نویسنده: AliBina

  • The Photo Hustle – There Is No Magic Formula – A Photo Editor


    This is an excerpt from The Photo Hustle by Karen Williams Buy your copy here: https://store.mangopublishinggroup.com/products/the-photo-hustle-1

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    If you picked up this book, I’m betting you love photography enough to pursue a career in it, but you have no idea where to start. That’s where I come in. I want to be the resource and mentor I never had, so you don’t have to learn the hard way. I’ll be sharing the insider secrets of the photography industry that they don’t teach you in school. Because combining your passion for photography with a career can get a little messy. Being a great photographer is only half the battle. To thrive in this industry, you need to be a savvy entrepreneur, too. And that’s why I took it upon myself to fill in this much-needed gap. Instead of hoping things will change, it’s time we take control of our careers—and I’m here to help you do just that. This book will equip you with everything you need to know for a successful photography career. But you have to show up and put in the work.

    The photo hustle is real. These days, it’s not enough to have talent. You have to know the industry—and it’s a tough one to break into. Most photography schools and workshops don’t teach you how to run a successful business. Rather, they focus on the latest gear and techniques. They’ll teach you about posing, directing clients, composition, and lighting. They’ll show you all the pretty editing tricks and how to set up a shot.

    But actual business skills? That stuff rarely gets taught in the photography world. Marketing and branding? Not in most curricula. Sales and pricing strategies? I don’t think so. Client experience and retention? Doubtful. Financial planning and management? I’m not seeing it. Most photographers are expected to figure it out on their own, often through trial and error. But in reality, most photographers were never prepared for the “photo hustle” that exists on the flip side of their passion… I know I wasn’t.

    Listen, I know you have the passion. I know you’ve dedicated your time to your craft. And I know you’re ready to get out there and share it with the world. Yes, photography is a tough road. But if you stick it out, get up when you get knocked down, and keep going, you can succeed. Keep pushing, keep creating, and keep capturing life through your lens. The world is waiting to see your visual eye.

    There is no magic formula for making it in photography. If you’re hoping for a perfect path to success from Point A to Point B, I’m sorry to be the one to break it to you—it just doesn’t exist. No two photographers fall into success in the same way.

    “I’ve done everything right, but nothing is working. How do I get in?”

    It’s a question I get almost daily, but this time it came from a friend—let’s call her Michelle—over coffee. Michelle, an incredibly gifted photographer, had been struggling. Two years out of photography school, and she hadn’t landed her dream gigs…or anything close to them. Instead, she was building a business photographing families and pets. She was good—damn good—but it wasn’t her dream. Like so many photographers I talk to every day, Michelle had talent and drive, but couldn’t break into the industry. So, what gives?

    I told Michelle what I tell all photographers: the industry has secrets they don’t want you to know. No matter how good you are or how many boxes you check, breaking in is tough. And if you don’t know what I’m going to share with you on these pages, then your chances of getting in are just as slim. Some photographers make it by luck, some hustle, and some are “discovered.” But believe me, there’s no perfect path, no magic formula—just straight talent and lots (and lots) of hustle.

    When I was studying for my BFA, my dream was to shoot the cover of Rolling Stone magazine. That dream was shaken when, in September 2023, the president and founder Jan Wenner dismissed Black and female artists as not “articulate enough” for his book The Masters, a collection of interviews with rock’s greatest.2 His words hit hard, sparking the same frustration I felt following the George Floyd tragedy and the hollow promises made in light of his death. After fifteen years in the industry, I had become accustomed to being one of the few Black people on set, and I began to question why so many talented, hard-working photographers of all kinds were being sidelined. The answer is simple: the industry keeps a lot of information locked away. And I had become a part of the industry-wide gatekeeping that I hated so much. This book is the product of my determination to change that.

    Spoiler alert: I’m not a professional photographer—I’m the person behind the scenes, hiring photographers, shaping art direction, and building brand stories big and small. I’m living my dream as a photo editor. Over the last fifteen years, I’ve had the opportunity to work for WIRED, Southern Living, Netflix, AARP, MasterClass, Square, and San Francisco Magazine. But the journey wasn’t easy—I faced a ton of job rejections that nearly shattered my confidence. But I refused to let them break me down—I chose not to let others dictate my worth or my future in the field. So, I took matters into my own hands and hustled hard for years. I even changed jobs fourteen times in sixteen years, transforming each of my setbacks into an opportunity to learn, grow, and improve my craft. My journey of hustle and hard work led me to where I am today. I even founded my company, Black Visual Queen, to change the industry and help photographers like you find their path to success in this highly gate-kept arena, where opportunities are often so elusive.

