برچسب: Macro

  • Sony Introduces FE 100mm f/2.8 Macro GM OSS Lens

    Sony Introduces FE 100mm f/2.8 Macro GM OSS Lens

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    Sony has announced the FE 100mm F2.8 Macro GM—apparently the first macro lens deemed worthy of the company’s “G Master” label, signifying a premium, top-tier lens featuring the company’s most advanced optical design and technology. The high-end full-frame macro lens can achieve up to 1.4x reproduction, and when paired with a teleconverter, 2.8x magnification.

    Constructed using 17 elements in 13 groups—including two XA (extreme aspherical) elements and two ED (Extra-low Dispersion) elements designed to minimize chromatic aberration—the lens features an 11-blade aperture for “gorgeous G Master bokeh”; a pair of linear XD motors, which are faster, quieter and more accurate than the piezoelectric drive in its FE 90mm f/2.8 macro lens; and an optical image stabilization system that works in tandem with in-body image stabilization in Alpha camera bodies. A Nano AR Coating II aims to boost contrast and clarity by suppressing flare and ghosting.

    The lens offers a minimum focus distance of 10.2″ (26cm), weighs 22.8oz (646g) and is 5.8″ (148mm) long. As well as an AF/MF switch and an on/off switch for the optical stabilization, there’s a control for clicking and declicking the aperture ring and an iris lock switch. The lens also has two customizable function buttons. The lens works with both Sony’s 1.4x (SEL14TC) and 2x (SEL20TC) teleconverters.

    Released on November 13th, the Sony FE 100mm f/2.8 Macro GM will retail for $1,500.

     



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    PRESS RELEASE

    Sony Electronics Expands the G Master Series with the Versatile FE 100mm F2.8 Macro GM OSS

    Delivers Stunning Detail with up to 1.4x Magnification, Advanced Stabilization, and Optimized Macro Controls

    SAN DIEGO, Sept. 30, 2025 – Sony Electronics releases the FE 100mm F2.8 Macro GM OSS (SEL100M28GM), the new medium telephoto macro lens in the G Master™ series, compatible with α™ (Alpha™) E-mount cameras, featuring 1.4x magnification, advanced stabilization, and intuitive handling.

    “We’re on a constant mission to expand creative possibilities for visual storytellers, and the FE 100mm F2.8 Macro GM OSS fulfills that by going beyond traditional macro photography,” said Yang Cheng, Vice President of Imaging Solutions, Sony Electronics Inc. “With its world-class optical quality, it enables not only macro photographers, but also portrait and wedding photographers, to take their craft to a new level. We’re thrilled to offer the FE 100mm F2.8 Macro GM OSS as part of our acclaimed G Master series, maintaining a standard of peak performance Sony creators have become accustomed to.”


    Beyond Life Size

    The FE 100mm F2.8 Macro GM OSS achieves a maximum magnification of up to 1.4x, making it easy to capture flowers, small objects, and other close-up subjects in vivid detail, revealing subtle textures and features that are difficult to see by the naked eye.

    Compatible with an optional teleconverteri (sold separately), the lens offers up to 2.8x magnificationii. This enables impressive close-up shots while keeping a comfortable working distance. It is ideal for subjects that are hard to approach or for avoiding unwanted reflections.

    State-of-the-art Hardware Design

    The optical design effectively positions elements including two XA (extreme aspherical) lenses and two ED (Extra-low Dispersion) glass elements to achieve high-resolution performance from the center to the periphery of the image, reducing chromatic and other aberrations.

    To allow precise and intuitive focus adjustments for a variety of macro photography scenes, the lens offers three focus-dedicated features: a “Full-time DMF switch” enables instant MF (manual focus) by rotating the focus ring, even in AF (autofocus) mode; the “Focus Mode switch” allows instant switching between AF and MF; the “Sliding Focus Ring” enables FULL MF mode, linked to the distance and magnification scales.

    The four unique XD (extreme dynamic) linear motors that enable high-speed, high-precision, and quiet lens drive, make autofocus (AF) performance up to 1.9 times fasteriii than previous models.

    A dedicated aperture ring offers quick, direct control over aperture settings.


    Exquisite Image Quality

    The 11-blade circular aperture produces beautiful, ball bokeh, while carefully controlled spherical aberration ensures an ideal balance of resolution and background blur — creating the signature creamy bokeh of the G Master line.

