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  • Sony Announces Compact Full-Frame FX2 Cinema Camera

    Sony Announces Compact Full-Frame FX2 Cinema Camera


    Sony has unveiled the latest addition to its Cinema Line—the FX2. The compact full-frame video camera has a similar body design to the four-year-old full-frame FX3 and almost three-year-old cropped-sensor FX30. But where the FX3 borrowed the a7S III’s 12MP sensor and lacked an EVF, the FX2 takes the 33MP sensor from the a7 IV while featuring a video-camera-style 3.68-M-dot EVF, which can be tilted up to 90 degrees. Like the a7 IV, the FX2 supports Dual Base ISO (800 and 4000) when using S-Log3.

    With its a7 IV DNA, the FX2 promises to be a much more useful hybrid camera, offering not just high-end video recording and powerful video-focused tools, but also high-quality still image capture. (In addition, there’s a handy movie/still lever to switch between modes.) The FX2 can record up to 4K/30p and 1080/120p using the full width of the sensor, and supports Log shooting in Cine EI, Cine EI Quick, and Flexible ISO modes. Shooting 4K/60p entails an APS-C crop factor.

    To round things off, the FX2 offers a large dedicated record button, a full-size HDMI port, and an internal cooling fan. The camera has two memory card slots compatible with SD UHS-I/II cards, with one slot also capable of accepting a CFexpress 2 Type A card.

    Available in August, the Sony FX2 will be available for a body-only price of  $2,700.

     


    PRESS RELEASE

    Sony Electronics Introduces the FX2 Compact Camera, Expanding Cinema Line’s Versatility for Creatives

    The new FX2 has the look and operability of Cinema Line cameras with the ability to shoot high-resolution photos and comes equipped with an articulating eyepiece

    Sony Electronics Inc. is proud to announce today the latest addition to its established Cinema Line family, the FX2. The FX2 will offer a seamless entry point into the broader Cinema Line range, giving greater cinematic expression to independent creators or small crews needing a versatile camera.

    “The hybrid cinema camera was created based on user feedback and is engineered with unique features to support filmmaking, a new eyepiece, and enhancements for versatile production needs. The FX2 is intended to continue the Cinema Line’s goal of preserving authentic emotion in every shot and empower creators across all areas of content production,” says Theresa Alesso, President, Imaging Products and Solutions Americas, Sony Electronics Inc.

    FX2 Features: Full-frame Photo and Video Capabilities

    The FX2 comes with a full-frame sensor that delivers stunning imagery and beautiful bokeh effects. Equipped with a 33.0 effective megapixel1 back-illuminated Exmor R™ sensor with up to 15+ stops of wide latitude using S-Log3, it captures impressive detail in both highlights and shadows.

    Designed for versatile shooting environments, the FX2 offers Dual Base ISO at 800 and 4000, ensuring optimal performance in both bright and low-light conditions. Its ISO sensitivity for video can be extended up to 102400, making it ideal for challenging lighting scenarios. The camera supports a wide range of recording formats—including 4:2:2 10-bit All-Intra—and records in high-quality options, such as XAVC S-I DCI 4K at 24.00p, providing professionals with the tools needed for flexible, high-end production workflows.

    The FX2 can also continuously record for up to 13 hours in 4K 60p2 thanks to its internal cooling fan and effective heat dissipation structure. The FX2 offers variable frame rate settings, allowing up to 60 fps in 4K (for a maximum 2.5x slow-motion effect) and up to 120 fps in Full HD (for up to 5x slow motion). It supports Log shooting in Cine EI, Cine EI Quick, and Flexible ISO modes, offering versatile workflows for different production needs. To further the cinematic expression of the camera, creators can import up to 16 user LUTs for on-camera preview, enabling precise color monitoring on set.

    Filmmakers can also easily and quickly create in-camera cinematic looks, with S-Cinetone™ set as the default, along with a range of Picture Profile and Creative Look presets. A de-squeeze display function is available, supporting both 1.3x and 2.0x anamorphic lenses for accurate framing.

    Improved Usability for Comfortable Solo Operation

    The FX2 features the same compact, flat-top design as Sony’s Cinema Line FX3 and FX30 cameras, ensuring familiarity and compatibility across setups. Built-in mounting points (UNC 1/4-20 x3) support a cageless configuration, offering greater flexibility for rigging. An optional top handle (ILME-FX2) enhances mobility and control, especially during handheld or dynamic shooting. Its lightweight, portable build—measuring approximately 5 1/8 x 3 1/8 x 4 1/8 in and weighing approximately 1 lb 8.0 oz—makes it ideal for solo operators or small crew productions.

    The camera offers advanced focus features designed for precision and creativity. Its new Real-time Recognition AF (auto focus) delivers fast and reliable performance with improved accuracy for human subjects, although its intelligent subject recognition extends to animals, birds, vehicles, and insects, with an Auto mode available for effortless detection. For even more control, tools like focus breathing compensation, AF Assist, and customizable autofocus transition speed and sensitivity give creators the flexibility to fine-tune focus for expressive, cinematic imagery. The FX2 comes with Active Mode and Dynamic active Mode, which is new to the Cinema Line, and are both designed to ensure smooth and steady handheld shooting.

