,000 for both days.

    Equipment

    While the photographer was able to provide most of the necessary gear, we included a supplemental budget of $750 for any extra equipment rentals and their kit of cameras, lenses, lighting, grip, and a workstation.

    Meals

    We allocated $300 to provide light meals for the crew on the shoot day, ensuring everyone had breakfast and lunch.

    Miscellaneous

    We included a $250 budget for miscellaneous expenses to cover any potential additional costs, such as parking and mileage.

    Post-production

    For post-production, we allocated $600 for retouching four images, with each image receiving up to one hour of work at $150 per image. Additionally, we allocated $500 for editing a 15-30-second animated GIF to complement the still images.

    Results

    The photographer was awarded the project, and the shoot is slated to commence before the holidays!

    Follow our Consultants @wonderful_at_work.





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  • Aquarium Builds Retirement Community for Penguins

    Aquarium Builds Retirement Community for Penguins


    By Joe Tepper, March 19, 2025 @ 05:00 PM (EST)
    Source: Boston.com


    It’s easy to dream about retiring to a private island. But the New England Aquarium is making that a reality for its lucky elderly penguin population.  

    The Boston-based aquarium has constructed a new “retirement island” dedicated to its geriatric African penguins. The birds, which range in age from 14 to 34, will receive more attention and care in the separate environment. Additionally, the newly built island boasts all the features the flippered friends may need as they age: flat areas for resting, mats for safety and ramps for mobility.

    “We think of this island like assisted living, where we’re helping the birds be more comfortable in a calmer environment,” Diana Major, the aquarium’s Manager of Penguins, told Boston.com.

    The New England Aquarium’s 150,000-gallon penguin exhibit is regarded as one of the best of its kind—spanning four stories as a centerpiece attraction in downtown Boston. Amazingly, more than half of the penguins have surpassed their expected life expectancy.

    Fortunately, it seems like these penguins have a nice nest egg.

     





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  • Low-Light Portrait, Storytelling Frames and Good Vibes!

    Low-Light Portrait, Storytelling Frames and Good Vibes!


    Welcome to the Light Stalking weekly community wrap-up!

    If you’ve been following these words for the last couple of weeks, you might have noticed the strong duality between light and time when attempting to capture the essence of movement. Curiously enough, the upcoming set, which always matches our current contests, spins around another classic of photographic practice; storytelling in a single frame!

    But what makes such storytelling differ from the regular one? Personally, I see storytelling as the attempt of transmitting a broad story with the aid of visual and written information. However, when thinking about a single frame —capable of telling a story all by itself— things tricky quite fast.

    However, I’ve witnessed a tendency towards thinking that these sorts of images are products of a single serendipitous shot. And to be honest, I blame this a bit on all the hype surrounding the oddly translated title from HCB‘s famous book “The Decisive Moment”. Originally titled in French as Images à la sauvette, which most closely translates to “images on the sly” or “hastily taken images”, this book has sort of aided the false belief that great photographs are those perfectly captured just once on silicon or film.

    This way of thinking builds up the idea that if you don’t capture something perfectly on camera, you are doing it wrong. Or at least I thought of great iconic photographs as that, until I had the life-changing opportunity of coming across contact sheets; that’s when I knew we only get to see the decisive shot from the perspective of the editing board, not the author of the frame.

    For today’s wrap-up, we’ve picked a fine selection of single storytelling frames shared on this week’s challenge. So, without more horsing around, let’s dive into what our talented community shared with us!

    Photo of the Week

    And speaking of sly, if you ever feel the need of illustrating how technology blends with photographic skills to capture sharp images on the run, this one can do a great job! Nocturnal street imagery, is both gorgeous and challenging; and of course, is better enjoyed with fast tools like the ones used on this magnificent — and full manual capture at ISO 1250, 1/400s, ƒ3.5:

    copyright – davidc

    A day in sales!

    Congrats David, the light on this shot is just exquisite and the notorious expression of the subject makes it unique; thanks for sharing such a high quality photograph with us!

    Weekly Photography Challenge Digest

    Thanks again to Diane and Dahlia for pushing our creative boundaries one step forward every week!

    copyright – Robert Apple
    copyright – Michael
    copyright – Wendy P
    copyright – Pat Garrett
    copyright – Pat Garrett
    copyright – davidc
    copyright – Timothy S. Allen
    copyright – Wendy P
    copyright – Patrick
    copyright – Patrick
    copyright – Patrick
    copyright – Frogdaily
    copyright – Robert Apple
    copyright – Tersha
    copyright – Tersha

    To contribute, check out the original challenge post!

