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  • Sony Introduces FE 100mm f/2.8 Macro GM OSS Lens

    Sony Introduces FE 100mm f/2.8 Macro GM OSS Lens

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    Sony has announced the FE 100mm F2.8 Macro GM—apparently the first macro lens deemed worthy of the company’s “G Master” label, signifying a premium, top-tier lens featuring the company’s most advanced optical design and technology. The high-end full-frame macro lens can achieve up to 1.4x reproduction, and when paired with a teleconverter, 2.8x magnification.

    Constructed using 17 elements in 13 groups—including two XA (extreme aspherical) elements and two ED (Extra-low Dispersion) elements designed to minimize chromatic aberration—the lens features an 11-blade aperture for “gorgeous G Master bokeh”; a pair of linear XD motors, which are faster, quieter and more accurate than the piezoelectric drive in its FE 90mm f/2.8 macro lens; and an optical image stabilization system that works in tandem with in-body image stabilization in Alpha camera bodies. A Nano AR Coating II aims to boost contrast and clarity by suppressing flare and ghosting.

    The lens offers a minimum focus distance of 10.2″ (26cm), weighs 22.8oz (646g) and is 5.8″ (148mm) long. As well as an AF/MF switch and an on/off switch for the optical stabilization, there’s a control for clicking and declicking the aperture ring and an iris lock switch. The lens also has two customizable function buttons. The lens works with both Sony’s 1.4x (SEL14TC) and 2x (SEL20TC) teleconverters.

    Released on November 13th, the Sony FE 100mm f/2.8 Macro GM will retail for $1,500.

     


    When purchasing underwater photography equipment like the products mentioned in this article, please support DPG by supporting our retail partner—Backscatter.com.


    PRESS RELEASE

    Sony Electronics Expands the G Master Series with the Versatile FE 100mm F2.8 Macro GM OSS

    Delivers Stunning Detail with up to 1.4x Magnification, Advanced Stabilization, and Optimized Macro Controls

    SAN DIEGO, Sept. 30, 2025 – Sony Electronics releases the FE 100mm F2.8 Macro GM OSS (SEL100M28GM), the new medium telephoto macro lens in the G Master™ series, compatible with α™ (Alpha™) E-mount cameras, featuring 1.4x magnification, advanced stabilization, and intuitive handling.

    “We’re on a constant mission to expand creative possibilities for visual storytellers, and the FE 100mm F2.8 Macro GM OSS fulfills that by going beyond traditional macro photography,” said Yang Cheng, Vice President of Imaging Solutions, Sony Electronics Inc. “With its world-class optical quality, it enables not only macro photographers, but also portrait and wedding photographers, to take their craft to a new level. We’re thrilled to offer the FE 100mm F2.8 Macro GM OSS as part of our acclaimed G Master series, maintaining a standard of peak performance Sony creators have become accustomed to.”


    Beyond Life Size

    The FE 100mm F2.8 Macro GM OSS achieves a maximum magnification of up to 1.4x, making it easy to capture flowers, small objects, and other close-up subjects in vivid detail, revealing subtle textures and features that are difficult to see by the naked eye.

    Compatible with an optional teleconverteri (sold separately), the lens offers up to 2.8x magnificationii. This enables impressive close-up shots while keeping a comfortable working distance. It is ideal for subjects that are hard to approach or for avoiding unwanted reflections.

    State-of-the-art Hardware Design

    The optical design effectively positions elements including two XA (extreme aspherical) lenses and two ED (Extra-low Dispersion) glass elements to achieve high-resolution performance from the center to the periphery of the image, reducing chromatic and other aberrations.

    To allow precise and intuitive focus adjustments for a variety of macro photography scenes, the lens offers three focus-dedicated features: a “Full-time DMF switch” enables instant MF (manual focus) by rotating the focus ring, even in AF (autofocus) mode; the “Focus Mode switch” allows instant switching between AF and MF; the “Sliding Focus Ring” enables FULL MF mode, linked to the distance and magnification scales.

    The four unique XD (extreme dynamic) linear motors that enable high-speed, high-precision, and quiet lens drive, make autofocus (AF) performance up to 1.9 times fasteriii than previous models.

    A dedicated aperture ring offers quick, direct control over aperture settings.


    Exquisite Image Quality

    The 11-blade circular aperture produces beautiful, ball bokeh, while carefully controlled spherical aberration ensures an ideal balance of resolution and background blur — creating the signature creamy bokeh of the G Master line.

    The unique “Nano AR Coating II” applies a uniform thin film to the entire lens surface, resulting in clear image quality that suppresses flare and ghosting even in backlit conditions.

    An integrated optical image stabilization system, designed for macro photography, accurately compensates for shift shake (up/down/left/right), angular shake, and front/back shake, ensuring steady handheld shots.

     

     

    Pricing and Availability

    The FE 100mm F2.8 Macro GM OSS will be available in November 2025 for approximately $1,499.99 USD and $1,799.99 CAD. It will be sold directly through Sony and at a variety of Sony’s authorized dealers throughout North America.

    For more information, visit: https://electronics.sony.com/imaging/lenses/all-e-mount/p/sel100m28gm

    Exclusive stories and exciting new content shot with the new FE 100mm F2.8 Macro GM OSS and Sony’s other imaging products can be found at www.alphauniverse.com, a site created to inform, educate, and inspire content creators.

    i Compatible with the 1.4X Teleconverter SEL14TC and 2X Teleconverter SEL20TC.

    ii When the 2X Teleconverter “SEL20TC” is attached

    iii Sony measurement conditions. Compared to the FE 90mm F2.8 MACRO G OSS SEL90M28G lens for the α E-mount digital single-lens camera.