    The Auto Framing feature automatically crops and tracks a subject to keep them in a prominent position when the camera is mounted on a tripod, producing footage that looks like it was shot by an experienced operator. The Framing Stabilizer function automatically keeps the subject in the same position within the frame, which can be useful, for example, when the camera operator is moving alongside the subject.

    From a still image perspective, the camera features an additional log shooting option with a newly added ‘Log shooting’ menu. This feature allows creators to shoot high-resolution 33MP stills, optimized for color grading in post-production. The FX2 also offers smooth operation with a MOVIE/STILL mode lever, allowing for a quick switchover between still and movie shooting. Depending on the selected mode, the displayed menu items will automatically adjust. Additionally, mode selection is made easy with a long press of the Fn button, which recalls and changes the shooting mode.

    FX2 Features: Improved but Familiar Hardware Inherited From Sony’s Cinema Cameras

    The FX2 is equipped with a new high-resolution 3.68-million-dot tiltable EVF3 (electronic view finder) designed specifically for video production, offering a wide viewing angle and enhanced immersion thanks to its included deep eyepiece. Complementing the EVF is a 3.0-type vari-angle touchscreen LCD, making it easy to frame shots from virtually any angle. Intuitively arranged controls on the top panel and grip, along with tally lamps for clear recording status, support efficient on-set operation. The camera also introduces a customizable “BIG6” home screen that provides quick access to essential shooting parameters, such as FPS, ISO, shutter speed (angle or speed), Look presets, white balance, iris, and neutral-density (ND) filter settings. Addressing the growing demand for vertical content creation, the FX2 supports vertical menu display during shooting—ideal for social media formats. The handle-equipped model further enhances professional usability with two XLR/TRS terminals and a 3.5mm stereo mic jack, enabling 4-channel, 24-bit digital audio capture.

    The camera offers extensive expandability and connectivity options, including an HDMI Type-A terminal capable of outputting up to 4K 60p 4:2:2 10-bit video and 16-bit RAW4 for high-end recording and monitoring. For seamless data transfer and remote control, it supports dual-band Wi-Fi (2.4 GHz and 5 GHz5) as well as wired LAN via a compatible adapter6. Additionally, the USB Type-C port enables SuperSpeed USB up to 10Gbps data transfers and supports USB Power Delivery (PD)7, while built-in USB and network streaming support enables live broadcasting and remote production workflows.

    Social Responsibility

    Aligned with Sony’s global environment plan, ‘Road to Zero’, this product supports the company’s vision for achieving a zero environmental footprint by 2050. The manufacturing process reflects this commitment through facilities powered entirely by renewable energy sources8.

    The camera system incorporates comprehensive accessibility options, including a Screen Reader function9 and Display Magnification, to support visually impaired users across an expanded range of menu items. Additional intuitive controls enhance usability for all shooters, featuring:

    • Real-time recognition autofocus that reduces manual adjustments

    • Streamlined touch interface operations for direct menu navigation

    • Tactile button design with clear differentiation

    These inclusive design elements ensure professional imaging tools remain accessible to creators of all abilities while maintaining full operational capability

    The FX2 will be available early August for a suggested retail price of $2,699.99 USD and $3,499.99 CAD body only or $3,099.99 USD and $3,999.99 CAD with XLR handle. It will be sold directly through Sony and at a variety of Sony’s authorized dealers throughout North America.

    1 For stills. Max. 27.6 megapixels for movie.

    2 Sony internal tests. USB power supply, XAVC S-I (All-I), 4K 60p 10-bit 4:2:2, 25 deg C (ambient, camera when recording started), Auto power off temperature: High, Cooling fan: Auto. The maximum continuous recording time for a single movie shooting session is approximately 13 hours (a product specification limit) Actual performance varies based on settings, environmental conditions, storage, and usage. Batteries are consumable products and their capacity degrades over time as they age. Sony does not guarantee the life span of the battery.

    3 Adjustable from 0° to +90° for flexible shooting angles.

    4 The output image will be in the APS-C size /Super 35mm equivalent angle of view.

    5 The 5 GHz band may not be available in some countries or region

    6 A commercially available USB-LAN adapter is required.

    7 A USB PD compatible external power supply device with 9V/3A or higher output capacity and a USB Type-C cable that can handle 3A or more is required

    8 Further reducing environmental impact, the product utilizes recycled packaging materials that minimize plastic content without compromising protection. These sustainable practices demonstrate our dedication to eco-conscious production while maintaining the highest quality standards.

    9 Download of compatible language file may be necessary. Please refer to the Help Guide for details.





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  • AOI Unveils Housing for the Sony A7 Mark IV

    AOI Unveils Housing for the Sony A7 Mark IV


    AOI has announced its new housing for the Sony a7 Mark IV—the latest version of the Japanese company’s entry-level full-frame mirrorless camera. The Mark IV is built around a 33MP BSI-CMOS sensor and the Bionz XR processing engine, offering 10fps continuous shooting with AF/AE tracking and 4K/30p 10-bit 4:2:2 video with no crop. The UH-A7IV housing represents exciting new territory for AOI, which has previously only supported Micro Four Thirds cameras from Olympus and OM System, and makes sense given the newly released UIS-P1 strobe offering compatibility with Sony TTL.

