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  • Photo Gallery: Vibrant Portraits with the Sigma 200mm F2 DG OS Sports Lens

    Photo Gallery: Vibrant Portraits with the Sigma 200mm F2 DG OS Sports Lens

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    Sigma 200mm F2 DG OS | Sports
    Sony a7R V
    F2, 1/800s, ISO 640

    Sigma is pleased to feature a gallery of fashion and dance portraits by photographer Anabel DFlux. This gallery is comprised entirely of images shot with the Sigma 200mm F2 DG OS | Sports lens. With a large maximum aperture of F2 and a flattering focal length, this premium prime lens is an excellent choice for portraits with exceptional depth and compression, perfect for intentional, beautiful blurring of backgrounds and foregrounds that makes subjects pop.

    Sigma 200mm F2 DG OS | Sports
    Sony a7R V
    F2, 1/800s, ISO 640
    Sigma 200mm F2 DG OS | Sports
    Sony a7R V
    F2, 1/640s, ISO 640
    Sigma 200mm F2 DG OS | Sports
    Sony a7R V
    F2, 1/320s, ISO 200
    Sigma 200mm F2 DG OS | Sports
    Sony a7R V
    F2, 1/1000s, ISO 640
    Sigma 200mm F2 DG OS | Sports
    Sony a7R V
    F2, 1/320s, ISO 250
    Sigma 200mm F2 DG OS | Sports
    Sony a7R V
    F2, 1/320s, ISO 640
    Sigma 200mm F2 DG OS | Sports
    Sony a7R V
    F2, 1/500s, ISO 640
    Sigma 200mm F2 DG OS | Sports
    Sony a7R V
    F2, 1/250s, ISO 640
    Sigma 200mm F2 DG OS | Sports
    Sony a7R V
    F2, 1/200s, ISO 400
    Sigma 200mm F2 DG OS | Sports
    Sony a7R V
    F2, 1/640s, ISO 640
    Sigma 200mm F2 DG OS | Sports
    Sony a7R V
    F2, 1/250s, ISO 640

    Featured model: Lee Lim @fa.mulan.rouge

    About

    Anabel DFlux is a published photographer in Los Angeles, California. Having started her photography business at the age of 15, Anabel has dedicated her life to her photographic passion. From canine sports to exotic animals, to some of the biggest musicians in the world – Anabel’s work doesn’t fall into any specific niche. She believes there are no limits to what you can create, and to photograph everything that gives you that spark of inspiration.

    Equipment used


    200mm F2 DG OS | Sports

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    This travel gallery – photographed with the Sigma 16-300mm F3.5-6.7 DC OS | Contemporary lens on a Fujifilm X-H2 camera body – was captured by photographer Devon Smith Jr. during a summer trip with Brooklyn to Alaska, an organization dedicated to helping diverse youth from Brooklyn, New York experience a once-in-a-lifetime adventure in Alaska’s rugged natural environment. From climbing a glacier, to rafting down a rushing river, to sleeping in a tent under the stars, BK2AK helps close the gap to outdoor adventure by increasing access to the outdoors.


    There are lenses that document life, and then there are lenses that transform it. The Sigma 200mm F2 DG OS | Sports has a way of making the everyday feel extraordinary. See how photographer Meg Loeks uses this lens to make her portraits truly stand out.

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  • Photo Gallery: From Brooklyn to Alaska with the Sigma 16-300mm

    Photo Gallery: From Brooklyn to Alaska with the Sigma 16-300mm

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    Sigma 16-300mm F3.5-6.7 DC OS | Contemporary
    Fujifilm X-H2
    56mm, F7.1, 1/125s, ISO 400

    Sigma is pleased to feature a gallery of images by photographer Devon Smith Jr. This gallery is comprised entirely of images shot with the Sigma 16-300mm F3.5-6.7 DC OS | Contemporary lens on a Fujifilm X-H2 camera body.

    This travel gallery was captured during Devon’s summer trip with Brooklyn to Alaska, an organization dedicated to helping diverse youth from Brooklyn, New York experience a once-in-a-lifetime adventure in Alaska’s rugged natural environment. From climbing a glacier, to rafting down a rushing river, to sleeping in a tent under the stars, BK2AK helps close the gap to outdoor adventure by increasing access to the outdoors.