    First, a word of warning: this is a tough industry, and brand photography isn’t for everyone. The road to that dream is a long one, paved with hustle, hard work, and lots (and lots) of rejection. But since you’re reading this book, I’m willing to bet that knowing this doesn’t deter you. You’re one of the photographers who have the determination to work with prestigious, big-name clients, and you’re not ready to throw in the towel on your dream just yet. If this is you, then listen up, because I’m going to teach you everything you need to know about the photo hustle—and how to get in. The photo industry is not just reserved for the elite; it’s for anyone willing to do the work. All you need is a little tenacity, talent (which you have), and the tips and tricks I’m going to spill in this book.

    Through the years, I’ve seen top photographers ready to quit, exhausted by fierce competition and overwhelmed by technology. Many don’t know how to market themselves. So, if you’re frustrated by rejections, ghosting, or “we’ll keep your name on file” responses, just keep going. Keep hustling, keep honing your craft. The challenges are real, but don’t let them extinguish your passion. Embrace your uniqueness, stay motivated, and don’t fall into the comparison trap. Photography is rewarding, and the world is waiting to see your unique perspective.

    In the following pages, you’ll learn everything photography school didn’t teach you and all the industry secrets the insiders don’t share. This is the book I wish I’d had back when I was starting out in photography: the tell-all (well, maybe not all—I’ve signed a lot of non-disclosure agreements!) about the photography biz, especially for editorial and brand work.

    The book is split into two parts. Part 1 covers how to get in the room—in other words, how to break into the industry, how to pitch, how to market yourself, handle finances, and land the gig. We’ll be diving into your “why” as a photographer because knowing that helps you make the next right decision.

    Part 2 explains what to do once you’re hired—how to navigate estimates, contracts, agents, photoshoot etiquette, avoid the dreaded blacklist (yes, it’s real), and how to redeem yourself if you find yourself on it.

    Consider this book your trusted mentor. I want this to be the book you reach for when you land the gig and have no idea what an estimate looks like or what to watch out for in a contract. I want you to take this everywhere with you. Carry it in your purse. Stow it in your camera bag. Use it as a resource to help you navigate the tough business side of photography. By the end, I want you to feel encouraged, equipped, and confident to build the successful photography career you’ve always dreamed of.

    Ready to find your “magic formula?” Let’s dive in.





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  • 12th Annual Photo Competition for UN World Oceans Day

    12th Annual Photo Competition for UN World Oceans Day


    © Viktor Lyagushkin (Georgia). Ocean Critters – Winner (2022)

     

    DPG is pleased to announce the opening of the 12th annual Photo Competition for UN World Oceans Day, surrounding the 2025 theme, “Wonder: Sustaining What Sustains Us.” Complementing the UN’s World Oceans Day celebration preceding the UN Ocean Conference in Nice, France, this year’s competition draws on the power of the arts to expand our perspectives and appreciation for our blue planet, and ignite a wave of action towards necessary change.

    The 2025 Photo Competition for UN World Oceans Day is a free and open-to-the-public competition coordinated in collaboration between the United Nations Division for Ocean Affairs and the Law of the Sea, DPG, Oceanic Global, the Intergovernmental Oceanographic Commission of UNESCO, and Nausicaá. The 12th annual competition presents a unique opportunity for photographers to showcase the immense breadth and depth of the ocean’s beauty as well as to shed light on the lesser-known promise and potential brimming beneath its waves. The following four categories are now open for submissions:

    1. Wonder: Sustaining What Sustains Us
    2. Big and Small Underwater Faces
    3. Underwater Seascapes
    4. Above Water Seascapes

    Winners will be announced on UN World Oceans Day, June 8th—this year celebrated in Nice—hosted by the Division for Ocean Affairs and the Law of the Sea, in partnership with Oceanic Global, and published on DPG shortly afterwards.