    The new housing is clearly designed to offer a compelling alternative to sophisticated but pricey aluminum housings or polycarbonate housings with only basic functionality. Controls are ergonomically positioned around integrated handles, there’s a built-in vacuum check and moisture detection system, and the non-proprietary AX port system means that ports and extensions for a variety of lenses are readily available. The housing features two fiber-optic ports and ships with an LED flash trigger supporting manual mode and Sony TTL (TTL, HSS TTL) with AOI’s UIS-P1 strobe as well as Backscatter’s Hybrid Flash.

    A unique feature that sets the housing apart is the “Smart Multi Control Device,” which allows the user to switch between manual and TTL flash modes and features a miniature display that offers useful at-a-glance information about the flash modes and from the water depth monitor and the Vacuum Analyzation and Wet Detection System (VWS). The device uses a built-in rechargeable lithium polymer battery that takes 90 minutes to charge and allows for 18 hours of continuous operation.

    Available now from retailers such as Backscatter, the AOI UH-A7IV is priced at $1,400.

     


    When purchasing underwater photography equipment like the products mentioned in this article, please support DPG by supporting our retail partner—Backscatter.com.


    PRESS RELEASE

    New AOI UH-A7IV, Harnessing the Alpha Advantage Filling the Gap

    For many users, the biggest hurdle in underwater photography is the extravagant cost of underwater housings for high-performance cameras, often priced at two to three times the cost of the cameras themselves. On the other hand, affordable housings available in the market frequently lack the reliability and features that inspire confidence. This leaves users with difficult choices: delay their plans, compromise on their ideal setups, or settle for less-than-optimal systems.

    AOI has successfully carved a niche by offering high-performance underwater housings that combine user-friendly design, full functionality, and affordability for OM System cameras. Now, AOI aims to bring the same excitement and value to Sony camera users.

    The Sony A7IV, though a few years old, remains a smart choice for many photographers. Known for its versatility, the camera boasts a high-resolution sensor, fast and reliable autofocus, and excellent dynamic range—all at a reasonable price in the full frame mirrorless segment. These qualities made it one of the most popular full-frame mirrorless cameras on the market, and it continues to hold its own against newer competitors.

    Introducing the NEW AOI UH-A7IV Underwater Housing

    The new AOI UH-A7IV underwater housing bridges the gap in the market for Sony A7IV users who find current options either too expensive, too basic, or both.

    Accessing the Alpha Advantage

    Camera manufacturers invest heavily in innovation, crafting modern cameras to meet diverse user needs. AOI’s design philosophy complements this vision by ensuring that its underwater housings are more than just waterproof enclosures—they are extensions of the cameras themselves.

    The 3C’s of AOI’s design philosophy—Creative, Compatible, and Consumer-Centric—shine in the UH-A7IV.

    Creative

    • Rechargeable Smart Multi Control Device with Mini Display: Clear instructions and status updates for various operations, including flash modes (manual and TTL), depth mode, VWS mode, alerts, control device battery status and depth indicator. To improve reliability and connectivity between the camera’s hot shoe and the housing’s Control Device, AOI has upgraded a cable-less connector.

    • Sony TTL and HSS Compatibility: Seamless integration with the AOI UIS-P1 strobe and Backscatter’s Hybrid Flash.

    • Improved VWS: The Vacuum Analyzation and Wet Detection System now incorporates an over-ride mechanism, to ensure proper vacuum sealing is conducted to prevent errors.

    • Built-in Ergonomic Handles: Easy access to buttons and effortless handling.

    Compatibility

    • Non-Proprietary Port System: By utilizing a popular port system, a wide range of ports and extensions for different lenses are readily available.

    • Standardized Mounts: Compatible with aftermarket and AOI accessories including plug type ports for fiber optic connectivity.

    • Service-Friendly Design: Uniform buttons and O-rings simplify maintenance.

    Consumer-Centric

    • Full Camera Functionality: Provides access to all key camera features.

    • Affordable Pricing: Lowers the barrier to entry for underwater photography for a full frame mirrorless camera.

    • User-Focused Engineering: Lightweight, travel-friendly, and easy to maintain.

    Crafting an underwater housing is both an art and a science. AOI’s UH-A7IV embodies this harmony, balancing the capabilities of the Sony A7IV with the practical needs of photographers. The result is one of the most complete and user-friendly housings AOI has ever produced.

     

     

     

     

     

     

     

     

     

     





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  • Ikelite Announces “Deluxe Version” Fixed Port Housings for Sony a6700 with Power Zoom 16–50mm Lens

    Ikelite Announces “Deluxe Version” Fixed Port Housings for Sony a6700 with Power Zoom 16–50mm Lens


    Ikelite Announces “Deluxe Version” Fixed Port Housings for Sony a6700 with Power Zoom 16–50mm Lens

    Ikelite has released two “deluxe versions” of its housing for the Sony a6700 featuring a fixed flat port with standard 67mm threads. The housings, which specifically accommodate the camera with the Sony E PZ 16–50mm f/3.5–5.6 OSS lens attached, are designed for use with macro and wide-angle wet lenses with 67mm threads—in much the same way as you would shoot with a compact camera underwater. To make it easier to attach heavier wide-angle lenses, Ikelite recommends using a compatible 67mm-to-bayonet adapter.