    Learn more about Brooklyn to Alaska at brooklyntoalaska.org

    Sigma 16-300mm F3.5-6.7 DC OS | Contemporary
    Fujifilm X-H2
    16mm, F5.6, 1/160s, ISO 400
    Sigma 16-300mm F3.5-6.7 DC OS | Contemporary
    Fujifilm X-H2
    16mm, F7.1, 1/125s, ISO 400
    Sigma 16-300mm F3.5-6.7 DC OS | Contemporary
    Fujifilm X-H2
    86mm, F7.1, 1/125s, ISO 400
    Sigma 16-300mm F3.5-6.7 DC OS | Contemporary
    Fujifilm X-H2
    300mm, F6.7, 1/125s, ISO 400
    Sigma 16-300mm F3.5-6.7 DC OS | Contemporary
    Fujifilm X-H2
    117mm, F7.1, 1/250s, ISO 400
    Sigma 16-300mm F3.5-6.7 DC OS | Contemporary
    Fujifilm X-H2
    37mm, F7.1, 1/125s, ISO 400
    Sigma 16-300mm F3.5-6.7 DC OS | Contemporary
    Fujifilm X-H2
    43mm, F7.1, 1/250s, ISO 400
    Sigma 16-300mm F3.5-6.7 DC OS | Contemporary
    Fujifilm X-H2
    92mm, F7.1, 1/125s, ISO 640
    Sigma 16-300mm F3.5-6.7 DC OS | Contemporary
    Fujifilm X-H2
    300mm, F7.1, 1/125s, ISO 640
    Sigma 16-300mm F3.5-6.7 DC OS | Contemporary
    Fujifilm X-H2
    48mm, F6.3, 1/160s, ISO 800
    Sigma 16-300mm F3.5-6.7 DC OS | Contemporary
    Fujifilm X-H2
    156mm, F6.3, 1/160s, ISO 800
    Sigma 16-300mm F3.5-6.7 DC OS | Contemporary
    Fujifilm X-H2
    37mm, F7.1, 1/250s, ISO 400

    About

    Devon Smith Jr. is a Jamaican street and documentary photographer with roots in the Ocean Hill neighborhood of Brooklyn.

    His photography captures the nuanced interactions between people and their environments, blending a deep respect for cultural storytelling with an eye for unique, spontaneous moments.

    Devon’s inspiration to pursue photography came from his mentors at The Bklyn Combine, a community-focused collective he is actively involved with and collaborates with regularly. He also has a passion for landscape photography that was sparked during summers with his family in Manchester, Jamaica, where the rich cultural and historical layers of his heritage continue to influence his work.

    Equipment used


    16-300mm F3.5-6.7 DC OS | C

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    Having versatile, reliable gear is critical for young filmmakers and photographers, and a single lens that can handle a variety of scenes is a smart option. Film student Sophia Chew discusses her favorite Sigma zoom lenses and how they fit her needs as a college undergrad.


    In this photo gallery, photographer and video producer Nagamitsu Endo explores various peaceful locales in Maine, and captures the quiet beauty of nature along the way. These images are shot entirely on the Sigma BF camera along with the 35mm and 50mm F2 DG | Contemporary lenses.

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  • Photo Gallery: A Simple Sojourn Into Nature with the Sigma BF Camera

    Photo Gallery: A Simple Sojourn Into Nature with the Sigma BF Camera

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    Sigma BF Camera
    Sigma 35mm F2 DG | Contemporary
    F8, 1/500s, ISO 250

    Sigma is pleased to feature a gallery of images by photographer and video producer Nagamitsu Endo. This gallery is comprised entirely of images shot with the Sigma BF camera, along with the 35mm F2 DG | Contemporary and 50mm F2 DG | Contemporary lenses.

    Photographer Naga Endo enjoys a stroll in Maine along with his Sigma BF camera and 35mm F2 DG | Contemporary lens.

    Every photographer, no matter how passionate, eventually faces the moment when they simply don’t know what to shoot. I always try to keep a creative antenna up, searching for scenes and fleeting instants that can only be captured through photography – moments that might never come again. But depending on the season, the weather, the place, or my own state of mind, I occasionally lose sight of what I want to photograph. When that happens, I naturally find myself turning to nature.

    For me, nature is like street photography: nothing is staged, everything is real, and my only task is to observe and record. Within a fixed frame, I choose which moment to cut out – knowing it will never return.

    Nature’s beauty holds chaos, surprise, and quiet perfection. Immersing myself in that world. I reply on the Sigma BF, a camera that lets me feel each moment with my own senses. By limiting myself to just two prime lenses – 35mm and 50mm F2 – I embrace the constraints, and in doing so, I discover a shared atmosphere that flows through the entire series.