    Since its inception, the annual competition has been curated by underwater photographer Ellen Cuylaerts and judged by a jury of renowned photographers. This year is no exception, with the 2025 jury comprising underwater photographer Ipah Uid Lynn (Malaysia), underwater photographer William Tan (Singapore), wildlife photographer Vanessa Mignon (France), and underwater photographer Marcello Di Francesco (Italy). For further details about submissions, including category descriptions, contest rules, judges, and more, click below.

     


    All entries must be submitted by April 6th, 2025 at 11:59pm Eastern Standard Time (EST).

     



    About United Nations World Oceans Day

    Since its inception in 2008, United Nations World Oceans Day (UN WOD) has celebrated the ocean and its importance to the planet and our lives, while raising awareness about the many threats it faces. As the challenges to the ocean continue to grow, so does the need to understand and mobilize globally. In celebration of the 2024 theme, “Awaken New Depths,” the United Nations is joining forces with decision makers, scientists, private sector executives, civil society representatives, indigenous communities, celebrities and youth activists and more, to put the ocean first. The annual UN World Oceans Day celebration is hosted by the Division for Ocean Affairs and the Law of the Sea, and has been made possible by the generous contribution of Oceanic Global since 2019. For more information visit www.UNWorldOceansDay.org.





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  • Kraken Sports Unveils KR-S40 Entry-Level Strobe

    Kraken Sports Unveils KR-S40 Entry-Level Strobe


    After introducing the KR-S160 and KR-S80—boasting 160Ws and 80Ws of power, respectively—Kraken Sports has announced a new entry-level strobe, the KR-S40, offering an output of 40Ws (guide number 16). More compact than its more-powerful siblings, the KR-S40 features the same aluminum construction, optical triggering and remote controllability, but a straight flash tube rather than a circular one.

    Strobe power can be adjusted manually using the big rear dial (five levels), but there’s no TTL automatic exposure option. Unlike its siblings, the new strobe has no dual function as a video light, but there’s a 500-lumen target light built in. According to Kraken, the strobe recycles in 1.5 seconds after a full power dump. The KR-S40 is powered by a single high-capacity 21700 battery.

    The Kraken KR-S40 strobe will be available soon from retailers such as Backscatter, priced at $360.

     



    When purchasing underwater photography equipment like the products mentioned in this article, please support DPG by supporting our retail partner—Backscatter.com.



    PRODUCT INFORMATION

    KR-S40

    Elevate your underwater photography with the Kraken Sports KR-S40, a compact yet powerful strobe designed for macro enthusiasts seeking exceptional lighting in a portable form. Whether you’re capturing intricate reef details or vibrant marine life, the KR-S40 delivers precise illumination to enhance your shots.





    Key Features:

    • Compact Design: Lightweight and easy to handle, making it ideal for macro photography and travel.​

    • High-Quality Illumination: Provides consistent and powerful lighting to bring out the true colors of your underwater subjects.

    • Rechargeable Battery: Equipped with a rechargeable battery for convenience and cost-effectiveness.​

    • User-Friendly Controls: Designed for ease of use, allowing you to focus on capturing the perfect shot.​

    • Durable Construction: Built to withstand the rigors of underwater photography, ensuring reliability on every dive.​


    Ideal For:

    • Macro Photography: Perfect for capturing small marine life and intricate reef details.​

    • Traveling Photographers: Its compact size makes it easy to pack and transport.

    • Underwater Photography Enthusiasts: Suitable for both beginners and seasoned divers looking to enhance their underwater imaging.​

       





    Additional information

    • Power: 40Ws
    • Guide Number: 16
    • Modes: S1, S2, No TTL
    • Beam Angle: 60°
    • Color Temperature: 6000K
    • Recycle Time: 1.5 Seconds to Full Power
    • Power Levels: Five (40ws, 20ws, 10ws, 5ws, 2ws)
    • Target Light: 500 lumens
    • Depth Rating: 330ft/100m
    • Dimensions: 62mm x 63mm x 130mm
    • Weight: 530g on land, 200g underwater





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  • Free AI Photo Editing Comes to Google Gemini, but is it Still Photography?

    Free AI Photo Editing Comes to Google Gemini, but is it Still Photography?