    The two housing configurations are as follows: The 200FP/T housing bundles the Sony a6700 housing with the Dual Tray with Dual Handles, Trigger Extensions, Vacuum System, a spare O-ring, and TTL circuitry. The built-in TTL electronics mean that you just need to add a single sync cord or a dual sync cord and one or two compatible Ikelite DS strobes, respectively.

    By contrast, the 200FP/F housing bundles the Sony a6700 housing with the Dual Tray with Dual Handles, Trigger Extensions, Vacuum System, a spare O-ring, and a built-in Fiber Optic Transmitter. The transmitter attaches to the camera’s hotshoe and translates its flash signals to LED pulses that can be read by compatible strobes by manufacturers such as Inon, Sea&Sea, Retra, Weefine, Kraken, AOI, and Backscatter. Strobes can only be used in manual mode.

    Available now from retailers such as Backscatter, the 200FP/T housing is priced at $1,690, while the 200FP/F housing costs $1,715.



     


    When purchasing underwater photography equipment like the products mentioned in this article, please support DPG by supporting our retail partner—Backscatter.com.

     





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  • Sony and Canon Tease Upcoming Camera Announcements

    Sony and Canon Tease Upcoming Camera Announcements



    Camera conspiracy theorists unite: Both Sony and Canon are teasing camera releases on March 26th with mysterious clues.

    Starting off with Sony, the company released a teaser-trailer-style clip of a veiled new camera model. There’s not much to go on, but eagle-eyed viewers have spied a button labeled “5” as well as a 3.5mm jack.

    Combined with the “Go small, shoot big” catch phrase, speculation centers on the announcement of a new cinema-style camera—something similar to the Sony FX6. Other guesses in the video comment section include a long-awaited update to the Sony a6700.

     


    For its part, Canon is also contributing to the rumor wheel with an Instagram post glimpse at two new camera models. Shrouded in shadow and only labeled with “V,” it seems likely that the cameras will fall into Canon’s new Powershot V1 “vlogging” compact cameras.

    Canon recently debuted the Powershot V1 at the CP+ show in Japan to much buzz. It’s a pivot in the company’s compact lineup with trendy vloggers in mind—featuring a 16–50mm equivalent f/2.8–4.5 lens and 4K/60p shooting mode.

    Set the countdown to March 26th…





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  • Sony Launches The World’s First 50-150mm F/2 Lens

    Sony Launches The World’s First 50-150mm F/2 Lens


    Sony has announced a telephoto lens with a unique focal range, the FE 50 – 150mm f/2 GM lens which is the world’s first lens to have a maximum focal length of 150mm and f/2 aperture. The lens is lighter, weighing at about 1340g. This the company’s second f/2 zoom lens in the GM series.

    The zoom range of this lens, 50-150mm and the f/2 fixed aperture along the entire zoom range, makes it a great lens for wedding, portrait and event photographers where the subject can be isolated with a shallow depth of field. Unfortunately the lens does not have internal image stabilization.

    Image via Sony

    Similar to Sony’s range of G Master series of other lenses, the FE 50-150mm f2 GM lens produces stunning images of very high resolution and beautifully smooth bokeh. This will make this lens a great choice for professional photographers who already work with the Sony Alpha camera system. This lens will also be a great choice for professional video makers because of its stunning cinematic results and great clarity.

    The lens comes with Nano anti-reflection coating, that will help to reduce flare and ghosting significantly even in backlit situations. The lens also comes with four extreme dynamic linear motors for faster and accurate focusing.

    Some of the most important features of this lens are:

    • Focal length – 50 to 150mm, E mount lens
    • Maximum aperture – f/2
    • Aperture blades – 11, rounded aperture
    • Lens elements – 19 elements in 17 groups
    • Filter size – 95mm
    • Image stabilization – No
    • Internal focusing and zooming – Yes
    • Aperture, focus and zoom rings
    • Weather and dust sealed
    • Weight – 1340g

    The lens seems to be quite expensive, priced at $3,899.99 and is available to pre-order now. The estimated shipping date is towards the end of May, 2025. More details about this lens can be found here.

    We have more news for you to read if you are interested at this link here.





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  • Sony Possibly Spinning Off Sensor Unit

    Sony Possibly Spinning Off Sensor Unit


    You might recall Sony spinning off its camera unit some time back.

    black sony camera on black background
    Black Sony camera on black background. Photo by Alwin Thomas

    In a move intended to streamline the company’s operations, few could deny it was savvy from a strategy standpoint.

    Increasingly focused on its PlayStation and entertainment divisions, Sony has a myriad of high-tech divisions that are more than capable of standing on their own.

    Plus, the company stands to benefit from the value that would be unlocked in what some would speculate would be a $ USD 49 billion standalone firm. 

