برچسب: Sports

  • Photo Gallery: Vibrant Portraits with the Sigma 200mm F2 DG OS Sports Lens

    Photo Gallery: Vibrant Portraits with the Sigma 200mm F2 DG OS Sports Lens

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    Sigma is pleased to feature a gallery of fashion and dance portraits by photographer Anabel DFlux. This gallery is comprised entirely of images shot with the Sigma 200mm F2 DG OS | Sports lens. With a large maximum aperture of F2 and a flattering focal length, this premium prime lens is an excellent choice for portraits with exceptional depth and compression, perfect for intentional, beautiful blurring of backgrounds and foregrounds that makes subjects pop.


    Featured model: Lee Lim @fa.mulan.rouge

    About

    Anabel DFlux is a published photographer in Los Angeles, California. Having started her photography business at the age of 15, Anabel has dedicated her life to her photographic passion. From canine sports to exotic animals, to some of the biggest musicians in the world – Anabel’s work doesn’t fall into any specific niche. She believes there are no limits to what you can create, and to photograph everything that gives you that spark of inspiration.

    Equipment used


    200mm F2 DG OS | Sports

    EXPLORE MORE


    This travel gallery – photographed with the Sigma 16-300mm F3.5-6.7 DC OS | Contemporary lens on a Fujifilm X-H2 camera body – was captured by photographer Devon Smith Jr. during a summer trip with Brooklyn to Alaska, an organization dedicated to helping diverse youth from Brooklyn, New York experience a once-in-a-lifetime adventure in Alaska’s rugged natural environment. From climbing a glacier, to rafting down a rushing river, to sleeping in a tent under the stars, BK2AK helps close the gap to outdoor adventure by increasing access to the outdoors.


    There are lenses that document life, and then there are lenses that transform it. The Sigma 200mm F2 DG OS | Sports has a way of making the everyday feel extraordinary. See how photographer Meg Loeks uses this lens to make her portraits truly stand out.

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  • Finding Magic in the Ordinary: Sigma 200mm F2 DG OS Sports Lens

    Finding Magic in the Ordinary: Sigma 200mm F2 DG OS Sports Lens

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    There are lenses that document life, and then there are lenses that transform it. The Sigma 200mm F2 DG OS | Sports has a way of making the everyday feel extraordinary. What might otherwise pass by unnoticed, my son getting the mail, our puppy tumbling through tall grass, fog blanketing our farm at sunrise, or even a spiderweb jeweled with dew, takes on a cinematic, dreamlike quality through this lens.

    I’ve always been drawn to longer focal lengths when photographing outdoors. There’s something about the way they compress space and create intimacy from a distance that resonates deeply with the way I tell stories. The 200mm F2 not only gave me that beautiful compression I love, but paired it with bokeh that is rich, creamy, and painterly, plus clarity that extends from edge to edge. It’s a lens that doesn’t just capture a scene, but transforms it into something magical.


    Built for storytelling in any environment

    The Sigma 200mm F2 DG OS | Sports is a professional-grade lens built to handle whatever the environment throws at it. With a sturdy, weather-sealed design, it feels ready for everything from misty mornings to dusty, golden evenings. And while 200mm F2 lenses are traditionally heavy beasts, Sigma has made this one surprisingly manageable weighing about 1.8kg. It’s significantly lighter than previous 200mm F2 lenses.

    This lens also includes thoughtful features: an aperture ring for quick depth-of-field changes, and two Optical Stabilization (OS) modes. Mode 1 is great for everyday shooting, while Mode 2 allows stabilization on one axis for smooth panning shots which is useful not only in motorsports, but also when following a child or pet in motion. Plus, a focus limiter makes it easier to keep your AF system restricted to a certain range (really useful when there is a lot of foreground).

    The autofocus system also deserves praise. Sigma’s new High-response Linear Actuator (HLA) motor system uses multiple actuators working together for speed and precision. It’s quiet, fast, and reliable, locking on even when my kids are racing toward me or the puppy is darting unpredictably across the yard.


    Everyday magic in action

    Backlight:

    This is where the 200mm F2 truly shines. Shooting into the sun, it creates luminous frames with smooth transitions from light to shadow. My kids running through golden haze look as though they stepped out of a storybook.

    Fog & Atmosphere:

    On misty mornings, the compression at 200mm stacks layers of light and texture, adding cinematic depth. It feels like stepping into another world.

    Details:

    Even delicate subjects, like a spiderweb catching morning dew, are rendered with incredible sharpness while the background melts into painterly blur.

    Motion:

    Whether children are racing across the yard or our puppy is bounding through tall grass, the fast aperture, responsive autofocus, and OS system make it easy to freeze action while keeping that dreamy, ethereal quality intact.

    Space & Scale:

    At 200mm, you of course need room to back up which is something our yard provides in abundance. The reward is that the background feels enlarged, filling the frame with layers of texture and color that enhance the subject’s story.


    Image quality that inspires

    What I love most about this lens is the balance between technical excellence and creative possibility. The sharpness is breathtaking, not just at the center but across the entire frame. The compression and bokeh create images that feel cinematic and immersive, while colors and tones remain rich and consistent whether I’m shooting into glowing backlight or the soft haze of fog.

    It’s rare to find a lens that delivers both precision and poetry, but the 200mm F2 does exactly that.


    A new favorite

    As someone who gravitates toward longer lenses outdoors, the Sigma 200mm F2 feels like an extension of how I naturally see the world. It allows me to step back and give my children and animals the freedom to interact with their environment, while still creating portraits that feel deeply intimate and emotional.

    This lens has quickly become one of my favorites, not just for its technical prowess, but for the way it encourages me to slow down, watch closely, and rediscover the magic in ordinary moments.


    Conclusion

    The Sigma 200mm F2 DG OS | Sports is often thought of as a sports or wildlife lens, but it’s so much more. In everyday life, it transforms simple scenes into cinematic frames full of light, depth, and emotion. From foggy mornings to glowing backlight, from playful kids and pets to delicate natural details, it’s a lens that elevates the familiar into the extraordinary.

    For photographers who love longer focal lengths, crave dreamy bokeh, and demand sharpness edge to edge, this lens is a powerhouse. More than that, it’s an invitation to see the everyday as something magical.

