فوتوشاپ وب

نویسنده: AliBina

  • Save 50 percent on the LensPen with this early Black Friday deal

    Save 50 percent on the LensPen with this early Black Friday deal

    [ad_1]

    Camera cleaning tools may not be very glamorous, but they are necessary. Keeping your equipment clean not only prevents you from having to spend time editing out water spots or smudges that were on your lens, but it can also keep your camera and lenses working better for longer. The LensPen is one of the most versatile and popular lens-cleaning tools around. And while it isn’t expensive when full-priced, it is currently 50 percent off, which is its lowest price ever on Amazon. It’s a great time to pick one (or some) up for yourself, or maybe as stocking stuffers for photographers you know.

    LensPen NLP-1 $6.50 (was $12.95)

    The LensPen is a very simple tool that could really come in handy on or even in-between shoots. It utilizes a patented carbon cleaning compound on one end, which cleans your lens without any fluids required. The other end features a soft, retractable brush for when you just have some dust that needs to be swept away. It lasts a long time, but at this price, it wouldn’t hurt to pick up a few to keep in different camera bags so that you are never without.

    Early Black Friday deals on organization & storage solutions

    For most of us (including myself), more than just our camera gear needs to be cleaned. Here are some deals to help you out if cleaning up and organizing your office or equipment storage area is on your list this fall and winter.

    Storage bins

    Shelving systems

    Desk organization



    [ad_2]

    Source link

  • A Journey of Discovery with Mikko — Mikko Lagerstedt

    A Journey of Discovery with Mikko — Mikko Lagerstedt

    [ad_1]

    Today, I’m excited to announce something entirely new! Photography challenge I’ll participate alongside you. This challenge is designed to push our creative boundaries, help us improve our skills, and, most importantly, have fun! This is an experiment and I don’t know how many participants we will have, but I’m looking forward to seeing as many as possible. There might be a small reward at the end of the challenge, but the main reward is to inspire yourself!

    The Challenge: “Discovering the Unseen”

    The theme of this challenge is “Discovering the Unseen” The goal is to capture something people often overlook in your local area. It could be a hidden corner of a park, a unique architectural detail, or an unusual perspective on a familiar scene. The aim is to encourage us to look at our everyday surroundings with fresh eyes and discover beauty in unexpected places.

    Challenge Guidelines

    1. Location – The location should be within a 20 km / 12-mile radius of your home. This is to encourage exploration of your local area.

    2. Timing – The challenge will run for one month. From the 14th of August to the 14th of September 2023. This should give you plenty of time to scout locations, plan your shots, and experiment with different techniques.

    3. Sharing Your Work – Share your final image on Instagram using the hashtag #DiscoverWithMikko. At the end of the challenge, I’ll feature some of my favorite entries on my Instagram Stories. If you don’t have Instagram and want to participate, please send me your photographs at hello@mikkolagerstedt.com.

    4. Feedback – Feel free to comment on other participants’ photos and share your thoughts and love. This is an excellent opportunity to learn from each other and build a supportive community.

    Challenge Ideas

    If you’re not sure where to start, here are a few ideas:

    1. Night photography. Try capturing a familiar urban or landscape scene at night. Look for interesting light sources, reflections, or shadows.

    2. Minimalist landscapes. Try to capture a landscape in a minimalist style. Look for simple compositions, clean lines, and a limited color palette.

    3. Details. Explore the tiny world of your backyard or local park with macro photography. You might discover a whole new world in the patterns of a leaf, bark texture, or an insect’s intricate details.

    4. Abstract architecture. Look for unusual angles or details in local buildings that can be turned into abstract images.

    Remember, the goal of this challenge is not to take the “best” photo but to push your creative boundaries and see your local area in a new light. I can’t wait to see what you all come up with!

    Happy shooting!



    [ad_2]

    Source link

  • Mwangaza: Light!

    Mwangaza: Light!

