برچسب: Right

  • How to Choose the Right Photo Editing Services

    How to Choose the Right Photo Editing Services

    [ad_1]

    When you need photo edits and see a long list of editing services and techniques, it’s easy to feel a bit overwhelmed. With so many options plus multiple ways to combine them, where do you even start?

    It makes perfect sense to go with what feels familiar, like basic retouching or background removal. But we’ve learned from working with thousands of photographers and business owners that your photos often benefit from multiple services working together. Combining services gets you better results with less hassle, since you can handle everything in one order instead of juggling separate projects. Let’s show you how to pick the right edits for your photos.

    How to identify what your photos actually need

    Before you start combining services, let’s figure out what you’re actually working with—it’ll save you time and help you get better results.

    Photo diagnosis checklist

    Take a look at your images and ask yourself if you spot any of these:

    • Background issues: Is the background distracting, the wrong color, or inconsistent across your batch? Does it look messy or unprofessional?
    • Subject problems: Are there imperfections, poor lighting, or color issues with your main subject? For apparel, does it need to show fit and drape without a model?
    • Technical fixes: Is anything crooked? Are shadows missing or looking unnatural? Any dust, dirt, or glare issues?
    • Brand requirements: Do you need multiple product colors? Specific formats? Transparent backgrounds for marketing materials?

    Common photo problems and their solutions

    Here are some scenarios we see all the time:

    • “My product looks flat and boring” → clipping path + shadows
    • “The background is messy and distracting” → background removal + retouching
    • “I need to show this product in 5 different colors” → clipping path + color change
    • “The model’s hair isn’t looking right” → image masking + retouching
    • “My apparel needs to show shape without the mannequin” → ghost mannequin + retouching + symmetry

    Most photo challenges need two to three services working together, not just one by itself.

    How Path services work better together

    Here’s why thinking in combinations instead of individual services makes more sense:

    • Save admin time: Upload everything you need edited in a single order and get it all back together, ready to use. No juggling multiple orders or trying to keep track of which image versions are where.
    • Speed up your workflow: Everything gets delivered together in the formats you need. Your designer handles all the edits for each image, so there’s consistency across the entire batch.
    • Keep all photos consistent: When the same designer handles all your edits, you get cohesive results. Colors match, shadows look natural together, and the overall style stays consistent.
    • Keep costs down: We offer discounts when you bundle multiple editing services together.

    You can combine pretty much any of our services together—two, three, four, or more. What matters is understanding which combinations work best for your specific type of photography.

    Service combinations by photography type

    Every photography project has different needs, and you might even use the same image for different purposes. Here are some proven editing combinations that work well for different situations:

    Sports photographers

    When you’re dealing with high-volume shoots and tight deadlines, you need services that work fast and handle the most common issues in sports photography.

    Your typical service combo:

    • Image masking for complex backgrounds, hair, equipment details, etc.
    • Background removal for clean, professional shots and official team photos, etc.
    • Photo retouching for spot removal, color correction, skin touch-ups, etc.

    There may be time-critical events such as championship coverage where you need polished images fast, or you might need to update and create consistent team roster headshots across an entire squad, just like this photographer does. You can choose different services depending on what each batch of images needs, whether that’s processing 200+ action shots or creating headshots with a uniform, professional look.

    We offer turnarounds from 6 hours, so you can deliver images to your clients, magazines, or publications fast.

    Product and ecommerce brands and photographers

    For ecommerce, consistency is everything. Your product photos need to look professional, meet marketplace (like Amazon) standards, and convert browsers into buyers.

    A standard combo:

    • Clipping path for clean cutouts that meet marketplace requirements or create a clean website look.
    • Shadow services add depth and dimension so products don’t look flat.
    • Color change shows all available product colors without reshooting every single variant.

    Advanced ecommerce stack (add these for even more polished results):

    New ecommerce brands often start with the foundation combo (clipping path + shadows + color change) and add ghost mannequin as their apparel inventory grows. Established retailers may go with the full stack approach for complete consistency across their entire product catalog.

    Portrait and headshot photographers

    Professional portraits and headshots need to look polished but still natural. The goal is enhancing what’s already there, not creating something fake.