    A Highlight on the Latest Activity at our Community

    Rob shared this fantastic non-ai generated image, ergo a stunning photograph!

    copyright – Rob Eyers

    Patrick shared this simple yet effective example of some basic composition understanding:

    copyright – Patrick

    Diane shared a familiar phenomena to all of us light stalkers:

    copyright – Tersha

    Last but not least, Patrick sends us all some nice good vibes

    copyright – Patrick

    Don’t forget to check the photo contest winners for the Essence of Movement; and remember, this month’s photo contest is now open for entries. The theme revolves on “Storytelling in a Single Frame“. Submit your photos for a chance to win $250, and please don’t forget voting as well. Last but not least, keep an eye out for the Members Picks — the instructions are pretty straightforward:

    Members reference what you might consider a five-star photo. Give a call out to the photographer and share their photo even if it lies in the Shark Tank and feel free to give a Critique on why it trips your Trigger. Be sure to mention the photographer and the Thread you saw it in.

    And if you want to make out the most of your LightStalking user account, make sure to check the latest posts. Also, don’t forget to swim the Mobile Monday Challenge! Last but not least, Check out the current reading throwdown, it has some nice insights and recommendations!

    We’d Love To Hear Your Thoughts

    Our Feedback Forum is a fine place for all those people wanting to grow fast as photographers. Here, you’ll get your work reviewed by well-intended photographers, but you’ll also have the chance to comment on the work of others. We believe in the power of feedback, and here are the latest shots shared in the pool:

    The Shark Tank is a great place to learn and to discuss, but please read the instructions in order to get a better experience. Share your comments, opinions and doubts on any or all of the images above. We will also be delighted to see some of your own images. Remember, all comments are given to the photographs; not the photographers. Also, don’t forget to participate in our upcoming challenge!





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  • British Wildlife Photography Awards 2025 Winners Announced

    British Wildlife Photography Awards 2025 Winners Announced


    Winner, Black & White: “Guillemot Kingdom” by Mark Kirkland

     

    The winners of the British Wildlife Photography Awards 2025 have been announced, and Simon Withyman took the overall win with a delightful capture of a fox patrolling the city center of the southern English city of Bristol. The shot, which was one of more than 13,000 other entries, also won the Urban Wildlife category.

    But, of course, there were winning images in other categories that underwater shooters will find particularly interesting. Two underwater images stood out in the Black & White category, for instance: category winner by DPG Photographer of the Week Mark Kirkland and a Highly Commended shot by regular DPG contributor Henley Spiers. In the Coast & Marine category, it was another DPG Photographer of the Week, Nick More, who took the category win. It was great to see underwater shots being recognized in other categories, too, including Habitat and Urban Wildlife.

    To see all the winning images, head over to the British Wildlife Photography Awards website.

     

    Highly Commended, Black & White, “Underwater Flight” by Henley Spiers

     

    Winner, Coast & Marine, “Blue Shark” by Nicholas More

     

    Highly Commended, Coast & Marine, “Crab Ride” by Kirsty Andrews

     

    Runner-up, Habitat, “Hunter, Hunted” by Sandra Stalker

     

    Highly Commended, Habitat, “Catshark” by Henley Spiers

     

    Highly Commended, Urban Wildlife, “Urban Rainbow” by Paul Colley

     





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  • Stefan Falke – A Photo Editor


    The Art of the Personal Project is a crucial element to let potential buyers see how you think creatively on your own.  I am drawn to personal projects that have an interesting vision or that show something I have never seen before.  In this thread, I’ll include a link to each personal project with the artist statement so you can see more of the project. Please note: This thread is not affiliated with any company; I’m just featuring projects that I find.  Please DO NOT send me your work.  I do not take submissions.