    [ad_1]

    Lying in a mud hole, looking up at a white rhino snuffling just inches from my camera, I was having a tough time not giggling or wetting my pants. I might have been a little nervous, but mostly, it was the thrill and the absurdity of it. To be this close to a massive rhinoceros with no remote gear—just me and my camera—was a dream.

    No guidance counsellor in any high school anywhere would have suggested this as a viable career choice 35 years ago, but here I was.

    I had spent the previous evening photographing wildfires spreading across the savannah, the rhinos silhouetted against the flames, leaping orange and red in scenes of terrible beauty, again thinking, “How in the world is this my life?”

    Not long before that, I’d been stripping my pants off in the Land Cruiser to squash the bullet ants that I’d clumsily walked through in the darkness, and which were now biting me with a ferocity I hadn’t felt since standing (again, accidentally) on a colony of fire ants in the Peruvian Amazon. At least I now only have one leg for them to bite.

    Nothing ever goes as I thought it would. I end a day on safari thinking, “Well, that was unexpected!” I also feel like a day on safari is its own lifetime. At the end of each day, I look back at photographs I’m downloading and think, “That was today?” The encounters are endless and never anticipated.

    Early in this journey, I got a text message from a Kenyan photographer I’ve admired for a couple of years. His name is Gurcharan Roopra (find him on Instagram @gurcharan), and he reached out to tell me he was reading one of my books and was thrilled to find I was following him on Instagram. “Following you?” I wrote back, “I’m practically stalking you!” And from this random moment of connection came 24 hours together at the end of my trip, learning from someone with a very different approach to his work than I have, but a similar spirit. It’s been a long time since I’ve been so creatively challenged. Totally unexpected.

    There’s no real lesson in this letter to you. Just a reminder that the zigs and zags of life are part of the joy. Even the most well-planned days are full of the unexpected. That can send us into a tailspin, or it can make us wonder and laugh. I hope it’s the latter for you (though without the bullet ants).

    I also wanted to give you a chance to see some of the photographs from this recent trip, perhaps share the wonder. Every trip I wonder if I’ll come back with anything that is even close to how I feel about the places, and the animals, and I’m so thrilled to be returning with what I think is some of my strongest work yet. Click on any of the images to see them larger.

    One of my favourite images from this trip is the one above. Two southern white rhinos watch the flames of a wildfire approaching, destroying their home. There’s a story here that’s hard not to feel deep down. Well-told stories can do that—they can touch us in deep places. Not every photograph needs to tell a story, but it’s often the most powerful ones that do.

    How are your storytelling chops? I’m giving a presentation on this very topic on March 19 at 4:00 pm PT / 7:00 pm ET, and I’d love to see you there.

    My class, Photographic Storytelling: Hooking the Heart & The Imagination, is one of four great presentations hosted by Nic Stover’s Nature Photography Classes. You can find more information here.

    Other presenters include Margaret Soraya, Talor Stone, and Sapna Reddy, and they all look fantastic. Cost is $22 each, or you can subscribe to the series for $77. The first presentation is on March 01, so I’ve missed that one, but if you subscribe you can watch the video for any of the series that you miss.

    More information can be found here at NaturePhotographyClasses.com.

    For the Love of the Photograph,
    David.

    The post Mwangaza: Light! first appeared on David duChemin – Photographer, Author, Creative Instigator.

    [ad_2]

    Source link

  • Nauticam Releases Housing for the Sony a1 II and a9 III

    Nauticam Releases Housing for the Sony a1 II and a9 III

    [ad_1]

    Perhaps two of the most exciting pro-level cameras on the market at the moment are Sony’s a1 Mark II and a9 Mark III. The a9 III remains the only full-frame mirrorless camera with a global shutter, giving you jaw-dropping specs like blackout-free continuous shooting at 120fps with AF, no-crop 4K/120p video, and the ability to sync with flash at up to 1/80,000s. (The compromise, however, is the sensor’s relative low pixel count of 24.6MP and base ISO of 250. Meanhile, the a1 II is a different, but equally capable, beast: At 50.1MP, its stacked sensor boasts double the pixels, burst shooting is 20fps in lossless RAW, and there’s both 8K/30p and 4K/120p video recording on offer.