    But that’s not happening according to a Sony spokesperson who has put the kibosh on the idea in the media. 

    Naturally, we recognize the company for its camera sensors but it also provides a lot of the sensors found in smartphones, for example. 

    As PetaPixel writes, the move is speculated to be not only intended to unlock value but also to boost the division’s competitive capability in the marketplace. As you can imagine, semiconductors are a cutthroat segment and, while it was once wildly profitable, the Sony division has faced the same pressures that many of its competitors have in the industry – namely, shrinking margins and a crowded competitive landscape. 

    The thinking goes that, on its own, Sony’s semiconductor division would be able to harness its resources more effectively which could manifest in everything from trimming operations to honing in on relevant research and development. Essentially, this line of thought goes, the company might thrive better on its own because it is able to address its specific needs without worrying about larger Sony Group goals and aspirations, particularly as might be related to businesses outside of semiconductors. 

    Any thoughts you might have on Sony spinning off its sensor business are welcome in the comments.

    We have some more news for you at this link.





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  • Nauticam Releases Housing for the Sony a1 II and a9 III

    Nauticam Releases Housing for the Sony a1 II and a9 III


    Perhaps two of the most exciting pro-level cameras on the market at the moment are Sony’s a1 Mark II and a9 Mark III. The a9 III remains the only full-frame mirrorless camera with a global shutter, giving you jaw-dropping specs like blackout-free continuous shooting at 120fps with AF, no-crop 4K/120p video, and the ability to sync with flash at up to 1/80,000s. (The compromise, however, is the sensor’s relative low pixel count of 24.6MP and base ISO of 250. Meanhile, the a1 II is a different, but equally capable, beast: At 50.1MP, its stacked sensor boasts double the pixels, burst shooting is 20fps in lossless RAW, and there’s both 8K/30p and 4K/120p video recording on offer.

    The kicker is that these two cameras are all but identical externally, so a single housing can accommodate either one… Enter Nauticam’s NA-α1II housing, designed to get the most out both the a1 II and a9 III. Needless to say, ergonomic control placement is foremost: There’s a dual thumb lever alongside the right hangle and a single thumb lever on the left, as well as another left-hand lever operating a customizable button. In addition to fiber-optic ports for your strobes, there’s an M14 accessory port that could be used for an electrical bulkhead if preferred. There’s also a large-bore M24 accessory port for hooking up a monitor/recorder such as the Atomos Ninja V via HDMI 2.0.

    Nauticam’s housing costs $4,920 and is available for from Backscatter now.

     


    When purchasing underwater photography equipment like the products mentioned in this article, please support DPG by supporting our retail partner—Backscatter.com.


    PRODUCT INFORMATION

    INTRODUCING NA-α1II

    The Sony a1 II and a9 III Cameras

    The Sony a1 II and a9 III Cameras are Sony’s pro-level bodies that cover the entire gamut of imaging requirements for both still and video shooters.

    Sony a1 II

    The a1 II is Sony’s flagship high-resolution camera body with incredible autofocus and impressive video capabilities. Built around a 50MP stacked BSI CMOS sensor and powered by the advanced BIONZ XR processor, the a1 II features upgrades pulled from the a7R V in autofocus, subject tracking, and IBIS. For scenarios demanding high resolution paired with ultra-fast and accurate autofocus and up to 8K30p video, the a1 II can deliver top tier results.

    Key Sony a1 II Camera Specs

    • 50MP Full-Frame Stacked BSI CMOS Sensor

    • 8K 30p and 4K 120p Video in 10-Bit

    • 8.5-Stop IBIS + Dynamic Stabilization

    • 9.44m-Dot EVF with 240 fps Refresh Rate

    • Dual CFexpress Type A/SD Card Slots

    Sony a9 III

    The a9 III fills the role of a high sensitivity sensor with a true global shutter. Capable of shooting 4K 120fps from the full sensor area, the a9 III produces very clean high frame rate video even in less than ideal lighting conditions. The a9 III’s global shutter allows for shooting at incredibly high shutter speeds to maximize available strobe power and recycle time, even in strongly backlit scenes. Shooting into the sun or in high-ambient light scenarios at lower apertures opens up a world of opportunities for both wide and macro photography and also eliminates any rolling shutter effects in video.

    Key Sony a9 III Camera Specs

    • 24.6MP Full-Frame Global Shutter Sensor

    • Flash Sync at up to 1/80,000 Sec.

    • 4K 120p 10-bit Video; S-Log3 & S-Cinetone

    • 759-Point Phase-Detect AF with Tracking

    • 8-Stop 5-Axis In-Body Image Stabilization

    • 9.44m-Dot EVF with 240 fps Refresh Rate

    • Dual CFexpress Type A/SD Card Slots

    Shared Specs

    The a1 II and a9 III share a body which makes the NA-a1ii housing possible without any adapters, modifications or loss of features.  Both cameras also share the incredible 9.4M-dot electronic viewfinder from the A7RV.  

    THE NA-α1II HOUSING

    The NA-α1II Housing is based on the Nauticam NA-a9III housing and can accommodate both the Sony a1II and a9III camera bodies with no adapters of modifications. This truly makes this housing one of the ultimate underwater imaging tools able to capture high resolution as well as low-light stills and high resolution, low-noise and high-framerate video.


