برچسب: Life

  • September 2025 Photo Contest Winners: The Beauty of Everyday Life

    September 2025 Photo Contest Winners: The Beauty of Everyday Life

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    We’re happy to announce the winner of September’s competition, “The Beauty of Everyday Life.”

    For those who don’t know, the Light Stalking Monthly Photography Competition carries a $100 People’s Choice Award and a $100 Overall Winner Award. The People’s Choice Winner is selected by a vote of the community, whereas our guest judge selects the overall winner.

    The “Beauty of Everyday Life” Photo Contest

    Capturing the beauty of everyday life is a priceless thing and it is one that helps the photographer to capture even the most ordinary moments of everyday life in a very beautiful and artistic way. This could be the little fleeting moments happening in the natural world around us, the little moments happening indoors at home or candid moments in public places.

    Some ways in which the beauty of everyday life can be photographed are, finding and photographing beauty in moments that are often overlooked everyday, creatively using a particular type of light on a day because the Sun decided to peek out of the clouds at a certain time to illuminate a spot, capturing the daily life of humans, could be a hug or even a genuine smile or laughter, etc., or even capturing the intricate beauty or patterns in the subjects around us – both nature and manmade.

    Participants of September’s contest cleverly submitted their interpretations of the theme that included moments from nature, moments in public and private places, their own candid moments and so on. The photos were all meaningful, portraying an interesting story.

    When choosing the winning photos, we wanted to make sure that the decision process was based on a good interpretation of the theme, followed by other factors like light, composition, story, details, creative vision, etc. The results are entirely subjective and there are no losers in any competition as we all know.

    Here are September’s Winners:

    First Place: “Everyday on the birdbath” by Tersha

    Copyright Tersha

    Tersha’s photo of a little bird on the birdbath was a sweet moment captured and one that reminds us of the importance of looking after the wildlife around us. The head of the bird has a bit of motion blur, that shows the bird enjoying its time in the bath which may be its daily activity that it looks forward to (as the title says). Also, with the bird looking into the bath, it can make one very curious what the next moment will be.

    The composition is also spot on with a simple rule of thirds and the background blurred to make the bird and the bath stand out. The golden light at the back also helps with a good contrast in the photo – the bright sun outside and the shadier area where the bird is enjoying its time at that particular moment.

    Congratulations on capturing this beautiful photo and the win Tersha!

    Second Place: “The ride” by Robert H

    Copyright Robert H

    This photo by Robert is a clever use of the golden ratio and Robert has captured the simple joys of everyday life beautifully in this photo. The light is quite hard and there must have been a lot of colours in the photo but Robert’s choice to convert it to black and white has helped focus the attention on the moment and to remove the harsh effects of the light itself.

    Capturing the photo from the back has also introduced a kind of mystery and intrigue in the photo but at the same time complements the pattern of the seating area. Robert has made use of the right settings to freeze the moment and the details across the frame are tack sharp. Congratulations Robert on this beautifully captured image.

    Third Place: “The Beauty of Everyday Life” by Patrick

    Copyright Patrick

    Patrick chose to submit a collage that showcases the beauty of his everyday life. I think this is a clever way to portray one’s own story, if you have the creativity and patience to do so. Looks like Patrick is working on a very creative project and has captured the “behind the scenes” of the process, himself working and also chilling and enjoying the process .

    Presenting images in the form of a collage is not an easy one from an artistic point of view. The images need to work well together and they need to have some sort of connection in terms of story, theme, colours, etc. The images in Patrick’s collage look great with perfect range of tones while also telling us a bit about his everyday life. This is a very clever submission Patrick and congratulations!

    People’s Choice Award Winner

    Our monthly photo contests also come with a People’s Choice Award. The winner of this part of the contest receives $100 worth of store credit on Light Stalking which they can spend as they please on our blueprints, drills, courses or Presets.

    Copyright Patrick

    The most popular photo for September, voted by the contestants was “I’ll be watching you” by Patrick, which has won the people’s choice award. This is a very powerful photo, typical of our loyal friends who always keep an eye out and are always curious about what we are up to. The look on the dog’s face and the way Patrick has framed this image, works well together making it a great storytelling shot and a great moment to keep as one of the beauties of everyday life. Congratulations on the win Patrick.