    Today’s featured artist:  Stefan Falke

    Moko Jumbies

    “Dragon” Glen de Souza founded the Dragon Keylemanjahro

    School of Art & Culture in Cocorite, a suburb of Port of Spain, the capital of Trinidad and Tobago in 1986. The main purpose of the school is to keep children off the streets and away from drugs. Searching for artistic activities to engage them in, he rediscovered the art of stilt-walking, a tradition known in West Africa as the Moko Jumbies, protectors of the villages and participants in religious ceremonies. The art was brought to Trinidad by the slave trade but was forgotten soon after. Dragon Glen De Souza can be credited with bringing this tradition back to Trinidad and Tobago in a large-scale fashion. Today his school has over 100 members from age 4 and up. The stilts are made by Dragon and his students and can be as high as 12-15 feet. The children show their artistic talents mostly at the annual Carnival (celebrated in Trinidad and Tobago on February 12 and 13), which today is unthinkable without the presence of the Moko Jumbies. A “band” can have up to 80 children on stilts and they have won many of the prestigious prizes and trophies that are awarded by the National Carnival Commission. Designers like Peter Minshall, Brian Mac Farlane and Laura Anderson Barbata create dazzling costumes for the school which are admired by thousands of spectators. Besides stilt-walking the children learn the limbo dance, drumming, fire blowing (often all done on stilts) and how to ride unicycles. Between 1997 and 2004 New York City based photographer Stefan Falke took countless trips to Trinidad and Tobago to work on this essay which resulted in the book “MOKO JUMBIES:

    The Dancing Spirits of Trinidad”, published by Pointed Leaf Press.

    The images were in the official selection of the photo-journalism festival Visa Pour L’image in Perpignan, France, in 2004. This is the first time they’re exhibited in New York.

    Between 1997 and 2004 New York City based photographer

    Stefan Falke took countless trips to Trinidad and Tobago to work on this essay which resulted in the book “MOKO JUMBIES: The Dancing Spirits of Trinidad”, published by Pointed Leaf Press. The images were in the official selection of the photo-journalism festival Visa Pour L’image in Perpignan, France, in 2004 and at Deutsches Haus at NYU in New York in 2018.

    Stefan Falke is a German born photographer who lives in New York City and works for international magazines, film studios and corporate clients. He has published four books: “MOKO JUMBIES: The Dancing Spirits of Trinidad“, about a stilt walking school in Trinidad, and “LA FRONTERA: Artists along the US-Mexican Border“, for which he photographed 200 artists on both sides of the entire 2000 miles long US-Mexico border to document the vibrant cultural activities in that region. His last two books, “Keep Going New York !!” and “Reflecting New York” where self-published on Blurb.com.

    To see more of this project, click here

    Interview

    Instagram

    APE contributor Suzanne Sease currently works as a consultant for photographers and illustrators around the world.  She has been involved in the photography and illustration advertising and in-house corporate industry for decades.  After establishing the art-buying department at The





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  • What Is Product Photography? Types & Meaning

    What Is Product Photography? Types & Meaning


    Product photography is always evolving, and it’s getting tougher to keep up with the latest trends. Your product images are doing more than showcasing an item—they’re selling it. High-quality product photography helps shoppers visualize, trust, and ultimately buy your products.

    Below, look at the definition of product photography, as well as best practices and examples to inspire your own.

    What is product photography?

    Product photography is the art of capturing images of goods for sale. These images are used in ecommerce stores, ads, packaging, and catalogs to highlight product features and inspire confidence in buyers.

    Also known as commercial product photography, it includes everything from simple white background shots to stylized lifestyle images. The goal is to help potential buyers understand, desire, and trust your product—visually.

    Hand holding Maui Moisture Bamboo Fibers Shampoo bottle with greenery and a second bottle in the background

    While traditional product photography uses cameras, some brands also use 3D renderings that mimic real photos. These can be effective, though purists argue that only real-camera images count as true product photography.

    Comprehensive Cranium Care, a brand of “hair” products for bald people, outsources its 3D renders.

    Types of product photography

    Product photography is a type of object photography and a type of advertising photography, but you can get even more granular:

    White background

    White background photos are the ones you see on ecommerce marketplaces like Amazon, AliExpress, and eBay. They may have individual product photos or white background shots that feature multiple images. This is arguably the most common product photo type you’ll see.

    Composite image showcasing white background product photography: a rustic wooden chair, a silver candy bar packaging mockup, and brown leather high-heeled boots—demonstrating clean, ecommerce-ready visuals commonly used on marketplaces like Amazon and eBay.

    360-degree

    360-degree photography captures a product from every angle, letting shoppers rotate and view it interactively—almost like holding it in their hands. These image sets are often stitched together with special software to create a seamless, scrollable experience on ecommerce sites.

    This is what professional photographer Eric of CiReC 360° specializes in. He relies heavily on Path for outsourced photo edits because each “image” is actually a series of several images, and the edits must be perfect across all shots. 