    Mission Control

    The driving force behind Nauticam housings is to place controls where they should be, within easy reach of the ergonomic handles for an intuitive and smooth underwater filming experience. The NA-α1II features a dual action thumb lever on near the right handle that actuates the ‘AF-ON’ and ‘REC’ buttons. Near the left handle is a thumb lever for ‘PLAYBACK’. The shutter release, main and sub command dials are also all within easy reach without taking your hands off the handles.


    Professional Optics

    The NA-α1II housing is built around the N100 port opening allowing for a wide variety of optics solutions from extreme wide-angle to super macro. In addition to supporting traditional wide angle dome port and macro flat-port configurations, the NA-α1II can support much of Nauticam’s range of Water Contact Optics from the Fisheye Conversion Port (FCP) to the Extended Macro Wide Lens (EMWL). To truly unlock the creative possibilities of these two cameras, pairing them with either the WACP-1B, WACP-C or WWL-1B gives impressive 130º rectilinear field-of-view, ~0″ minimum focus distance, full zoom through capabilities and the incredible corner sharpness. If more coverage is needed, the FCP provides 170º fisheye coverage with full zoom through and close focus capabilities. Take your macro imaging to the next level with either increased 2.3X magnification with the new SMC-3 close-up lens or the wide-angle macro look of the EMWL 160º lens.

    EVF Enhancement

    Both the Sony α1II and α9 III feature the same ultra-high resolution 9.4M-dot electronic viewfinder (EVF).  To truly take full advantage of this underwater consider pairing it with one of the Nauticam Enhanced 0.8:1 Viewfinders.  These underwater viewfinders are designed to give full edge-to-edge magnified viewing and include a diopter that can be adjusted underwater to match your vision.

     


    HDMI 2.0

    A large bore M24 bulkhead is located at the front of the housing for use with HDMI 2.0 or HDMI 1.4 (with a step-down adapter to M16) external monitors and recorders.  An additional M10 threaded mounting position near the front center of the housing also makes using an external monitor even easier.


    Vacuum Check and Leak Detection

    The housing comes with electronics pre-installed for Nauticam’s Vacuum Check and Leak Detection system, requiring only the optional M14 Vacuum Valve (25624). This monitoring system provides constant updates on the water tight and safe-to-dive status of the housing. A simple color coded LED lighting system lets the user know that the vacuum is solid, or that the housing is losing vacuum. Leak detection is built into the same circuit, so if there is water intrusion, an audible and visual indication will occur. The Nauticam system is temperature compensated, eliminating false alarms caused by a change in outside temperature, or from a camera heating up on an action packed dive.


    Strobe Triggering

    Triggering of external strobes is accomplished via the integrated fiber-optic bulkheads when using the optional Mini Flash Trigger for Sony (26302).  Electronic triggering is also available via an optional Nikonos or Ikelite Style Bulkhead.

    What’s In The Box:

    • NA-α1II Housing

    • 90120 Spare Main O-ring, o-ring remover, and lubricant

    • CR-2032 Battery (for Moisture Alarm)

    • Set of Allen Keys

    • Instruction Manual Card

    • 2x Optical Bulkhead Caps

    • 2x Handles with Mounting Balls 

    • Padded Housing bag and shoulder strap 

    Recommended Accessories:

    • 25624 M14 Vacuum Valve II (Pushbutton Release)

    • 26302 Mini flash trigger for Sony

    • 25218 Mounting Ball Set for tripod

    • 28130 Hand Strap for 18223

    • 32203 45 viewfinder (slightly vignettes)

    • 32211 Nauticam Full Frame Straight Viewfinder 32 / 1:1

    • 32212 Nauticam Full Frame Straight Viewfinder 40 / 0.8:1

    • 32213 Nauticam Full Frame Angle Viewfinder 32 / 1:1

    • 32214 Nauticam Full Frame Angle Viewfinder 40 / 0.8:1 *32212 / 32214 is preferred

    • 26325 USB-C Bulkhead with USB-C Connector

    • 26326 M24-M16 Adaptor for use with 26325

    • 25413 27cm lanyard with 2 snap hooks

    HDMI Output:

    Required accessories for HDMI 2.0 Cable System

    • 25086 M24 Adaptor for HDMI 2.0 Cable (incl. tightening tool)

    • 25099 M24A2R20-M28A1R170 HDMI 2.0 Cable

    Compatible Monitor Options:

    • 17922 Nauticam Atomos Ninja V Housing for Atomos Ninja V 5” 4kp60 4:2:2 10-bit recorder/monitor/player (excl. HDMI 2.0 Cable

    • 17922S Nauticam Atomos Ninja V-S Housing for Atomos Ninja V 5” 4kp60 4:2:2 10-bit recorder/monitor/player (excl. HDMI 2.0 Cable) with AtomX SDI Module

    Required accessories for HDMI 1.4 Cable System:

    • 26326 M24-M16 Adaptor

    • 25100 HDMI )D-A) 1.4 Cable in 200mm length (for connection from HDMI bulkhead to camera)

    • 25033 standard HDMI bulkhead with M16 thread (incl in 17923 Shinobi-H housing)

    Compatible Monitor Options:

    • 17923 NA-Shinobi-H Housing for Atomos Shinobi 5.2” 4k HDMI Monitor with HDMI 1.4 input.