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  • Perspectives Redefined, Reflections, Sports, Nature – The Weekly Light Stalking Community Roundup

    Perspectives Redefined, Reflections, Sports, Nature – The Weekly Light Stalking Community Roundup

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    Welcome to our weekly community wrap-up.  It’s been another great and exciting week on the Light Stalking forums with some stunning photography by the community. Members have been submitting high quality photos the past few weeks, which makes it even more exciting.

    Here is the Photo Of The Week that is judged by Federico every week. This week’s photo of the week is by Patrick and you can read what Federico had to say about this photo in the link here – Photo of the Week – September 12th

    Copyright Patrick

    The weekend photography challenge from last week was “Perspectives Redefined” and members had their creative take on the theme with very interesting shots – some of them are shared below.

    Copyright Patrick
    Almost there – Copyright Elin
    Copyright Elin
    Copyright Michael
    A Deconstruction of Light – Copyright Patrick
    Copyright Holly K
    Teasel – Copyright Tersha
    Backsides – Copyright Tersha
    Big vs Little – Copyright Pat Garrett
    The underneath of a hummmr – Copyright Pat Garrett

    This week, we have a new challenge that has some very beautiful submissions already. Join the challenge here – Unseen Beauty

    Here are some amazing shots from the past week that we thought were great and should be included here:

    Steve shared some compelling sports photography:

    Team Sport – Copyright Steve
    Run faster – Copyright Steve
    3rd Place – Copyright Steve

    Steve also shared some stunning reflection photos both in colour and black and white.

    The Pool – Copyright Steve
    A look Upstream – Copyright Steve
    Photo trying to mimic water color painting – Copyright Steve

    Tersha shared photos of a rose, birds and a hedgehog from her garden!

    Rose – Copyright Tersha
    On the feeder – Copyright Tersha
    Posing – Copyright Tersha
    Hedgehog – Copyright Tersha

    Rob shared a beautifully composed photo, captured on a rainy day. More reasons to get out when the weather is not very favourable.

    Window to the food – Copyright Rob Wood

    David shared an image of an old gate house that looks absolutely stunning.

    Old Gate House – Copyright David

    Discussions:

    • How do you improve? – Rob started a very interesting discussion on how photographers may fall into a few different groups. Join it here.
    • Steve started a discussion on Magnetic Filters. Join over here to participate.

    If you are someone who captures images with your smartphone, we have a Mobile Photography Challenge where you can post your mobile photos and also check out the works by other photographers. The images must be captured and edited on a smartphone. Join to submit the photos over here.

    There are also some members’ picks that are featured. These can be chosen by any of the members and are put in a whole new thread of their own and called out as being a great addition and shot for the forums. Check out those stunning captures here.

    Patrick started a thread late last year – “Community Inspired Photo Story Challenge” – capture a story in 3 to 6 photos that hold personal significance and post them with a brief description. While that thread was started to be completed within a week, it has been open with ongoing submissions for the past year and is still open where members can post their stories.

    Here are some throwdowns to follow and post your own photos, or you can start your own throwdown too.

    • 2025 Reflections Throwdown – a unique way to capture your own reflection, whether abstract or otherwise. There are many beautiful images to go through for some inspiration.
    • Your Pets – Share photos of your pets here.

    And, there are images posted in the Shark Tank forum where members request for constructive criticism/feedback on their photos.

     If you’d like to join in with our members, feel free to join us on the forums.  We’d love to see you there, and we are a friendly bunch.



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  • A Tribute to the Grand Hengduan Mountains That I Love: Sigma 200mm F2 DG OS Sports Lens

    A Tribute to the Grand Hengduan Mountains That I Love: Sigma 200mm F2 DG OS Sports Lens

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    My hometown is Chengdu, situated in the vast Sichuan Basin of China. Just over 200 kilometers away from this flat expanse lies a series of parallel mountain ranges stretching east to west, spanning thousands of kilometers. This region has countless snow-capped peaks, pristine lakes, deep gorges, and winding rivers.

    It also boasts extraordinary biodiversity, including globally renowned species such as the giant panda and golden monkey.

    Additionally, the area is rich in cultural diversity, with multiple ethnic groups coexisting and blending their unique traditions. Collectively, we refer to this region as the Grand Hengduan Mountains.

    Since I first picked up a camera, the Grand Hengduan Mountains have remained my most frequently photographed subject.

    In my earlier photographic endeavors, I often relied on wide-angle lenses to capture the region’s grandeur and majestic landscapes. However, for this particular project, I challenged myself to shoot exclusively with the Sigma 200mm F2 DG OS | Sports lens.

    This choice not only pushed me out of my comfort zone but also allowed me to explore this familiar terrain with a fresh perspective, unveiling an entirely new dimension of beauty.

    The Sigma 200mm F2 DG OS | Sports is a truly unique lens in today’s market. Before using it, I couldn’t fully envision the kind of results it could achieve. This fast telephoto lens delivers strikingly dramatic subjects, with a powerful sense of spatial compression and an extremely shallow depth of field.

    Its ability to carve distinct visual layers in a scene is remarkable.

    The lens is equipped with a High-response Linear Actuator (HLA), ensuring swift and precise autofocus. Even when photographing distant wildlife against a complex background, the lens rapidly locks focus on the subject, allowing me to capture dynamic moments with exceptional clarity.

    Throughout this project, every shutter release amazed me. Familiar landscapes transformed before my eyes, revealing unexpected nuances and perspectives.

    The F2 aperture, combined with the lens’s robust optical stabilization, enabled me to shoot at low ISO settings even in dim lighting conditions. This maintained superb image quality while unveiling delicate details I had previously overlooked.

    From the faint glow of Tibetan watchtowers at blue hour to the warm flicker of lights in village homes, or the subtle glimmers atop mountain peaks at dawn – these intricate elements, once ignored, now enriched my visual narrative.

    The optical performance of this lens exceeded my expectations.

    Even at its widest aperture of F2, the image quality remained impeccably sharp from center to edge, even in complex lighting scenarios.