    Blue winter jacket with yellow accents shown in 360-degree product photography setup with editing software

    Lifestyle shots

    Lifestyle shots are photos that feature people using the product in a real-world setting. These tell a story and help shoppers imagine themselves with your product.

    Close-up of Youth To The People superfood serum bottle placed on a desk with accessories.

    Contextual

    Contextual photos are similar to lifestyle photography, but they may not feature people. These show the product in its natural environment (e.g., barstools in a kitchen, a yoga mat in a studio).

    Bright and modern kitchen interior with white cabinets and wood accents.

    Scale shots

    Scale shots are product photos that give a frame of reference so people can envision how big the products are. While product specs and dimensions are descriptive, sometimes shoppers need an image to see how big or small it is in comparison to common objects.

    Hands holding a white teacup with Art Deco gold accents on a matching saucer, highlighting product detail.

    Detail

    Detailed product shots are close-ups that highlight materials, textures, or small design elements. They’re crucial for luxury, beauty, apparel, or any product where touch and feel are important.

    Composite image of detailed product photography featuring close-up shots: a blue Nike sneaker highlighting fabric and stitching, a flat lay of handcrafted leather cardholders with visible textures and seams, and a brass fish-shaped keychain on a leather bag—showcasing material quality and intricate design elements for luxury and fashion products.

    Group

    Group product shots feature multiple items. Typically, these products are related in some way. You might bundle them together as a promotion, or feature the same item in different products. 

    Group product shot featuring three folded socks with blank labels beside open cardboard packaging, and a lineup of five artisanal soap bars on a marble surface—illustrating bundle photography for retail, ecommerce, or promotional product listings.

    Flat lay

    Flat lay photos are taken from a bird’s eye view. The bird’s-eye view photos show products arranged on a flat surface. These are perfect for social media and allow for creative storytelling through layout.

    Flat lay image combining beige high-heeled shoes arranged on a white background and a minimalist workspace setup with a white keyboard, notebook, pen, and Apple mouse on a soft pink backdrop—ideal for ecommerce, fashion, and lifestyle branding.

    Packaging

    Packaging product photos are the images that go on the box, bag, label, or whatever packaging holds your merchandise. These photos are important because they appeal to in-person shoppers. It’s especially important to consider this if the packaging hides the product, which you commonly see with food and beauty items. 

    Side-by-side product packaging photo featuring a close-up of Ben & Jerry’s Salted Caramel Almond ice cream container with condensation, and multiple berry-themed boxes of Pireti Berry White eye serum on a pink background—ideal for showcasing food and beauty packaging design for ecommerce.

    User-generated

    User-generated content (UGC) includes product photos taken by anyone other than your brand or employees. These photos are typically shared on social media, so you can repost or feature the content on your own website as a form of social proof. UGC product photography isn’t ideal as your main photo, but it’s a great complement to your product pages.

    Skincare brand Topicals has a carousel of UGC photos at the bottom of its website. It shows authenticity and social proof of its products.

    Before and after images of acne scar reduction using Topicals Faded Serum, showing visible skin improvement.

    How do you take product photos?

    While the art of product photography requires much more than a single article (there are courses listed below!), the high level process is as follows:

    1. Plan the shoot

    Define your shot list, goals, locations, and props. Know what you’re capturing and why.

    2. Set up your space

    Use natural light when possible or invest in lighting kits and reflectors. Use a white backdrop for standard product shots.

    3. Stabilize your camera

    Use a tripod for sharp, consistent angles—especially for ecommerce listings.

    4. Shoot multiple angles

    Show your product from the front, back, side, top, and bottom. Include close-ups and contextual shots where applicable.

    5. Edit your photos

    Adjust lighting, color balance, and crop. Remove backgrounds or retouch imperfections. If you’re not a pro editor, outsource this step.

    What equipment do you need for product photography?

    For product photography, all you really need is a smartphone camera. But for high-quality shots that convert shoppers, you’ll want a dSLR or mirrorless camera and 50 mm lens as the bare minimum. 

