برچسب: Incredible

  • How to Take Incredible Photographs of Flowers

    How to Take Incredible Photographs of Flowers


    This is a guest post from Izabela Korwel. Check out Iza’s amazing macro photography on her blog, follow her on Twitter, Facebook and also on Google +!

    Flowers are the easy subjects to come by and to photograph, even close to home. You can go to local park or find a flower bed downtown or at the mall. You can visit a botanical garden, there is one in every major city. You can ask the neighbors if you can photograph in their garden. You can also just go the flower shop and buy potted or cut flowers, and set them up in your living room.

    The easiest way, as I discovered this year, is to plant small flower garden in front of your house. Even for the sole purpose of having a photographic subject handy, they do not require that much work, especially if you choose the local wild flowers. The diversity in types and colors will help keeping you interested and returning often to add to the collection of images. Each day, the flowers will looks different, some will be already dying, and some will just start to bloom. There are new and different photos to be taken each and every day.

    Don’t Forget to Check The Weather!

    Weather is going to be your worst enemy. Sun and wind are two ingredients you need to be aware of at any moment.

    They say that macro photography of flowers (and other plants) is the one type of photography allowed in the midday harsh light. Don’t believe it. It will at times create as much contrast between your highlights and shadows as for any other subject. Unless of course your flower subjects are in the shade or under a scrim. Pay attention to the light, and either photograph during “golden hour” or at times when the sun in on opposite side of the house. It will create far more beautiful images.

    It is going to be quite difficult to avoid the wind. Even a small breeze can shake high stem flowers enough to result in blurry images. Especially if you photograph in the shade, with stepped down aperture (large f/ stops) for increased depth of field, the shutter speeds will be slow and the slightest movement of the flower will be magnified in your photograph. There is not much you can about it. Check the wether and pick the day of the week and the time of the day with the calmest conditions. Pick the side of house for your garden opposite to prevailing wind direction in your area. But also, you can just incorporate the movement into your photographs for fresh, creative look.

    What Gear Do You Need for Flower Photography?

    Photography of flowers is oftentimes at borderline of close-up and macro work.

    If you have a point and shoot camera, many have excellent macro mode, which will allow you to get close. Turn it on.

    On a dSLR, you will get the best results from dedicated macro lens. They come in few focal lengths, which vary by manufacturer. I found the Nikkor 85 mm works well for me and my shooting style. In fact, all images in this post but one were take with this lens. You can rent and try different lenses from one of several reputable online services (like BorrowLenses.com, LensRentals.com, LensProToGo.com) or check in local camera store before investing your money in one. Also consider that many all-in-one zoom lenses, like the Nikkor 18-200 mm or Sigma 18-300 mm I use, will allow you to focus from just few inches away. Other options include extension tubes and macro filters. This last option is the least recommended, but the least expensive at the same time.

    Use These Settings for Best Results

    The camera settings you choose will have strong effect on the final image. Play with them, if your camera allows it.

    The ISO is best left alone on the highest setting you are comfortable on your camera. The higher the ISO, the shorter your shutter speed will be, but the more noise you will get. On most dSLRs, 400 or 800 is the best choice.

    The other parameter you probably don’t need to worry much is the white balance. First, most dSLRs are quite good on the Automatic mode. Secondly, if you shoot RAW, you will have the most flexibility to change it afterwards. Third, the flower images are usually fine art not documentary, and as such are subject to artistic freedom. You might even try changing the white balance to warmer or colder for some artistic reason.

    The Aperture priority or Manual mode will give you the most control over remaining settings. But stay away from really wide open apertures like f/1.8, or even f/5.6. Many beginners enjoy the shallow depth of field, especially shortly after upgrading from point-and-shoot which typically have unlimited depth of field. When you are close to the subject, the depth of field is too narrow and just not enough for any part of the flower to be in sufficient focus. You will quickly realize that anything starting from f/11 or even f/14 gives enough depth of field to avoid the feeling of out-of-focus, blurry image. Many times it is best to go as high as lens allows, up to f/22 or f/32 depending on the lens. Be also careful in how you position the camera in relation to the flower. The more parallel the sensor and the part of flower you want in sharp focus are, the easier it will be to achieve crispy look.

    At the same time, the stepped down aperture might cause your background to come in focus and make the image too cluttered. To avoid it and have more control over the aesthetic of your background, replace it with your own. Take several different out of focus photographs- of cloudy sky, trees in several shades of green etc. If it is not single, solid color, it will look more natural. Print them as 11×14, and glue them onto foam core for more sturdiness and use as on-demand background. The more color choices, the more flexibility.

    Getting Better Flower Photos With Precision

    The last two pieces of advice in this post are going to have the most impact on your flower photography. These are also the two things too many of beginning photographers ignore, thinking they will be just fine without them. The results are mediocre instead of excellent.

    First, put the camera on tripod. Really. It does not need to be fancy setup with ball head and removable center column, although it helps. What it has to be, however, is sturdy enough to keep the weight of the your camera. I am using Manfrotto 055XPROB with 488RC2 ball head. I went through several cheap, plastic tripods before giving up and finally investing into it. Avoid my mistake.

    Secondly, use manual focus. Even with stepped down aperture, the depth of field will still be narrow. With the stabilized tripod, now you can make the decision if the middle of the flower or the petals are where you want viewers to look first.