    We are almost three weeks into this month’s photo contest and still have a few days left to submit photos to our October’s monthly contest. This month, our theme is, “Abstract Realities.”

    If you would like to join and enter some images into our monthly contest then take a look at your options here.



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  • Patterns Of Life, Abstract Nature – The Weekly Light Stalking Community Roundup

    Patterns Of Life, Abstract Nature – The Weekly Light Stalking Community Roundup

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    Welcome to our weekly community wrap-up.  It’s been another very exciting week on the Light Stalking forums with great photography by the community and the discussions in the forums have been amazing and very inspiring the past few weeks.

    Here is the Photo Of The Week that is judged by Federico every week. This week’s photo of the week is Pat Garrett’s unique take on patterns – Unseen patterns connected to every day life. Read more about it here – Photo of the Week – October 12th

    Copyright Pat Garrett

    The weekend photography challenge from last week was “Patterns of Life” and members came up with their creative interpretation of the theme by capturing very interesting shots – some of them are shared below.

    This week, we have a new challenge that has some very beautiful submissions already. Join the challenge here – Nature’s Abstractions

    Here are some patterns of life photographs from the past week’s challenge that we thought were great and should be included here:

    Copyright Patrick
    Copyright Patrick
    Copyright Patrick
    Copyright Michael
    Life Passed Through Here – Copyright Pat Garrett
    Copyright Patrick

    Here are photos shared by members in other forums like General Photo Chit Chat, Landscape Photography, Macro Photography, etc.

    Robert shared a photo of clouds shot through pine trees here. Check out Robert’s experience when capturing that photo.

    Sitting in Camp on a Late Summer After Noon sipping a Beer and watching the Clouds through the Pines – Copyright Robert Apple

    And a Morning View from one of the Camper Windows

    Copyright Robert Apple

    Robert shared another interesting photo from the Red Rocks – Visitors From Easter Island. How many faces can you see? Go and comment here.

    Copyright Robert Apple

    Daniel shared a few photos too: One of a china rose here

    A New England Aster here:

    Copyright Daniel Krueger

    And a moon series here:

    Copyright Daniel Krueger

    Tersha shared a stunning photo of a Nigella flower, almost going into seed.

    Blue Petals – Copyright Tersha

    Another fun image by Tersha was – Spot the spiders

    Copyright Tersha

    Patrick has been working on a few projects recently and also has been creatively capturing images, mostly with a dark mood. Here are some interesting ones:

    After Dark – Copyright Patrick
    No entry – Copyright Patrick

    Also, check out some artworks that Patrick has been working on recently here:

    Punks Not Dead. Always challenging the classics – Copyright Patrick

    And some colours and patterns photos from everyday life here:

    Copyright Patrick

    Our new member Dail has introduced herself here, and she has already posted a couple of stunning abstract flower photos. She is an avid nature photographer with a passion for macro work, capturing the intricate beauty of the natural world up close. She is also looking for advise on mobile photography that she has been trying to improve recently.

    Discussions:

    • I have been in photography for… – Rob started this discussion – Have you guys ever noticed that somebody who leads with how long they have been doing Photography is usually about to say something to offend somebody else?
    • How do you improve? – Rob started a very interesting discussion on how photographers may fall into a few different groups. Join it here.
    • Steve started a discussion on Magnetic Filters. Join over here to participate.

    If you are someone who captures images with your smartphone, we have a Mobile Photography Challenge where you can post your mobile photos and also check out the works by other photographers. The images must be captured and edited on a smartphone. Join to submit the photos over here. Here are some interesting photos captured on a smartphone:

    There are also some members’ picks that are featured. These can be chosen by any of the members and are put in a whole new thread of their own and called out as being a great addition and shot for the forums. Check out those stunning captures here.

    Patrick started a thread late last year – “Community Inspired Photo Story Challenge” – capture a story in 3 to 6 photos that hold personal significance and post them with a brief description. While that thread was started to be completed within a week, it has been open with ongoing submissions for the past year and is still open where members can post their stories.