    AI images have been circulating the internet, more than ever for about a couple of years now and with AI being integrated into most editing programs, google has also been working on several models and one of the most recent is the Gemini 2.0 Flash experimental model. If you are looking to access the features of Google Gemini, you will need to have a google account and be signed in.

    Image via Google

    Google has already been working with many models in the past and their most capable one seems to be the Gemini 2.0. Gemini 2.0 Flash experimental model is built on the success of Gemini 1.5 flash and is available freely to all Gemini users. Gemini 2.0 Flash is faster and comes with new capabilities like natively generated images mixed with text.

    Gemini 2.0 Flash requires the user to type in prompts that ask Gemini to create an image based on the description provided. You can further change elements or subjects in your images through further prompts. You also have the option to choose a desired aspect ratio for the final image through prompts. In the experimental version, you will get a resulting image that has a watermark on it.

    Besides the above process of generating images, you can also upload your own image and make changes to it. For example, if you are using a portrait, you can make changes to the outfit, hair, etc., adding hair or try to get different poses/perspectives of the image. For example a side view, a lower perspective of an image and so on. This is applicable for all genre of photos.

    Besides the above, Gemini 2.0 Flash can also be used to remove unwanted objects or replace objects from a photo, replace backgrounds or even colorise photos. The results achieved using Gemini 2.0 Flash and the capabilities are more similar to the jobs done using photoshop, where some tools in the program were used to perform these actions, whereas in Gemini 2.0 Flash the job is done using prompts.

    With the Gemini 2.0 Flash Experimental already being tried by many users it looks like it could kill programs like Photoshop in the near future, but generating images using prompts, with the help of AI – is this still photography? All these advancements in the field of AI makes us question if we can trust photos anymore, especially when used as evidences. It also makes us check the credibility of the photographer presenting an image.

    We think AI may change photography in some areas, but it can never replace genuine photography. What are your thoughts on this? Let us know in the comments section below. We would love to hear.

    We have more news for you to read if you are interested at this link here.





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  • Stanley Greenberg – A Photo Editor


    The Art of the Personal Project is a crucial element to let potential buyers see how you think creatively on your own.  I am drawn to personal projects that have an interesting vision or that show something I have never seen before.  In this thread, I’ll include a link to each personal project with the artist statement so you can see more of the project. Please note: This thread is not affiliated with any company; I’m just featuring projects that I find.  Please DO NOT send me your work.  I do not take submissions.

    Today’s featured artist: Stanley Greenberg

    Waterworks, an exploration of New York City’s water supply and wastewater treatment systems, was originally published in 2003. This new and expanded edition is a complete reworking of the book, featuring 362 photographs, made between 1992 and 2024, and two new large, folded insert maps. Greenberg visited reservoirs, aqueducts, tunnels, gatehouses, water supply and sewer pumping stations, water tanks, wastewater treatment plants, stormwater retention facilities and maintenance covers throughout the watershed and around the city. The maps identify over 400 sites in the system, from upstate reservoirs to abandoned systems and tunnel shaft sites. In the late 1990s, Greenberg received unprecedented access to photograph the system, which made much of this work possible. After 9/11, all facilities were closed to the public. Since then, Greenberg has located hundreds of sites in plain view but largely unknown and unidentified; anonymous street furniture invisible to most people. The book and map — a field guide for anyone called to their own exploration — show a mostly underground and hidden system. The map is based on field investigations and historical documents and is designed by Greenberg and Larry Buchanan.

     

    To see more of this project, click here

    Instagram

    To purchase Waterworks, click here

    Suzanne Sease is a creative consultant and former ad-agency senior art buyer. She works with both emerging and established photographers and illustrators to create cohesive, persuasive presentations that clients can’t resist.

    Suzanne offers something rare: an insider’s perspective on how client’s source creative talent. Her deep understanding of the industry is underscored by her impressive resume: 11 years as senior art buyer at The Martin Agency, seven years as an art producer for Capital One, and stints with the art-buying department at Kaplan-Thaler and the creative department at Best Buy, where she applied her expertise to reviewing bids to see which were most likely to come in on budget. Over the years, Suzanne has worked with a wildly diverse range of clients, including Seiko, Wrangler, Bank One, AFLAC, and Clairol Herbal Essence. Now, as a consultant, she is equipped to problem-solve for her clients from an unusually dynamic point of view.

