برچسب: Real

  • The Sigma BF in Real Life: The Camera I Keep Reaching For

    The Sigma BF in Real Life: The Camera I Keep Reaching For

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    I’m Heather Larkin, and I have been working as a portrait photographer for the past 20 years. Over the years, I’ve used a wide variety of cameras and lenses, but the new Sigma BF is something entirely different. I’ve completely fallen in love with it as my personal fun camera. In the last few months, I’ve used it to photograph various personal subjects. I’ve experimented with three lenses in very different settings, from baby photos to jellyfish, to my own flower studio at home. It’s not meant to replace my workhorse camera, but it has become my favorite grab-and-go camera.


    Designed to get out of the way

    The Sigma BF is a paragon of minimalist design in the best way possible. It’s intentional, it’s fun to use, and it’s even lovely to look at. The pared-down body and controls are designed in a way to be intuitive and invisible, letting me focus on the experience instead of my gear. It lets me slow down in the most fabulous way.


    Three lenses, three perspectives

    35mm F2 DG | Contemporary – I used this lens for baby photos of my new nieces, in the Seattle downtown area and market, and through the Seattle aquarium. It felt wide enough to handle all of these situations without too much distortion, and it handled tricky lighting super well.

    50mm F2 DG | Contemporary – I used this lens at the 2025 Philadelphia Flower Show, and I also love using it in my own home flower studio for simple flower portraits. It’s great for isolating subjects in busy spaces like the flower show, but I also love the depth it gives on a studio backdrop.

    105mm F2.8 DG DN Macro | Art – This lens is pure fun. I’ve used it in my own garden, for studio macro play, and during quieter moments while traveling. The process is slow and thoughtful, and the images are so rich in detail. I love macro photography, and seeing all the little things brings me so much joy.


    Where has the BF been so far?

    A baby session without the pressure

    I used the BF for a semi-impromptu photo session for my niece’s five-month-old baby pictures. We picked a few simple outfits for a natural light portrait session so I could focus on her little perfect face and bright eyes. She’s not sitting up yet, but she’s certainly going to tell you all about things. The BF was quick to focus while she was wiggling and chatting to me, and I turned on the focus tracking feature so I could concentrate on making Florence smile… a difficult thing when all she wanted to do was watch the camera. I mean, it is gorgeous to look at, right? We didn’t overthink things, and I didn’t have to overthink my gear. The 35mm F2 lens was great for letting me stay close without getting in the way, and the BF is small and light enough to use one handed so I could tickle the baby at the same time.

    Wandering through Pike Place Market

    I am not usually much of a street photographer, but the BF is the perfect camera to take into the crowded market. It’s unobtrusive and light enough to carry all day. The energy, color, and movement of everyday tourist life are captivating. The 35mm lens focuses close enough to capture market details, and it’s wide enough to convey the feel of the whole scene. Every person I spoke to noticed the BF and asked about it, but it wasn’t really noticed otherwise while I was walking around. I had it on my Spider Holster at my hip, and it was small enough to maneuver through the busy crowd without hitting anyone with it.

    Light and shadow at the Seattle Aquarium

    Wow, if you could create a tougher challenge for a camera besides being in the water, I’d like to see it. Lighting issues were the name of the game this afternoon. The colors of the aquarium—the blues and yellows—are already difficult, but then add things like reflections, subject motion, and dark corners, and it becomes quite a challenge for any camera. The BF handled it all with grace. I loved having this camera with me; it made me feel present, and the slower pace allowed me to notice more. I think my favorite photos of the day were the jellyfish.

    Philadelphia Flower Show

    The Philadelphia Flower Show is another set of fun lighting challenges. It’s busy, bold and colorful. So many flowers and so many people and so much texture. I used the 50mm F2 to help simplify cluttered scenes. The BF handled the lighting shifts well and I never felt like I had to babysit the camera, so I got to really enjoy the whole show. I found that controlling the aperture on the lens dial and setting the camera’s ISO to auto while using the exposure compensation on the back dial for changing lighting was the quick way to get the photos I wanted without concentrating too much on my gear.

    Studio flower play

    Unlike the Flower Show, I can control the lighting in my own home studio. It’s a slower setup, making it very zen to just sit there and tilt the flower or adjust the light just so. Tiny adjustments lead to great effects, little by little. It’s a calming practice. The BF makes this enjoyable, simple and relaxing, just like the studio flowers. I chose both the 50mm F2 and the 105mm F2.8 Macro for these shots.

    Home garden macro

    My home and local gardens are really where the camera disappears and lets me create. I love macro at all times, and to have this camera just adds to the calming enjoyment. The spot focus option and tracking are perfect for getting the composition I want while retaining focus while I’m recomposing, or I can just use the touchscreen to change my focal point. The 105mm F2.8 Macro lens on this camera feels light enough to use one-handed occasionally while being nicely balanced. Plus it’s small enough to get into the shrubbery without really scaring any wildlife I might be photographing. I don’t know why, but doing macro with this camera just makes everything feel so much more artistic somehow. The color is absolutely perfect for this.