    Short 20 min walk round a local hidden gem – Copyright Patrick

    Here are some throwdowns to follow and post your own photos, or you can start your own throwdown too.

    • Trees That Go Bump In The Night – Robert has started a throwdown and invited members to share their unusual photos of trees (Not Your Normal tree photos)
    • 2025 Reflections Throwdown – a unique way to capture your own reflection, whether abstract or otherwise. There are many beautiful images to go through for some inspiration.
    Copyright Patrick
    • Your Pets – Share photos of your pets here.
    • Rob started a new throwdown – “Abstract Flowers” – a very interesting one and it has some very creative and absolutely stunning shots already. You can participate here and we have shared some recent images below.
    Copyright Tersha

    Dail shared a very interesting photo of Garden cosmos, where she took advantage of the wind and the clouds to capture a long exposure abstract of the flowers.

    Copyright Dail

    Jean shares ICM (Intentional Camera Movement) with low speed photo of some flowers

    Copyright Jean T
    Copyright Tersha

    And, there are images posted in the Shark Tank forum where members request for constructive criticism/feedback on their photos.

     If you’d like to join in with our members, feel free to join us on the forums.  We’d love to see you there, and we are a friendly bunch.



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  • The Sigma BF in Real Life: The Camera I Keep Reaching For

    The Sigma BF in Real Life: The Camera I Keep Reaching For

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    I’m Heather Larkin, and I have been working as a portrait photographer for the past 20 years. Over the years, I’ve used a wide variety of cameras and lenses, but the new Sigma BF is something entirely different. I’ve completely fallen in love with it as my personal fun camera. In the last few months, I’ve used it to photograph various personal subjects. I’ve experimented with three lenses in very different settings, from baby photos to jellyfish, to my own flower studio at home. It’s not meant to replace my workhorse camera, but it has become my favorite grab-and-go camera.


    Designed to get out of the way

    The Sigma BF is a paragon of minimalist design in the best way possible. It’s intentional, it’s fun to use, and it’s even lovely to look at. The pared-down body and controls are designed in a way to be intuitive and invisible, letting me focus on the experience instead of my gear. It lets me slow down in the most fabulous way.


    Three lenses, three perspectives

    35mm F2 DG | Contemporary – I used this lens for baby photos of my new nieces, in the Seattle downtown area and market, and through the Seattle aquarium. It felt wide enough to handle all of these situations without too much distortion, and it handled tricky lighting super well.

    50mm F2 DG | Contemporary – I used this lens at the 2025 Philadelphia Flower Show, and I also love using it in my own home flower studio for simple flower portraits. It’s great for isolating subjects in busy spaces like the flower show, but I also love the depth it gives on a studio backdrop.

    105mm F2.8 DG DN Macro | Art – This lens is pure fun. I’ve used it in my own garden, for studio macro play, and during quieter moments while traveling. The process is slow and thoughtful, and the images are so rich in detail. I love macro photography, and seeing all the little things brings me so much joy.


    Where has the BF been so far?

    A baby session without the pressure

    I used the BF for a semi-impromptu photo session for my niece’s five-month-old baby pictures. We picked a few simple outfits for a natural light portrait session so I could focus on her little perfect face and bright eyes. She’s not sitting up yet, but she’s certainly going to tell you all about things. The BF was quick to focus while she was wiggling and chatting to me, and I turned on the focus tracking feature so I could concentrate on making Florence smile… a difficult thing when all she wanted to do was watch the camera. I mean, it is gorgeous to look at, right? We didn’t overthink things, and I didn’t have to overthink my gear. The 35mm F2 lens was great for letting me stay close without getting in the way, and the BF is small and light enough to use one handed so I could tickle the baby at the same time.

    Wandering through Pike Place Market

    I am not usually much of a street photographer, but the BF is the perfect camera to take into the crowded market. It’s unobtrusive and light enough to carry all day. The energy, color, and movement of everyday tourist life are captivating. The 35mm lens focuses close enough to capture market details, and it’s wide enough to convey the feel of the whole scene. Every person I spoke to noticed the BF and asked about it, but it wasn’t really noticed otherwise while I was walking around. I had it on my Spider Holster at my hip, and it was small enough to maneuver through the busy crowd without hitting anyone with it.