    The kicker is that these two cameras are all but identical externally, so a single housing can accommodate either one… Enter Nauticam’s NA-α1II housing, designed to get the most out both the a1 II and a9 III. Needless to say, ergonomic control placement is foremost: There’s a dual thumb lever alongside the right hangle and a single thumb lever on the left, as well as another left-hand lever operating a customizable button. In addition to fiber-optic ports for your strobes, there’s an M14 accessory port that could be used for an electrical bulkhead if preferred. There’s also a large-bore M24 accessory port for hooking up a monitor/recorder such as the Atomos Ninja V via HDMI 2.0.

    Nauticam’s housing costs $4,920 and is available for from Backscatter now.

     


    When purchasing underwater photography equipment like the products mentioned in this article, please support DPG by supporting our retail partner—Backscatter.com.


    PRODUCT INFORMATION

    INTRODUCING NA-α1II

    The Sony a1 II and a9 III Cameras

    The Sony a1 II and a9 III Cameras are Sony’s pro-level bodies that cover the entire gamut of imaging requirements for both still and video shooters.

    Sony a1 II

    The a1 II is Sony’s flagship high-resolution camera body with incredible autofocus and impressive video capabilities. Built around a 50MP stacked BSI CMOS sensor and powered by the advanced BIONZ XR processor, the a1 II features upgrades pulled from the a7R V in autofocus, subject tracking, and IBIS. For scenarios demanding high resolution paired with ultra-fast and accurate autofocus and up to 8K30p video, the a1 II can deliver top tier results.

    Key Sony a1 II Camera Specs

    • 50MP Full-Frame Stacked BSI CMOS Sensor

    • 8K 30p and 4K 120p Video in 10-Bit

    • 8.5-Stop IBIS + Dynamic Stabilization

    • 9.44m-Dot EVF with 240 fps Refresh Rate

    • Dual CFexpress Type A/SD Card Slots

    Sony a9 III

    The a9 III fills the role of a high sensitivity sensor with a true global shutter. Capable of shooting 4K 120fps from the full sensor area, the a9 III produces very clean high frame rate video even in less than ideal lighting conditions. The a9 III’s global shutter allows for shooting at incredibly high shutter speeds to maximize available strobe power and recycle time, even in strongly backlit scenes. Shooting into the sun or in high-ambient light scenarios at lower apertures opens up a world of opportunities for both wide and macro photography and also eliminates any rolling shutter effects in video.

    Key Sony a9 III Camera Specs

    • 24.6MP Full-Frame Global Shutter Sensor

    • Flash Sync at up to 1/80,000 Sec.

    • 4K 120p 10-bit Video; S-Log3 & S-Cinetone

    • 759-Point Phase-Detect AF with Tracking

    • 8-Stop 5-Axis In-Body Image Stabilization

    • 9.44m-Dot EVF with 240 fps Refresh Rate

    • Dual CFexpress Type A/SD Card Slots

    Shared Specs

    The a1 II and a9 III share a body which makes the NA-a1ii housing possible without any adapters, modifications or loss of features.  Both cameras also share the incredible 9.4M-dot electronic viewfinder from the A7RV.  

    THE NA-α1II HOUSING

    The NA-α1II Housing is based on the Nauticam NA-a9III housing and can accommodate both the Sony a1II and a9III camera bodies with no adapters of modifications. This truly makes this housing one of the ultimate underwater imaging tools able to capture high resolution as well as low-light stills and high resolution, low-noise and high-framerate video.


    Mission Control

    The driving force behind Nauticam housings is to place controls where they should be, within easy reach of the ergonomic handles for an intuitive and smooth underwater filming experience. The NA-α1II features a dual action thumb lever on near the right handle that actuates the ‘AF-ON’ and ‘REC’ buttons. Near the left handle is a thumb lever for ‘PLAYBACK’. The shutter release, main and sub command dials are also all within easy reach without taking your hands off the handles.