     

    https://www.youtube.com/watch?v=TC7v6L6i0zw

     



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  • Marelux Announces MX-A1 II Housing for the Sony Alpha 1 II

    Marelux Announces MX-A1 II Housing for the Sony Alpha 1 II

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    Marelux has unveiled its underwater housing for the Sony Alpha 1 II, announced in November 2024. The second-gen pro-level full-frame mirrorless camera combines a 50.1MP stacked image sensor with the BIONZ XR image processor, delivering 20fps continuous shooting (lossless compressed or uncompressed RAW) as well as 8K/30p and 4K/120p video recording. The Alpha 1 II features a deeper grip than its predecessor, so we’ve been seeing a steady stream of new housings, the latest being the Marelux MX-A1 II.

    Designed to make the most of the Alpha 1 II’s capabilities, Marelux’s anodized aluminum alloy housing features an ergonomic design with controls arranged around the built-in handles. A quick-release baseplate allows the camera to be easily inserted with precision and removed again. Dual locking levers ensure the housing is safely closed, while ports and extension rings are secured in place using another locking lever. The housing ships with a vacuum detection and moisture alarm system.

    Various innovative accessories are compatible with the new housing. These include the Flashfuel FF2100, which combines a flash trigger and a power bank (for charging the camera as well as powering the flash trigger); and the Remote Shutter Module, which allows you to control the shutter remotely using the Marelux Artemis 4500 RMT video light.

    The MX-A1 II housing has an MSRP of $3,498 and can be ordered directly from the Marelux website.

     


    PRODUCT INFORMATION

    MX-A1 II Housing for Sony Alpha 1 II Mirrorless Digital Camera

    INTRODUCTION

    Marelux housing has the industry leading design that’s not only more compact than other brands but also more simplified in mechanical structure to make it easy to assemble. With 125mm port diameter, the biggest in the market, users can easily install and uninstall cameras with large lens through the housing.

    Marelux housing is built using uniquely anodized aluminum alloy which provides superb scratch resistance, sea water erosion durability as well as the attractive options of various surface colors. The housings maintain a perfect balance between sturdy body and lightweight. It has the best-in-class ergonomics with all the camera controls readily available at your fingertips including AF-ON and Q Menu.

    Marelux housing can be connected to other innovative products made by Marelux, such as 180-degree Smart Viewfinder etc., making diving and underwater photography easier, safer and more enjoyable.


    FEATURES

     









     

    Flashfuel FF2100 (Manual Flash Trigger + 2100mAh Power Bank Combo)


    • Patented Design: Tailored for underwater photography and high-speed shooting, combining flash triggering and camera power supply in a single compact device.

    • Ultra-durable Trigger Performance: Powered by a single CR123A 3V lithium battery, it can handle up to 300,000 flash triggers before replacement.

    • Robust USB-C Power Output: Integrates a 2100mAh rechargeable battery, offering up to 30W output (5–20V), capable of powering your camera directly.
     

    Remote Shutter Module


    • With an invention patent, the Remote Shutter Module is designed to enhance underwater photography by providing remote control capabilities to remotely control the camera shutter release via Marelux’s Artemis 4500 RMT Light (42703). It features an effective receiving distance of 10 meters and an optical signal receiving angle of 140 degrees, allowing for flexible positioning and reliable performance.
     

    Dual Locking System


    • Requires little effort to lock it in place, while making it almost impossible to be unlocked by accident, and it will take only a second to open if needed for a battery change.
     

    Manual Flash Trigger


    • The flash trigger can translate the electric signal from the camera into light signal, with an extremely long battery life of 10,000 triggers on only two CR2032 batteries.
     

    Built-in Lock


    • Extension ring and port can be safely locked in place with the built-in locking system on the housing with one simple click.
     

    Sturdy Baseplate


    • A 50kg force is applied to secure the camera with the design of the quick release baseplate, while being extremely convenient to operate.


     


     


    SPECIFICATIONS

    • Material: Anodized Aluminum Alloy

    • Dimensions: 354mm(W) x 187mm(H) x 156mm(D)

    • Weight In Air: 3.52kg

    • Depth Rating: 100m

    • Port Mount: Series 5


    INCLUDED ITEMS

    • 55201 Housing Mounting Ball x 2 

    • 12002 Main Housing O-Ring  x 1

    • 41201 Vacuum Detection/Moisture Alarm with CR2032 battery x 1  

    • 54401 Lubricant x 1 

    • Set of Allen keys x 1

    • 54101 Housing Hard Case x 1

    ACCESSORIES

    • 56201 M16 Vacuum Valve (with Hand Pump) – Pre-installed

    • 41111 Manual Flash Trigger for MX-A1II Housing

    • 41403 Flashfuel FF2100 Manual Flash Trigger and Built-in 2100mAh Power Bank Combo


    Item No.: 21209

    US$3,498.00



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  • Sony RX1R III Premium Compact Camera Unveiled After Almost Decade Wait

    Sony RX1R III Premium Compact Camera Unveiled After Almost Decade Wait

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    Good things come to those who wait. Certainly, that’s the reaction Sony is hoping for with the launch of the RX1R III premium full-frame compact—very nearly 10 years after the RX1R II was announced. One thing is for sure: A lot has changed in terms of camera technology in the intervening period.

