فوتوشاپ وب

برچسب: Long

  • Follow These Long Exposure Tutorials To Make Your Ordinary Images Look Extraordinary

    Follow These Long Exposure Tutorials To Make Your Ordinary Images Look Extraordinary


    Long exposure photography is a genre where you intentionally increase the exposure time to blur certain parts of the image but there is also night sky photography or other night photography where long exposure can be made to capture as much light as possible. When you capture long exposure images depending on the time of the day and amount of light, you may need to increase the exposure times and sometimes use an ND or Grad-ND filter to lengthen the exposure times.

    Photo by Lopez Robin

    Besides using ND filters, you will also need accessories like a stable tripod and a remote release to avoid camera shakes. Long exposure photography can be applied to many genre of photography besides the landscape photography where this technique is more commonly used. In this article, we have put together a bunch of tutorials for you to get an understanding of long exposure photography and improve your skills.

    Photo by Gerald Berliner

    When capturing long exposure images, a few factors need to be kept in mind. The light in the location and how it is illuminating the subject, the time of day and what the end results would be, stabilising the camera, using the right settings based on the light and other elements, etc. Besides, you will need to use required accessories to get the best results. Check out these four easy to follow tips that will help make your long exposure photos successful.

    Photo by Nathan61

    If you are looking for a few more quick tips on capturing long exposure images, the above article has a few tips on the factors and settings you need to consider for good long exposure shots. There is also a useful chart that will help you to calculate your applied settings for normal light situations into the language of long-exposure photography.

    Image by BenFrantzDale 

    Capturing long exposure during the day time can be quite tricky because the light can be bright in most situations and you will need to cut down light based on how long you need the exposure time to be. This is where ND filters come in handy and they come in various strengths. Check out the above article to learn how to use an ND filter for day time long exposure photography.

    Here are some more handy tutorials:

    Photo by Jason Row

    Architectural elements can be great subjects in a long exposure photograph. If shot under the right light conditions and other elements in the frame like clouds or light trails architectural structures can lead to very interesting photographs. The above article is a quick guide on long exposure architectural photography.

    Photo by H Matthew Howarth

    Just like how you capture long exposure photographs during the day time, you can capture stunning long exposures at night too. Remember that you will definitely need a tripod and a shutter release to capture sharp images without any blur due to camera shake.

    Photo via Pixabay

    Night time photography can be interesting if you add a dynamic element to the frame. If you can safely photograph the light trails from traffic or from other interesting subjects like a carousel or a Ferris wheel, these can add visual interest and a story telling factor to the image. Here are some quick tips in the article above.

    Long exposure photography is so fascinating that it does not stop with capturing just light trails, moving water or clouds, star trails and so on, but can also be extended to capture sun trails. Here is an article that shares the work of photographer Kristian Saks and the process of how he captures these images.

    Photo by Federico Alegría

    Now if you are a street photographer, you are surely missing out on some creative photography if you do not capture long exposure street photos. Yes, long exposure is a great way to add a dynamic element to street photos and will help you to capture intriguing photos. The above article will help you with some tips to capture long exposure street photos.

    Photo by Jason Row

    There are times when we capture long exposure images that we think are technically perfect but the results may be very disappointing. The most common mistakes are camera shakes, colour shifts, noise, diffraction, internal reflection, etc. The article above will help you understand why these mistakes can happen and how you can rectify them.

    Photo by Diego Vitali

    Some situations will help some photographers capture long exposure images by just handholding their camera if they have a somewhat steady hand. But when you become quite serious about this craft and look to capture perfect and sharp photos, you will need to invest in some very essential gear. Here is what you need to capture the best long exposure shots both during the day and at night.