    As a longtime member of the photo community, Suzanne is also dedicated to giving back. Through her Art of the Personal Project column on the popular website aphotoeditor.com, she highlights notable personal projects by well-known and up-and-coming photographers. The column offers these artists excellent exposure while reflecting Suzanne’s passion for powerful imagery.

    Instagram





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  • DEMA Show 2025 in Florida: Registration Open

    DEMA Show 2025 in Florida: Registration Open



    DEMA Show 2025 registration is officially open. The dive industry’s only trade-exclusive event is taking place at the Orange County Convention Center in Orlando, Florida from November 11th–14th. Once again, dive industry professionals will come together to establish and nurture professional relationships, collaborate with industry colleagues, and discover newly released products.

    As usual, the DPG team will be there, visiting all the booths of interest to underwater shooters to keep you up to speed with the latest underwater imaging technology in our comprehensive DEMA Show coverage. We’ll also be taking advantage of the Underwater Imaging Seminars, the much-anticipated learning sessions led by some of the biggest names in underwater photography and video, as well as sniffing out the latest travel trends at the resort and liveaboad booths.

    Head over to the DEMA Show website to register, check out exhibitor listings and booth locations using the interactive floorplan, and book a room in the Official DEMA Show Hotel Block. See you there!

     





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  • Everything You Can Get in 6 Hours

    Everything You Can Get in 6 Hours


    Did you know that you can use Path to do a whole lot more than just removing backgrounds and retouching imperfections? You can improve product photos with retouching and ghost mannequins, fix blurry action sports shots, and add shadows to bring images to life. You can virtually iron wrinkles out of clothing and fabric. And you can even totally change the colors in your images—in a realistic way.

    Find out more about all the edits you can order from Path:

    1. Remove the background for versatile photos

    Background removal is probably our most popular request. Whether you’re prepping for a product launch, updating a marketplace listing, or shooting team portraits, clean background removal is essential. We can isolate any subject from your image and remove the rest so you can use that image in different contexts.

    Because we do every edit by hand, there are three ways we remove backgrounds from photos:

    • Clipping path: Carefully hand-drawn clipping paths for crisp, clean photos—best for simpler and more straightforward edges
    • Image masking: How we remove backgrounds from hair, fur, and difficult borders—common for sports photos and headshots

    Multi-clipping path: Involves complex cutouts that require lots of paths, like images with multiple subjects to cut out, bicycles, or items with lots of components.

    Before and after comparison of background removal from an image featuring a woman with curly hair and a denim jacket.

    2. Retouch imperfections for a beautiful image

    Photo retouching is probably the second most common request—we see it across all types of images, including product photos, sports photography, portraits, and car photography.

    Before and after comparison of photo retouching on a man in a denim jacket, highlighting improved lighting and texture.

    We specialize in four types of retouching:

    • Dust, spot and scratch removal: We can remove small dents, smudges, dust, and other imperfections from any type of photo. Our studio offers both basic and advanced dust, spot and scratch removal.
    • Wrinkle on clothing: If the apparel in your shot is wrinkly enough to be distracting, we can smooth it out.
    • Beauty airbrushing: Common for portraits and headshots in particular, we can touch up any distracting imperfections or blemishes while maintaining a natural-looking shot.
    • Camera reflection removal: Get rid of any unwanted reflections from shoot day. Again, we offer basic or advanced reflection removal.

    Before and after close-up of scratch and blemish removal on a product photo and portrait with beauty retouching.

    3. Add or fix shadows to elevate your products

    We can also add, remove, or edit shadows in your images. Shadows are types of ecommerce photo edits that add dimension to boring white background shots. 

    Before and after comparison of shadow adjustments on a tube of lip balm for realistic product presentation.

    You can order one of any five different types of shadow edits at Path:

    • Drop shadow: A drop shadow makes your subject look like it’s hovering above the background. It’s a common technique in white background product photography.
    • Existing shadow: You can also ask us to edit an existing shadow to make it appear more natural or less distracting, depending on the look you’re going for.
    • Floating shadow: A floating shadow gives the impression that your product is hovering above the ground. This is another common technique in white background product photography.
    • Natural shadow: It’s not always possible to get the lighting right, so this shadow edit will help achieve a more natural shot by casting a make-believe shadow on the surface the subject is resting on.
    • Reflection shadow: This type of shadow edit makes your subject appear as though it’s resting on a reflective surface.

