برچسب: frame

  • May 2025 Photo Contest Winners: Storytelling In A Single Frame

    May 2025 Photo Contest Winners: Storytelling In A Single Frame


    We’re happy to announce the winner of May’s competition “Storytelling In A Single Frame.”

    For those who don’t know, the Light Stalking Monthly Photography Competition carries a $100 People’s Choice Award and a $100 Overall Winner Award. The People’s Choice Winner is selected by a vote of the community, whereas our guest judge selects the overall winner.

    The “Storytelling In A Single Frame” Photo Contest

    Storytelling is an important part of photography and it is a great way to portray emotions and communicate the story visually to the audience. Storytelling always does not require detailed planning, as there are many candid moments happening around that hold stories that can be captured, but it does require careful observation and composing the shot with elements that contribute to the story. The photographer needs to make decisions on when to press the shutter button, to capture the right moment.

    Capturing storytelling photos can be difficult, especially if you are photographing in a public environment, where you may have to stay discreet when capturing the shots. There are times when you can speak to the subject, get an understanding of them and then capture their story, which allows for intimate emotions to be captured.

    Storytelling visually through photographs can be either through a series of photos or just a single frame and May’s contest theme was to capture a storytelling shot in a single frame. With experience, and by choosing the right scenario, photographers will be able to capture storytelling shots in a single frame.

    May’s contest theme was, “Storytelling In A Single Frame” and participants submitted images there were varied from cheerful and fun to emotional moments, most of which portrayed very strong stories and emotions.

    When choosing the winning photos, we wanted to make sure that the decision process was based on a good interpretation of the theme followed by other factors like light, composition, story, details, creative vision / thought, etc. The results are entirely subjective and there are no losers in any competition as we all know. 

    Here are May’s winners:

    First Place: “Spare Change Please” by Frogdaily

    Spare Change Please – Copyright Frogdaily

    Frogdaily has beautifully captured the emotions of a child by a pathway. We can see the child’s innocence and him looking forward to something, but not very interested in his current situation. Frogdaily has also chosen to post-process the image in monochrome, which allows the viewers to focus on the subject and his story, without getting distracted by the elements around.

    The composition is also brilliant in the photo with space left towards the direction the child is looking and then all the lines in the frame leading towards the child. The multiple layers of texture and the light in the frame also add more interest to the photo.

    Congratulations on the win Frogdaily and for capturing a brilliant storytelling photo.

    Second Place: “BuStop” by Jean T

    BuStop – Copyright Jean T

    The photo “BuStop” by Jean T looks like a fun image that can be interpreted in many ways. It depends on the viewer’s creative thoughts and interpretation of the scene. Jean managed to capture this moment of a person standing by this place at the right time.

    The writings seem to be written by someone for fun by a railway track (I think). The light is just right and the horizontal and vertical lines in the photo add a touch of creativity to the photo. The varied textures are also interesting in the frame and again, Jean’s decision to convert the image to monochrome has made the photo more effective.

    Congratulations Jean for this beautifully captured image.

    Third Place: “Jean Waiting” by Jerre P

    Jean Waiting – Copyright Jerre P

    This image captured by Jerre is very emotive and clearly tells a story of a subject who is dressed up for the weather and eagerly/anxiously waiting for someone. Jerre has provided us a short description below that explains the situation and the story.

    “My wife’s mother, in her late 80s, was not able to renew her driver’s license. She was quietly depressed about it and entirely uncertain about how she could retain her active life. The moment described in this photo as she waited for a neighbour to pick her up and take her to church enabled all of us to better understand the impact of her loss of her license and her independence.”

    When framing the shot, it was a great decision to include the car in the frame as it adds to the story. Congratulations Jerre on this emotional storytelling photo.

    People’s Choice Award Winner

    Our monthly photo contests also come with a People’s Choice Award. The winner of this part of the contest receives $100 worth of store credit on Lightstalking which they can spend as they please on our blueprints, drills, courses or Presets.

    Contentment – Copyright Kaleem S

    The most popular photo for May, voted by the contestants was “Contentment” by Kaleem S, which has won the people’s choice award. Kaleem has made use of soft light and a simple composition to capture this gentle photo. The soft side light illuminates the subjects by just the right amount and both portray a feeling of content through their expressions, which was beautifully captured by Kaleem. This photo also looks like a great example of juxtaposition.