    The lens features Nano Porous Coating (NPC) technology, effectively minimizing flare and ghosting. This proved invaluable when I witnessed a magnificent sea of clouds at sunrise. Even shooting directly toward the sun, the results were breathtakingly clear and vibrant.

    Another standout feature was the newly designed tripod mount, which doubled as a practical carrying handle. Its Arca-Swiss compatibility made tripod installation seamless, ensuring I never missed a decisive moment in the field.

    My landscape photography journey with the Sigma 200mm F2 DG OS | Sports lens was immensely rewarding. The lens performed flawlessly, capturing nature’s intricate details and fleeting moments of light and shadow.

    As a photographer, I find immense joy in waiting, observing, and discovering these subtle transformations.

    With this lens, I was able to distill those magical moments into visual memories that reflect the beauty and wonder of our world.

    Through the Sigma 200mm F2 DG OS | Sports, I rediscovered fresh inspiration and creative direction.

    Experimenting with new equipment is an exciting journey of self-discovery and growth for any photographer.

    BEHIND THE SCENES

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  • Dedication to Craftsmanship: Sigma 200mm F2 DG OS Sports Lens

    Dedication to Craftsmanship: Sigma 200mm F2 DG OS Sports Lens

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    As a portrait photographer, what matters most to me is to capture something different from the subject. It is a challenge and it takes time. Time which we don’t always have these days as our lives are speeding up.

    The rapport between me and the subject is essential to break down that barrier that protects us from the unknown.

    I usually get up close to the subject to create this rapport, talking to them and directing them. I use the shallowest depth of field that a lens can offer. I focus on the eyes through which everything will be said, blurring the rest of the head and body. This allows the viewer to concentrate on the eyes.

    So when I was asked by Sigma to use their new Sigma 200mm F2 DG OS | Sports with an f-stop of 2, I was intrigued! 200mm felt a little long for portraits as I usually use an 85mm.

    It would require me to be further away from the subject, but at the same time, the length of the lens with such a small f-stop could only enhance the focus on the eyes that I desire so much.

    I have a coffee shop in the artistic Marais neighborhood in Paris where I have built a community around specialty coffee and photography.

    The way I do coffee is artisanal, where precision is key and where quality is constant, two things that make a great cup over and over.

    The community I have built, I have discovered over time, shares these same values.

    Values that are also an intrinsic part of Sigma and why I use their cameras and lenses for my photography. Dedication to craftsmanship, precision and quality.

    I chose to photograph some of my customers who share these same values. They are designers, artists, craftsmen or who work for companies that adhere to these values.

    The weather in Paris has been grey and gloomy and shooting with the Sigma 200mm F2 DG OS | Sports with its F2 aperture and superb image stabilization allowed me to work in low light conditions whether inside an artist’s studio or out on the street. Another advantage of such an incredibly low aperture! It is a heavy lens but holding it and shooting hand-held was easy and effortless.

    The tripod mount turned into a very convenient way to hold the camera and lens while talking to my subjects or moving from one location to another! Sigma seems to think of these small things that make a photographer’s life easier.

    All the controls are ergonomically placed so I didn’t have to search for what I needed to adjust. When I saw the shallow depth of field, I was thrilled! The length of the lens did not interfere with my direction of my subjects. In fact, in some cases, the distance made certain subjects more at ease. The result was beyond expectation. The eyes in each portrait are very sharp with that soft blur in front and behind them made possible by the 200mm and the 2 f-stop which enhanced the expressiveness of the eyes.

    Shooting hand-held in low light normally shows some blurriness especially with a relatively heavy lens, but the 200mm with its superior image stabilization captured perfectly sharp images. This allowed me more freedom of movement to find the right angle and compositions that I was looking for.

    Taking portraits with Sigma 200mm F2 DG OS | Sports lens opened my mind and changed my ideas of what kind of lens would be good for portrait work!

    That shallow depth of field on a long lens only made the portraits more intriguing and different than any other lens I have tried before.

    The lens’s outstanding image stabilization gave me confidence that the images would be perfectly sharp in the low-light conditions where I would normally require a tripod. It has certainly gained its place in my arsenal of portrait lenses.

    BEHIND THE SCENES

    MORE PHOTOS

    SPECIAL THANKS

    Thilan, Wall Architectes
    Max, designer
    Mehdi, Director of Immersive Art & Culture at Fisheye
    Benoît, artist and creative director at Tiffany’s
    Thomas and Aurore, founders of RSVP, handmade leather bags in France
    Hermon, jazz trumpetist
    Pascal, graphic designer and creative director at Gallimard
    Sophie, Chanel

    (in order of appearance in MORE PHOTOS)

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  • Photo Gallery: Sigma 300-600mm F4 DG OS Sports Lens

    Photo Gallery: Sigma 300-600mm F4 DG OS Sports Lens

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    Sigma presents a gallery of images by photographer Kellon Spencer. This gallery is comprised of photos shot with the 300-600mm F4 DG OS | Sports lens, released in 2025 for full-frame format mirrorless cameras.

    Working with the Sigma 300-600mm F4 lens reignited my passion for visual storytelling. During a recent expedition to the Arctic, I had the privilege of capturing everything from sweeping polar landscapes to intimate moments with polar bears, walruses, and a wide array of bird species.

    Wildlife photography often demands precision, patience, and above all, the right equipment. The ability to shoot at 600mm with a constant F4 aperture proved to be a game changer. It allowed me to maintain fast shutter speeds even in low light, making it possible to freeze the motion of fast-moving subjects without compromising image quality.

    This lens isn’t just a new addition to my gear list — it’s now an essential part of my wildlife documentary toolkit.

    Kellon Spencer, Photographer & Media Producer

    About

    I originally pursued media as a means of documenting nature and the adventures I live for. My perspective is that existence on our planet is far more fascinating than anything found in a work of fiction. In addition to media production I also have a background in biology with an emphasis on the ocean. While I don’t work in research, I apply my education as a Naturalist Guide.

    Equipment used


    300-600mm F4 DG OS | S

    EXPLORE MORE


    Sigma presents a gallery of images by professional photographer Darren White. This gallery is comprised entirely of photos shot with the 14-24mm F2.8 DG DN | Art lens, released in 2019 for full-frame format mirrorless cameras.