    Professional Optics

    The NA-α1II housing is built around the N100 port opening allowing for a wide variety of optics solutions from extreme wide-angle to super macro. In addition to supporting traditional wide angle dome port and macro flat-port configurations, the NA-α1II can support much of Nauticam’s range of Water Contact Optics from the Fisheye Conversion Port (FCP) to the Extended Macro Wide Lens (EMWL). To truly unlock the creative possibilities of these two cameras, pairing them with either the WACP-1B, WACP-C or WWL-1B gives impressive 130º rectilinear field-of-view, ~0″ minimum focus distance, full zoom through capabilities and the incredible corner sharpness. If more coverage is needed, the FCP provides 170º fisheye coverage with full zoom through and close focus capabilities. Take your macro imaging to the next level with either increased 2.3X magnification with the new SMC-3 close-up lens or the wide-angle macro look of the EMWL 160º lens.

    EVF Enhancement

    Both the Sony α1II and α9 III feature the same ultra-high resolution 9.4M-dot electronic viewfinder (EVF).  To truly take full advantage of this underwater consider pairing it with one of the Nauticam Enhanced 0.8:1 Viewfinders.  These underwater viewfinders are designed to give full edge-to-edge magnified viewing and include a diopter that can be adjusted underwater to match your vision.

     


    HDMI 2.0

    A large bore M24 bulkhead is located at the front of the housing for use with HDMI 2.0 or HDMI 1.4 (with a step-down adapter to M16) external monitors and recorders.  An additional M10 threaded mounting position near the front center of the housing also makes using an external monitor even easier.


    Vacuum Check and Leak Detection

    The housing comes with electronics pre-installed for Nauticam’s Vacuum Check and Leak Detection system, requiring only the optional M14 Vacuum Valve (25624). This monitoring system provides constant updates on the water tight and safe-to-dive status of the housing. A simple color coded LED lighting system lets the user know that the vacuum is solid, or that the housing is losing vacuum. Leak detection is built into the same circuit, so if there is water intrusion, an audible and visual indication will occur. The Nauticam system is temperature compensated, eliminating false alarms caused by a change in outside temperature, or from a camera heating up on an action packed dive.


    Strobe Triggering

    Triggering of external strobes is accomplished via the integrated fiber-optic bulkheads when using the optional Mini Flash Trigger for Sony (26302).  Electronic triggering is also available via an optional Nikonos or Ikelite Style Bulkhead.

    What’s In The Box:

    • NA-α1II Housing

    • 90120 Spare Main O-ring, o-ring remover, and lubricant

    • CR-2032 Battery (for Moisture Alarm)

    • Set of Allen Keys

    • Instruction Manual Card

    • 2x Optical Bulkhead Caps

    • 2x Handles with Mounting Balls 

    • Padded Housing bag and shoulder strap 

    Recommended Accessories:

    • 25624 M14 Vacuum Valve II (Pushbutton Release)

    • 26302 Mini flash trigger for Sony

    • 25218 Mounting Ball Set for tripod

    • 28130 Hand Strap for 18223

    • 32203 45 viewfinder (slightly vignettes)

    • 32211 Nauticam Full Frame Straight Viewfinder 32 / 1:1

    • 32212 Nauticam Full Frame Straight Viewfinder 40 / 0.8:1

    • 32213 Nauticam Full Frame Angle Viewfinder 32 / 1:1

    • 32214 Nauticam Full Frame Angle Viewfinder 40 / 0.8:1 *32212 / 32214 is preferred

    • 26325 USB-C Bulkhead with USB-C Connector

    • 26326 M24-M16 Adaptor for use with 26325

    • 25413 27cm lanyard with 2 snap hooks

    HDMI Output:

    Required accessories for HDMI 2.0 Cable System

    • 25086 M24 Adaptor for HDMI 2.0 Cable (incl. tightening tool)

    • 25099 M24A2R20-M28A1R170 HDMI 2.0 Cable

    Compatible Monitor Options:

    • 17922 Nauticam Atomos Ninja V Housing for Atomos Ninja V 5” 4kp60 4:2:2 10-bit recorder/monitor/player (excl. HDMI 2.0 Cable

    • 17922S Nauticam Atomos Ninja V-S Housing for Atomos Ninja V 5” 4kp60 4:2:2 10-bit recorder/monitor/player (excl. HDMI 2.0 Cable) with AtomX SDI Module

    Required accessories for HDMI 1.4 Cable System:

    • 26326 M24-M16 Adaptor

    • 25100 HDMI )D-A) 1.4 Cable in 200mm length (for connection from HDMI bulkhead to camera)

    • 25033 standard HDMI bulkhead with M16 thread (incl in 17923 Shinobi-H housing)

    Compatible Monitor Options:

    • 17923 NA-Shinobi-H Housing for Atomos Shinobi 5.2” 4k HDMI Monitor with HDMI 1.4 input.

    • 17922 Nauticam Atomos Ninja V Housing for Atomos Ninja V 5” 4kp60 4:2:2 10-bit recorder/monitor/player (excl. HDMI 2.0 Cable

    • 25082 HDMI 1.4 Canle for Ninja V housing in 0.75m length (for connection for Ninja V housing to bulkhead) *25082 v1.4 cable is required for use with 17922 monitor housing. 

    Technical Specifications

    • Dimensions: 347mm(W) x 171mm(H) x 127mm(D)

    • Weight in Air: 2.65kg

    • Buoyancy in Water: 0.48kg (incl. camera & battery)


    Model Number: 17438

    USA Retail Price: $4,920.00

    More information is available from Nauticam at: www.nauticam.com



    [ad_2]

    Source link

  • 5 Tips to Capture Beautiful Photographs Nearby — Mikko Lagerstedt

    5 Tips to Capture Beautiful Photographs Nearby — Mikko Lagerstedt

    [ad_1]

    It’s been one month since I introduced a challenge to all of you who follow me on my blog. The #DiscoverWithMikko challenge was to capture something nearby (no more than 20 km’s away) where you live. It was also to encourage you to try to capture something unique. The month flew by, and I can say that it was a tough challenge for me as well. Not many participated in this challenge, but I saw some beautiful entries on Instagram, which I’ll share in my stories @mikkolagerstedt.

    I went out to photograph 15 times in the past month, whether to a nearby field or around the nearby lake. I didn’t take photographs each time because I couldn’t find anything to capture, but that’s how it goes at times. What this challenge reminded me of is that I really enjoy having options. In the future, I want to get a macro lens to capture those details and different perspectives.

    There weren’t many great opportunities with the weather, but I eventually captured something I enjoyed. It wouldn’t be a challenge if it weren’t challenging, right?

    Each of the challenge photographs I captured was edited with my EPIC Preset Collection. See the descriptions for more information of each edit and camera settings.

    1. Keep an open mind and Find new places nearby

    Finding something new from nearby places can sometimes be challenging. However, it was easier than I thought. I have driven, biked, and walked around a lot of the area where I live. But I still found a few spots I had never seen before. Keeping an open mind while searching for something to capture is essential. If you want to improve your craft, this approach will move you forward more than anything else.

    The first capture was on a beautiful night about 11 kilometers from where I live. The night was amazing and misty. The light pollution wasn’t so evident because of the fog. I ventured to this field and saw this beautiful small bridge. I ran to the bridge while my camera was taking long exposure photographs. I stood there for a few minutes to ensure one of the 20-second exposures was sharp.



    [ad_2]

    Source link

  • Ann Hermes – A Photo Editor

    [ad_1]

    The Art of the Personal Project is a crucial element to let potential buyers see how you think creatively on your own.  I am drawn to personal projects that have an interesting vision or that show something I have never seen before.  In this thread, I’ll include a link to each personal project with the artist statement so you can see more of the project. Please note: This thread is not affiliated with any company; I’m just featuring projects that I find.  Please DO NOT send me your work.  I do not take submissions.