    If you want to give it a go yourself, you can follow along in this shadow editing tutorial.

    https://www.youtube.com/watch?v=QdGs3_LuALo

    4. Create a ghost mannequin

    Ghost mannequins are one of the main ways to edit apparel product photos
    Ghost mannequin photography is a style of photography that’s used to showcase clothing and apparel products. It essentially creates an invisible mannequin or model to the item of clothing, making it appear as though it’s being worn even though there’s no one featured in the image.

    Before-and-after image showing ghost mannequin editing on a floral dress, transforming it from a mannequin display to an invisible mannequin effect with a clean white background.

    This photography is effective because it adds dimension to the product, rather than laying it flat on a table in an unengaging way. It allows shoppers to see how the apparel may fit and drape if they were to wear it themselves.

    But capturing this photography requires a lot of editing steps. Many product photographers and brands choose to outsource this tedious, detail-oriented work to our studio—you can get them back by the end of the work day if you send them in the morning!

    5. Add color variants without a reshoot

    You can also order color change edits from Path. This service is especially popular for product photography—if a specific item is available in multiple colors, it’s often more cost-effective to shoot one variant and simply outsource color change edits for the rest. It also comes in handy when an athlete changes teams and needs their headshot to reflect the change.

    6. Create perfectly symmetric apparel shots

    Before-and-after image of a black graphic T-shirt, showcasing symmetry editing with aligned sleeves, centered design, and background cleanup for a professional product presentation.

    Symmetry is one of the fastest ways to elevate the professionalism of your apparel product photography. Perfectly aligned sleeves, balanced hems, and centered internal details (like buttons, zippers, or logos) can make your product look more premium—without needing a reshoot. These are great edits to make to improve product photos.

    Path’s new symmetry service helps you polish your images with clean, realistic edits designed for ecommerce. Whether you’re preparing for a new collection drop or updating existing product listings, symmetric edits ensure every item looks its best on your site, marketplace, or lookbook.

    Here are a few of the most common symmetry fixes we provide:

    • Sleeve alignment: Make sleeves even and consistent across your product images.
    • Side-edge adjustments: Smooth and straighten the outer edges of garments for a neater silhouette.
    • Curve reduction: Eliminate distracting bunching or warping in fabric curves.
    • Detail alignment: Center and balance key details like pockets, drawstrings, zippers, or brand tags.

    Wrinkle retouching is included by default with symmetry edits, so your final images don’t just look aligned—they look polished. This saves time and ensures your edits are cohesive across every SKU.

    Get your edits today

    With the instant pricing tool, you can submit and pay for your edits now and get them back in as little as six hours. That means you can send us your edits, go about your work day, and then receive the edits before the end of the day. It doesn’t get more convenient than that.

    Ready to send your photo edits our way? Get started now—and get your edits back in as little as 6 hours.

    Simple pricing for stress-free, pixel-perfect photo edits tailored to your needs



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  • Foto App – A Social Platform For Photographers

    Foto App – A Social Platform For Photographers


    Ask anyone what social media platform is built around imagery and the majority of replies will be Instagram. Instagram has been around a long time in social media terms, having arrived on the scene in 2010.

    However, there are many different social platforms available to photographers these days, some more productive than others. Some are based around video sharing, some around news and events and a minority around sharing images.

    The new kid on the block in terms of image sharing is Foto.It has been developed by photographers for photographers. Its scope is not that of social interaction but purely to display and react to good photography.

    It is a relatively niche entry into a crowded market, another social media app that could be huge or may wither and die. Today we are going to take a look at the Foto App, what it is and how it stacks up against alternatives.

    The Rise And Fall Of Instagram

    Any new photography-based social media platform is obviously going to be judged against Instagram. In the case of Foto, that might be a little unfair as it does not intend to be a competitor to Meta’s giant.

    However, it’s important to look at Instagram’s place in the photographic world in relation to where Foto might go.

    Although perhaps not intended as a social media app for enthusiasts and professional photographers, in its early days, Instagram became just that. The primary driver of this was its simplicity. The upload format was pretty uniform, with images all being displayed in a square format at a resolution that was perfect for mobile phones of the day.