    Here’s a general overview: 

    Beginner (DIY at home):

    • Smartphone with high-res camera
    • Natural lighting near a window
    • White poster board or sweep background
    • Free editing tools (Snapseed, Lightroom Mobile)

    Intermediate:

    • DSLR or mirrorless camera (50mm lens recommended)
    • Tripod and remote shutter
    • Lightbox or softbox lighting kit
    • Reflectors and diffusers

    Pro-level / studio setup:

    • Macro or tilt-shift lenses
    • Studio lighting with modifiers
    • Professional backdrops or sweep tables
    • Grip gear (c-stands, clamps)
    • Pro editing software (Photoshop, Capture One)

    Tips and best practices for better ecommerce photos

    While your product photos should reflect your unique brand and appeal to your specific target audience, there are a few universal truths and best practices:

    Get the gear

    While smartphone photos may work for social posts or email, you want high-quality photos for main product pages. Invest in a high-quality camera and lens or hire a professional who has their own equipment to shoot your photos for you.

    Choose your background wisely

    Some ecommerce marketplaces require plain white backgrounds, and if you’re shooting for other channels you have more leeway. Whatever the background, it should reflect the aesthetic you’re after while keeping the focus on the product.

    Think about the context

    Consider the context for your products and for your shoppers. It’s important to show the product in use, using models and contextual backgrounds and props. But it’s also important to consider the context in which your shoppers are viewing the photos. If they’re on mobile (they likely are), offer zoomed-in shots and closeups of important product features.

    Maximize your investment

    Shoot with repurposing in mind. Professional product photos are a significant investment, and you want to make the most of it. Think about using your product photos on more than just ecommerce pages, but also in digital marketing and ad campaigns, on social media, in emails, and for labeling or packaging.

    Leverage symmetry for a premium feel

    Symmetry isn’t just pleasing to the eye—it can instantly elevate the perceived value of your product. For items with naturally balanced design elements (like cosmetics, shoes, tech, or jewelry), a symmetrical composition reinforces order, precision, and quality. Center the product, align key features, and shoot head-on for maximum effect. When used intentionally, symmetry creates a polished, editorial-style aesthetic that feels high-end and trustworthy.

    Remember the details

    It’s always important to edit your photos afterwards, no matter how great the original shot is. You may have to fix imperfections that have the potential to distract potential buyers and negatively impact conversions.

    Outsource the tedious bits

    Lots of photo edits, like background removal and color changes, are so detail-oriented and time-consuming. It can take an entire day just to edit a small batch of photos. If you find your time is bogged down with post-processing, consider outsourcing the edits. Be wary of any providers that use automation and AI, as they run the risk of imperfections the human eye won’t miss.

    Enjoy it

    At the end of the day, it’s important to have fun. Even though you have constraints on what you can do with the images, you can still get creative with it. Use outsourcing and other ways to take some of the stress out of your day to day so you can find your passion and get back to the work you love. 

    Enlist your dedicated virtual photo-editing team of designers who complete every edit by hand

    Enlist your dedicated virtual photo-editing team of designers who complete every edit by hand

    3 product photography examples

    Looking for some inspiration from real-world brands with compelling product photos that can inspire your own visuals? Here are three examples:

    1. Grounded Plants

    Three artificial indoor plants: banana leaf, fiddle leaf fig, and monstera in black pots on a gray background.

    The Grounded Plants brand has such a distinct look and feel, and the product photos are a continuation of that. The backgrounds are plain so not distracting but interesting enough to fit with its overall aesthetic. Plus, variety breaks up the monotony of a single hue.

    2. Otherland

    Assorted Otherland candles in various designs and colors, perfect for creating a cozy ambiance.

    Candle brand Otherland has a creative touch to its product photo backgrounds. It stages shots of its candles with fun props and backgrounds to evoke different moods for each candle.

    3. SOKO

    Close-up of model showcasing statement rings, threader earrings, and layered necklace from a luxury jewelry collection.

    SOKO sells jewelry that was handcrafted with sustainable materials in Nairobi, Kenya, so the magic is in the details. And the details aren’t lost when it comes to its product photos. The perfect mix of white background, detailed, and lifestyle shots, SOKO’s photos are as beautiful as the designs themselves.

    Product photography courses

    There are tons of product photography courses out there—ranging from beginners to advanced, and many specializing in specific niches.