     

    Today’s featured artist:  Ann Hermes

    For the past six years I’ve photographed local newsrooms from Alaska to Florida, documenting the dedicated but dwindling local news landscape. As a photographer with over 15 years of experience in newsrooms, I have a great deal of respect for the institutions that bring small communities the news.

    An average of two newspapers shut down every week. In the wake of these closures many communities become news deserts. In their place is an information landscape of nationalized, and increasingly partisan, news that is ripe for misinformation. Studies now show that local government spending goes up, voter participation declines and cities often lose their bond rating after the loss of a local newspaper. Local Newsrooms needs to convey these insidious and largely unseen impacts.

    With a growing catalog of images, video and interviews, I’m working to create a visual story of regional and national relevance. I plan to display some of this work in small town libraries, and similar spaces to make local newsrooms more visible in their neighborhoods. My goal is to use this work to engage communities in the search of and support for trusted local news while at the same time raising the importance of this issue to a national audience that may not have fully realized what has already been lost, and what is at stake.

    The Conway Daily Sun newspaper morgue in Conway, New Hampshire on April 21, 2023. The free newspaper was founded in 1989. The printing press connected to the newsroom ceased printing in 2023.
    From left, digital community engagement journalist, James Rinker grabs a laptop as education and environment reporter, Jamie Browder, public safety and criminal reporter, Christopher Cartwright, and visual journalist, Hannah Schroeder move desks in The Keene Sentinel newsroom on February 19, 2024 in Keene, New Hampshire.  © Ann Hermes 2024
    Printing press operator, Cameron Blum, runs the printing press for an edition of The Keene Sentinel on February 19, 2024 in Keene, New Hampshire. The Keene Sentinel has one of only a few printing presses in operation in New Hampshire.  © Ann Hermes 2024

    The Conway Daily Sun newspaper morgue in Conway, New Hampshire on April 21, 2023. The free newspaper was founded in 1989. The printing press connected to the newsroom ceased printing in 2023.

    Clippings of bird photos line the walls of the printing press room at The Keene Sentinel on February 19, 2024 in Keene, New Hampshire. The printing press operators started the bird gallery. “That’s what we run. Every day there’s a bird picture. It started out as a joke, but now it’s an art project,” says Brian Ahern, who has operated the printing press for The Keene Sentinel for over 30 years.  © Ann Hermes 2024
    Rick Clark, Keene Sentinel copy editor, looks through microfilm of the newspaper in the newsroom in Keene, New Hampshire on January 8, 2024. The paper was founded in 1799 as The New Hampshire Sentinel and an independently owned publication that runs six days a week.
    Broken newspaper bins sit in the parking lot of The Auburn Journal on July 10, 2023 in Auburn, California, northeast of Sacramento. The newspaper was founded in 1872 and is owned by Gold Country Media. The Auburn Journal covers Placer County, near two news desert counties.

    To see more of this project, click here

    Instagram

    APE contributor Suzanne Sease currently works as a consultant for photographers and illustrators around the world.  She has been involved in the photography and illustration advertising and in-house corporate industry for decades.  After establishing the art-buying department at The Martin Agency, then working for Kaplan-Thaler, Capital One, Best Buy and numerous smaller agencies and companies, she decided to be a consultant in 1999.  Follow her on Instagram



    [ad_2]

    Source link

  • 8 Ideas to Spark Your Creativity With Photography Projects — Mikko Lagerstedt

    8 Ideas to Spark Your Creativity With Photography Projects — Mikko Lagerstedt

    [ad_1]

    As a photographer, I have discovered that starting a project can help me channel my creativity and bring new dimensions to my work. A project can be a way to explore new techniques, themes, and perspectives, leading to personal and artistic growth. Currently, I am working on a new photography series that will challenge me to think more deeply about my craft and explore new horizons. While I cannot reveal my project, I encourage you to consider the benefits of taking on your own photography project.

    A project can provide purpose and direction to your photography work. It can help you explore a specific subject or theme, experiment with different techniques, and improve your photography skills.