    Screenshot of an IOS based Instagram feed
    Instagram is no longer the app it used to be for photographers.

    People could search for specific genres and topics using hashtags, allowing users to easily find and interact with the content they liked. As such it grew popular not only with the general public sharing snaps, but also more serious photographers who could gain large and engaged followings. This in turn allowed professionals to use it as a powerful marketing tool and build their businesses off of the back of Instagram.

    That all changed fairly quickly. Instagram became much more algorithm driven, feeding more and more non-photographic content to users. Influencer learnt how to game the algorithm, meaning more reels and toes dipped into infinity pools rose to the top rather than solid, quality photography.

    In the last few years, Instagram has become increasingly difficult as a place for photographers to grow their brand and market their work. Other platforms have taken up some of the slack, but none of them were built around imaging as a primary driver. So how does Foto fit in?

    Foto Is Not Trying To Be Instagram

    Foto is a platform that is designed from the outset to focus on photography. Its USP is as a platform to share photography to anyone who wishes to see it. The developers state that it’s not just about photographers but anyone who wants to share their photos.

    The app has been in beta for quite a while and recently had their full public launch – February 2025. Whilst still basic, the developers have published a roadmap of interesting additions to the app. These include portfolios, scheduling, print fulfillment and cloud storage.

    One of the main claims of Foto is that it will never be an advert based model. However, there is currently a subscription service which gives you access to some of the higher level features and I would imagine that a number of the items listed on the roadmap will be included as fee based.

    As with any social media platform there has to be a core number of users to make the platform viable. It will be interesting to see how many users move or add Foto to their social media portfolio and indeed how many take up a subscription service. Clearly, without advertising, Foto will need a substantial core to sign up. For that they will need to make the app compelling to its users.

    I have been a user of the Foto app since its beta. As of yet, I have not signed up for the paid Ambassador subscription, but what are my thoughts so far on using the app?

    Screenshot of the Foto app website
    Foto is an app purely to share photography

    Foto App In Action.

    At the moment, the Foto app is available on both Apple IOS and Android, in the roadmap, they are also planning a desktop version in the near future. Once you sign up and log in, you will find a very clean and well-designed interface. Simplicity is certainly its strength, with photographs placed as the obvious centerpiece.

    The app runs a chronological-based timeline from the Home button at the bottom, with a single row of large, clear images from contributors that you follow. To the right of the Home button is the search user function. Without searching, this displays a timeline of images only without the user name. If you tap on a photo, it will open with the user profile at the top.

    Screenshot of an upload page on the Foto app
    Creating new posts is simple and you are restricted to three tags

    Whilst you cannot search for specific text, you can search for tagged images. When you upload an image to the Foto app, you can apply up to three predefined, photography-based tags. These might be for example, Architecture, Landscape, and Long Exposure. This allows app users to filter the search section with specific genres of images. You can add up to three tags to your search.

    Screenshot of an post page on the Foto app
    The images are displayed well with a brief description and the three tags

    The third of the five icons at the bottom is the upload button. This is, again, simple to use. When you upload, you can give your photo a description and add up to three tags. And that’s it, no faffing around trying to find suitable hashtags and labouring over a description that will trigger the algorithm.

    The fourth icon is notifications, which will tell you if an image has been liked, commented and if someone has followed you. The last icon is your profile page and settings.

    As a viewer, the app is as simple as a contributor. The only interactions you can make are to like and comment on a photo and to follow the photographer.

    Whilst its simplicity makes it a really nice app to use both as a photographer and as a viewer, I wonder if the lack of deeper interaction will hamper its growth. That may well be something that is addressed in the future. For the moment, the Foto app feels very much like a modern version of early Flickr, a place to share and enjoy photos, but without any great interaction.

    Screenshot of an post page on the Foto app

    Will Fotos Succeed?

    Personally, I hope so. I think with the decline of Instagram as a photography platform and the more generalised nature of other social media, there is certainly room for another image-based app. However, it will succeed or fail on its user base. In my opinion, users will need not only to get likes and comments on their images but some form of greater interaction. That may well be on the future roadmap, but for now, I am enjoying the Foto app without devoting a huge amount of my time to it.