    For starters, while the RX1R II combined a 42.4-megapixel sensor with the BIONZ X image processor, the RX1R III boasts a 61MP sensor and the latest BIONZ XR chip as well as Sony’s newest AI-processing unit for locking onto and tracking subjects. There are also now 693 phase-detection AF points covering around 78% of the image capture area, up from 399 points in the RX1R II. Unsurprisingly, video also gets a significant boost: The new camera can shoot 4K/30p 10-bit 4:2:2 and 1080/120p 8-bit 4:2:0 video, while its predecessor maxed out at 1080/60p.

    Other things that have changed include: the rear 3-inch LCD, which is now a touchscreen and offers improved resolution (2.36M dot vs 1.23M); the battery, a NP-FW50 unit that increases the CIPA rating from 220 shots to 300; and the EVF, which is rear mounted rather than pop up (though still 2.36M-dot resolution). It’s worth noting a couple of minor negatives: the screen no longer tilts and the viewfinder has a smaller magnification—0.7x vs 0.74x. What has not changed is the camera’s fixed lens—it’s the same Zeiss Sonnar T* 35mm f/2 that was built into the original RX1 from 2012. For underwater use, of course, that’s going to need high-quality wet lenses in front of it to capture the vast majority of subjects.

    Available in July, the Sony RX1R III will retail for an eye-watering $5,100—a price tag, most will agree, justifies its “premium” designation.

     


    When purchasing underwater photography equipment like the products mentioned in this article, please support DPG by supporting our retail partner—Backscatter.com.


    PRESS RELEASE

    Sony Electronics Introduces The RX1R III: The Flagship Full-Frame Premium Compact Camera With A Fixed Lens

    SAN DIEGO, July 15, 2025 – Sony Electronics Inc. announces the RX1R III, the eagerly anticipated third generation of its RX1R series, featuring a 61-megapixel1 35 mm full-frame Exmor R™ CMOS image sensor, the latest BIONZ XR™ image processing engine, and a ZEISS® Sonnar T* 35 mm F2 lens.

    “The RX1R III combines Sony’s design savvy with the latest innovations in imaging technology to produce a new flagship in our RX1R camera series that offers uncompromising full-frame quality in a premium compact camera body,” said Yang Cheng, Vice President of Imaging Solutions, Sony Electronics Inc. “The RX1R series has resonated greatly among discerning photographers, and we’re proud to now deliver the next generation of this popular camera model.”

     


    A Focus On High-Quality Photography

    The combination of the 61-megapixel1 full-frame Exmor R™ back-illuminated CMOS image sensor and the BIONZ XR™ image processing engine delivers high resolution and sensitivity, with low noise and a wide dynamic range. The sensor surface features AR (Anti-Reflection) coating and omits the optical low-pass filter to achieve superior image quality.

    The integrated lens offers excellent image quality. By optimizing the position of the lens and the imaging surface one by one at the micron level, RX1R III achieves high optical performance in a compact form factor.

    Dedicated To Creative Freedom

    To ensure you always get your shot accurately and without effort, RX1R III is equipped with the latest AI-processing unit, a valued feature of top-of-the-line professional Sony Alpha™ cameras. The AI-processing unit can accurately recognize the shape and movement of subjects, human bodies, heads, and the position of eyes, tracking subjects even when their faces are not visible, and is available for both still images and videos2. Up to 693 densely arranged3 phase-detection AF (Auto-Focus) points cover approximately 78% (for still image shooting) of the image capture’s area.

    While the camera has a fixed lens, users can tap into the versatility of three prime lenses thanks to the Step Crop Shooting4 function, which allows users to switch between focal lengths equivalent to 35 mm, 50 mm, and 70 mm5 via assigned buttons or dials. When shooting in RAW format, users can reselect the focal length during post-production. The lens’s macro ring enables instant switching to macro mode, allowing users to get as close as 20 cm (maximum magnification: 0.26x).

    For creators who enjoy unique and personalized visuals, RX1R III offers twelve built-in Creative Looks. Adjustments to hue, saturation, brightness, contrast, and sharpness can be applied not only to still images but also to videos. Most notable among the Creative Looks6, FL2 allows the capturing of a nostalgic expression with subdued colors, and FL3 allows for a more vibrant image.

    Streamlined Design & Reliable Hardware

    Made of lightweight yet highly rigid magnesium alloy, the RX1R III design balances aesthetics and functionality. While maintaining excellent operability, the dials and Multi-Interface (MI) Shoe are embedded into the camera body and the top surface of the body features a flat design. The grip design and surface texture provide a secure and comfortable hold.

    RX1R III is equipped with an electronic viewfinder featuring an approximately 2.36 million-dot XGA OLED with high resolution and high contrast, offering a magnification of approximately 0.70x.

    RX1R III uses the rechargeable battery pack NP-FW50, allowing the capture of up to 300 still images7. It features a USB Type-C® port that allows rapid charging when connected to USB Power Delivery8-compatible devices, or the addition of external power sources, such as mobile batteries, for extended shooting sessions.