    Sigma presents a gallery of images from the side streets of Tokyo by photographer and video producer Nagamitsu Endo. This gallery is comprised entirely of images shot with the Sigma BF camera, along with its natural street photography companion, the 35mm F2 DG | Contemporary lens.

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  • First Look: Exploring Patagonia with the Sigma 300-600mm F4 DG OS | Sports Lens

    First Look: Exploring Patagonia with the Sigma 300-600mm F4 DG OS | Sports Lens

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    As outdoor photographers, there are places in the world that beckon to us to explore their photographic wonders. The pull of exotic landscapes bathed in warm light, and huge swaths of wide open areas packed with an abundance of wildlife, are draws impossible to resist for inquisitive adventurers. One of the places at the top of my to-do list was the incomparable Patagonia region of southern Chile.

    There is so much to photograph and explore in Patagonia, so I decided to narrow my vision to Torres del Paine National Park, and more specifically, the wildlife that calls it home. Most prominent of these animals, and what truly piqued my interest, are the park’s famous pumas. With buy-in from local estancias (ranches) that border the park, the pumas have a massive area where there are free to be wild without persecution from hunting and trapping. Because of this, the puma population in Torres del Paine and the surrounding area is absolutely booming.


    The ultimate wildlife photography zoom lens

    My lens of choice for pumas, and all the wildlife I encountered, was the brand new Sigma 300-600mm F4 DG OS | Sports lens. This is a de-facto professional grade lens the likes of which have never been seen before and I put it to good use. In my time there, I saw 17 individual pumas over the course of about 25 encounters. As far as I know, this is not possible anywhere else in the world. That’s what makes this place so special. Of course not every encounter would result in photos but enough did that I was able to get plenty of great photos. In addition to pumas I was able to photograph Andean condors, grey foxes, rheas, an austral pygmy owl, black chested eagles, and of course plenty of guanacos.

    The 300-600mm F4 DG OS | Sports was absolutely perfect for photographing wildlife in the park. The optics are stunningly sharp with nice contrast and great color. The HLA autofocus motor is ultra fast, and when using Animal Eye AF in my camera, it locked on to my subject and consistently yielded professional results. The lens is big and fairly heavy, similar to 500mm and 600mm F4 primes from other lens makers. However, in direct comparisons to other photographers’ setups, mine was usually a bit smaller and lighter. I was able to hand hold the lens for numerous images, but I also had it mounted on a tripod for many of my photos and videos.

    One of my favorite features of the 300-600mm F4 DG OS | Sports is the fact that it’s a zoom that shoots like a prime. There were times when the pumas would come incredibly close, and while other photographers were forced to swap lenses to get the shot, I could simply zoom out! I also love the fast F4 constant aperture. I shot it wide open while recording video clips in pre-dawn light. For still images, the F4 aperture was wonderful for isolating my subjects are rally making them “pop” from their environments. The bottom line here is that you are really getting four ultra-quality F4 prime lenses in a single lens. Oh…and did I mention it’s half the price of one prime lens? Just incredible.

    Torres del Paine National Park is well known to landscape photographers for the combination of lustrous low-angle light of the southern latitudes and soaring rock spires of the Cuernos and Towers. While most of my efforts were focused on pumas, I had to get a few images of this iconic place. With the 300-600mm F4 DG OS | Sports, I had the versatility to try different compositions without moving or changing lenses, not to mention gorgeous compression for unique-looking landscape photos.


    My Sigma lens kit for travel and storytelling

    Flying halfway around the globe to one of the most photogenic places on earth, I’d be crazy not to also shoot some landscapes and culture. To help me tell those stories I brought a few of my favorite lenses: the Sigma 16-28mm F2.8 DG DN | Contemporary, 24-70mm F2.8 DG DN II | Art, and the 70-200mm F2.8 DG DN OS | Sports. This kit has traveled with me all over the world and images from them have been used for cover shots, features length editorial stories and major commercial ad campaigns. I trust this lens trio to get the job done beautifully and once again they handled everything I threw at them.

    Another highlight was a visit to Estancia San Louis. This is a working sheep ranch long owned by a local family. While there, one of the gauchos was rounding up some sheep and even showed us how he sheared them. The gaucho working his dogs and sheep with the Towers in the background made for some very classic images of Patagonia and was a blast to photograph.

    I booked my trip to Patagonia though Chile Nativo. Their intimate knowledge of the area was evident, and the glamping (fancy camping) at Riverside Camp was incredibly cool. My guide, Santiago, was super helpful and made finding the pumas and the landscape areas very easy. The team was great to work with, and if you want to go I would highly recommend them. To get there, I flew to Punta Arenas and rented a car. You could also fly into Puerto Natales, which is closer to Torres del Paine, but is quite a bit more expensive.


    Final thoughts

    Whether you go for wildlife, landscapes or general travel, a trip to Patagonian Chile is something every adventure photographer should put on their list. If your itinerary includes wildlife photography, consider bringing the Sigma 300-600mm F4 DG OS | Sports lens. For me, it was critical to getting my very best images. And bring the rest of your Sigma lenses to photograph the people and the views. You won’t regret it. If you have any questions feel free to reach out. Hope to see you out there!


    Explore Patagonia with Liam (Video)

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  • Kraken Sports Unveils KR-S40 Entry-Level Strobe

    Kraken Sports Unveils KR-S40 Entry-Level Strobe

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    After introducing the KR-S160 and KR-S80—boasting 160Ws and 80Ws of power, respectively—Kraken Sports has announced a new entry-level strobe, the KR-S40, offering an output of 40Ws (guide number 16). More compact than its more-powerful siblings, the KR-S40 features the same aluminum construction, optical triggering and remote controllability, but a straight flash tube rather than a circular one.

    Strobe power can be adjusted manually using the big rear dial (five levels), but there’s no TTL automatic exposure option. Unlike its siblings, the new strobe has no dual function as a video light, but there’s a 500-lumen target light built in. According to Kraken, the strobe recycles in 1.5 seconds after a full power dump. The KR-S40 is powered by a single high-capacity 21700 battery.

    The Kraken KR-S40 strobe will be available soon from retailers such as Backscatter, priced at $360.