    Further Reading





    Source link

  • 25 Examples Of Long Exposure Water Features You Can Photograph This Season

    25 Examples Of Long Exposure Water Features You Can Photograph This Season


    Depending on where you live, you may be experiencing the Summer or monsoons in the Northern Hemisphere and the Southern Hemisphere maybe experiencing Winter weathers slowly transitioning into Spring. This is a time when people spend most of their time outdoors and photographers have a number of opportunities to photograph water features in nature, especially in the Northern Hemisphere.

    Photo by Adrian Mag

    Water features look magical when captured using long exposure techniques during certain times of the day under the right light conditions. In this article we have put together a collection of 25 long exposure photos of water features in nature, that may inspire you to go out and capture some yourself.

    Natural water features are found all around us if we move slightly from the most urbanised areas. Streams, rivers, lakes, waterfalls, beaches, oceans, are all great subjects to photograph using the long exposure technique. This technique renders a great mood, atmosphere and some dynamism to an otherwise static image.

    Long exposure photography can surprise you with stunning results and if you are looking for a creative surprise in your photography, we recommend you to check out this eBook “The Complete Guide To Long Exposure Photography” by Photzy.

    Photo by Landon Arnold
    Photo by Intricate Explorer
    Photo by James Feaver 
    Photo by Thomas Le
    Photo by David Becker 
    Photo by Riccardo Cervia
    Photo by Fulvio Cassani
    Photo by Bruno do Val

    Long exposure is not difficult if you get the basics right and an understanding of light and the gear required. You do not need to spend weeks or months practicing the long exposure craft in photography, but just refer to this eBook “The Complete Guide To Long Exposure Photography” by Photzy. This guide comes with 119 easy to follow pages that provide precise training for long exposure photography. It also comes with detailed descriptions and visual references to ensure you get a complete understanding of the craft.

    Photo by Richard R 
    Photo by Hans Isaacson
    Photo by Jms
    Photo by Anthony Cantin 
    Photo by William Warby
    Photo by Samuele Bertoli
    Photo by Tapio Haaja
    Photo by Soumya Banerjee

    When capturing long exposure images, you also need to make sure that you capture sharp photos under the right conditions using the right gear and setup. Whether you are a beginner or an amateur looking to brush up your knowledge or someone looking to learn more about capturing creative long exposure shots, we recommend you to check out this eBook “The Complete Guide To Long Exposure Photography” by Photzy.

    Photo by Fabien BELLANGER
    Photo by Armin Burger 
    Photo by Nick Fisher
    Photo by Adam Jaime
    Photo by Yousef Espanioly
    Photo by Luca Calderone
    Photo by  Jasper Gribble 
    Photo by Alen Rojnić

    Further Reading





    Source link

  • How Long Do You Keep Client’s Files? Horror Story!

    How Long Do You Keep Client’s Files? Horror Story!


    It’s a tale as old as time, but when you enter into work in the photography space without a contract, problems like this are bound to arise.

    An unfortunate Redditor recently revealed on the site that a client they had done a shoot for eight months previously came back asking for the download link.

    a close up of a computer screen with a menu

    Unfortunately, and somewhat predictably, this was about a week after they had already deleted the client’s photographs.

    And this was one of those situations in which, as you guessed, there was no contract.

    Now, we are not in any way naive enough to believe that a lot of photographers aren’t working on good faith in this industry—but what happens when situations like this arise?

    For one, it potentially leaves you open to legal repercussions—a knife that cuts both ways.

    Of course, as anyone will tell you, the first thing in a legal situation that lawyers will ask for is the contract. And if there is no contract, you are about to enter a quagmire.

    But this particular situation also raises the question: how long is reasonable to keep a client’s old work? For that, you might need to use common sense—or, preferably, as you guessed it, have a contract in place.

    So how long do you keep clients’ work?

    Is eight months a reasonable amount of time?

    And do you have a standard contract that you use that covers this scenario?

    Let us know in the comments.