    Social Responsibility

    Aligned with Sony’s ambitious ‘Road to Zero’ initiative, this product supports the company’s vision for achieving a zero environmental footprint by 2050. The Sony Group’s manufacturing facilities for imaging products, including the RX1R III, are operating at 100% renewable energy. The RX1R III packaging uses Sony’s proprietary environmentally friendly Original Blended Material9 instead of plastic10.

    The camera system incorporates comprehensive accessibility options, including a Screen Reader function11 and Display Magnification, to support visually impaired users across an expanded range of menu items.

    Optional Accessories

    TG-2 is a dedicated thumb grip that attaches to the Multi Interface (MI) Shoe to provide stable holding and operability, including when operated with one hand. When attached to the body, the metal material and high-quality paint finish provide exceptional design unity.

    LCS-RXL is a compact body case dedicated to this camera model intended to protect the camera from scratches and dirt and enhance its elegance with its refined texture material. The body case allows access to all ports—USB, HDMI, battery, memory card, and tripod attachment—without removal. The grip design improves the holding experience.

    LHP-1 is a lens hood made specifically for this camera. It features a robust construction using lightweight and high-strength aluminum material, protecting the lens from impact and dirt. The bayonet mount allows for quick and secure attachment.

     


    Pricing & Availability

    The RX1R III will be available in July 2025 for approximately $5,099.99 USD and $6,299.99 CAD. The TG-2 for approximately $299.99 USD and $349.99 CAD, the LCS-RXL for approximately $249.99 USD and $224.99 CAD, and the LHP-1 for approximately $199.99 USD and $249.99 CAD, in August 2025. They will be sold directly through Sony and at a variety of Sony’s authorized dealers throughout North America.

    1Approximate effective

    2Available subject settings are: Auto, Human, Animal, Bird, Insect, Car/Train, and Airplane. Subject types other than the type specified may be erroneously recognized in some cases.

    3It is number of AF measurement points during still image shooting. The number of points varies depending on the shooting mode.

    4Not available for movies.

    5When shooting JPEG images with a 3:2 aspect ratio, the resolution is as follows: At 35 mm: L size (60 megapixels), at 50 mm: M size (29 megapixels), at 70 mm: S size (15 megapixels)

    6ST (Standard), PT (Portrait), NT (Neutral), VV (Vivid), VV2 (Vivid 2), FL (Film), FL2 (Film 2), FL3 (Film 3), IN (Instant), SH (Soft Highkey), BW (Black & White) and SE (Sepia).

    7When using the viewfinder: 270 shots.

    818W (9V/2A) USB PD power source is recommended.

    9Paper material made from bamboo, sugarcane fibers, and post-consumer recycled paper.

    10Excluding materials used in coatings and adhesives.

    11Supported languages differ according to country and region.



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  • Sony Electronics Has Announced Its Most Anticipated RX1R III

    Sony Electronics Has Announced Its Most Anticipated RX1R III

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    Sony electronics has announced the third generation camera in its RX1R series, the RX1R III, which is a full frame compact camera featuring a 61 megapixel sensor and a Zeiss 35mm F2 lens. With the RX1R series being a popular one among select photographers, Sony decided to release a new model.

    Sony has used a back-illuminated CMOS image sensor combined with the BIONZ XR image processing engine, that produces high quality images and low noise. The sensor comes with anti-reflective coating which helps to eliminate the optical low-pass filter, resulting in better image quality.

    Image via Sony

    As with most of Sony’s professional cameras in the Alpha series, the RX1R III comes with an AI processing unit that can recognise movements of most subjects, making tracking subjects easy even when their face is not visible. Even though the camera comes with a fixed 35mm lens, the Step Crop shooting function will allow the user to switch between three equivalent focal lengths – 35 mm, 50 mm and 70 mm through assigned buttons/dials. The camera lens also comes with a macro ring, that enables switching to macro mode instantly.

    Following Sony’s “Road to Zero” initiative, the RX1R III and other of Sony’s imaging products are manufactured at facilities that operate on 100% renewable energy. The packaging also comes in environmental friendly material.

    Here are some of the most important features of the Sony RX1R III:

    • Sensor – 61MP full-frame Exmor R CMOS sensor
    • ZEISS Sonnar T 35mm F2 lens – fixed
    • BIONZ XR processor 
    • Macro ring for instant macro mode switching – 20 cm minimum focus distance
    • Anti-reflection coating on sensor
    • Step Crop Shooting – 35mm, 50mm, 70mm equivalent
    • 693 phase-detection AF points
    • High iso sensitivity
    • Advanced AI for subject recognition and AF tracking
    • 12 creative presets and 3 film style looks
    • Touch LCD screen
    • Compact and lightweight
    • Battery life: 300 still images
    • USB Type-C port

    If you wish to watch the product video, check the YouTube video below:

    https://www.youtube.com/watch?v=8-wwnIp7tLs

    And, the concept video can be watched below:

    https://www.youtube.com/watch?v=erVGQhslgBA

    The RX1R III also has optional accessories that can be purchased separately:

    • TG-2 – thumb grip that can be attached to the multi-interface shoe, to provide stability when handholding the camera
    • LCS-RXL – protective case for the camera with access to all ports
    • LHP-1 – lens hood that can be attached to the bayonet mount, is lightweight and can protect the lens from impact

    The Sony RX1R III is available to pre-order and will be available by the end of July 2025. The camera will cost approximately $5099.99.

    We have more news for you to read if you are interested at this link here.