    Light and shadow at the Seattle Aquarium

    Wow, if you could create a tougher challenge for a camera besides being in the water, I’d like to see it. Lighting issues were the name of the game this afternoon. The colors of the aquarium—the blues and yellows—are already difficult, but then add things like reflections, subject motion, and dark corners, and it becomes quite a challenge for any camera. The BF handled it all with grace. I loved having this camera with me; it made me feel present, and the slower pace allowed me to notice more. I think my favorite photos of the day were the jellyfish.

    Philadelphia Flower Show

    The Philadelphia Flower Show is another set of fun lighting challenges. It’s busy, bold and colorful. So many flowers and so many people and so much texture. I used the 50mm F2 to help simplify cluttered scenes. The BF handled the lighting shifts well and I never felt like I had to babysit the camera, so I got to really enjoy the whole show. I found that controlling the aperture on the lens dial and setting the camera’s ISO to auto while using the exposure compensation on the back dial for changing lighting was the quick way to get the photos I wanted without concentrating too much on my gear.

    Studio flower play

    Unlike the Flower Show, I can control the lighting in my own home studio. It’s a slower setup, making it very zen to just sit there and tilt the flower or adjust the light just so. Tiny adjustments lead to great effects, little by little. It’s a calming practice. The BF makes this enjoyable, simple and relaxing, just like the studio flowers. I chose both the 50mm F2 and the 105mm F2.8 Macro for these shots.

    Home garden macro

    My home and local gardens are really where the camera disappears and lets me create. I love macro at all times, and to have this camera just adds to the calming enjoyment. The spot focus option and tracking are perfect for getting the composition I want while retaining focus while I’m recomposing, or I can just use the touchscreen to change my focal point. The 105mm F2.8 Macro lens on this camera feels light enough to use one-handed occasionally while being nicely balanced. Plus it’s small enough to get into the shrubbery without really scaring any wildlife I might be photographing. I don’t know why, but doing macro with this camera just makes everything feel so much more artistic somehow. The color is absolutely perfect for this.

    Everyday pretty fluff

    I was talking to Aaron, our senior tech rep at Sigma America, and he said something that really stuck with me. He was talking about the BF and how it’s so accessible. He said something that we’ve all heard: “the best camera is the one you have with you.” But then he expanded and said that the BF is the perfect everyday camera because it is so easy to take with him. He takes more pictures and has more photos he loves because he has a good camera with him when he wants to take those photos. It’s inspiring and I really felt that way too. I find myself taking pictures of things I never would on my phone… because the BF is there and I know the result will be so much prettier.


    The camera I keep reaching for

    I am really happy with this camera, and I want to take pictures of everything while I have it. Perfection isn’t my goal; instead, I look for the fun and joy that comes from taking photos, and this camera really brings that! I think nothing is too small to photograph; every little detail can share a story worth telling. This camera isn’t trying to compete with professional studio cameras, nor does it need to. Its main appeal is being stylish and easy to carry — perfect for those who want to enjoy the fun of photography again. I truly believe that everyday creators and artists will love this unique camera, as it helps them show their creativity without the stress of being perfect. It’s a gateway to enjoying photography again.

    I didn’t expect to love the Sigma BF this much. This camera made me slow down in the best way. It keeps reminding me how fun photography can be when it’s just for you. It’s going to keep staying with me because it just makes me want to take and keep those images.

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  • The Life of a Tuts+ Editor: Meet Sharon Milne

    The Life of a Tuts+ Editor: Meet Sharon Milne

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    Ever wondered what it’s like to work remotely as a Tuts+ Editor? The latest Envato Stories is all about the life of Sharon Milne, Design & Illustration Editor for Tuts+. She lives in Newcastle upon Tyne in the United Kingdom and has been obsessed with vector for over 14 years. Sharon works from her home most of the time, but recently visited the Envato headquarters in Melbourne, Australia. 

    https://www.youtube.com/watch?v=HCWNXkfyxBA


    As the Tuts+ Design & Illustration Editor, Sharon works with a team of instructors from all around the world, and still has time to make art (including this portrait of fellow Envato-er Jordan McNamara) and pass on her considerable vector skills with stunning illustration courses. She also changes her hair colour more than anyone else at Envato!