    Here are some product photography courses worth checking out:

    • Product Photography for Ecommerce, Shopify Academy (free): Learn how to take product photos to sell online, including white background shots, home studio setup, and step-by-step process to outsourcing. 
    • Product Photography at Home, Craftsy ($29.99): Professional photographer and small-business owner Jessica Marquez leads the course. You’ll learn how to create tabletop setups for product shoots, including lighting, backgrounds, working with models, and post-production.
    • Shoot Products Like a Pro, Phil Stills (£197): 13 short modules take you through everything from lighting and studio setup to white backgrounds and cut-outs. You can try the first two modules for free.
    • Mobile Product Photography Class, Weebly (free): This product photography course shows you how to capture shots with your smartphone. The course is from 2017, so while some of the tactics may be outdated, a lot of the principles still apply.
    • Still Life Photography, UCLA Extension (?): Learn lighting and camera techniques, food and product photography, and basic Photoshop edits. This course is only available at certain times, so check back for enrollment information and updates.
    • Rachel Kimberley, virtual: This professional photographer has various photography courses on her website, including courses for flat lays, makers, lifestyle, and product styling. 

    13 product photography statistics

    Below are some recent product photography statistics, studies, and surveys to keep your finger on the pulse:

    1. The ecommerce photography market is worth $1 billion

    Globally, the ecommerce product photography market is estimated to be worth $1 billion in 2024. It’s predicted to grow to $2 billion by 2033, with an annual growth rate of about 8%.

    2. People process images in just 13 milliseconds

    One MIT University study found that the human brain can process images after viewing them for just 13 milliseconds. That means they can process a product image just as quickly. Your product photos play a huge role in the first impression, so it’s important they’re high-quality.

    3. People can recall 2,000+ images with 90% accuracy

    One 2013 study showed people 2,560 photographs for a period of just 1 second. After viewing all the images, they tested the participants’ memory recognition. The participants were able to recall more than 2,000 images with at least 90% accuracy, even after a period of three days.

    4. On a scale of 1 to 10 for difficulty, marketers rate producing visual content a 7

    In one survey from Venngage, marketers were given the option to rank the difficulty of consistently producing visual brand content, with 1 being the least difficult and 10 being the most difficult. On average, marketers ranked this task a 7. 

    5. Nearly half of marketers put 20–50% of their budget into visual content creation

    In that same Venngage survey, marketers were asked about their marketing budgets. Nearly half (45.7%) said they put anywhere between 20% and 50% of their budget towards creating visual content. This is likely to increase—there was a 9.5% increase in marketers planning to put at least half of their budget towards visual content production by the end of 2024.

    6. The photo printing market is worth more than $15 billion

    Globally, the photo printing and merchandise market is worth more than $15 billion. It’s forecasted to grow at a CAGR of more than 5%. By 2027, it’s estimated to be worth more than $20 billion.

    The following list shows the most-ordered printed photo products in 2023, from most to least:

    • Prints
    • Frames for wall decor
    • Frames for table/desk
    • Mugs
    • Photo Cards
    • Calendar
    • Clock
    • Albums
    • Puzzle
    • Notebooks
    • Canvas, banners, and signs

    8. 9 camera companies dominate the global market

    The Global Digital Cameras Market Recent Trends, In-depth Analysis, Size and Forecast To 2027 notes nine top camera companies in the world:

    • Canon
    • Nikon
    • Sony
    • Pentax
    • Olympus
    • Fujifilm
    • Casio
    • Panasonic
    • Samsung

    9. 53% of businesses want to try AI image generators

    AI product photography and editing is a trending topic. While the technology is far from perfect, more than half of businesses would like to experiment with using AI image generators, according to a survey from Semrush.

    10. Ice Cream Castles shortened their photo-editing workflow from 7 days to 1 day

    Children’s clothing brand Ice Cream Castles used to take an entire week to edit product photos before they were ready to use them. This took too much time they could’ve spent growing and improving the business—doing the things they love. They started outsourcing their edits and shortened photo edit turnaround time from 7 days to just 1 day

    Comparison chart showing reduced photo editing time and cost, from 37 hours to 6 hours and under $1 per image.

    11. Formkraft took 5 days to shoot photos for their new website

    Photography Prodoto shot product images for Formkraft’s new website that sells a range of merchandise and consumables. The shoot took five days and shot initial concepts for 18 Master Category images and four additional website banner images. It takes time to get high-quality shots!

    12. Medalia paintings convert at 17% when they feature artist photos

    A/B testing tool VWO’s customer Medalia sells Cuban and Haitian art online. They ran an experiment to see if featuring artist photos as well as product photos would boost conversions. It did. Products that featured artists converted 17.2% of the time compared to 8.8% without.

    13. More than half of photographers start out as hobbyists

    According to one survey, slightly more than 50% of photographers get their start with photography as a hobby. 