    Everyday pretty fluff

    I was talking to Aaron, our senior tech rep at Sigma America, and he said something that really stuck with me. He was talking about the BF and how it’s so accessible. He said something that we’ve all heard: “the best camera is the one you have with you.” But then he expanded and said that the BF is the perfect everyday camera because it is so easy to take with him. He takes more pictures and has more photos he loves because he has a good camera with him when he wants to take those photos. It’s inspiring and I really felt that way too. I find myself taking pictures of things I never would on my phone… because the BF is there and I know the result will be so much prettier.


    The camera I keep reaching for

    I am really happy with this camera, and I want to take pictures of everything while I have it. Perfection isn’t my goal; instead, I look for the fun and joy that comes from taking photos, and this camera really brings that! I think nothing is too small to photograph; every little detail can share a story worth telling. This camera isn’t trying to compete with professional studio cameras, nor does it need to. Its main appeal is being stylish and easy to carry — perfect for those who want to enjoy the fun of photography again. I truly believe that everyday creators and artists will love this unique camera, as it helps them show their creativity without the stress of being perfect. It’s a gateway to enjoying photography again.

    I didn’t expect to love the Sigma BF this much. This camera made me slow down in the best way. It keeps reminding me how fun photography can be when it’s just for you. It’s going to keep staying with me because it just makes me want to take and keep those images.

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  • Solitude World Announces New Underwater Photo Competition in 2026: REAL FOCUS

    Solitude World Announces New Underwater Photo Competition in 2026: REAL FOCUS

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    Our friends at Solitude World—who run Solitude Acacia Resort, Solitude Lembeh Resort, as well as three liveaboards, including the recently launched Solitude Gaia—have unveiled an interesting new underwater photography competition centered around their resorts in Anilao and Lembeh.

    Called Real Focus, the competition will be run at the two popular muck-diving destinations over a 10-week period from February 15th to April 30th, 2026. Each image captured during that time and submitted into the contest will additionally become a “valuable scientific datapoint,” contributing to a species behaviour study led by well-known marine biologist Dr David Harasti (who is a skilled underwater photographer in his own right). The work culminates in a research paper aimed at better understanding marine life in Anilao and Lembeh.

    Entrants that book the minimum three-night stay are permitted to submit up to five images in each of four categories—and entrants can, of course, book multiple stays over the 10 weeks. As you’d expect, there’s a special emphasis on macro photographers practicing ethical behavior, and dive guides will act as spotters only and not be allowed to provide any photographic assistance.

    For more information about the shootout, head over to the competition page on the Solitude World website.

     



    PRESS RELEASE

    Solitude World Blazes the Trail with Groundbreaking Underwater Photo Competition: REAL FOCUS

    A New Era of Underwater Photo Competitions

    Solitude World is once again blazing the trail—not just in travel, but in how we interact with the underwater world. Introducing a one-of-a-kind photo competition that spans two of the world’s muck diving capitals: Anilao, Philippines and Lembeh, Indonesia. REAL FOCUS is a groundbreaking event that isn’t just about the perfect shot—it’s about scientific contribution, conscious diving, and meaningful change.


    Why This Is Groundbreaking

    This revolutionary competition will run simultaneously in two iconic muck diving locations—Anilao and Lembeh—positioned almost perfectly along the same longitude. Over 10 weeks, REAL FOCUS offers an unprecedented opportunity to study marine species in parallel environments. By collecting image data under near-identical conditions—such as moon phase, depth, and water temperature—the competition generates a neutral, geographically unbiased dataset.

    This data feeds directly into a dedicated three-year species behaviour study led by Dr Dave Harasti, a globally recognised marine biologist. Every submitted image becomes more than an entry—it’s a valuable scientific datapoint. Together, these contributions will support a peer-reviewed research paper and help deepen our understanding of marine life dynamics in two of the world’s most biodiverse underwater ecosystems.

    “This was a concept I’ve been exploring for years. I wanted Solitude World to create an event with purpose, to go beyond just a photo competition,” says Andrew Lok, Managing Director of Solitude World. “We are the only ones in the world with bases in two of the best muck destinations, why not take advantage of that?” he continues.


    Event Details: Everyone Can Join

    Dates: February 15 – April 30, 2026

    Locations: Solitude Acacia Resort (Anilao) and Solitude Lembeh Resort (Indonesia)

    Eligibility: minimum 3-night stay required


    General Rules

    • Book as many stays as you like
    • For each 3-night stay, participants may submit up to five (5) entries in each of the four (4) categories
    • No dive guide assistance during shooting (guides will act only as spotters)

    Participants must follow a strict code of ethical conduct. Any harmful behaviour, such as touching, chasing, staging, or manipulating marine life, will result in all submissions for that day being disqualified. Entries may resume the next day with a renewed commitment to responsible practices.