    To inspire you, I have compiled a list of project ideas that can help you enhance your photography skills in various ways. These ideas cover different aspects of photography, such as exploring different genres and experimenting with lighting, composition, and post-processing techniques.

    Selecting the right photography project can give new life and meaning to your work. It can allow you to explore new themes, experiment with new techniques, and help you take your photography to new heights. To help you get started, I have curated eight project ideas that can benefit photographers, whether you’re a seasoned professional or just starting.

    Project Ideas

    1. One Landscape, One Day

    Capture a single landscape over 24 hours. This exercise in patience and timing, observing how light transforms the scene, is fundamental for mastering exposure and understanding the nuances of natural light.

    2. Seasonal Series

    Document the same location across different seasons. This long-term project highlights nature’s transformative power and tests your commitment. It’s perfect for studying changes in color, light, and weather. Below is my try at capturing this location in different seasons.

    Here is an ongoing series of this beautiful tree I’ve captured with different seasons, from Autumn to the start of Winter to Mid-Winter. The only season missing is Summer. However, I’ve shot it multiple times and never really gotten anything special in summer.



    [ad_2]

    Source link

  • How to Make a Music Video with Final Cut Pro X

    [ad_1]

    https://www.youtube.com/watch?v=Ns27LLNfobc

    I’ve got something a little different today. Call it a slight expansion of my teaching skills. Teaching to my passions, if you will. Or you can just think of it as little bit of Friday fun and entertainment.

    In my latest YouTube tutorial, I show you how to make a music video. That’s right. Having grown up in the golden age of MTV, and having made a handful of them with my own original recorded songs, I decided to share my knowledge of how to create a classic-style music video using the Multicam feature in Apple’s Final Cut Pro software. 

    Specifically, I show you the steps needed to shoot and edit a handful of clips, so that they’re all in sync with the music. Final Cut Pro makes this really easy, but if you don’t know where to look in the software, it’s hard to figure this out. To illustrate, I use the video clips from my own song and music video, A Very Cozy Christmas, which I released back in 2020.

    https://www.youtube.com/watch?v=zf8xUpiH2PM

    Now, I realize, that a lot of my readers probably don’t use Final Cut Pro, or have any intention of every making a music video for that matter, but who doesn’t love a good music video? The classic ones have such cultural significance in our lives. Or at least they once did.

    With that in mind,  it might just be fun to watch this video, just to see how they’re made, and to support my efforts. If you enjoy my teaching style, this is a great way to help me expand my audience, which helps me continue to make more photography tutorials. So, even if you’re not a Final Cut Pro user, or a music producer, please consider watching and leaving a comment, just for that reason. 

    So whether you were raised on videos like Thriller, Jump, Every Breath You Take, Hungry Like the Wolf and Sledgehammer, or not, thanks so much for your support and have a great weekend, and I promise, I’ll get back to making some more photography tutorials very soon!

    https://www.youtube.com/watch?v=Ns27LLNfobc

    [ad_2]

    Source link

  • My Bestselling Fujifilm Guide Now Covers the X-H2 and X-H2S

    My Bestselling Fujifilm Guide Now Covers the X-H2 and X-H2S

    [ad_1]

    I’m excited to announce that my bestselling Fujifilm guide, X SERIES UNLIMITED has just been updated will full coverage of the new 5th generation X-H2 and X-H2S cameras. You can grab the latest 2022 Edition here.

    The latest comprehensive revision includes all of the new features found in the X-H2, X-H2S, and revised/expanded information about all of the other current X Series models, including the X-T4, X-T3, X-Pro 3, X-E4, X-S10, X-T30/30 II, X100V and the X-T100. 

    If you’re a Fujifilm shooter, then this is the most definitive guide to the X Series cameras you can get. It explains every single feature and every single function, and it does so with clear descriptions, real world examples and a very easy-to-follow format.

    X SERIES UNLIMITED – October 2022 Edition

    It teaches you everything you need to know in order to become a better, more proficient, more creative photographer with your Fuji camera.