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  • Sony Announces Compact Full-Frame FX2 Cinema Camera

    Sony Announces Compact Full-Frame FX2 Cinema Camera

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    Sony has unveiled the latest addition to its Cinema Line—the FX2. The compact full-frame video camera has a similar body design to the four-year-old full-frame FX3 and almost three-year-old cropped-sensor FX30. But where the FX3 borrowed the a7S III’s 12MP sensor and lacked an EVF, the FX2 takes the 33MP sensor from the a7 IV while featuring a video-camera-style 3.68-M-dot EVF, which can be tilted up to 90 degrees. Like the a7 IV, the FX2 supports Dual Base ISO (800 and 4000) when using S-Log3.

    With its a7 IV DNA, the FX2 promises to be a much more useful hybrid camera, offering not just high-end video recording and powerful video-focused tools, but also high-quality still image capture. (In addition, there’s a handy movie/still lever to switch between modes.) The FX2 can record up to 4K/30p and 1080/120p using the full width of the sensor, and supports Log shooting in Cine EI, Cine EI Quick, and Flexible ISO modes. Shooting 4K/60p entails an APS-C crop factor.

    To round things off, the FX2 offers a large dedicated record button, a full-size HDMI port, and an internal cooling fan. The camera has two memory card slots compatible with SD UHS-I/II cards, with one slot also capable of accepting a CFexpress 2 Type A card.

    Available in August, the Sony FX2 will be available for a body-only price of  $2,700.

     


    PRESS RELEASE

    Sony Electronics Introduces the FX2 Compact Camera, Expanding Cinema Line’s Versatility for Creatives

    The new FX2 has the look and operability of Cinema Line cameras with the ability to shoot high-resolution photos and comes equipped with an articulating eyepiece

    Sony Electronics Inc. is proud to announce today the latest addition to its established Cinema Line family, the FX2. The FX2 will offer a seamless entry point into the broader Cinema Line range, giving greater cinematic expression to independent creators or small crews needing a versatile camera.

    “The hybrid cinema camera was created based on user feedback and is engineered with unique features to support filmmaking, a new eyepiece, and enhancements for versatile production needs. The FX2 is intended to continue the Cinema Line’s goal of preserving authentic emotion in every shot and empower creators across all areas of content production,” says Theresa Alesso, President, Imaging Products and Solutions Americas, Sony Electronics Inc.

    FX2 Features: Full-frame Photo and Video Capabilities

    The FX2 comes with a full-frame sensor that delivers stunning imagery and beautiful bokeh effects. Equipped with a 33.0 effective megapixel1 back-illuminated Exmor R™ sensor with up to 15+ stops of wide latitude using S-Log3, it captures impressive detail in both highlights and shadows.

    Designed for versatile shooting environments, the FX2 offers Dual Base ISO at 800 and 4000, ensuring optimal performance in both bright and low-light conditions. Its ISO sensitivity for video can be extended up to 102400, making it ideal for challenging lighting scenarios. The camera supports a wide range of recording formats—including 4:2:2 10-bit All-Intra—and records in high-quality options, such as XAVC S-I DCI 4K at 24.00p, providing professionals with the tools needed for flexible, high-end production workflows.

    The FX2 can also continuously record for up to 13 hours in 4K 60p2 thanks to its internal cooling fan and effective heat dissipation structure. The FX2 offers variable frame rate settings, allowing up to 60 fps in 4K (for a maximum 2.5x slow-motion effect) and up to 120 fps in Full HD (for up to 5x slow motion). It supports Log shooting in Cine EI, Cine EI Quick, and Flexible ISO modes, offering versatile workflows for different production needs. To further the cinematic expression of the camera, creators can import up to 16 user LUTs for on-camera preview, enabling precise color monitoring on set.

    Filmmakers can also easily and quickly create in-camera cinematic looks, with S-Cinetone™ set as the default, along with a range of Picture Profile and Creative Look presets. A de-squeeze display function is available, supporting both 1.3x and 2.0x anamorphic lenses for accurate framing.

    Improved Usability for Comfortable Solo Operation

    The FX2 features the same compact, flat-top design as Sony’s Cinema Line FX3 and FX30 cameras, ensuring familiarity and compatibility across setups. Built-in mounting points (UNC 1/4-20 x3) support a cageless configuration, offering greater flexibility for rigging. An optional top handle (ILME-FX2) enhances mobility and control, especially during handheld or dynamic shooting. Its lightweight, portable build—measuring approximately 5 1/8 x 3 1/8 x 4 1/8 in and weighing approximately 1 lb 8.0 oz—makes it ideal for solo operators or small crew productions.

    The camera offers advanced focus features designed for precision and creativity. Its new Real-time Recognition AF (auto focus) delivers fast and reliable performance with improved accuracy for human subjects, although its intelligent subject recognition extends to animals, birds, vehicles, and insects, with an Auto mode available for effortless detection. For even more control, tools like focus breathing compensation, AF Assist, and customizable autofocus transition speed and sensitivity give creators the flexibility to fine-tune focus for expressive, cinematic imagery. The FX2 comes with Active Mode and Dynamic active Mode, which is new to the Cinema Line, and are both designed to ensure smooth and steady handheld shooting.

    The Auto Framing feature automatically crops and tracks a subject to keep them in a prominent position when the camera is mounted on a tripod, producing footage that looks like it was shot by an experienced operator. The Framing Stabilizer function automatically keeps the subject in the same position within the frame, which can be useful, for example, when the camera operator is moving alongside the subject.