    More Envato Stories

    Meet Jordy Vandeput who teaches video production, Tuts+ Editorial Manager David Appleyard, or see all previous Envato Stories episodes. There are more to come, so stay tuned!

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  • Portraits And Still Life Images For Cosmetics Brand – A Photo Editor

    Portraits And Still Life Images For Cosmetics Brand – A Photo Editor

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    Concept: Portraiture and Still Life Images for Cosmetics Brand
    Licensing: Unlimited use of all images captured for one year
    Photographer: Beauty and Still Life specialist
    Client: Cosmetics brand

    Summary

    I recently worked with a photographer to help them develop an estimate for a campaign promoting a cosmetic brand’s new product. The brand wanted still life images as well as images of the product in use by professional talent in a studio setting. The creative brief called for a mix of minimal setups against a white background, along with a few scenarios that involved prop styling and set design.

    Fees

    The client initially presented a shot list that included eight main shots. One of the shots was identified as a key visual while the others were considered supplemental. Although they requested unlimited use of all images, they were willing to limit the duration to one year.

    I felt the key visual was worth $5,000, images 2-3 were worth $2,500 each, and the others worth $1,000, totaling $15,000. I had wanted to include an additional few thousand dollars as a creative fee. We understood, however, that we might be pushing the limits on the fee as it was. Ultimately, my goal was to keep the bottom line in check and stay under $50k total.

    The agency, surprisingly, asked us to include a licensing option specifically for 110% of the one-year rate to include a pre-negotiated rate for a second year. In most cases, when pre-negotiating a duration extension, I’m accustomed to a request for a reduced rate compared to the original fee. I clarified this request on a call with the agency art producer. Sure enough, they explained that they’d be willing to pay 110% for an additional year, so I included that cost for the licensing and for the talent.

    In addition, the client requested we present a firm bid, rather than an estimate. I noted this at the top of the document. In this scenario, the photographer keeps any unused funds if the cost of the production is less than anticipated. This also means, however, that they would need to cover any overages if expenses were higher than anticipated. Overall, we were very confident in these fees/expenses based on the working relationships with the specific crew members, styling team, casting director, talent agents, and locations we anticipated working with.

    Crew

    Although the production was rather straightforward, we included a strong team to help quickly execute the vision. To that end, we added a producer, first assistant, second assistant, digital tech, and production assistant, all at rates appropriate for the specific market.

    Styling

    The creative brief definitively called for a prop stylist to create a few background elements and manage the products. The photographer already had a local stylist they wanted to work with. We included rates we received from them, which included their prep, shoot and wrap time. There was a need for very minor wardrobe styling, and this prop stylist was able to take on both roles. Separately, we detailed the anticipated prop and wardrobe costs, along with their kit fees and miscellaneous expenses potentially incurred in the process of acquiring all of the necessary items. We included a hair/makeup stylist and, as there were a few shots that involved close-ups of the talent’s hands holding the products, we also included a manicurist.

    Casting and Talent

    I included a rate received from a casting agent to help us find one subject based on the talent specs provided by the agency. The agency planned to pay the talent directly, but I discussed an appropriate talent fee with the agency producer. I noted this in the line item without having that line item impact our bottom line since the billings would go through the agency.

    Locations

    We included $2,500, which would allow us to afford a generously sized studio in this particular market.

    Equipment

    We included appropriate rates for the rentals the photographer would need in order to execute the creative vision. In addition, we also included fees for the digitech’s workstation as well as production supplies to make everyone comfortable on set.

    Meals

    I based this on $80 per person for 19 people, which included breakfast and lunch.

    Misc.

    I added $500 to cover any unforeseen expenses. We also noted a fee for insurance, which the agency specifically asked that we include. I often calculate insurance fees based on 1-2% of the bottom line.

    Post-production

    We just included a fee for the photographer to perform an initial edit of the photos and help make selects because the agency would handle retouching. As a separate fee, we included a line for hard drives, delivery, and archiving.