    Naga Endo, Photographer

    Sigma BF Camera
    Sigma 35mm F2 DG | Contemporary
    F8, 1/500s, ISO 200
    Sigma BF Camera
    Sigma 35mm F2 DG | Contemporary
    F8, 1/500s, ISO 200
    Sigma BF Camera
    Sigma 50mm F2 DG | Contemporary
    F8, 1/500s, ISO 100
    Sigma BF Camera
    Sigma 50mm F2 DG | Contemporary
    F8, 1/2500s, ISO 2000
    Sigma BF Camera
    Sigma 50mm F2 DG | Contemporary
    F2, 1/1000s, ISO 100
    Sigma BF Camera
    Sigma 50mm F2 DG | Contemporary
    F2, 1/6400s, ISO 100
    Sigma BF Camera
    Sigma 50mm F2 DG | Contemporary
    F5.6, 1/400s, ISO 100
    Sigma BF Camera
    Sigma 35mm F2 DG | Contemporary
    F8, 1/500s, ISO 800
    Sigma BF Camera
    Sigma 35mm F2 DG | Contemporary
    F8, 1/500s, ISO 1250
    Sigma BF Camera
    Sigma 35mm F2 DG | Contemporary
    F2, 1/1000s, ISO 100
    Sigma BF Camera
    Sigma 35mm F2 DG | Contemporary
    F8, 1/250s, ISO 160
    Sigma BF Camera
    Sigma 35mm F2 DG | Contemporary
    F4, 1/320s, ISO 100

    About

    Nagamitsu Endo is the founder and producer of NAGAVISION INC., specializing in visual storytelling. While his work revolves around video production, the art of still photography is an everyday part of Naga’s life. Whether exploring the streets of New York City or capturing moments behind the scenes on set, Naga is always on the lookout for captivating visuals.

    Equipment used


    BF Camera


    35mm F2 DG | C

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    The Sigma BF is not just a stylish camera, but a special piece of imaging gear that enhances personal photography in a completely unique way. Join pro photographer Heather Larkin and learn why the Sigma BF has become an essential part of her daily life.


    The Sigma BF is the perfect camera system for casual, everyday photography, with its sleek looks and simple interface. But on the set or in the studio, it becomes the ultimate BTS tool that everyone in the crew wants to pick up, leading to more high-quality candid shots and memories of work that typically goes unnoticed.

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  • Photo Gallery: Sigma 300-600mm F4 DG OS Sports Lens

    Photo Gallery: Sigma 300-600mm F4 DG OS Sports Lens

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    Sigma 300-600mm F4 DG OS | Sports
    Sony Alpha a1
    560mm, F4, 1/4000s, ISO 2500

    Sigma presents a gallery of images by photographer Kellon Spencer. This gallery is comprised of photos shot with the 300-600mm F4 DG OS | Sports lens, released in 2025 for full-frame format mirrorless cameras.

    Using the Sigma 300-600mm on a Sony a1 camera body.

    Working with the Sigma 300-600mm F4 lens reignited my passion for visual storytelling. During a recent expedition to the Arctic, I had the privilege of capturing everything from sweeping polar landscapes to intimate moments with polar bears, walruses, and a wide array of bird species.

    Wildlife photography often demands precision, patience, and above all, the right equipment. The ability to shoot at 600mm with a constant F4 aperture proved to be a game changer. It allowed me to maintain fast shutter speeds even in low light, making it possible to freeze the motion of fast-moving subjects without compromising image quality.

    This lens isn’t just a new addition to my gear list — it’s now an essential part of my wildlife documentary toolkit.