    From a still image perspective, the camera features an additional log shooting option with a newly added ‘Log shooting’ menu. This feature allows creators to shoot high-resolution 33MP stills, optimized for color grading in post-production. The FX2 also offers smooth operation with a MOVIE/STILL mode lever, allowing for a quick switchover between still and movie shooting. Depending on the selected mode, the displayed menu items will automatically adjust. Additionally, mode selection is made easy with a long press of the Fn button, which recalls and changes the shooting mode.

    FX2 Features: Improved but Familiar Hardware Inherited From Sony’s Cinema Cameras

    The FX2 is equipped with a new high-resolution 3.68-million-dot tiltable EVF3 (electronic view finder) designed specifically for video production, offering a wide viewing angle and enhanced immersion thanks to its included deep eyepiece. Complementing the EVF is a 3.0-type vari-angle touchscreen LCD, making it easy to frame shots from virtually any angle. Intuitively arranged controls on the top panel and grip, along with tally lamps for clear recording status, support efficient on-set operation. The camera also introduces a customizable “BIG6” home screen that provides quick access to essential shooting parameters, such as FPS, ISO, shutter speed (angle or speed), Look presets, white balance, iris, and neutral-density (ND) filter settings. Addressing the growing demand for vertical content creation, the FX2 supports vertical menu display during shooting—ideal for social media formats. The handle-equipped model further enhances professional usability with two XLR/TRS terminals and a 3.5mm stereo mic jack, enabling 4-channel, 24-bit digital audio capture.

    The camera offers extensive expandability and connectivity options, including an HDMI Type-A terminal capable of outputting up to 4K 60p 4:2:2 10-bit video and 16-bit RAW4 for high-end recording and monitoring. For seamless data transfer and remote control, it supports dual-band Wi-Fi (2.4 GHz and 5 GHz5) as well as wired LAN via a compatible adapter6. Additionally, the USB Type-C port enables SuperSpeed USB up to 10Gbps data transfers and supports USB Power Delivery (PD)7, while built-in USB and network streaming support enables live broadcasting and remote production workflows.

    Social Responsibility

    Aligned with Sony’s global environment plan, ‘Road to Zero’, this product supports the company’s vision for achieving a zero environmental footprint by 2050. The manufacturing process reflects this commitment through facilities powered entirely by renewable energy sources8.

    The camera system incorporates comprehensive accessibility options, including a Screen Reader function9 and Display Magnification, to support visually impaired users across an expanded range of menu items. Additional intuitive controls enhance usability for all shooters, featuring:

    • Real-time recognition autofocus that reduces manual adjustments

    • Streamlined touch interface operations for direct menu navigation

    • Tactile button design with clear differentiation

    These inclusive design elements ensure professional imaging tools remain accessible to creators of all abilities while maintaining full operational capability

    The FX2 will be available early August for a suggested retail price of $2,699.99 USD and $3,499.99 CAD body only or $3,099.99 USD and $3,999.99 CAD with XLR handle. It will be sold directly through Sony and at a variety of Sony’s authorized dealers throughout North America.

    1 For stills. Max. 27.6 megapixels for movie.

    2 Sony internal tests. USB power supply, XAVC S-I (All-I), 4K 60p 10-bit 4:2:2, 25 deg C (ambient, camera when recording started), Auto power off temperature: High, Cooling fan: Auto. The maximum continuous recording time for a single movie shooting session is approximately 13 hours (a product specification limit) Actual performance varies based on settings, environmental conditions, storage, and usage. Batteries are consumable products and their capacity degrades over time as they age. Sony does not guarantee the life span of the battery.

    3 Adjustable from 0° to +90° for flexible shooting angles.

    4 The output image will be in the APS-C size /Super 35mm equivalent angle of view.

    5 The 5 GHz band may not be available in some countries or region

    6 A commercially available USB-LAN adapter is required.

    7 A USB PD compatible external power supply device with 9V/3A or higher output capacity and a USB Type-C cable that can handle 3A or more is required

    8 Further reducing environmental impact, the product utilizes recycled packaging materials that minimize plastic content without compromising protection. These sustainable practices demonstrate our dedication to eco-conscious production while maintaining the highest quality standards.

    9 Download of compatible language file may be necessary. Please refer to the Help Guide for details.



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  • AOI Unveils Housing for the Sony A7 Mark IV

    AOI Unveils Housing for the Sony A7 Mark IV

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    AOI has announced its new housing for the Sony a7 Mark IV—the latest version of the Japanese company’s entry-level full-frame mirrorless camera. The Mark IV is built around a 33MP BSI-CMOS sensor and the Bionz XR processing engine, offering 10fps continuous shooting with AF/AE tracking and 4K/30p 10-bit 4:2:2 video with no crop. The UH-A7IV housing represents exciting new territory for AOI, which has previously only supported Micro Four Thirds cameras from Olympus and OM System, and makes sense given the newly released UIS-P1 strobe offering compatibility with Sony TTL.

    The new housing is clearly designed to offer a compelling alternative to sophisticated but pricey aluminum housings or polycarbonate housings with only basic functionality. Controls are ergonomically positioned around integrated handles, there’s a built-in vacuum check and moisture detection system, and the non-proprietary AX port system means that ports and extensions for a variety of lenses are readily available. The housing features two fiber-optic ports and ships with an LED flash trigger supporting manual mode and Sony TTL (TTL, HSS TTL) with AOI’s UIS-P1 strobe as well as Backscatter’s Hybrid Flash.