    Results

    The photographer won the project. Shortly after, however, the shoot was postponed, and then quickly brought back to life with an increased scope that included two talent. This increased the shot list in addition to production expenses. As a result, we increased the creative/licensing fees by 50%, added a producer pre-production day to handle the changes, increased wardrobe, added another manicurist, added a hair/makeup stylist assistant, and increased casting and talent. We also were asked to include some extra equipment to help facilitate remote viewing by a few clients who would be unable to attend the shoot in person. Here is the final estimate, which was approved:

    Follow our Consultants @wonderful_at_work.



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  • Scientists Find New Evidence That South Korea’s Female Freedivers Evolved for a Life Underwater

    Scientists Find New Evidence That South Korea’s Female Freedivers Evolved for a Life Underwater

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    Scientists Find New Evidence That South Korea’s Female Freedivers Evolved for a Life Underwater

    By Ian Bongso-Seldrup, May 8, 2025 @ 10:00 AM (EST)
    Source: CNN

    Haenyeo sing traditional songs before heading out to sea to harvest abalone, sea urchins, seaweed, and other seafood from the waters around Jeju Island, South Korea


    Scientists studying the DNA of the famous female freedivers of Jeju Island—the haenyeo—have discovered there are unique genetic differences that the women have evolved to cope with the physiological stress of freediving. Published in the scientific journal Cell Reports on May 2, 2025, the research was led by Melissa Ann Ilardo, a geneticist and assistant professor in biomedical informatics at the University of Utah.

    Ilardo and her colleagues recruited 30 haenyeo divers, 30 non-diving women from Jeju Island, and 31 women from the South Korean mainland for the study. The participants’ average age was 65. As well as sequencing their genomes from blood samples, the researchers compared their heart rates, blood pressure and spleen sizes. In order to simulate dives, participants held their breath while submerging their faces in cold water, stimulating the mammalian dive reflex. As a result, the heart rate slows, blood pressure increases and the spleen contracts.

    The analysis showed that the participants from Jeju—divers as well as non-divers—were more than four times more likely than the participants from the mainland to have a genetic variant associated with lower blood pressure. “Your blood pressure increases as you dive,” explains Ilardo. “Their [Jeju residents’] blood pressure increases less.” The scientists suggest that the genetic trait may have evolved to keep unborn babies safe—since the haenyeo dive throughout pregnancy, when high blood pressure can be dangerous.

    Previous research has linked cold and pain tolerance to another genetic variation, and this study revealed that the participants from Jeju were more likely to have this genetic variant. However, the researchers weren’t able to say with certainty whether the variant may be important for the haenyeo’s ability to dive throughout the year, since the participants’ ability to withstand low temperatures was not measured in the study.

    Genetics wasn’t the only factor to explain the haenyeo’s impressive diving capabilities. During the tests, the researchers also found a dramatic difference between the heart rates of the divers versus the non-divers. A reduced heart rate would help the haenyeo conserve oxygen during their dives. “Actually, their heart rate dropped about 50% more over the course of the dive than the control (participants),” says Ilardo. “We know that it’s because of training, because it’s something that we only saw in the haenyeo.”

    While much more work needs to be done, the research could potentially lead to the development of new drugs for lowering blood pressure.

    Read more here.



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  • Recalculating the Creative Life

    Recalculating the Creative Life

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    I recently read of a 19-year-old football player, a goalkeeper for Real Madrid, who was in a serious car accident and left unable to walk for two years. The story caught my attention because it was 14 years ago this month that I had my own accident, which shattered both my feet, cracked my pelvis, and left me unable to walk with a long road back to normal.

    Life, they say, is what happens when you’re busy making other plans. “Sh!t Happens,” says the bumper sticker a bit more succinctly. Indeed.

    Like the 19-year-old footballer’s accident, my fall in Italy didn’t just shatter my feet, but my plans and dreams. At the time, it felt like a heartbreaking detour.

    But it wasn’t a detour at all. A detour takes you from your planned path, diverts you for a while, and then plunks you down further up the road. You use more fuel and might feel lost for a moment or two, but then you’re back on track. Chances are, it won’t make that much of a difference.