    The unique “Nano AR Coating II” applies a uniform thin film to the entire lens surface, resulting in clear image quality that suppresses flare and ghosting even in backlit conditions.

    An integrated optical image stabilization system, designed for macro photography, accurately compensates for shift shake (up/down/left/right), angular shake, and front/back shake, ensuring steady handheld shots.

     

     

    Pricing and Availability

    The FE 100mm F2.8 Macro GM OSS will be available in November 2025 for approximately $1,499.99 USD and $1,799.99 CAD. It will be sold directly through Sony and at a variety of Sony’s authorized dealers throughout North America.

    For more information, visit: https://electronics.sony.com/imaging/lenses/all-e-mount/p/sel100m28gm

    Exclusive stories and exciting new content shot with the new FE 100mm F2.8 Macro GM OSS and Sony’s other imaging products can be found at www.alphauniverse.com, a site created to inform, educate, and inspire content creators.

    i Compatible with the 1.4X Teleconverter SEL14TC and 2X Teleconverter SEL20TC.

    ii When the 2X Teleconverter “SEL20TC” is attached

    iii Sony measurement conditions. Compared to the FE 90mm F2.8 MACRO G OSS SEL90M28G lens for the α E-mount digital single-lens camera.


     

    https://www.youtube.com/watch?v=TC7v6L6i0zw

     



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  • 25 Macro Photos That Are Captured Under Natural Light

    25 Macro Photos That Are Captured Under Natural Light

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    Macro photography is fascinating and it reveals a lot of hidden details of the natural world and of manmade objects, that wouldn’t be seen otherwise. When it comes to macro photography, lighting is very important. Although a lot of photographers make use of artificial lighting setups to capture macro images both indoors and outdoors, natural lighting is always the best option and will yield the most beautiful, natural looking images.

    Photo by olena ivanova

    When it comes to natural light, depending on the location and subject, the right light needs to be chosen. Soft light that illuminates the subject rom the side at an angle can be a great choice for macro photography. Learning how to use available natural light can go a long way in capturing stunning macro photographs. Here are 25 macro photos that are captured using natural light.

    Artificial lighting is an investment and not many photographers want to invest in additional accessories or take the extra measures in setting up the scene with the desired lighting. Natural day light is always available and learning how to use it creatively, even under tricky light situations is a skill. If you are feeling stuck with using natural light all the time in your photography, we would recommend you to check out this course “Mastering Natural Light” by Photzy. It has over 3 hours of educational content that includes multimedia lessons, case-studies, diagrams, exercises and more that will help you to master natural light.

    Photo by Mister Starman 
    Photo by Sjoukje Bos 
    Photo by Siegfried Poepperl
    Photo by S N Pattenden 
    Photo by Aaron Burden 
    Photo by Skyler Ewing 
    Photo by Alexander Grey
    Photo by Nick Fewings

    When talking about natural light for photography, people often settle down for the most glorious golden hour and sometimes the diffused light on overcast days. This makes some photographers believe that other lighting situations are not ideal for photography, which is not true. Check out this course “Mastering Natural Light” by Photzy that talks about the role of light in photography and also where you will learn why there is “No’ bad light for photography.

    Photo by Dominik Lückmann
    Photo by Fanning Tseng 
    Photo by Richard K
    Photo by Nat Weerawong
    Photo by Jez Timms
    Photo by Bozhin Karaivanov 
    Photo by Skyler Ewing
    Photo by Nina Ha

    When we hear about natural light for photography, we immediately think that shots need to be captured outdoors in order to use natural light. In fact, windows are great sources of natural light indoors and the light coming through it at different times of the day can help to capture varying moods. This course “Mastering Natural Light” by Photzy goes in depth into the fundamentals, understanding of natural light and working with it, important relationship between natural light and post-processing and a comprehensive guide to the different kinds of natural light.

    Photo by Michael Dziedzic
    Photo by dimitris pantos 
    Photo by Lucas MARULIER 
    Photo by Ryan Hyde
    Photo by Mohammad Minhaz
    Photo by Jason Leung
    Photo by Salman Rameli 
    Photo by Paul Talbot
    Photo by Егор Камелев

    Further Reading



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