    Typical professional edits for portraits and headshots include:

    • Background removal/clipping path gives you versatile backgrounds for different marketing uses.
    • Photo retouching helps with natural beauty enhancement, color correction, and flyaway hair fixes.

    Corporate headshot scenarios may include:

    • Basic combo of background removal + basic retouching.
    • Premium package, adding advanced retouching and multiple background options for different brand uses.

    Advanced portrait combination (for high-end clients or special projects) may include:

    • Image masking for complex hair or clothing details.
    • Color change for different outfit variations or brand color matching.
    • Multiple background options so clients can use the same headshot across different marketing materials.

    Wedding and event portrait combinations may include:

    • Image masking for intricate dress details and flowing fabric.
    • Retouching for flawless, natural skin and perfect lighting.
    • Background removal for ceremony photos that need to work in albums and marketing.

    How to choose your perfect edit combination

    Use this simple framework to figure out which services make sense for any project:

    1. What’s your end goal? Are these photos for marketplace listings, marketing materials, portfolio work, or client galleries?
    2. What’s your biggest time constraint? Do you have a tight deadline, a high volume of images, or particularly complex edits?
    3. What’s your budget priority? Are you focused on cost per image, or is premium quality and time savings more important?

    Consider your photo use case

    Sometimes the same photo needs different sets of edits depending on how you plan to use it. For example, a product photo might need:

    • For marketplace listing: clipping path + white background + basic retouching.
    • For social media: same photo but with different background + enhanced colors + shadows.
    • For print: higher resolution + color matching + vector conversion.

    How to mix and match your edits

    Use this simple approach to figuring out which services work best for your projects:

    • Start simple: Pick two to three core services that address your biggest pain points.
    • Test combinations: Try different combos on smaller image batches to see what works best for your workflow.
    • Scale up when it makes sense: Add more services as you see results and understand how they improve your final images.

    When to add each editing service

    Not sure which services you actually need? Here’s a quick reference for what each one does best.

    Clipping path: When you need hand-drawn, crisp clean cutouts that you can use on any background.

    Background removal: When you want clean white (or any color) backgrounds for product photos.

    Image masking: For intricate shots with hair, fur, or complex borders that need precise, natural-looking cutouts.

    Shadow: When products look flat or unrealistic—shadows add depth and dimension, and they actually help generate more sales.

    Ghost mannequin: For apparel that needs to show natural fit and drape without models or mannequins, essential for consistent ecommerce catalogs.

    Color change: When you have multiple color options and need to show true-to-life colors without reshooting every single shade.

    Photo retouching: When imperfections distract from your subject—this corrects flaws and makes every element shine.

    Multi-clipping path: When you need to select multiple areas within images for separate editing (like changing just the shirt color but not the pants).

    Vector conversion: When you need scalable graphics and logos that maintain quality at any size.

    Symmetry: When product alignment matters for brand consistency and that premium, professional look that converts better.

    Flowchart titled “What does your photo need?” showing how to choose photo editing services like clipping path, image masking, shadow, ghost mannequin, and retouching based on background issues, subject problems, technical fixes, and business needs.

    How to place your Path order

    Ready to try combining services? Here’s exactly how to do it and how it works:

    Getting started

    1. Sign up for your Path account
    2. Top up Path credits (optional but recommended—you get bonus credits when you top up)

    The ordering process

    1. Click “new order” to start your project
    2. Select all the services you need for this batch—you can choose as many as you want
    3. Upload your images using drag and drop
    4. Get instant quote and you’ll see your total cost immediately
    5. Set preferences like:
      a) File format for your edited images
      b) Additional comments or instructions
      c) Upload any supporting files if needed
    6. Select turnaround time (longer turnaround means cheaper pricing, or choose rush for time-sensitive projects)
    7. Review and approve your quote
    8. Choose payment method and submit your order

    If you need 1,000+ images edited a month, we offer bulk pricing with better rates and priority support.

    Ordering edits with Path couldn’t be any easier

    Now that you know which combinations work for your type of photography, placing an order is straightforward. Try Path free with 2 free edits and see how much better your photos look with the right services working together.