    What happened to me in Italy didn’t just give me an alternate route to wherever I thought I was heading; it took me in an entirely new direction. It didn’t feel that way at the time—it didn’t even feel like a detour, but an impassable roadblock.

    I bet it felt like that to the young footballer, too. His name is Julio Iglesias. The name is probably familiar to you, though you might not know him as an athlete. The accident happened a long time ago; Iglesias is now 81 years old. He is one of the world’s most beloved and commercially successful Spanish singers, not to mention one of the best-selling musicians of all time. During his two-year recovery, one of his nurses gave him a guitar, and he discovered his gift for music. His accident wasn’t a detour. And it wasn’t a roadblock. It was a redirection.

    If you’ve ever used GPS navigation in your car, you know the chastising tone of voice your navigation uses when you take a wrong turn. “Recalculating,” it repeats until it finds a way to re-route you. I can’t be the only one who hears it saying “dumbass”in the pauses in between.

    If you listen carefully, that’s the constant refrain of the creative life: “Recalculating…Recalculating…”

    The challenge is not “getting back on track.” It’s not avoiding the mistakes and missteps that take us off at the wrong exit. The challenge is to hear in that one-word mantra (recalculating…) not judgment but possibility. It’s to hear an invitation in the pauses in between. Heard with an open mind, it’s a call to adventure.

    In my home airport, Vancouver International, there is a quote on the wall that reminds travellers that “it’s not the destination that counts, but the journey,” which always makes me laugh because if there’s one time in life the destination really does matter, it’s air travel. The destination is the whole point!

    In the creative life, there is no destination. It’s not that it’s less important; it simply doesn’t exist. There is no place where one arrives, collects their luggage, and tosses their boarding passes in the bin on the way out of the airport, the journey now complete.

    The creative life is only journey.
    It is always recalculating.

    This isn’t positive thinking; it’s creative thinking, and it’s important if we’re going to approach our work with less rigidity and find greater joy in it. It’s absolutely necessary if we’re going to make work that isn’t safe.

    And, pragmatically, it’s helpful when you’re trying to create your work in the real world when light and circumstances don’t always go to plan. When you’re in the field and one of your lenses fails, forcing you to completely reconsider your entire approach. When you’re working on a body of work that you thought was going in one direction but takes a right turn at Albuquerque (Bugs Bunny fans will get the reference). Or when you’re photographing a scene and it’s just not working, or that moment you’ve waited so long for materializes differently than you planned.

    Do you bang your head against these circumstances, maybe use them as excuses, or (to return to my metaphor) do you take the off-ramp and see where it leads?

    Sometimes, all I’ve had to do is turn around (recalculating, recalculating) and point my camera at something else. 

    In hindsight, the best of my work has often resulted from the unexpected or the accidental. What initially appeared to be a roadblock was, in fact, an invitation to recalculate.

    Better minds than mine have observed that “what’s in the way is the way.” Whether it’s a roadblock or an off-ramp to something better is up to you.

    I’ve never found that my work (or my life) goes very well when I’m unbending and inflexible, when I adopt a stance of rigidity and stand my ground instead of embracing a spirit of openness and exploration. Trying stubbornly to bash my creative square peg into the round hole of circumstance has never been anything but exhausting, and I don’t do my best work when my tank is empty. None of us do.

    Stay open. The creative life is one of endless recalculations, and not only can nothing divert you if there’s no ultimate destination, but it’s the zig-zags that make the most interesting journeys.

    For the Love of the Photograph,
    David

    PS – I’ll be in Vancouver doing a free evening presentation at the theatre at Langara College on May 30. The event is free, thanks to Sony Canada and Kerrisdale Cameras. For all the details and to reserve your spot: https://www.eventbrite.com/e/light-space-and-time-an-evening-with-david-duchemin-tickets-1337180766669

    The biggest challenges for most photographers are not technical but creative.  They are not so much what goes on in the camera but what goes on in the mind of the person wielding it.  Light, Space & Time is a book about thinking and feeling your way through making photographs that are not only good, but truly your own. It would make an amazing gift for the photographer in your life, especially if that’s you. Find out more on Amazon. 



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