    Kellon Spencer, Photographer & Media Producer

    Sigma 300-600mm F4 DG OS | Sports
    Sony Alpha a1
    479mm, F4, 1/3200s, ISO 6400
    Sigma 300-600mm F4 DG OS | Sports
    Sony Alpha a1
    512mm, F4, 1/320s, ISO 500
    Sigma 300-600mm F4 DG OS | Sports
    Sony Alpha a1
    465mm, F4, 1/320s, ISO 250
    Sigma 300-600mm F4 DG OS | Sports
    Sony Alpha a1
    300mm, F4, 1/2000s, ISO 100
    Sigma 300-600mm F4 DG OS | Sports
    Sony Alpha a1
    600mm, F4, 1/5000s, ISO 160
    Sigma 300-600mm F4 DG OS | Sports
    Sony Alpha a1
    591mm, F9, 1/800s, ISO 125
    Sigma 300-600mm F4 DG OS | Sports
    Sony Alpha a1
    597mm, F4, 1/800s, ISO 125
    Sigma 300-600mm F4 DG OS | Sports
    Sony Alpha a1
    300mm, F4, 1/5000s, ISO 160
    Sigma 300-600mm F4 DG OS | Sports
    Sony Alpha a1
    591mm, F8, 1/800s, ISO 320
    Sigma 300-600mm F4 DG OS | Sports
    Sony Alpha a1
    600mm, F8, 1/800s, ISO 320
    Sigma 300-600mm F4 DG OS | Sports
    Sony Alpha a1
    300mm, F4, 1/8000s, ISO 1600
    Sigma 300-600mm F4 DG OS | Sports
    Sony Alpha a1
    600mm, F4, 1/5000s, ISO 800
    Sigma 300-600mm F4 DG OS | Sports
    Sony Alpha a1
    472mm, F4, 1/5000s, ISO 800
    Sigma 300-600mm F4 DG OS | Sports
    Sony Alpha a1
    600mm, F4, 1/1000s, ISO 100
    Sigma 300-600mm F4 DG OS | Sports
    Sony Alpha a1
    567mm, F4, 1/4000s, ISO 2000
    Sigma 300-600mm F4 DG OS | Sports
    Sony Alpha a1
    567mm, F4, 1/4000s, ISO 2000

    About

    I originally pursued media as a means of documenting nature and the adventures I live for. My perspective is that existence on our planet is far more fascinating than anything found in a work of fiction. In addition to media production I also have a background in biology with an emphasis on the ocean. While I don’t work in research, I apply my education as a Naturalist Guide.

    Equipment used


    300-600mm F4 DG OS | S

    EXPLORE MORE

    Sigma presents a gallery of images by professional photographer Darren White. This gallery is comprised entirely of photos shot with the 14-24mm F2.8 DG DN | Art lens, released in 2019 for full-frame format mirrorless cameras.


    Sigma presents a gallery of images from the side streets of Tokyo by photographer and video producer Nagamitsu Endo. This gallery is comprised entirely of images shot with the Sigma BF camera, along with its natural street photography companion, the 35mm F2 DG | Contemporary lens.

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  • Photo Gallery: Sigma 14-24mm F2.8 DG DN Art Lens

    Photo Gallery: Sigma 14-24mm F2.8 DG DN Art Lens

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    Sigma 14-24mm F2.8 DG DN | Art
    Sony A7R IV
    14mm, F2.8, 13s, ISO 6400

    Sigma presents a gallery of images by professional photographer Darren White. This gallery is comprised entirely of photos shot with the 14-24mm F2.8 DG DN | Art lens, released in 2019 for full-frame format mirrorless cameras.

    The Sigma 14-24mm F2.8 DG DN | Art lens mounted on a full-frame mirrorless Sony camera body.

    With the Sigma 14-24mm Art lens, you get edge-to-edge sharpness, minimal distortion (even at 14mm), and color rendering that will make your edits feel almost unnecessary. I own and use both the Sony E-mount and older Nikon F versions, and love them equally the same!

    Weather sealed, rock solid build and surprisingly compact for what it offers, it’s the lens that says, “Go ahead, dust, rain & cold. Bring it on!” As a professional landscape photographer I shoot in all extreme conditions, and this lens will hold up in any of them.

    Darren White, Professional Photographer

    Sigma 14-24mm F2.8 DG DN | Art
    Sony A7R IV
    14mm, F2.8, 10s, ISO 3200
    Sigma 14-24mm F2.8 DG DN | Art
    Sony A7R IV
    14mm, F5, ISO 64
    Sigma 14-24mm F2.8 DG DN | Art
    Sony A7R IV
    16mm, F18, 1/6s, ISO 50
    Sigma 14-24mm F2.8 DG DN | Art
    Sony A7R IV
    23mm, F16, 1/10s, ISO 50
    Sigma 14-24mm F2.8 DG DN | Art
    Sony A7R IV
    15mm, F6.3, 30s, ISO 1600
    Sigma 14-24mm F2.8 DG DN | Art
    Sony A7R IV
    14mm, F10, 1/30s, ISO 64
    Sigma 14-24mm F2.8 DG DN | Art
    Sigma fp L
    14mm, F13, 1/125s, ISO 100
    Sigma 14-24mm F2.8 DG DN | Art
    Nikon Z8
    14mm, F4, 30s, ISO 400
    Sigma 14-24mm F2.8 DG DN | Art
    Sony A7C II
    24mm, F10, 1/100s, ISO 64
    Sigma 14-24mm F2.8 DG DN | Art
    Sony A7R IV
    14mm, F7.1, 1/50s, ISO 100
    Sigma 14-24mm F2.8 DG DN | Art
    Sony A7R IV
    14mm, F2.8, 15s, ISO 10000
    Sigma 14-24mm F2.8 DG DN | Art
    Sigma fp L
    14mm, F7.1, 125s, ISO 32
    Sigma 14-24mm F2.8 DG DN | Art
    Sony A7R IV
    17mm, F16, 1/400s, ISO 64
    Sigma 14-24mm F2.8 DG DN | Art
    Sony A7R IV
    16mm, F11, 1/6s, ISO 64
    Sigma 14-24mm F2.8 DG DN | Art
    Sony A7R IV
    16mm, F9, 1/160s, ISO 100