    It has full coverage of all current and past models, all the way back to the 1st generation X Series cameras, and if you purchase the book, you’ll be entitled to free updates in the future when Fujifilm releases new models and firmware updates. 

    Click here to see what other people have said about the guide, and then let me help you get the most from your Fuji camera. Join thousands of other Fuji users around the world who have downloaded the guide and benefitted from the vast amount of knowledge and expertise I’ve put into it. 

    If you’re on the fence. rest assured; it comes with a 100% money back guarantee. If you don’t like the book for any reason, I’ll refund your purchase.

    [ad_2]

    Source link

  • Check Out My Brand New Online Photography School!

    Check Out My Brand New Online Photography School!

    [ad_1]

    A couple weeks ago, I asked my subscribers to let me know what kinds of online photography courses they’d like to see me teach, and I got some incredible feedback! After reading hundreds of answers, I have some solid direction about how to proceed, and I’m looking to start filming some brand new courses in the next few weeks.

    With that in mind, I’m excited to announce the launch of my brand new online school, which features a free course, called Creative Color Techniques for Photographers and brand new options for personalized individual coaching.

    My Signature Course – Now in 3 Flavors!

    In addition, I’m now offering 3 different options for my signature 30-lesson course, Photography On The Brain, that are designed to better match a variety of budgets and commitment levels.

    ESSENTIALS gets you unlimited access to all 30 lessons and downloadable PDF assignments, at the lowest price I’ve ever offered. (Even lower with the discount below!) 

    WORKSHOP adds full forum access where you can share you own insight, post your images for critique, and get input from me and other students. 

    MENTORSHIP goes even deeper by adding personal coaching with a series of 4 one-hour video calls. This is the ultimate way to keep your motivation up and get targeted instruction and insight as you progress through the lessons. 

    Photography On The Brain is still the most thought-provoking instruction on composition and creativity that I’ve ever offered. 

    I cover such a wide variety of topics that you are guaranteed to come away with a huge batch of new ideas, confidence and inspiration.  

    If you want to be better at composition gain more creative confidence, then I strongly urge you to check out this course, because I know it will help you expand your creative skills in a big way.  

    Go Deeper with Personal Coaching

    I’m also unveiling my brand new PERSONAL PHOTOGRAPHY COACHING SESSIONS. 

    With three different video call options that range from 30-minute Quick Coaching sessions, 60 minute 1:1 sessions and an extended series of 4 one-hour monthly sessions, I can give you one-on-one advice, targeted instruction, and provide critiques, direct feedback and direction that will help you progress in your current photography life. 

    Whether you just need quick answers about a specific topic you’re struggling with, insight about how to better apply a certain creative technique, or if you want more in-depth feedback and ongoing follow-up, this is an incredible option for learning. 

    Awesome New Course Interface and iOS App

    I’m so excited about my new course site, which is built with the Teachable interface. The user dashboard and lesson pages are so easy to navigate, and they look great! You can view the lesson videos and assignment briefs with unlimited access on any device, and there’s even a free iOS app you can use for streamlined viewing of lesson material when you’re offline. 

    I actually did a 12-week online singing/vocal course last winter that was built with the the same framework, and I was really impressed by the clean format and ease of access that Teachable offers. That’s why I’m using it for my own courses, and I think you’re really going to like how it looks and functions.  

    Limited Time Launch Discount!!! 

    Finally, to celebrate the launch of my new course site, I’m offering my readers a special limited time discount code for Photography On The Brain.  

    Use coupon code LAUNCH20 at checkout to save 20% on either theESSENTIALS or WORKSHOP tiers. (This code is only good for the next two weeks.)

    My readers have been incredibly supportive over the years, and that’s why I’m so excited about my new course site. I know that you guys like to learn from me, and you deserve the best possible user experience to access and absorb the information that I share.  

    I’m looking forward to building and uploading more courses in the coming weeks and months, but for now, I encourage you to check out the site, try out my free color course, and the share my courses with your other photographer friends.  

    Thanks so much for reading and take care.

    [ad_2]

    Source link