    Let us look after your image edits, so you can get back to the fun stuff. Try Path free.

    [ad_2]

    Source link

  • The Right Tool for the Job: Sigma 16-300mm F3.5-6.7 DC OS Contemporary

    The Right Tool for the Job: Sigma 16-300mm F3.5-6.7 DC OS Contemporary

    [ad_1]

    For every photographic project that we undertake, there is going to be a best “tool for the job”. If you are heading to northern Canada to photograph the aurora borealis, then a fast, wide prime lens like Sigma’s 15mm F1.4 DG DN Diagonal Fisheye | Art would be a great choice. Heading to Yellowstone for wildlife? Then a super-telephoto zoom like the 60-600mm F4.5-6.3 DG DN OS | Sports lens would be ideal. For my latest adventure, the perfect piece of gear was Sigma’s 16-300mm F3.5-6.7 DC OS | Contemporary lens for crop sensor cameras.


    Why was this lens the best choice?

    Well, I suppose I should start by telling you what I was getting myself into. After almost thirty years exploring the mountains around my hometown of Breckenridge, Colorado, I was looking for a backpacking trip that would sum up the entire area into one big, unifying hike. Going over my maps, I found the perfect route and it would begin and end at my front door. It would be almost forty miles in length and include about 10,500 vertical feet up, and over 11,000 down. I would hike over four mountain passes on the east and south side of town, and then link four remote drainages on the west side of town. Most of my hiking would be done off-trail and require significant effort and route finding skills, and would take me four nights and five days to complete.

    Of course, there’s no way I’m doing an adventure like this without a camera in hand. There would be opportunity for both landscape and wildlife photography during my time in the field. Clearly the best tool for the job would be something lightweight yet powerful. Wide enough for epic landscapes but also with plenty of telephoto power to bring in distant wildlife. Luckily, Sigma had just released a lens that fit the bill perfectly – the 16-300mm F3.5-6.7 DC OS | Contemporary, available for Sony E-mount, L-Mount, Fujifilm X Mount, and Canon RF Mount. I paired it with the relatively small Canon EOS R7 for an easy-to-carry combo.

    The Canon mount version of this lens weighs just 22 ounces (625g) a with a nice, compact size that fit perfectly in my Think Tank front mount pack. This was great because much of the photography would be a bit more documentary in style and I wanted instant access during the entirety of the hike. The lens also features Sigma’s updated OS2 (optical stabilization) system which meant I could easily handhold many of my shots. The very close focusing distance (minimum is 6.7 inches at the wide end) was awesome for getting close-up images of the many wildflowers that were absolutely peaking on my hike.

    It was great to have the extensive range of the 16-300mm. On a Canon APS-C camera, this is the equivalent of a 26-480mm lens on a full-frame camera. With that kind of range, I was able to capture everything from epic mountain vistas to simple snapshots documenting my journey.

    The image quality of the Sigma 16-300mm was even better than I had expected. It’s been a long time since I last used a crop sensor super zoom lens. I had decent results back then and was kind of expecting the same, but I was pleasantly surprised to find the results approaching that of the high-end Art and Sport line lenses. Images were nice and sharp, and chromatic aberration was held in check even when shooting in extreme lighting situations, which I often like to shoot. Autofocus was fast and accurate, and seemed to work very well with the Canon AF system.

    One other welcome feature on an excursion like this is the dust and splash-resistant construction – it’s actually the first Sigma Contemporary lens to have weather sealing throughout the entire lens body. There was plenty of adverse weather to deal with including rain, hail and sleet daily, and the 16-300mm handled it all nicely.


    Consider the Sigma 16-300mm

    A backpacking adventure like this calls for a lens that can handle everything thrown at it, from gorgeous wide vistas to distant wildlife and colorful wildflowers. If you have an upcoming trip where keeping size and weight to a minimum are paramount, take a good look at the Sigma 16-300mm F3.5-6.7 DC OS | Contemporary. It’s sharp, fast, light and portable, making it the perfect one-lens solution for many of your photographic endeavors. Pick one up today, and hope to see you out there!

    [ad_2]

    Source link