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برچسب: Working

  • Broken Camera not working?

    Broken Camera not working?

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    Here are some tips to try if your camera isn’t working.

    1. Try a different battery.

    A common issue cameras can have, especially older cameras, is that their batteries don’t last as long as the camera does. For instance, if you bought a brand-new camera and stuck it in your closet for a year with the battery installed, that battery might actually be completely dead the next time you go to use it. You can try charging up the camera or the battery but if that doesn’t work your best bet is to first buy a new genuine battery for your camera.

    2. Try a different camera lens.

    This tip really only applies to DSLR’s and Mirrorless Interchangeable Lens Cameras, but it is a good tip for some compact digital camera’s as well. Many times, a camera will refuse to work with the attached lens for whatever reason, and the quickest way to find out if the lens is your problem is to do the simple and easy thing, try another lens on your camera.

    For some compact digital cameras, the lens retracts when it is powered off. In some rare cases with these kinds of cameras the lens can become stuck in the retracted position. When the lens gets stuck in place it usually causes the camera to malfunction. If this is the case it is sometimes possible to simply pull on the lens to get it to come out, or, cleaning out sand or dust may help the camera work again.

    3. Reset your camera’s settings to the factory default.

    Resetting the camera is a good idea if there is some kind of glitch occurring or the camera is not behaving how we want it to. Once in awhile people forget that they changed the settings and this can lead to issues. Or, perhaps you bought a used camera and that owner had changed different settings leading to things appearing not to work properly on the camera. The easy solution is to simply reset the camera to the factory defaults. When you do that the camera will go back to working how it was supposed to work (hopefully).

    4. Try a different memory card.

    Just like lenses and batteries, sometimes memory cards go bad and can cause crazy things to happen with our images. Every once in a while, unscrupulous dealers put fake memory cards up for sale that aren’t new or aren’t the advertised brand name. Before blaming the camera ask yourself, did you accidentally leave your memory card in your pants pocket the last time you washed your clothes? If so, that might actually be your problem… the memory card is now damaged and it’s time to get a new one. Sometimes certain brands of cards don’t work as well with certain brands of cameras. It’s just one of those things.

    5. Make sure your camera lens is clean.

    The camera lens is easy to get dirty fingerprints all over and anyone who has used a camera knows this by now. There is a common misconception that dust and fingerprints won’t show up if they’re on the front of the lens, but the truth is fingerprints on the lens can affect the lens sharpness and even cause small flares and blooming around bright areas.

    6. Clean the connections between the lens and the camera.

    Once in a while the connection between camera and lens can be obstructed by dirt and grime that has built up on the lens connecting pins. Simply clean up these pins and it might fix that annoying “lens error” message you’ve suddenly started seeing.

    7. If you dropped your camera in the water take the batteries out and let it sit for days.

    Once in a grand while we do something really bad and drop our camera in the water. It is a nightmare scenario but doesn’t always end up with a ruined camera. Many cameras are weather sealed so they may survive if you are able to retrieve the camera fast enough. The important thing is to remove the batteries and let the camera sit in a warm and dry spot for a few days or even weeks. After this time has passed check on the camera again, you might get lucky and find that it still works despite being dropped in the drink.

    8. You dropped your camera on the ground and it no longer works.

    Most of the time if a camera was dropped on the ground and it ceases it to work as a result, that’s usually the end of that little camera’s usable life. Either send the camera in for repair or buy a new one. The unfortunate reality is that when most things are broken due to a drop on the ground that’s it, they’re done for… But, if you’re the stubborn type, simply try all the things in the list of items above until you get to the post after this one:

    9. You tried everything and you have no idea what is wrong with your camera.

    Your camera doesn’t work and you’ve already checked everything on this list… Well, guess what? It’s game over bro! Time to head on over to your local Goodwill and make a donation… here’s the good news: you can deduct what you donate on your taxes! You’ll probably make more money doing that than you will trying to sell a broken body on eBay, especially after eBay charges their fees.

    10. Contact Customer support and tell them your problem!

    Sometimes customer support can help when there are problems, sometimes not. Call and ask, its worth a shot!

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  • Working through a Seismic Industry Shift – A Photo Editor

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     Working Through a Seismic Industry Shift : Balancing visibility and vulnerability in a constantly changing landscape.

    Lately, I’’ve been hearing from more and more photographers who feel stuck, like the ground beneath them is moving and the usual paths forward no longer apply. I’m sure you’ve noticed, our industry is changing. While big budget ad campaigns and large-ish editorial shoots still exist, they’ve become more elusive: fewer in number, harder to secure, and more tightly budgeted. At the same time, the industry’s public-facing rhythm hasn’t changed much. Photographers continue to share behind-the-scenes social media posts, announce new commissions, and keep their websites fresh. This isn’t dishonest; it’s a form of forward momentum. But it can also mask a deeper truth many are feeling. The structure itself is undergoing a seismic shift, slow in some ways, sudden in others.

    This disconnect is not a sign of delusion, but of survival. Many photographers are quietly anxious, burned out, or disillusioned, not because they lack talent or drive, but because the industry they built careers around no longer behaves predictably or sustainably. This disconnect can breed a particular kind of paralysis: the knowing that things are wrong, paired with the fear of stepping outside the illusion. It’s easier, and often more professionally acceptable, to play along with the facade than to confront the reality head-on.

    It can be disorienting. On one hand, we’re encouraged to keep up appearances, to maintain visibility, to show we’re still working. On the other, many creatives quietly admit to uncertainty about where the next job will come from or how to adapt to the growing presence of AI and the shrinking demand for traditional production. This isn’t failure. It’s a rational response to change. Acknowledging the gap between how things look and how they feel is not a weakness. It’s the beginning of recalibration.

    This recalibration doesn’t have to mean abandoning the craft. In fact, continuing to share your work, especially the honest, messy, beautifully human parts, can be a quiet act of resistance. Whether you’re shooting a big budget campaign for an agency or brand, or working on a personal project, your images and stories still matter. They remind others that the work is not only possible but still worth pursuing, even as the industry continues to shift. By recognizing the change, staying visible, and adapting to an evolving process, photographers can help shape what comes next.

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    About Christopher Armstrong

    Chris began his career as a photographer in Los Angeles, eventually moving through the worlds of film, television, and advertising before returning to photography in a new role as an agent and producer. Along the way, he worked with legendary filmmakers like Robert Altman, top production companies in Los Angeles and London, and global agencies including Wunderman, Publicis, and Deutsch. With 30-plus years of international experience, he has a panoramic view of the creative industry, one that’s occasionally dysfunctional but always worth sharing. That breadth of perspective informs everything he does, from creative strategy to mentoring emerging talent.

    In 2012, Chris founded PhotoPolitic in Stockholm as a response to the shifting landscape of commercial photography and production. Now operating between Amsterdam and Los Angeles, the invite-only platform connects elite photographers, directors, and digital artists with leading advertising and editorial clients worldwide. Carefully curated and fiercely independent, PhotoPolitic represents talent recognized for both aesthetic excellence and real-world impact.

    Today, the PhotoPolitic network includes some of the most respected names in advertising, editorial, architecture, interiors, documentary, reportage, and fine art photography. At its core, PhotoPolitic exists to champion creative integrity in an industry that often compromises it, working only with professionals whose reputations are built on craft, ethics, and results.



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