    About

    Born and raised on the Oregon Coast where his love for beautiful landscapes began. In 1999 Darren moved to Portland Oregon and soon fell in love with the mountains and Columbia River Gorge areas. In July of 2013 Darren made a huge move to Littleton, Colorado where he has quickly fell in love with the majestic mountains Colorado has to offer and the outdoor life Colorado is known for.

    Darren has been published in various magazines like Popular Photography, Columbia Gorge Magazine and had a mention in National Geographic Traveler. His prints have been sold worldwide and used for all kinds of media from Websites to Trade Show Backdrops.

    Darren enjoys a variety of outdoors activities which include but are not limited to, hiking, biking, running, night photography, trail running, climbing steep hills and simply just being amazed at what nature can produce!

    Equipment used


    14-24mm F2.8 DG DN | A

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    Photographer Etsuko Aimu captures images of her children with the Sigma 17-40mm F1.8 DC | Art lens mounted on a Canon EOS R7 mirrorless camera. This APS-C format combination produces beautiful photos for memories that last a lifetime, and beyond.


    With the Sigma 17-40mm F1.8 DC | Art lens at his side, photographer and cinematographer Naoki Miyashita visits a Kyoto pottery workshop to find out just how well this modern evolution of a beloved APS-C zoom lens performs.

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  • Photo Gallery: Sigma BF Camera & 35mm F2 DG Contemporary Lens

    Photo Gallery: Sigma BF Camera & 35mm F2 DG Contemporary Lens

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    Sigma BF Camera + 35mm F2 DG | Contemporary
    F5.6, 1/1000s, ISO 320

    Sigma is pleased to feature a gallery of images by photographer and video producer Nagamitsu Endo. This gallery is comprised entirely of images shot with the Sigma BF camera, along with its natural street photography companion, the 35mm F2 DG | Contemporary lens.

    Naga Endo demonstrates the Sigma BF camera (in black) before heading out for an afternoon of street photography.

    When photographing in Tokyo, I’m always drawn to the nostalgic neighborhoods where the spirit of the Showa era lingers in the quiet residential streets where families and elders live side by side, and to the time-honored shopping arcades that still thrive near the train stations. With the Sigma BF, I capture the interplay of light and shadow – the vibrant, everyday scenes that define the city’s unique blend of older and charming disorder.

    Compact and easy to carry, the BF is my companion for strolls through the city. For street photographers, it becomes an essential eye, intuitively capturing the moments that matter most.

    Naga Endo, Photographer

    Sigma BF Camera + 35mm F2 DG | Contemporary
    F5.6, 1/1000s, ISO 1600
    Sigma BF Camera + 35mm F2 DG | Contemporary
    F4, 1/1000s, ISO 100
    Sigma BF Camera + 35mm F2 DG | Contemporary
    F5.6, 1/1000s, ISO 100
    Sigma BF Camera + 35mm F2 DG | Contemporary
    F2, 1/200s, ISO 16000
    Sigma BF Camera + 35mm F2 DG | Contemporary
    F5.6, 1/1600s, ISO 1250
    Sigma BF Camera + 35mm F2 DG | Contemporary
    F5.6, 1/1000s, ISO 125
    Sigma BF Camera + 35mm F2 DG | Contemporary
    F5.6, 1/1600s, ISO 400
    Sigma BF Camera + 35mm F2 DG | Contemporary
    F5.6, 1/1000s, ISO 6400
    Sigma BF Camera + 35mm F2 DG | Contemporary
    F5.6, 1/1000s, ISO 250
    Sigma BF Camera + 35mm F2 DG | Contemporary
    F2, 1/1000s, ISO 200
    Sigma BF Camera + 35mm F2 DG | Contemporary
    F5.6, 1/1600s, ISO 1000
    Sigma BF Camera + 35mm F2 DG | Contemporary
    F4, 1/1000s, ISO 125
    Sigma BF Camera + 35mm F2 DG | Contemporary
    F4, 1/1000s, ISO 125
    Sigma BF Camera + 35mm F2 DG | Contemporary
    F5.6, 1/1000s, ISO 1250