    Source link

  • The Long & The Short of It

    The Long & The Short of It


    Among wildlife photographers, it is the long lens that gets all the glory. The bigger the glass, the more serious one is assumed to be about one’s craft. Less a tool than a symbol, sometimes, the bigger telephoto lenses telegraph to the world that we mean business. How I envied those photographers as a younger man, how incredible I imagined their photographs would be. And how disappointed I was when I could finally afford my first big lens, a used Soligor 400/6.3 that—I was shocked to discover at the age of 16—made the animals bigger but did not necessarily make my photographs proportionately better.

    Click any of the images in this post to see them much larger (images will open in a new window)

    The ability to isolate one’s subject is important; longer lenses are one way to do that. They allow us to get closer (in a manner of speaking) when we might not otherwise be able to do so. Through our photographs, that allows us to show others a perspective or proximity they might never have. And if you’re lucky enough to have a long lens with a wide maximum aperture, you can isolate that subject even more by blurring out distracting backgrounds. More experientially, longer lenses can create a greater sense of intimacy. When you stare down the barrel of a 600mm lens at the magnified face of a leopard, you feel something you might not otherwise ever feel. The connection can feel very real.

    But long lenses can also be a bit of a one-trick pony, most especially for the photographer who hasn’t yet learned that filling the frame isn’t the only way to tell a story or convey an emotion.

    A portfolio comprised only of centre-punched, fill-the-frame animal portraits may initially feel like eye candy, but on repeated viewings, might also feel like it’s missing some rhythm and variety and begging for some scale and context.

    For those who’ve not been subjected to this particular sermon, indulge me with a short detour: there is no such thing as a wildlife lens. And despite the many headlines that assert otherwise in blogs and magazines, there is no such thing as a landscape or portrait lens. There is no ideal focal length for photographs of any genre of photography, and those who tell you otherwise are trying to sell you something, most likely a new lens.

    Different focal lengths do different things, and the question when selecting a focal length is not “What are you photographing?” It’s “What do you want it to look like?”

    The photographs accompanying this article are among my favourites. They were all made with focal lengths less than 200mm, and most of them could have been made with a 24-105 lens. The widest images allow a greater feeling of depth than a longer lens would have created in the image—a greater sense of place and a feel for the light and the atmospheric mood. This is not necessarily better than what I could have done with a longer lens, but different. And in some cases, that difference means it accomplishes something more powerful.

    Don’t get me wrong; I love my long lenses, but I’m just as likely to shoot with a 24-105mm, which you’ll never see on anyone’s “best lenses for wildlife” list.

    Here’s what I’m getting at:

    1. Don’t let the lack of a big, sexy lens get in the way of your desire to photograph wildlife if that’s what you want to do. We all work with constraints, and one of those will always be the lenses we have available to us and the focal lengths those represent. Work with what you’ve got. And if the choice is to spend $10K on a lens or spend it on a trip and use the lenses you’ve already got, you’re probably better doing the latter. You can go on a safari with a 24-70 and a 70-200 and still make magic.
    2. Even if you have the long lens, it’s probably not the best tool for the job 100% of the time. There are incredible photographs to be made that are not just tight portraits. Don’t be afraid to put the long lens down and shoot with something shorter. It’s OK; no one’s looking. We know you mean business and won’t think any less of you. Sometimes a lens is just a lens, you know?

    I don’t know where the fetish for long lenses comes from, nor why we value them so highly at the expense of wider lenses, especially when they can be so powerful when used well. Perhaps it’s something the camera companies have instilled in us; Lord knows those long lenses aren’t cheap. Whatever it is, think of them as just one tool among many.

    The creative photographer isn’t the one with every tool but the one who uses the tools they have well.

    For the Love of the Photograph,
    David

    The biggest challenges for most photographers are not technical but creative.  They are not so much what goes on in the camera but what goes on in the mind of the person wielding it.  Light, Space & Time is a book about thinking and feeling your way through making photographs that are not only good, but truly your own. It would make an amazing gift for the photographer in your life, especially if that’s you. Find out more on Amazon. 





    Source link