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  • Glen McClure – A Photo Editor


    The Art of the Personal Project is a crucial element to let potential buyers see how you think creatively on your own.  I am drawn to personal projects that have an interesting vision or that show something I have never seen before.  In this thread, I’ll include a link to each personal project with the artist statement so you can see more of the project. Please note: This thread is not affiliated with any company; I’m just featuring projects that I find.  Please DO NOT send me your work.  I do not take submissions.

    Today’s featured artist:  Glen McClure

    Work on the waterfront has been visually recorded in this region since the earliest inhabitants were subject matter for European explorers and scientists The entire East Coast of America and its boat builders are a continuing inspiration for artists of all kinds, whose artwork is curated, cherished, and collected for its content and style. This new project is a modern-day record that continues that effort to capture the heart of our region in images. This large collection presents a photographic and written portrait of some of the many people who make their living in 2015 in the historic Hampton Roads shipbuilding and ship repair industry. In each of the large, black-and-white archival prints. I show a single subject directly, intimately, monumentally and heroically. The work environment is the setting, and portraits range from full-length figures to close-up studies of faces. The subjects include laborers, skilled craftspeople, apprentices, hourly workers, maintenance staff, subcontractors and technicians. Each image is accompanied by a short biographical piece taken from a personal interview conducted at the time of the photograph. My intention is to introduce every viewer to a regional subset of men and women of dignity, talent and commitment, and in doing so create a sort of time capsule of participants in this massive, centuries-old industry and way of life.

    Waves of Strength features 50 portraits of African American shipyard workers from the massive Hampton Roads harbor region of Virginia. These portraits were selected from the 398 images in the original collection, workers of all races and sexes, made over a three-year period, from ten regional shipbuilding or ship repair yards. The current exhibition, Waves of Strength, focus our attention on the continuing Black contribution to an industry that makes the area one of the largest ports in the world.

    Exhibition title:

    Waves of Strength: African American Shipyard Workers of Tidewater Virginia.

    Dates- Now through June 22.

    Where:

    Portsmouth Art and Cultural Center

    400 High Street

    Portsmouth, Virginia

    For more info call:

    Portsmouth Art and Cultural Center

    757-335-3572

    For more information on this work or to purchase a print, contact Glen McClure at glen@glenmcclure.com

    To see more of this project, click here

    APE contributor Suzanne Sease currently works as a consultant for photographers and illustrators around the world.  She has been involved in the photography and illustration advertising and in-house corporate industry for decades.  After establishing the art-buying department at The Martin Agency, then working for Kaplan-Thaler, Capital One, Best Buy and numerous smaller agencies and companies, she decided to be a consultant in 1999.  Follow her on Instagram





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  • New World Record for Scuba Diving All Seven Continents

    New World Record for Scuba Diving All Seven Continents



    Scuba divers are known for being well-trodden world travelers. But one man has taken dive log travel to record levels.

    Diver travel influencer Barrington Scott has recently set the Guinness World Record for fastest person to scuba dive all seven continents in a row—in just 19 days, 19 hours and four minutes.

    The intrepid diver covered more than 27,000 miles to accomplish the task, which took place in late November of last year. New additions to his logbook include stops in Thailand, Malta, Egypt, Malta, and Argentina. The record-setting plunge took place in the frigid waters of Antarctica.

    “When I finished my final dive, I called my sisters first to share the good news,” Scott told Essence.com.  “I could feel the pride and excitement in their voices—it made the achievement feel even more real.”

    Scott’s journey into the record books is a long time in the works. After dropping out of New York City’s foster care system as an adolescent, he joined the Marines and served in Afghanistan. Following his service, Scott earned a culinary degree and spent a year backpacking in Asia.

    Finally, in 2014 he took the giant stride into diving in the Bahamas and never looked back. Scott eventually worked his way up to Master Scuba Diver Trainer (MSDT) and even authored a book on his adventures, Trent’s Adventures: Deep Sea Discovery, hoping to inspire young ocean explorers of all backgrounds.

    “Breaking a Guinness World Record isn’t just about making history; it’s about showing that we belong in these spaces,” Scott shared on Instagram. “Black explorers, Black divers, Black adventurers—we’ve always been here, and we will continue to push boundaries.”

    Learn more about Barrington Scott’s recent (and lifelong) diving journey in this wonderful profile featured in Essence.





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