    About

    Nagamitsu Endo is the founder and producer of NAGAVISION INC., specializing in visual storytelling. While his work revolves around video production, the art of still photography is an everyday part of Naga’s life. Whether exploring the streets of New York City or capturing moments behind the scenes on set, Naga is always on the lookout for captivating visuals.

    Equipment used


    BF Camera


    35mm F2 DG | C

    EXPLORE MORE

    Sigma is pleased to feature a gallery of images by professional photographer Jim Koepnick. This gallery is comprised entirely of images shot with the extremely versatile 16-300mm F3.5-6.7 DC OS | Contemporary lens, released in 2025 for APS-C format mirrorless cameras.


    Despite its simple design and interface, the Sigma BF camera is surprisingly versatile, with the power to photograph the night sky as well as the streets below.

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  • Photo Gallery: Sigma 16-300mm F3.5-6.7 DC OS Contemporary Lens

    Photo Gallery: Sigma 16-300mm F3.5-6.7 DC OS Contemporary Lens

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    Sigma 16-300mm F3.5-6.7 DC OS | Contemporary
    Sony a1 II
    300mm, F6.7, 1/640s, ISO 100

    Sigma is pleased to feature a gallery of images by professional photographer Jim Koepnick. This gallery is comprised entirely of images shot with the extremely versatile 16-300mm F3.5-6.7 DC OS | Contemporary lens, released in 2025 for APS-C format mirrorless cameras.

    Sigma 16-300mm F3.5-6.7 DC OS | Contemporary
    Sony a1 II
    215mm, F6.3, 1/500s, ISO 200
    Sigma 16-300mm F3.5-6.7 DC OS | Contemporary
    Sony a1 II
    251mm, F10, 1/500s, ISO 1600
    Sigma 16-300mm F3.5-6.7 DC OS | Contemporary
    Sony a1 II
    200mm, F6.3, 1/2000s, ISO 6400
    Sigma 16-300mm F3.5-6.7 DC OS | Contemporary
    Sony a1 II
    270mm, F10, 1/500s, ISO 250
    Sigma 16-300mm F3.5-6.7 DC OS | Contemporary
    Sony a1 II
    166mm, F6.3, 1/500s, ISO 2500
    Sigma 16-300mm F3.5-6.7 DC OS | Contemporary
    Sony a1 II
    49mm, F5.6, 1/160s, ISO 100
    Sigma 16-300mm F3.5-6.7 DC OS | Contemporary
    Sony a1 II
    300mm, F6.7, 1/640s, ISO 100
    Sigma 16-300mm F3.5-6.7 DC OS | Contemporary
    Sony a1 II
    177mm, F13, 1/500s, ISO 12800

    About

    Jim Koepnick is one of the leading aviation photographers today, photographing for Cirrus Aircraft, Flying Magazine, Plane and Pilot, Air and Space Smithsonian, AOPA and EAA. He also shoots for the USA Today Network – Wisconsin in the Oshkosh area, specializing in sports and action. His freelance clients include Ripon College, AACD and Our Wisconsin Magazine.

    Previously, Jim was Chief Photographer at the Experimental Aviation Association for 28 years. In that role, he photographed over 1000 aircraft while on air-to-air missions and supplied over 500 cover images for EAA Publications.

    His photography has been a consistent winner of awards from Aviation Week and Space Technology, Wisconsin Imaging Photographers Association, American Advertising Federation and Calendar Marketing Association. His photojournalism has received awards from Wisconsin Newspaper Association, Wisconsin Press Photographers Association and Inland Press.

    Equipment used


    16-300mm F3.5-6.7 DC OS | C

    EXPLORE MORE

    For your all-in-one travel photography needs, there’s simply no lens like the Sigma 16-300mm F3.5-6.7 DC OS | Contemporary, as Julie Mayfeng experienced on a trip to Portugal.


    With a focal range that allows virtually any composition, photographer Mina Daimon strolls through the forests of Tono, Japan, capturing beautiful sights along the way with the Sigma 16-300mm F3.5-6.7 DC OS | Contemporary.

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