    The monochrome treatment makes the image simple and lets the viewer focus on the story, eliminating anything colourful that may have been in the frame. The black background makes the subjects stand out and also outlines the subjects, revealing the soft textures in the frame. Congratulations Kaleem S on the win and a beautifully captured image.

    We are about three weeks into this month’s photo contest and still have a few days left to submit photos to our June’s monthly contest. It has already seen some entries with interesting submissions. This month, our theme is “Minimalism And Simplicity.”

    If you would like to join and enter some images into our monthly contest then take a look at your options here.





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  • How to use crop modes on your full frame digital camera.


    The reality of the world is that images are almost always cropped from what they were in camera no matter how we share them. This is largely due to the constraints of mobile phones where wide aspect ratio images can be hard to view on phones when the phone is held in portrait mode.

    The weird thing is that every website or app is a little bit different. Some sites force your images into their own highly restricted crop such as Instagram, and some sites like Flickr don’t care what crop is used. The main concern for using either of those services is how people are most likely to view your images which as far as I know is still a mobile device.

    To help photographers deal with this, did you knot that most (if not all) full frame 35mm digital cameras have built in “crop modes” which apply a digital crop to your image in camera?

    For example, my camera will shoot in 4 different crop modes (also called aspect ratios). It will shoot in a 4:3 aspect ratio which is the old TV standard for HD television. It will shoot in 1:1 format which is a square format used as we all know on Instagram. It will shoot in 16:9 which is the modern standard for television screens, computer monitors, and many TV shows. Take a look at the comparisons below to get more of an idea of how these different formats relate to each other.

    When using these alternate aspect ratios the RAW image remains unaffected. After opening the RAW files in Lightroom a crop will be automatically applied to the image but you can just remove the crop and voila, you’re back to having a full frame image again. If shooting JPG the final image is cropped and the 35mm full frame image can’t be recovered.

    Since the RAW file retains the 35mm full frame image a different aspect ratio can be used as a bit of a cheat to help avoid framing mistakes. Say you’re the type who tends to shoot with a tilt or off to the right all the time, or maybe you tend to shoot with the subject low or high and cut off people’s feet. If you’re one of those types then using one of these alternate aspect ratios can force you to frame your images better.

    For instance, if you want to make sure you always have room on the sides of your images, you can use the 4:3 crop to force yourself to frame a little wider on your subject. This might be especially useful if you’re shooting fast action such as sports and you want to make sure that there is room in the image to get a nice frame around your subject for publication.

    For instance, if I was shooting baseball or basketball where there is usually a focus on what a single player is doing, I might choose to shoot in RAW with the 1:1 crop active. This would force me to put the player close to the center of the frame at all times.

    Think of it as a way of making a repetive job a little easier on yourself and you might start to see the benefits of using different crop ratios when you’re taking pictures.

    It would be really cool if the camera allowed me to create a couple custom crop ratios for all the different websites out there as well, but, I haven’t heard of a camera that can do that yet.

    The R5 can also shoot with a full APS-C crop. Below is a comparison of the full frame area vs the APS-C area.

    If you’re far away from the subject, say a bird or other kind of wildlife, then shooting with an APS-C crop not only saves some file size but it can help the photographer get better framing for their final images. It also allows the R5 to work a little more seamlessly with other APS-C cameras if other people happen to be using those.

    Despite all this, many if not most photographers will immediately ask why anyone would throw out all those pixels that they paid so much money for in a full frame camera. Well, they honestly have a good point and it’s why I rarely to never use APS-C crop on my camera. For one, while the APS-C crop does offer some logic, it’s really better to use a longer focal length to achieve precise framing. On the R5 a full APS-C crop is still 17.2 megapixels which isn’t too far off from actual crop sensor cameras that are often around 24 megapixels. But it is a far cry from the 45 megapixels of the R5’s full frame sensor. Bottom line: going to APS-C on the R5 throws out more than half the resolution and that would be true with any FF camera that offers the ability to shoot in crop mode.



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