    A unique feature that sets the housing apart is the “Smart Multi Control Device,” which allows the user to switch between manual and TTL flash modes and features a miniature display that offers useful at-a-glance information about the flash modes and from the water depth monitor and the Vacuum Analyzation and Wet Detection System (VWS). The device uses a built-in rechargeable lithium polymer battery that takes 90 minutes to charge and allows for 18 hours of continuous operation.

    Available now from retailers such as Backscatter, the AOI UH-A7IV is priced at $1,400.

     


    When purchasing underwater photography equipment like the products mentioned in this article, please support DPG by supporting our retail partner—Backscatter.com.


    PRESS RELEASE

    New AOI UH-A7IV, Harnessing the Alpha Advantage Filling the Gap

    For many users, the biggest hurdle in underwater photography is the extravagant cost of underwater housings for high-performance cameras, often priced at two to three times the cost of the cameras themselves. On the other hand, affordable housings available in the market frequently lack the reliability and features that inspire confidence. This leaves users with difficult choices: delay their plans, compromise on their ideal setups, or settle for less-than-optimal systems.

    AOI has successfully carved a niche by offering high-performance underwater housings that combine user-friendly design, full functionality, and affordability for OM System cameras. Now, AOI aims to bring the same excitement and value to Sony camera users.

    The Sony A7IV, though a few years old, remains a smart choice for many photographers. Known for its versatility, the camera boasts a high-resolution sensor, fast and reliable autofocus, and excellent dynamic range—all at a reasonable price in the full frame mirrorless segment. These qualities made it one of the most popular full-frame mirrorless cameras on the market, and it continues to hold its own against newer competitors.

    Introducing the NEW AOI UH-A7IV Underwater Housing

    The new AOI UH-A7IV underwater housing bridges the gap in the market for Sony A7IV users who find current options either too expensive, too basic, or both.

    Accessing the Alpha Advantage

    Camera manufacturers invest heavily in innovation, crafting modern cameras to meet diverse user needs. AOI’s design philosophy complements this vision by ensuring that its underwater housings are more than just waterproof enclosures—they are extensions of the cameras themselves.

    The 3C’s of AOI’s design philosophy—Creative, Compatible, and Consumer-Centric—shine in the UH-A7IV.

    Creative

    • Rechargeable Smart Multi Control Device with Mini Display: Clear instructions and status updates for various operations, including flash modes (manual and TTL), depth mode, VWS mode, alerts, control device battery status and depth indicator. To improve reliability and connectivity between the camera’s hot shoe and the housing’s Control Device, AOI has upgraded a cable-less connector.

    • Sony TTL and HSS Compatibility: Seamless integration with the AOI UIS-P1 strobe and Backscatter’s Hybrid Flash.

    • Improved VWS: The Vacuum Analyzation and Wet Detection System now incorporates an over-ride mechanism, to ensure proper vacuum sealing is conducted to prevent errors.

    • Built-in Ergonomic Handles: Easy access to buttons and effortless handling.

    Compatibility

    • Non-Proprietary Port System: By utilizing a popular port system, a wide range of ports and extensions for different lenses are readily available.

    • Standardized Mounts: Compatible with aftermarket and AOI accessories including plug type ports for fiber optic connectivity.

    • Service-Friendly Design: Uniform buttons and O-rings simplify maintenance.

    Consumer-Centric

    • Full Camera Functionality: Provides access to all key camera features.

    • Affordable Pricing: Lowers the barrier to entry for underwater photography for a full frame mirrorless camera.

    • User-Focused Engineering: Lightweight, travel-friendly, and easy to maintain.

    Crafting an underwater housing is both an art and a science. AOI’s UH-A7IV embodies this harmony, balancing the capabilities of the Sony A7IV with the practical needs of photographers. The result is one of the most complete and user-friendly housings AOI has ever produced.

     

     

     

     

     

     

     

     

     

     



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  • Ikelite Announces “Deluxe Version” Fixed Port Housings for Sony a6700 with Power Zoom 16–50mm Lens

    Ikelite Announces “Deluxe Version” Fixed Port Housings for Sony a6700 with Power Zoom 16–50mm Lens

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    Ikelite Announces “Deluxe Version” Fixed Port Housings for Sony a6700 with Power Zoom 16–50mm Lens

    Ikelite has released two “deluxe versions” of its housing for the Sony a6700 featuring a fixed flat port with standard 67mm threads. The housings, which specifically accommodate the camera with the Sony E PZ 16–50mm f/3.5–5.6 OSS lens attached, are designed for use with macro and wide-angle wet lenses with 67mm threads—in much the same way as you would shoot with a compact camera underwater. To make it easier to attach heavier wide-angle lenses, Ikelite recommends using a compatible 67mm-to-bayonet adapter.

    The two housing configurations are as follows: The 200FP/T housing bundles the Sony a6700 housing with the Dual Tray with Dual Handles, Trigger Extensions, Vacuum System, a spare O-ring, and TTL circuitry. The built-in TTL electronics mean that you just need to add a single sync cord or a dual sync cord and one or two compatible Ikelite DS strobes, respectively.