    This initiative promotes conscious photography, proving that impactful images can be captured without interference, fostering a deeper respect for the ocean and its creatures.


    The REAL FOCUS: Contribution Over Competition

    At its core, this isn’t about competition. It’s about contribution.

    Every image submitted becomes part of a larger mission: a 3-year species behaviour study spearheaded by Dr Dave Harasti, a globally recognised marine biologist. Your shots will directly feed into a research paper aimed at better understanding marine life across both dive sites.

    And this isn’t just about the prizes. It’s about changing underwater behaviour, encouraging photographers to hone their craft without touching, staging or manipulating marine life. Stunning images can—and should—come from respectful, natural interactions.


    Gathering the Tribe

    This project has been two years in the making. Our partners will be #makrogehtimmer, a Facebook group created in 2023, that is a growing community of nearly 5,000 underwater photography enthusiasts dedicated to ethical macro photography.

    To ensure the integrity of this event, the judging panel was selected for their 100% advocacy for changing how we shoot underwater.


    Panel of Judges

    • Dr. Georg Nies (Germany) – Head of Jury
    • Lilian Koh (Singapore)
    • Imran Ahmad (Malaysia)
    • Ram Yoro (Philippines)
    • Dr Alex Tattersall (United Kingdom)

    Judging will be conducted live and anonymously, ensuring a purely merit-based review with no indication of the photographer’s identity or the Solitude resort/location where the images were captured.

    CLICK HERE TO: Meet the Judicators


    Prizes and Sponsors

    With over USD 25,000 in prizes, the competition is backed by some of the most respected names in the diving and photography world:

    • Solitude Acacia Resort
    • Solitude Lembeh Resort
    • Solitude Liveaboards & Resorts
    • Gull
    • Mini Gear Europe
    • Fotocore

    Stay tuned—more sponsors will be announced in the lead-up to the event.


    Be Part of the Movement

    REAL FOCUS isn’t just an event—it’s a call to action. Solitude World invites divers, photographers, and ocean lovers to take part in a transformational experience that honours both artistry, advocacy and respect.

    To learn more and register, visit: www.solitude.world/realfocus



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  • Real Photographers Do What?

    Real Photographers Do What?

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    Of all the prescriptive nonsense I hear about making photographs, the idea that “real photographers shoot on manual” has to be the most tiresome. As if burdening photographers with an even greater sense of obligation to the shoulds and the should-nots has ever led to greater creative freedom, less rigidity in our work, and more powerful photographs.

    I’ve heard similar assertions about shooting in RAW (you must). And not cropping or using burst mode (you must not). And not using Photoshop to ___________. You can fill in the blank yourself because here, the so-called purists give us so many options from which to choose, but no matter what you put there, someone is going to put you on their naughty list without ever pausing to ask why you’re doing it differently.

    Let’s set aside the notion that there is such a thing as a “real” photographer; you are a photographer if you make photographs. Full stop.

    You might be a new photographer or an experienced photographer. You might be a lousy photographer or an inspired photographer. There are probably a million ways to categorize us, but real? As opposed to what? Imaginary? Fake? Is there a point to this kind of thinking? I need a drink.

    Well, there is a point, and it’s that some people can only feel as though they are special by putting others down. They can only feel “in” by forcing others out. After all, if we’re all special, then no one is special (also nonsense, but that’s not what this is about. Focus, David!).

    I’m not interested in what kind of photographer you are, though I’m interested in you as a photographer. I hope you’re fulfilled and love what you do, and that your photographs are getting stronger and feel more and more like your own.

    I’m not overly concerned with how you make your photographs, so long as you’re happy doing it and it’s truly working for you. I shoot in something like full-manual mode with Auto-ISO and a liberal use of EV compensation, so I’m not sure whether or not I’m a real photographer and allowed to weigh in on whether you are or not. But I do know how to use my camera and make it do what I ask. If “real” photographers do anything, it is that.

    Here’s my advice: shoot on Manual all the time. Or shoot in Aperture priority sometimes and Shutter priority sometimes. Hell, be reckless and push the dial to P now and then! Do what works for you.

    What matters is that you have control of the camera while also being sensitive to the moment and still having the mental bandwidth to think about composition and what the light is doing. Do that.

    If you need the camera to do some of the thinking for you while you tend to the decisions that make for stronger compositions, that’s a good choice. One day, that creative thinking will come a little easier, and you might long for a little more control over the camera’s decisions. Or you’ll figure out how you like to use the tools of your craft in your own way.