    Infographic by Aftershoot showing how photographers began their careers, with over 50% starting as a childhood hobby and others citing creative studies, career transitions, or life events.

    Now it’s time to edit your product photography

    You don’t have to do it all yourself. Outsourcing your edits can help you launch faster, stay consistent, and focus on the big picture.

    Path gives you a team of expert retouchers who complete every photo edit by hand—no AI, no cut corners. Just pixel-perfect images that convert.

    Wish you could just hand this over to a pro? Surprise, you can.

    Simple pricing for stress-free, pixel-perfect photo edits tailored to your needs.

    Product photography FAQs

    What is needed for product photography?

    • Camera
    • Lenses
    • Lighting
    • Tripod
    • Background
    • Reflectors and diffusers
    • Editing software
    • Props

    What is the meaning of product photography?

    Product photography is a subcategory of commercial photography that focuses on capturing high-quality images of products for marketing and promotional purposes. The images are used in advertisements, websites, catalogs, and other marketing materials to showcase the product in the best possible light.

    What is the idea of product photography?

    The idea of product photography is to give potential buyers a full impression of a product. In ecommerce, it essentially replaces the in-person product experience a shopper would have in-store.

    What is the role of product photography?

    The role of product photography is to help shoppers better understand the products they intend to purchase. It should showcase the product, build trust, enhance the brand image, boost sales, and ultimately reduce returns.

    What is object photography?

    Object photography is when you take a photo of an inanimate item. As such, product photography is technically a form of object photography—unless the product is living, like a succulent. In object photography, items are typically non-moving, or still.



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  • Sony and Canon Tease Upcoming Camera Announcements

    Sony and Canon Tease Upcoming Camera Announcements



    Camera conspiracy theorists unite: Both Sony and Canon are teasing camera releases on March 26th with mysterious clues.

    Starting off with Sony, the company released a teaser-trailer-style clip of a veiled new camera model. There’s not much to go on, but eagle-eyed viewers have spied a button labeled “5” as well as a 3.5mm jack.

    Combined with the “Go small, shoot big” catch phrase, speculation centers on the announcement of a new cinema-style camera—something similar to the Sony FX6. Other guesses in the video comment section include a long-awaited update to the Sony a6700.

     


    For its part, Canon is also contributing to the rumor wheel with an Instagram post glimpse at two new camera models. Shrouded in shadow and only labeled with “V,” it seems likely that the cameras will fall into Canon’s new Powershot V1 “vlogging” compact cameras.

    Canon recently debuted the Powershot V1 at the CP+ show in Japan to much buzz. It’s a pivot in the company’s compact lineup with trendy vloggers in mind—featuring a 16–50mm equivalent f/2.8–4.5 lens and 4K/60p shooting mode.

    Set the countdown to March 26th…





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  • YouTube Trying Out AI-Generated Video Search Results

    YouTube Trying Out AI-Generated Video Search Results


    YouTube is pioneering a novel way to search video uploads and it could fundamentally change how we use the platform.

    turned on iMac and Apple Magic Keyboard and mouse on table
    Turned on iMac and Apple Magic Keyboard and mouse on table. Photo by Jakob Owens

    And, naturally, it involves everyone’s favorite buzzword these days: AI. 

    Described by PetaPixel in much the same way that Google provides previews for search engine results, Alphabet’s YouTube is looking into having AI specifically take clips from videos that match your search results in a similar preview format. 

    In other words, it will help you cut to the chase and find exactly what you’re looking for, where, and when in a YouTube video. No more searching, waiting, and going through multiple advertisements to get what you need.

    It sounds like a pretty neat feature and, initially, it’s going to be limited to a few niche subjects such as travel and shopping, the website quotes YouTube brass. 

    That makes sense because those are both very lucrative areas for companies and content creators and it is also one where very specific, timely information makes the most sense. 

    If it works out here, we could see it expanding to other search results.

    One thing that comes to mind, however, is that often you will find yourself watching ads and various other monetization clips when digging through YouTube videos to find what you need. While that is a pain, it helps the creators of the content make money and, ostensibly, create more useful content. How will that system fare once everything is being quick clipped by AI remains to be seen but, if anything, hopefully it eliminates the overly long content that does nothing but generate clicks. 

    Any thoughts you might have on this somewhat novel idea are welcome in the comments. 

    We have some other news for you to read at this link.





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