     



    When purchasing underwater photography equipment like the products mentioned in this article, please support DPG by supporting our retail partner—Backscatter.com.



    PRODUCT INFORMATION

    KR-S40

    Elevate your underwater photography with the Kraken Sports KR-S40, a compact yet powerful strobe designed for macro enthusiasts seeking exceptional lighting in a portable form. Whether you’re capturing intricate reef details or vibrant marine life, the KR-S40 delivers precise illumination to enhance your shots.





    Key Features:

    • Compact Design: Lightweight and easy to handle, making it ideal for macro photography and travel.​

    • High-Quality Illumination: Provides consistent and powerful lighting to bring out the true colors of your underwater subjects.

    • Rechargeable Battery: Equipped with a rechargeable battery for convenience and cost-effectiveness.​

    • User-Friendly Controls: Designed for ease of use, allowing you to focus on capturing the perfect shot.​

    • Durable Construction: Built to withstand the rigors of underwater photography, ensuring reliability on every dive.​


    Ideal For:

    • Macro Photography: Perfect for capturing small marine life and intricate reef details.​

    • Traveling Photographers: Its compact size makes it easy to pack and transport.

    • Underwater Photography Enthusiasts: Suitable for both beginners and seasoned divers looking to enhance their underwater imaging.​

       





    Additional information

    • Power: 40Ws
    • Guide Number: 16
    • Modes: S1, S2, No TTL
    • Beam Angle: 60°
    • Color Temperature: 6000K
    • Recycle Time: 1.5 Seconds to Full Power
    • Power Levels: Five (40ws, 20ws, 10ws, 5ws, 2ws)
    • Target Light: 500 lumens
    • Depth Rating: 330ft/100m
    • Dimensions: 62mm x 63mm x 130mm
    • Weight: 530g on land, 200g underwater



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  • How to Fix Blurry Sports Photos

    How to Fix Blurry Sports Photos

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    Taking crisp action shots of sports figures can be challenging, and sometimes an otherwise perfect shot is just a little out of focus. 

    In this tutorial, you’ll learn how to fix blurry sports photos—including methods you can use to sharpen and fix out-of-focus sports photography, as well as tips to ensure your next sports photos are crisp and clear.

    How to fix a completely blurry sports photo

    A completely blurry sports photo is when nothing in the frame is in focus. This often happens in action shots. If this happens to you, there are several filters you can use in Photoshop to sharpen the entire image.

    Using the Unsharp Mask Tool

    Photoshop has a filter specifically designed to sharpen images, known as the Unsharp Mask tool. A blurry image can never truly be “sharpened,” but Unsharp Mask attempts to detect the edges of your photo by looking for side-by-side pixels that are different in color. Then, the tool allows you to adjust the contrast of those pixels and create the illusion of a sharpened image.

    To use this tool, open your blurry sports photo in Photoshop. Make sure you have the layer containing the image you want to sharpen selected (in a JPEG, this would be the Background layer).

    Photoshop 2025 showing the locked background layer selected in the Layers panel, displaying a motion-blurred cyclist on a bridge.

    Next, choose Filter > Sharpen > Unsharp Mask… from the dropdown menu at the top of the application window.

    Photoshop 2025 Filter menu with the Unsharp Mask option highlighted, used for image sharpening and edge refinement.

    A dialog box with Unsharp Mask settings will appear. Within this window you can adjust the Unsharp Mask settings. These settings allow you to finely tune how much contrast Photoshop will apply to the pixels within your image. 

    You’ll see a portion of your image displayed within the dialog box. You can use your cursor to drag until a critical portion of your sports photo appears in that image window. In the example below, we’ve positioned the cyclist’s face in the window.

    Next, you’ll see three sliders: 

    1. Amount: The Amount setting adjusts the increase in contrast between pixels. 
    2. Radius: Radius adjusts the number of pixels along an edge that will be affected by the contrast increase. 
    3. Threshold. Threshold tells Photoshop just how different those pixels must be from each other before they’re considered an “edge.”

    Make sure Preview is checked so you can see how the image will change when you make adjustments within this dialog box.

    Unsharp Mask filter window in Photoshop 2025 previewing sharpening adjustments on a cyclist’s face with fine-tuned radius and threshold settings.

    Each image you adjust will have different settings for these three sliders, because no two images are identical. Play with the sliders until you figure out which combination of settings works best for your image without creating an overly contrasted result.

    Once you’re happy with the final image, click OK.

    Side-by-side comparison of a cyclist image before and after photo retouching, showing improved sharpness and contrast after editing.

    So, it’s not perfect, but it is an improvement

    Sharpen blurry sports images using High Pass Filter

    Another Photoshop tool for sharpening blurry images is the High Pass Filter. In fact, you can use High Pass Filter and Unsharp Mask together to create an even sharper image.

    To use the High Pass Filter, first duplicate the layer that contains the image you want to sharpen (most likely your Background layer). You can do this by clicking on the Layers panel menu (four little horizontal lines in the upper right corner of the panel) and choosing Duplicate Layer….

    Photoshop Layers panel with Duplicate Layer option selected, preparing a new layer for non-destructive image editing on a cycling photo.

    With the new layer selected, choose Filter > Other > High Pass… from the dropdown menu at the top of the application window.

    Photoshop 2025 interface with the Filter menu open, highlighting the High Pass filter option used for edge sharpening and image enhancement.

    Your image will go completely gray. You’ll only see the outlines of your edges in the image. 

    In the High Pass dialog box that appears on the screen, move the Radius slider to the left to reduce detail or to the right to increase the details of the edges. Make sure “Preview” is checked so you can see the effects of moving the slider. In general, keep the radius at 7.0 Pixels or less so your end result will look natural.

    Photoshop High Pass filter preview with layer mask applied to cyclist photo, used for edge sharpening in a non-destructive workflow.

    Click OK.

    Next, go back to your Layers Panel. Change the Blending Mode of the top layer to “Overlay.” (By default, the Blending Mode will be set to Normal.)

    Photoshop Layers panel displaying the Overlay blending mode applied to a duplicated background layer for contrast enhancement.

    Your image will now appear sharper.