    By contrast, the 200FP/F housing bundles the Sony a6700 housing with the Dual Tray with Dual Handles, Trigger Extensions, Vacuum System, a spare O-ring, and a built-in Fiber Optic Transmitter. The transmitter attaches to the camera’s hotshoe and translates its flash signals to LED pulses that can be read by compatible strobes by manufacturers such as Inon, Sea&Sea, Retra, Weefine, Kraken, AOI, and Backscatter. Strobes can only be used in manual mode.

    Available now from retailers such as Backscatter, the 200FP/T housing is priced at $1,690, while the 200FP/F housing costs $1,715.



     


    When purchasing underwater photography equipment like the products mentioned in this article, please support DPG by supporting our retail partner—Backscatter.com.

     



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  • Sony and Canon Tease Upcoming Camera Announcements

    Sony and Canon Tease Upcoming Camera Announcements

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    Camera conspiracy theorists unite: Both Sony and Canon are teasing camera releases on March 26th with mysterious clues.

    Starting off with Sony, the company released a teaser-trailer-style clip of a veiled new camera model. There’s not much to go on, but eagle-eyed viewers have spied a button labeled “5” as well as a 3.5mm jack.

    Combined with the “Go small, shoot big” catch phrase, speculation centers on the announcement of a new cinema-style camera—something similar to the Sony FX6. Other guesses in the video comment section include a long-awaited update to the Sony a6700.

     


    For its part, Canon is also contributing to the rumor wheel with an Instagram post glimpse at two new camera models. Shrouded in shadow and only labeled with “V,” it seems likely that the cameras will fall into Canon’s new Powershot V1 “vlogging” compact cameras.

    Canon recently debuted the Powershot V1 at the CP+ show in Japan to much buzz. It’s a pivot in the company’s compact lineup with trendy vloggers in mind—featuring a 16–50mm equivalent f/2.8–4.5 lens and 4K/60p shooting mode.

    Set the countdown to March 26th…



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  • Sony Launches The World’s First 50-150mm F/2 Lens

    Sony Launches The World’s First 50-150mm F/2 Lens

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    Sony has announced a telephoto lens with a unique focal range, the FE 50 – 150mm f/2 GM lens which is the world’s first lens to have a maximum focal length of 150mm and f/2 aperture. The lens is lighter, weighing at about 1340g. This the company’s second f/2 zoom lens in the GM series.

    The zoom range of this lens, 50-150mm and the f/2 fixed aperture along the entire zoom range, makes it a great lens for wedding, portrait and event photographers where the subject can be isolated with a shallow depth of field. Unfortunately the lens does not have internal image stabilization.

    Image via Sony

    Similar to Sony’s range of G Master series of other lenses, the FE 50-150mm f2 GM lens produces stunning images of very high resolution and beautifully smooth bokeh. This will make this lens a great choice for professional photographers who already work with the Sony Alpha camera system. This lens will also be a great choice for professional video makers because of its stunning cinematic results and great clarity.

    The lens comes with Nano anti-reflection coating, that will help to reduce flare and ghosting significantly even in backlit situations. The lens also comes with four extreme dynamic linear motors for faster and accurate focusing.

    Some of the most important features of this lens are:

    • Focal length – 50 to 150mm, E mount lens
    • Maximum aperture – f/2
    • Aperture blades – 11, rounded aperture
    • Lens elements – 19 elements in 17 groups
    • Filter size – 95mm
    • Image stabilization – No
    • Internal focusing and zooming – Yes
    • Aperture, focus and zoom rings
    • Weather and dust sealed
    • Weight – 1340g

    The lens seems to be quite expensive, priced at $3,899.99 and is available to pre-order now. The estimated shipping date is towards the end of May, 2025. More details about this lens can be found here.

    We have more news for you to read if you are interested at this link here.



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  • Sony Possibly Spinning Off Sensor Unit

    Sony Possibly Spinning Off Sensor Unit

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    You might recall Sony spinning off its camera unit some time back.

    black sony camera on black background
    Black Sony camera on black background. Photo by Alwin Thomas

    In a move intended to streamline the company’s operations, few could deny it was savvy from a strategy standpoint.

    Increasingly focused on its PlayStation and entertainment divisions, Sony has a myriad of high-tech divisions that are more than capable of standing on their own.

    Plus, the company stands to benefit from the value that would be unlocked in what some would speculate would be a $ USD 49 billion standalone firm. 

    But that’s not happening according to a Sony spokesperson who has put the kibosh on the idea in the media. 

    Naturally, we recognize the company for its camera sensors but it also provides a lot of the sensors found in smartphones, for example. 

    As PetaPixel writes, the move is speculated to be not only intended to unlock value but also to boost the division’s competitive capability in the marketplace. As you can imagine, semiconductors are a cutthroat segment and, while it was once wildly profitable, the Sony division has faced the same pressures that many of its competitors have in the industry – namely, shrinking margins and a crowded competitive landscape. 

    The thinking goes that, on its own, Sony’s semiconductor division would be able to harness its resources more effectively which could manifest in everything from trimming operations to honing in on relevant research and development. Essentially, this line of thought goes, the company might thrive better on its own because it is able to address its specific needs without worrying about larger Sony Group goals and aspirations, particularly as might be related to businesses outside of semiconductors. 

    Any thoughts you might have on Sony spinning off its sensor business are welcome in the comments.

    We have some more news for you at this link.



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