    • 17922 Nauticam Atomos Ninja V Housing for Atomos Ninja V 5” 4kp60 4:2:2 10-bit recorder/monitor/player (excl. HDMI 2.0 Cable

    • 25082 HDMI 1.4 Canle for Ninja V housing in 0.75m length (for connection for Ninja V housing to bulkhead) *25082 v1.4 cable is required for use with 17922 monitor housing. 

    Technical Specifications

    • Dimensions: 347mm(W) x 171mm(H) x 127mm(D)

    • Weight in Air: 2.65kg

    • Buoyancy in Water: 0.48kg (incl. camera & battery)


    Model Number: 17438

    USA Retail Price: $4,920.00

    More information is available from Nauticam at: www.nauticam.com





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  • Save on Sony gear with these early Black Friday deals

    Save on Sony gear with these early Black Friday deals


    Sony makes some of the best camera gear around right now, with cameras and lenses suitable for high-level pros and complete beginners. Right now, you can take advantage of these Sony early Black Friday deals on a selection of equipment covering that spectrum. Whether you are picking up something for yourself or shopping for a generous gift for someone you know, these deals will give you up to $200 in savings.

    A 24-70mm is a must-have tool for just about every photographer. This standard zoom offers a bit of every focal length in one, meaning you don’t have to swap lenses as often. The Sony 24-70mm f/4 Vario-Tessar is a budget-friendly 24-70mm that still offers plenty of quality. It’s also very compact and lightweight, making it easier to travel with and hold during long shoots. This lens is a great beginner lens, so if you are shopping for a newer photographer, it would be a great bet.

    More Sony early Black Friday deals

    Deals on Sony cameras

    Deals on Sony zoom lenses

    Deals on Sony prime lenses





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  • New gear: The Sony a9 III is the first full-frame camera with a global shutter

    New gear: The Sony a9 III is the first full-frame camera with a global shutter


    We thought the Sony a1 was an impressive camera, but the image-making company has just topped it with its latest release. The main highlight of the newly released a9 III is its global shutter, the world’s first for a full-frame mirrorless camera. The unique shutter design, along with a powerful Bionz XR processor, allows for a host of impressive specs, including 120 fps, 1/80,000 max shutter speed, and flash sync at any shutter speed. Additionally, the company also announced the FE 300mm F2.8 G Master OSS lens, which offers superb reach and performance in a relatively compact body.

    Sony a9 III camera at a glance

    • 24.6-megapixel sensor with Bionz XR processor
    • Global sensor exposes and reads every pixel at the same time
    • 120 fps blackout-free burst shooting
    • Improved ergonomics
    • 1/80,000 maximum shutter speed
    • Flash sync at any shutter speed
    • 759 AF points with more sizes of focus area spots
    • 8-stops of optical in-body image stabilization
    • 6K oversampling for 4K 60p movies
    • 4K 120p video without cropping
    • Weighs 1.4 pounds
    • Available in spring 2024 for $5,999

    What is a global shutter?

    The star of the show for the a9 III is, by far, its global shutter. Global shutter technology isn’t new, with a handful of cinema cameras utilizing it over the past few years. But the Sony a9 III is the first full-frame mirrorless camera to jump on board. So, why does that even matter? What is a global shutter?

    Currently, most cameras rely on a rolling shutter. With the rolling shutter design, the camera’s sensor receives and reads information line by line from top to bottom. This means that there is a delay between the first line of data and the last. That delay can cause problems when capturing fast-moving subjects in photos or videos, resulting in warping and distortion. You likely have seen this in helicopter rotor blades. In photos, those blades can appear curved or bent when in reality, they are straight.

    The global shutter design solves this problem by exposing and reading every single pixel on the sensor at the exact same time. That means that the Sony a9 III will benefit from zero distortion in stills and video, which is a significant advantage for those shooting action. It also allows for a range of other benefits, including the ability to work with flash at any shutter speed, including the camera’s max shutter speed of 1/80,000 (no, that’s not an extra zero). This unlimited flash sync even works with third-party flashes. Additionally, there will be no banding from artificial lights or displays. To aid in this, Sony has also employed an Anti-Flicker mode that automatically syncs the shutter with the brightest point in the light’s cycle to keep the exposure consistent in photos and videos.

    The Sony a9 III with a vertical grip sits against a white background.
    Along with the camera, Sony has released a new vertical grip that offers the same ergonomics as the new camera. Sony

    Sony a9 III details

    There are plenty of other things to swoon about in the a9 III beyond the global shutter, though many are dependent on that feature. Sony built the new camera around a 24.6-megapixel full-frame stacked CMOS sensor and Bionz XR processor, which results in eight times the processing power as the a9 II. the five-axis optical in-body image stabilization system allows for eight stops of compensation with the camera alone. You’ll get even more stabilization if using a stabilized lens as well.