    Side-by-side comparison of a motion-blurred cyclist image before and after Photoshop sharpening, highlighting improved focus and clarity.

    For an even sharper image, you could apply Unsharp Mask, and then a High Pass Filter on top of that. 

    You capture the action, we’ll look after the edits. Sports photo editing services start at 25¢ per image.

    How to fix a specific area of a blurry sports photo

    Sometimes, you want to capture motion blur and keep the visual effect, but you also want your subject’s face, or some other portion of the photo to be crisp. There are multiple ways to do this, including using selections, using layer masks, and using Photoshop’s Sharpen Tool.

    How to use a selection and layer mask

    Go back to the image you just sharpened using a High Pass Filter. Now, you’re going to remove the sharpened effects from every part of the image except the cyclist’s face—and then add additional effects to that area to create even more crispness.

    Using the Marquee Tool in Photoshop’s Toolbar, draw an ellipse or a rectangle around the area of the photograph you want to remain crisp.

    Photoshop 2025 showing the Elliptical Marquee Tool in use to select a circular area around a cyclist’s head for localized editing.

    Next, choose Select > Modify > Feather… from the dropdown menu at the top of the application window.

    Photoshop 2025 Select menu showing the path to the Feather option under Modify, used for softening selection edges during image editing.

    In the dialog box that appears, type in a value between 100 and 250. This will give you the smoothest feather of your selection.

    Photoshop feather selection dialog box over a cyclist image, demonstrating how to soften selection edges with a high feather radius.

    Now, go back into your Layers panel and choose the layer that contains your High Pass Filter. Click on the Mask icon at the bottom of the Panel. This icon looks like a black rectangle with a lighter circle inside of it.

    Photoshop 2025 Layers panel showing a duplicated background layer with a layer mask applied and set to Overlay blend mode for localized adjustments.

    Once you click on that icon, you’ll see a mask appear in your layer. It will look all black, except for the area of your selection, which will appear white.

    You’ve now made it so the High Pass Filter will only appear on the area where you originally created your selection, or in the case of this example, on this cyclist’s face.

    How to use the Sharpen Tool

    You can sharpen the cyclist’s face even more by using Photoshop’s Sharpen Tool.

    Select the Sharpen Tool from the Toolbar to the left of the application window. The Sharpen Tool may be sitting behind the Blur Tool or the Smudge Tool.

    Photoshop toolbar showing the Sharpen Tool selected from the Blur Tool group, used for enhancing image clarity and detail.

    In your Layers panel, select your original laye—the layer that does not contain the High Pass Filter. Then, with your Sharpen Tool selected, “paint” over the areas of your image that you want to be a bit crisper. In the below example, we went over the cyclist’s eyes and mouth with the tool.

    Photoshop 2025 interface showing the Sharpen Tool in use on a cyclist’s face, with the background layer selected and tool settings highlighted for precision image enhancement.

    Like all tools in Photoshop, you have the option to adjust the strength and size of the Sharpen Tool in the Options Bar.

    Before and after comparison of cyclist photo sharpening, demonstrating enhanced image clarity and edge definition using Photoshop tools.

    How to remove a blurry background from a sports photo

    Sometimes a photographer will want a clear subject and a blurry background in a sports photo. However, there are times where a crisp background makes more sense. In these instances, it works best to remove the background altogether and replace it with a new image.

    For the following examples, let’s use this image of a young woman holding a basketball.

    Photoshop 2025 interface showing the Remove Background button active beneath a basketball player image during automated background removal.

    Use AI to remove a background in Photoshop

    The easiest way to remove a background is to use the “Remove Background” tool, which is part of Photoshop’s new AI tools. However, while fast, this tool isn’t always the best option, as you’ll see in a minute.

    To use the tool, make sure the Contextual Task Bar is visible. By default, it is—however, if you don’t see it, make sure Contextual Task Bar is checked under the Window dropdown menu.

    Photoshop 2025 interface showing active contextual task bar and layer panel during sports image editing workflow.

    With the Contextual Task Bar visible beneath your image, you’ll see the option to Remove Background. Click on that option.

    Photoshop 2025 interface showing the Remove Background button active beneath a basketball player image during automated background removal.

    The result will be…okay. But not perfect. To really remove the background from an image, you’ll need to add a human touch.

    Young female basketball player isolated on a transparent background after precise clipping path and background removal.

    [cta text=”Save a ton of time with pro background removal from 39¢ per image” button=”Learn more” link=”https://pathedits.com/pages/background-removal”]

    Remove background using Select and Mask

    Another option to quickly remove the background of your image is to use the Select and Mask feature in Photoshop. To do this, go to Select > Select and Mask… from the dropdown menu at the top of the application window.

    Photoshop 2025 Select menu with 'Select and Mask' highlighted, preparing to refine selections for precise cutouts of a sports portrait.

    A new window will appear. In this window, choose Select Subject. You can refine the subject by using the “Refine Hair” button and the tools on the left-hand side of the window, including the Magic Wand Tool.

    Once you have your subject selected to your satisfaction, scroll to the bottom of the Properties tab at the right-hand side of the window. Change “Output to” to “Layer Mask.”

    Photoshop interface showing 'Select Subject' and 'Layer Mask' options in use for isolating and masking a basketball player on a transparent background.

    Click OK.

    Back in your regular image window, you can now refine the subject more. For instance, Select and Mask didn’t do a very nice job of selecting the model’s hair, and parts of her left hand are cut off. You can fix this manually using Photoshop’s Pen Tool and Background Eraser Tool.

    Refine selection using the Pen Tool

    You can use the Pen Tool to refine crisp edges of your subject. 

    First make sure you have the mask portion of your layer selected. Then select the Pen Tool from the Toolbar at the left-hand side of the application window and draw along the edge of your subject. Create a selection from your path, then delete or add portions of your image back in to achieve the desired edge to your subject. 

    Photoshop 2025 interface showing the Pen Tool and active layer mask while creating a clipping path around a basketball in a background removal workflow.

    Use the Background Eraser Tool

    Next, you can use the Background Eraser Tool to refine the hair of our subject. You can get to the Background Eraser Tool by clicking and holding down the Eraser Tool in the Toolbar.

