برچسب: Shoot

  • Trail Running Shoot: The Beauty of a Wide Aperture

    Trail Running Shoot: The Beauty of a Wide Aperture

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    “It’s a quiet night. The stars are clearly visible as I roll out of my sleeping bag on the trailhead. It’s 4 o’clock in the morning and I spent the night in the back of my converted car.

    Shortly after waking up, Max and Philipp also arrive in the parking lot. So why are we out here so early in the morning? Because I want to shoot trail running with the new Sigma 12mm F1.4 DC | Contemporary for APS-C cameras.

    Max is here to film it all and Philipp will be our talent in front of the camera. Since the lens has such a wide aperture of F1.4 I wanted to start shooting before sunrise to showcase its capabilities.”

    “To make it to our location in time we raced up the first 400 vertical meters in 20 minutes with e-bikes. Then we continued on foot. It was so nice to have such a light weight setup in my backpack.

    The Sigma 12mm F1.4 DC | Contemporary lens weighs almost next to nothing and takes up hardly any space.”

    “The first thing I noticed when I started shooting is that there is almost no distortion. Even around the edges. The images come out super clean and I was even able to shoot some nice portraits and details with it.

    The F1.4 aperture also really helped to keep the ISO as low as possible. But it had still enough sharpness to really capture these stunning early morning moments.”

    “It sometimes can be hard to focus in low light conditions. Especially when your subject becomes really small in a big landscape. But the Sigma 12mm F1.4 DC | Contemporary performed great and never hunted for focus.

    Even when I had Philipp running towards me with the rising sun in the background I had absolutely no issues.”

    “Before we headed out I was a little worried that the 12mm focal length might be way too wide for what we had planned.

    I thought my subject could be too small and get lost in the landscape background. Luckily this was not the case. The lens feels more like 16mm on full-frame. And with that I think it makes it so much more versatile.

    Combined with the almost not noticeable distortion, you can really push it and shoot the classic super wide shots, but also details on your subject.”

    Would I say it’s a one-and-done lens? No, there are other options for that.

    Is it an amazing piece of glass that can do way more than you expect? 100% yes.

    I think it can be a great addition to your APS-C kit if you are looking for a lens with a better low light performance while still checking all of the other boxes of a prime lens.

    BEHIND THE SCENES

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  • Behind the Scenes on a Fashion Shoot with the Sigma BF

    Behind the Scenes on a Fashion Shoot with the Sigma BF

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    The Sigma BF camera has become my unexpected companion on set. When I normally juggle multiple cameras for different casual use cases, this chic aluminum unibody camera now efficiently handles all of my behind-the-scenes needs.

    At its core is a 24.6 megapixel full-frame sensor delivering files crisp enough to blend seamlessly with my main camera’s output when needed. Its video capabilities are surprisingly high-quality for such a compact body: 6K at 30fps for primary footage and 120fps in Full HD when you need that slow-motion moment. It won’t replace dedicated cinema gear, but it exceeds expectations for quick clips and social content.

    The 230GB internal storage might be my favorite practical feature. Say goodbye to that sinking feeling when you realize you’ve left your cards at home. When the day wraps, one USB-C cable handles both file transfers and recharging — a small but meaningful workflow improvement. No more juggling multiple memory cards and card readers.

    Sigma embraces minimalism with the streamlined menu, shutter button, a single dial, and just a handful of essential buttons. The uncluttered screen allows for thoughtful and accurate composition. For lower lift shoots, I typically offer a second camera to an assistant to snap some BTS. The simple interface of the BF means they catch on fast, letting me focus on the main project.

    With no viewfinder or tilt/swivel screen, the fixed LCD screen initially threw me off. But what seemed like a limitation actually became liberating as it forced me to break my usual patterns and discover new perspectives. This disruption to my workflow pushed me to engage with subjects more intentionally, something that’s easy to lose when you’re operating on photographer autopilot. It’s definitely not for everyone, but this constraint ultimately refreshed my own creative approach.

    As an L-Mount camera, the BF plays nicely with lenses from Sigma, Leica, and Panasonic. I’ve been pairing it with a classic 50mm prime for straightforward BTS work, but Sigma’s variety of zoom lenses provide versatility when capturing wider sets or working in a smaller studio.

    Battery life typically handles a full day of stills, though heavy video recording will drain it faster. The ability to charge via fast USB-C keeps things moving when I’m recording extensively.

    A few standouts from the 13 color modes available are Standard, Rich, Teal & Orange, and Monochrome. The color modes offer creative options you can quickly cycle through to customize each photo without post-processing. I generally stick with the Rich color mode which warms up the image without drastically distorting colors, but having all of the alternatives helps match any specific mood or lighting situation.

    The simplicity and design are the obvious standouts of the BF, but arguably more importantly is how this camera facilitates human connection. Its distinctive design sparks conversations, and its approachable interface encourages others on set to pick it up and capture moments themselves. This collaborative aspect creates more authentic behind-the-scenes content than I could manage alone.

    In an industry where content deliverables now often include BTS video or social-friendly extras, having a camera like the BF feels less like a luxury and more like a smart adaptation. It seamlessly transitioned from being just a tool on set to becoming the camera I reach for in my personal life too. It’s so effortless to use that I find myself grabbing it for weekend walks, dinners with friends, or travel moments I used to leave undocumented.

    It’s rare for a camera to feel equally at home in both work and life, but the Sigma BF has genuinely brought back the simple joy of photography for me. No overthinking settings, no menu diving… just seeing, composing, and shooting. It reminded me why I fell in love with photography in the first place.

    This camera won’t replace your professional level gear, or those needing dual card slots or built-in viewfinders, because it’s not supposed to.

    What it offers instead is something increasingly rare: photography stripped back to its essence of seeing and capturing, consistently delivering beautiful results.


    Photo Shoot Credits

    Photographer: Jillian Lenser
    Wardrobe/AD: Sionán Murtagh
    Hair: Kayra Theodore
    MUA: Mai Ospedales
    Model: Raegan Camille
    Lighting Tech: Richard Saralertsophon
    Photo Assist: Atiwat Mondee
    BTS Photo/Video: Nic Bui
    Studio: TAWAN Studio
    Designers: Emily Eanae, Michael Chamberlin, Nan Yu



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