    On top of fancy guts, the a9 III features a redesigned body with better ergonomics. Sony says the grip is improved to make the camera easier to hold in the palm of the hand, even when using a telephoto lens. It says that it also moved the shutter button up slightly to be in a more natural, comfortable position. It features a four-axis multi-angle LCD touchscreen (the same as the a7R V) and 9.44 million-dot Quad XGA OLED electronic viewfinder. And as we’d expect from a pro-level Sony camera, it is dust and moisture-resistant.

    To pair with the pro-level features of the a9 III, Sony is also releasing a new vertical grip—the VG-C5— that offers the same ergonomic design as the new camera. That includes the same shutter button placement and a new custom button (C5) in the same position so that it feels the exact same when switching between horizontal and vertical shooting. The new battery also pulls parallel power instead of drawing from one source and then switching to the other. Sony says that this allows for 15 percent more battery life.

    The Sony a9 III is placed against a white background with its rear display tilted.
    Sony

    Burst shooting

    One of the main selling points of the a9 III is its absurd burst shooting capabilities. This alone will earn it a top spot as one of the best Sony cameras. It is able to shoot 120 fps blackout-free with real-time recognition AF and auto exposure. The fast burst shooting even works with 14-bit raw. Shooting fast bursts is only one piece of the puzzle when documenting action, though. You also have to get the timing right in the first place. To help ensure you get the shot, Sony has added a Pre-Capture function. This new setting allows the camera to continuously record (also up to 120 fps) for up to one second before the shutter is released.

    Even when shooting action, you don’t always want your fastest fps setting. Sony has found a clever way to get around that with the Speed Boost function and a newly added a new custom button (C5) on the front of the camera. The new button allows you to instantly switch to a faster, preset speed at any time and then go back to a more reasonable fps just as quickly.

    Image selection of 120 fps with Pre-Capture can be massively overwhelming. Sony even considered this when developing the a9 III. It has added a new playback image filter that allows you to select a large number of images at once, along with a function menu that can be used during image playback. The camera also plays back bursts as a video, so you can mark the shots you want without individually pressing through images.

    Autofocus

    As with other recent Sony releases, the a9 III features a dedicated AI processing unit to support its advanced phase detection autofocus system. It offers Real-time Recognition AF and Real-time Tracking and can detect a wide range of subjects, including humans, cats, dogs, planes, and more. The system can even detect an eye even when the subject is wearing goggles or helmets, is small in the frame, or moving fast. Sony also expanded the sizes of its focus areas to include XS and XL for more control over your focus points.

    Sony a9 III video specs & features

    Sony emphasized still photography during its announcement with a tagline of “the power of one frame.” But the company certainly didn’t leave video out of the mix in its new camera. The global shutter definitely benefits video shooters since rolling shutter has been a pain point. The a9 III is capable of 4K 60p video oversampled from 6K. It can also shoot 4K 120p without cropping, which is a first for an Alpha series camera. It offers the S-Cinetone profile, S-Log3, 10-bit 4:2:2 capture, and 16-bit raw video over HDMI.

    Sony a9 III pricing & availability

    Of course, with such an advanced, pro-level camera, we should expect a pro-level price. And indeed, the Sony a9 III is priced at $5,999. It is available for pre-order now and will begin shipping in the spring of 2024.

    A person crouches in the grass while holding a camera with the Sony FE 300mm f/2.8 GM OSS lens.
    The 300mm f/2.8 GM OSS lens is an advanced, compact telephoto prime lens for pros. Sony

    FE 300mm F2.8 G Master OSS lens details

    In case the groundbreaking camera wasn’t enough, Sony has also announced a new lens. Like the camera, the FE 300mm F2.8 G Master OSS lens is also a pro-level piece of equipment geared towards serious sports and wildlife photographers, as is evident in its matching $5,999 price.

    As a G Master lens, the new 300mm offering will provide superb resolution and edge-to-edge sharpness. The optical design includes three Super ED (Extra-low Dispersion) glass elements and one ED glass element to reduce chromatic aberration and improve contrast across the frame. The 11-blade circular aperture results in beautiful smooth bokeh. And two XD linear motors drive focus that is fast, precise, and silent. It’s also able to keep up with the fast burst shooting of the a9 III.

    Beyond image quality, the best feature of the 300mm f/2.8 GM is its size. The lens weighs just 3.2 pounds, which makes it the lightest lens of its class. For context, it is 40 percent lighter than the 400mm f/2.8 GM and roughly the same weight as the original 70-200mm GM. Sony was also very intentional about how the lens balances, designing it with optimum balance for smooth panning and easier handheld shooting.

    The new 300mm telephoto prime lens is compatible with Sony’s 1.4x and 2.0x teleconverters. It offers a function ring to instantly engage the APS-C crop, providing a 420mm view. It is dust and moisture-resistant with magnesium alloy inside and out for a durable, rugged build.

    Sony FE 300mm F2.8 G Master OSS pricing & availability

    Like the new camera, the FE 300mm F2.8 G Master OSS lens is available for pre-order now for $5,999. It will begin shipping in the spring of 2024.





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