    It’s best to work in stages around the edge of the subject’s hair, so choose one side of the head to start on. Then, set your background color to the color of the background behind that portion of hair. Use the Background Eraser Tool to refine the edge of the hair and continue to change the background color as needed as you work around the entire head.

    Photoshop 2025 close-up view of masking curly hair using the Brush Tool and selection refinement tools on a transparent background.

    Once you’ve sufficiently removed the background from your subject, you can insert a new, crisp background into your image.

    Retouched image of a female basketball player placed on a new outdoor court background after background removal and replacement.

    How to avoid taking blurry sports photos

    While Photoshop offers many options to reduce motion blur, the best way to get a crisp photo is adjusting your camera and equipment settings for the scene you’re shooting. Take plenty of test shots before the event to get your setup close to perfect, based on subject speed and lighting conditions. Shooting in RAW instead of JPEG gives you more flexibility to rescue blurry or underexposed photos later. Even if you don’t have the time to spend on fixing photos, you can outsource photo editing to Path using your captured RAW images. 

    Below are some simple but effective shooting tips to make sure your next sports photos are perfectly in focus.

    Fast shutter speed

    When you’re trying to capture a moving subject, you will need to use a fast shutter speed if you want the subject to appear clear, or “frozen.” How fast a shutter speed you need (and can use) depends on how fast the subject is moving, how much light you have to work with, and how wide or narrow the aperture of your lens is.

    For subjects that are moving at high speed, such as running athletes, cyclists, or racing cars, you will need a shutter speed at least 1/1000 sec, and probably closer to 1/4000 sec. Different cameras offer different shutter speed options, and some new mirrorless options offer shutter speeds up to 1/64,000 sec.

    If you want to create a blurry background with your subject still sharp, use the panning method. Reduce the shutter speed to create a blur and move the camera in the same direction as your subject when they move past you. It takes plenty of experimentation to get your settings and hand movement right, so don’t worry if you don’t get it on the first try.

    High-speed group cycling race with motion blur emphasizing dynamic movement and competition intensity on city streets.

    Adjust light 

    When you reduce your shutter speed (meaning you make it faster, such as going from 1/250 sec to 1/1000 sec), you reduce the amount of light that hits the sensor through the shutter. Therefore, in order to have a bright image, you need to compensate for the high shutter speed by raising the ISO, widening the aperture, or both. 

    Taking photos with plenty of light is important to ensure that the photo comes out at the correct exposure, at the zoom level you need, without the increased film grain that can occur from high ISO values in low-light. Taking photos outdoors during the day will provide a lot of light, as will using a flash. Before you use a flash at an indoor sporting event, however, check the event’s rules for flash photography. Many sporting events don’t allow flash photography from professional photographers, unless they’re the official contracted photographer.

    Reduce camera shake

    Camera shake happens because even when you try to stand perfectly still, your hands naturally make tiny movements that can blur images. Using your camera’s neck strap pulled tight against your neck can add a bit of extra stability when shooting handheld. 

    When you zoom in to your subject, you increase your focal length, and you need to increase your shutter speed to compensate, or else you risk your image blurring from shaking. For a still subject, your shutter speed needs to be at least the inverse of your focal length, so if you zoom in to 400mm, you will need to set your shutter speed to at least 1/400 sec to avoid camera shake. And then you will need to increase your shutter speed from there, depending on how fast your subject is moving and the available lighting conditions.

    Most sports action shots are taken with hand-held cameras or with monopods. You’ll often see sports photographers with large lenses use monopods to support the weight of their kit, which still allows them to quickly move the camera around.

    Many modern cameras and some lenses also have powerful shake reduction capabilities. Look for terms like ‘In-Body Image Stabilization’ (IBIS) in camera bodies or ‘Optical Stabilization’ (OS/IS/VR) in lenses. This technology can help you shoot at slower shutter speeds while still getting sharp images.

    Let us fix your sports photos

    While not every blurry photo can be saved, with the right tools and techniques, you can rescue many of them—and capture crisp, clear shots moving forward. 

    Shooting, organizing, and editing sports photos takes a lot of time and work. Wouldn’t it be great if you could outsource the most tedious, repetitive aspects? With Path, you can! Send us all your background removal, retouching, and image masking needs—so you can get back to the creative work that really matters. 

    Ready to send your photo edits our way? Get started now—and get your edits back in as little as 6 hours.

    Simple pricing for stress-free, pixel-perfect photo edits tailored to your needs

    How to fix blurry sports photos FAQs

    How do you make sports pictures not blurry?

    To make sports photography less blurry, use a fast shutter speed—ideally 1/1000s or faster—to freeze motion. Set your camera to continuous autofocus (AI-Servo or AF-C mode) and track your subject. Good lighting, a higher ISO if needed, and steady panning techniques also help capture sharper images.

    Why are my pictures blurry in sports mode?

    Sports mode usually tries to select faster shutter speeds, but it can still struggle in low light or if the autofocus isn’t keeping up with the action. Your pictures might also be blurry if the camera is focusing on the wrong spot, or if there’s not enough contrast for the autofocus to lock onto the subject properly.

    How do I get my sports pictures sharp?

    Use a fast shutter speed, continuous autofocus, and a wide aperture (like f/2.8 or f/4) to let in more light. Track the subject carefully, and if possible, pre-focus on an area where you expect the action to happen. Shooting in burst mode can also increase your chances of getting a tack-sharp frame.

    How do you take clear sports pictures?

    Clear sports images start with the right camera settings: fast shutter speed, continuous autofocus, and an appropriate ISO. Also, practice good technique—like following your subject smoothly with the camera and anticipating the action. Using higher-quality lenses with image stabilization can make a big difference too.

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  • Best Sports Photo Background Ideas for Stunning Athlete Portraits

    Best Sports Photo Background Ideas for Stunning Athlete Portraits

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    One way to improve your sports photos is to get the right background. Choosing the right background can make or break a sports photo. Whether you’re capturing individual headshots, team portraits, or promotional images, the backdrop plays a crucial role in setting the tone, reinforcing branding, and making the subject stand out.