    I hope those few basic tips will get you interested in finding some flowers now and photographing them. Be creative. Have fun. And if you feel there is anything important I forgot, please ask a question or add your tips in the comments section.





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  • 13 Incredible Tutorials To Improve Your Black And White Photography

    13 Incredible Tutorials To Improve Your Black And White Photography


    This week we have been talking about black and white photography but since the early days, there have been many articles shared about black and white photography, by almost all writers here at Light Stalking. At some point, we all get into this genre and sometimes struggle to get the best out of a scene or situation, or get stuck during the post-processing part.

    Today we thought that we will put together some very useful tutorials on black and white photography, so you can refer to the ones that are really important or useful for you.

    Many photographers may have a questions as to why one should shoot black and white, when there is colour photography. There are a dozen reasons why one might honour black and white photography and four of those are discussed in this article.

    Photo by Reuben Mcfeeters

    Black and white photos look surreal, they are emotive and they evoke a lot of emotions that sometimes a colour photo cannot. Shooting black and white photos can be quite tricky and the photographer needs to know when shooting the image, if a scene, subject or scenario will work well as a black and white photo. So, here are some ways to tell if a scene will make a great black and white photo.

    Photo by Alex

    Black and white photographs are beautiful and it makes many of us wonder how someone could have captured and post-processed such a stunning but simple photograph in black and white. This article discusses a few tips on how to capture and edit stunning fine art black and white photographs.

    Photo by Etienne Delorieux

    Some photographers convert an image to black and white, in order to hide the imperfections in their colour version. It may be fine to do this occasionally, but making it a habit is not the way to creating black and white images because creating great black and white photographs is an art. So, here are some things to think about when getting into black and white photography.

    Here is another article that touches on this issue – Do You Still Make These 2 Mistakes When Working In Black And White?

    Photo by Jason D. Little

    Before capturing a shot, or after you have captured one, have you ever been caught up in a dilemma if the shot should be in colour or black and white? In the early days, photographers made the choice to shot either in colour or black and white film, but in the days of digital photography, we have the luxury to capture raw files and work on them the way we wish to later. So read to find out how you can make this decision between colour and black and white for a particular shot.

    Also, for further reading – How to Use Your Eyes to Create Better Black and White Images

    Photo by Jason D. Little

    Photographers think that it is easier to shoot images for black and white but the problem arises when we try to convert an image to black and white. Most photographers think that removing the colours by bringing the saturation slider to the negative, or clicking on the black and white setting or applying a preset when post processing will help. The truth is, you need to capture images using a black and white film mindset.

    Photo by Archie Binamira

    We all would have seen the famous landscape photographs of Ansel Adams that are shot in black and white. Although we can see in colour and in these days photograph in colour too, we still feel the emotions better sometimes in a black and white photograph, especially landscapes that are vast and colourful. So, if you want to shoot black and white landscapes, here are five keys to improve your shots.

    Photo by tombabich24

    If you are someone who is interested in shooting dark scenes, then film noir photography is a genre that you can explore. These types of photos can be used to portray dramatic, mysterious scenes and it suits only particular types of situations, light and stories. Here are some tips and techniques to capture interesting film noir photographs.

    Photo by Andrew Amistad

    Not only do street photos or landscapes work well for black and white photography, even portraits become more beautiful when converted to black and white. It lets you focus on the subject and their characteristics, without any distraction. So here are some tips to convert a portrait onto black and white.

    And here are “The Secrets to Compelling Black and White Portraits

    Screenshot by Federico Alegria

    Once you capture the images for black and white conversion, you need to make some important adjustments when post processing your image for black and white. This article discusses the best monochrome practices for photographers in both Lightroom and Photoshop.

    Photo by Jason Row

    If you just shoot in black and white or convert an image to black and white by the click of a button or by desaturating it, you will nowhere be near to those images of olden days that were shot in film. The images will mostly look flat with not much contrast or tonality. Black and white film photographers used colour filters to give a punch to certain elements in their shots and these days, it can be achieved in Photoshop using the channel mixer tool. Read to find how to use it.

    Photo by Jason Row

    A lot of street photographers shoot in black and white and it is a very common thing for decades now. Most photographers really do not shoot in black and white, but instead shoot in colour and then convert their images to black and white and they think street photographs should be in black and white. Read to find why photographers make this decision.

    Photo by Federico Alegría

    And of course, street photographs also need some amount of post production, because we always advise to shoot in raw in order to get the best results in the final photo. A lot of street photographers also believe that the colours in the streets may not be always visually appealing to have the street photograph in colour. Here are some tips to convert a street photograph to black and white.

    Image by Federico Alegría

    If you would like some inspiration to shoot black and white photographs, here are links to dozens of quotes and images that you can refer to:





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  • Incredible Models | Beautiful Flower Pictures Blog

    Incredible Models | Beautiful Flower Pictures Blog


    Photos of some of the wonderful models I’ve had the pleasure of working with in recent years.

    Zoe Celesta West © 2025 Patty Hankins

     

    Ivory Flame © 2025 Patty Hankins

     

    Lucy Magdalene © 2025 Patty Hankins

     

    Ivory Flame © 2025 Patty Hankins

     

    Rebecca Lawrence © 2025 Patty Hankins

     

    Ivory Flame © 2025 Patty Hankins



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