    I like things simple: manual mode with auto-ISO and EV compensation to dial things in more precisely. This works for me for what I do right now.

    And so long as I’m confessing my way out of the real photographer’s club:

    • I have no idea what my metering mode is and haven’t for over a decade—I just look at the histogram. I could look at my camera and find out, but that knowledge would enrich neither of us.
    • I don’t know what my focus mode is. It’s continuous and uses tracking—that’s what I know. It’s what I like, and I never change it (though I know how to do so if I had to). It works for what I photograph and how I like to use a camera.
    • I hate straps and have been told that not using one is reckless. A real photographer would at least use a wrist strap, right? I don’t like them, either. They slow me down. I’ll put one on if I have to—if I can find it.
    • I’ve been told the same about my indifference to UV filters and lens caps (though you can pry lens hoods from my cold, dead hands).
    • More often than not, when I bother to use one at all, my tripod is a little wonky.
    • I clean the front of my lens with my shirt, when (and if) I clean it.
    • Speaking of cleaning, my sensor often looks like someone spilled kitty litter into my camera while the lens was off, which is not the only reason I tend to shoot wide open, but it’s a reason. I get them cleaned once a year, and that’s enough for me.
    • My camera bag can be a mess; the dividers are all over the place, and they change all the time, if I even bother using them. Half the time, I just use a Buff, lens cloth, toque, or a pair of gloves to keep bodies and lenses from banging into each other. If my gear gets banged up, it’s because I’m using it for the purpose for which it is made.

    I’d hate to have a real photographer weigh in on any of this. But if you’re going to judge me at all (I’d really rather you didn’t; don’t you have photographs you could be making?), then judge me on my photographs.

    None of the sins I’ve mentioned gets in the way of creating the photographs I want to make. But fussing would. So would an unexpected lens cap. Or succumbing to the pressure to practice my craft in a way that just isn’t me.

    So much of the advice I see aimed at photographers could be gathered up and bound into one volume called Adventures in Missing the Point. There are no real photographers (to the exclusion of others) any more than there is a single right way to do things that qualifies you to be one.

    What matters is that you learn to make the kind of photographs you want to make, and to do so with greater creative flow and control. It matters that you be open to new ideas and techniques, but as creative options, not as obligations.

    I’m not saying throw your lens caps away or don’t learn to shoot on manual if you think it might give you more control. And, yes, cleaning your lens with your shirt is generally considered less than ideal practice (don’t look at me like that; you do it, too). But I am saying it probably won’t get in the way of you doing the work your soul loves (which I am very much tempted to add is probably the only thing real photographers are universally concerned with).

    Think in terms of possibilities, not prescriptions. We’re all trying to create something different, and there can’t possibly be only one path to do so.

    For the Love of the Photograph (and those who make them),
    David

    The biggest challenges for most photographers are not technical but creative.  They are not so much what goes on in the camera but what goes on in the mind of the person wielding it.  Light, Space & Time is a book about thinking and feeling your way through making photographs that are not only good, but truly your own. It would make an amazing gift for the photographer in your life, especially if that’s you. Find out more on Amazon. 



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  • A Real Wedding In Kenya :: Nairobi Creative Photographers Stories

    A Real Wedding In Kenya :: Nairobi Creative Photographers Stories

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    A Real Wedding In Kenya :: Nairobi Creative Photographers Stories Florienta Garden Rosslyn LonetreeKarura House Runda Nairobi

    Eileen And Brian’s Florienta Gardens And Karura House Wedding Celebration

     From the moment we met this sweet couple, we knew their wedding was going to be something special. The two of them were so in love and had such a positive outlook on life, that it was impossible not to get swept up in their happiness. Their wedding day was truly beautiful, full of warm smiles and heartfelt laughter. We are so grateful that we were able to be a part of it! We are absolutely thrilled to showcase here a few highlights from Eileen and Brian’s big day! A Real Wedding In Kenya.

      Band | Weavers Band
    Outdoors Garden Church Location| Florienta Gardens
    Nairobi Wedding Photographer | Antony Trivet Photography
    Assistant Photographer | Nashon Otieno Ariff Kuppah
    Bridesmaids Wedding Dresses Designer | Ellen Design Designer Helen Tolbert
    Photo-shoot Location| Karura House Runda
    Food | Ak Goko De Chef Of Delicious Cuisines Caterers
    Makeup Artist | Bayaa’stouch
    Hairstylist | Priscah The Hairstylist
    Tent and Decor | Ecoworld Events Management Company
    Mc | Mc Saada Fateh

    A Real Wedding In Kenya A Real Wedding In Kenya A Real Wedding In Kenya A Real Wedding In Kenya A Real Wedding In Kenya A Real Wedding In Kenya


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