    In some cases, a transparent background gives you max flexibility, while other scenarios call for a bold team-branded backdrop, a dynamic stadium setting, or a clean, neutral tone. Check out some of the best background options for sports photography—including field and court settings, team logos, dramatic lighting effects, and templates—to help you create impactful images every time.

    Sports photo background ideas

    The “field”

    Using a real sports environment helps establish context and energy in your shots. Some great location choices include:

    • Stadiums: A stadium backdrop can emphasize the grandeur of the sport, making it ideal for professional headshots or team portraits. Be mindful of the composition—an empty stadium creates a different feel than one filled with fans.
    • Tracks: A running track or cross-country trail provides a sense of movement and purpose. Position the athlete at a starting line for an action-driven portrait.
    • Beach: Perfect for sports like beach volleyball, surfing, or running, the ocean and sand can create a lively, high-energy image. Plan your shoot during golden hour for the best lighting.
    • Indoor arenas: Basketball courts, hockey rinks, or even boxing gyms provide an enclosed environment with controlled lighting. Use a wide aperture to blur out distracting elements while keeping the athlete as the focal point.
    • Sports fields: Soccer fields, cricket pitches, or rugby grounds offer a natural, open space that works well for solo and group shots. If the field is in use, position your subject in an area with minimal distractions.

    Split-image of two athletes preparing to compete—on the left, a track runner in a crouched starting position holding a baton, and on the right, a swimmer standing on a diving block, ready to jump into a pool. Both images capture moments of intense focus before the start of their respective races.

    Gyms and locker rooms

    For an intense, gritty look, gyms and locker rooms can provide a compelling backdrop. Weight rooms, benches, and training spaces add authenticity, making the athlete’s preparation a key part of the story.

    Split-image of two athletes engaged in fitness training—on the left, a woman in a pink tank top balancing on a BOSU ball in a gym, and on the right, a shirtless man performing a kettlebell exercise in a CrossFit-style gym. Both demonstrate strength, stability, and focus in their workouts.

    Use directional lighting to highlight muscle definition and create dramatic shadows. If shooting in a locker room, frame the shot to include elements like jerseys, team logos, or open lockers for added storytelling. Pay attention to the composition. You can avoid cluttered backgrounds by positioning your subject in front of an open locker with a neatly arranged jersey and equipment, for example.

    How One Sports Photographer Uses Path to Edit Photos for 16 Teams Every Season

    Urban settings

    Cityscapes, iconic landmarks, or industrial settings can be excellent backdrops for sports photography, especially for athletes who train outdoors. This option works particularly well for individual portraits of runners, cyclists, or street athletes.

    Split-image of outdoor urban activities—on the left, a large group of cyclists participating in a biking event on a city street, with a man in a green shirt joyfully riding with his arms open. On the right, two young boys play street soccer on an open road, showcasing energy and movement in a lively urban setting.

    Again, be mindful of busy backgrounds—use a shallow depth of field to keep the focus on the athlete. Early morning or evening shoots often provide softer light and less foot traffic.

    Smoke or lighting effects

    If you want to add drama, using colored lights, LED strips, or smoke effects can create a bold, high-impact background. This is a great option for marketing shots, posters, and social media content.

    A triptych of intense sports moments surrounded by smoke—on the left, a motocross rider emerges from a cloud of dust in a black-and-white image; in the center, two athletes wave blue smoke flares on a grassy field; on the right, an American football player walks through thick smoke and sparks, creating a dramatic entrance scene.

    Smoke and lighting effects can create a variety of looks, so the possibilities are truly endless. In the examples above, you can see how smoke and fog add dama to photos of a dirt biker, soccer players, and a football player. 

    In some cases, you may shoot with the smoke, lighting, and fog on location—in others, you may add it in during the editing process. Find out how to add smoke and fog to photos in this tutorial. 

    Branding

    Showcasing team identity is always a smart choice. You can use the team logo or colors, or a sponsor’s logo and colors. Solid or gradient backgrounds in team colors can create a consistent, polished look.

    A composite image featuring two sports teams—on the left, an American football player in a black and orange

    Image source

    Blur

    A blurred background helps isolate the subject and remove distractions. This technique is useful when shooting in a busy location, like a crowded gym or an active playing field.

    A collage of three sports images featuring athletes in action: an American football player running with the ball, a boxer intensely training with sweat on his face, and a group of cyclists racing with motion blur in the background.

    There are a few ways to get a blurred background: 

    • Shoot with a shallow depth of field: Use a wide aperture (e.g., f/2.8 or lower) to blur the background while keeping the athlete sharp.
    • Use motion blur: Works well for dynamic shots where slight movement is captured.
    • Edit the background in post-production: If you can’t get it in-camera, you can add the blur effect during the editing process. Find out how to blur the background in this tutorial.

    Neutral

    A clean, neutral backdrop—like gray, white, or black—keeps the focus on the athlete. This is a solid choice for profile shots, media use, and professional headshots.

    A triptych celebrating women's fitness—on the left, a woman in athletic wear performs a high jump against a white background; in the center, a dancer leaps gracefully in mid-air with a black background highlighting her movement; on the right, two women in colorful activewear smile and pose confidently together, showcasing strength and joy in fitness.

    Use a softbox or ring lights to help maintain even lighting without harsh shadows. Seamless paper or collapsible fabric backdrops work best for the backdrop materials.

    Transparent

    For maximum flexibility, a transparent background allows you to place the subject onto any background later. This is especially useful for promotional materials, digital content, and merchandise design. You can find out how to make a transparent background with this tutorial and in the video below: 

    https://www.youtube.com/watch?v=SXTiQNtoQS0

    Editing your sports photo backgrounds

    Not happy with the background you’ve already got? Remove it and try a new one with Path’s background removal services.

    Save a ton of time with pro background removal from 39¢ per image

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    Sports photo background FAQs

    What’s the best background for a team photo?

    A stadium, team-branded backdrop, or a solid color with team colors works well for team portraits.

    Should I use a green screen for sports photos?

    A green screen can work if you plan to replace the background, but good lighting is crucial for a clean result.

    What’s the advantage of a transparent background?

    The advantage of a transparent background is that it gives you flexibility to place the subject onto different backgrounds later, making it ideal for marketing materials and graphics.

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