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Canon Unveils EOS C50 7K Cinema Camera

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Canon has announced the EOS C50, a compact cinema camera featuring a new full-frame CMOS sensor that when paired with the camera’s DIGIC DV7 processor is capable of recording 12-bit video at up to 7K/60p in Cinema RAW Light. Boasting Dual Pixel CMOS AF II, the new RF-mount camera offers a range of features and tools aimed at videographers and cinematographers.

The new sensor has dual base ISO at 800 and 6400 in C-Log2, and Canon says the sensor is capable of up to 16 stops of dynamic range. The EOS C50 is Canon’s first to support 3:2 open-gate recording, making use of the full sensor height. The camera also supports oversampled 4K up to 60p as well as high frame rate modes such as 4K/120p in 10-bit 4:2:2 with no crop.

Despite its video-centric design, the EOS C50 offers some impressive still shooting specs. It can capture 32-megapixel photos at up to 40fps in RAW and with full autofocus. Sensitivity ranges from ISO 100 to ISO 64,000 natively, but it can be expanded to ISO 512,000. Photographers should note, however, that with its total lack of a mechanical shutter, the EOS C50 has no flash sync capability.

Other features include CFexpress 2.0 Type B and UHS-II SD slots (allowing the simultaneously recording of landscape and portrait orientation video files), a full-size HDMI port, dedicated microphone and headphone ports, and a 3-inch fully articulating touchscreen. The EOS C50 takes the powerful LP-E6P battery used in the EOS R5 II, which promises up to 90 minutes of continuous shooting. The camera can also be powered via USB.

Avaliable in November, the Canon EOS C50 will have an MSRP of $3,900.

When purchasing underwater photography equipment like the products mentioned in this article, please support DPG by supporting our retail partner—Backscatter.com.

PRESS RELEASE

Canon U.S.A. Announces New EOS C50 7K Full-Frame CMOS Sensor Cinema Camera and RF-Mount RF85mm F1.4 L VCM Hybrid Lens

Firmware updates for select Canon Cinema EOS cameras and new PowerShot ELPH 360 HS A camera also available

MELVILLE, NY, September 9, 2025 – Canon U.S.A., Inc., a leader in digital imaging solutions, is excited to introduce the new EOS C50 cinema camera, the newest addition to Canon’s cinema EOS system. The EOS C50 is a compact, full-frame cinema camera featuring a brand new 7K full-frame CMOS sensor, 7K 60P internal RAW recording and 32 megapixel still photo capture, making it a true hybrid camera. Weighing approximately one and a half pounds, the EOS C50 is Canon’s smallest and lightest cinema camera ever, making it ideal for handheld and verité shooting.

The lightweight design and hyper-mobile form factor the EOS C50 camera meets growing demands from shooters who are increasingly looking for compact, ergonomic cinema cameras for a variety of settings and shooting styles. Excellent for large and small scale productions, documentary shooting in the field, social media video creation, sports, and more, the EOS C50 camera features a detachable top handle which adds two full-size XLR audio inputs, a start-stop button, and a zoom rocker for unbeatable agility. It also features an RF-mount, lending it native compatibility with a wide variety of Canon lenses, such as the new RF85mm F1.4 L VCM Hybrid Lens.

EOS C50 Camera Recording Options

At the heart of the EOS C50 camera is the 7K full-frame CMOS sensor, which is capable of a Dual Base ISO of 800 and 6400 in Canon Log 2, and 12-bit Cinema RAW Light recording at up to 7K 60P. This powerful sensor is coupled with a DIGIC DV7 processor. The EOS C50 is the first camera in the Cinema EOS lineup to feature the full frame 3:2 open gate recording. In addition to Cinema RAW Light and the standard XF-AVC, the EOS C50 camera also features XF- AVC S and XF-HEVC S recording codecs, proving an easy-to-manage naming system and folder structure, all while preserving metadata and recording in the familiar MP4 format.

Social media shooters will enjoy that the EOS C50 camera is capable of simultaneous crop recording when shooting in 4K DCI or UHD, allowing you to record at a chosen aspect ratio while also recording a cropped portion of the frame in 2K. When shooting in simultaneous crop mode, the three format options include: 9:17, 9:16, or 1:1.

For those looking for camera connectivity, the EOS C50 camera supports XC protocol which allows for remote control over IP via Wi-Fi® or a compatible third-party USB-C ethernet adapter. The EOS C50 camera is also compatible with the Multi Camera Control App and features native integration of frame.io camera to cloud.

New RF-Mount RF85mm F1.4 L VCM Hybrid Lens

The new RF-Mount RF85mm F1.4 L VCM Hybrid lens is the latest addition to Canon’s line of VCM lenses, designed for shooters who increasingly are seeking powerful options whether shooting stills or video content. The RF85mm F1.4 L VCM has a focal length of 85mm, making it perfect for portrait-style shooting. The lens provides beautiful background blurring, as well as a F1.4 Maximum aperture, and well-controlled focus breathing.

Firmware Updates for EOS C400, C80, C70, and R5C Cameras

A new firmware update for select Canon Cinema EOS cameras bring in a few of these bleeding-edge features, available later this year. New firmware updates will enable full frame 3:2 open gate recording (EOS C400), view assist in media mode, quality improvement of focus peaking, improved assign buttons, improved Joy-Stick operability (EOS C80 and EOS C400), and more.

New PowerShot ELPH 360 HS A

Originally released in 2016, the PowerShot ELPH 360 HS still remains a popular compact camera. Appealing to fans of pocketable point and shoot style cameras, the newly updated PowerShot ELPH 360 HS A camera’s memory card slot will be changed from SD to microSD to help meet emerging needs in the compact camera market. The PowerShot ELPH 360 HS A camera will be available in two colors, black and silver.

Pricing and Availability

The Canon EOS C50 camera is currently scheduled to ship towards the end of Q4 of 2025 for an estimated retail price of $3,899.00*. The firmware updates for EOS C400, C80, C70, and the R5C cameras are currently scheduled to be available in Q4 of 2025. The RF85mm F1.4 L VCM lens is currently scheduled to be available in September 2025 for an estimated retail price of $1,649.00*. The new PowerShot ELPH 360 HS A camera is currently scheduled to be available in October 2025 for an estimated retail price of $379.99*. For more information, please visit www.usa.canon.com.

*Specifications, availability and prices are subject to change without notice.

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11/09/2025
Nikon Announces ZR Compact 6K Cinema Camera
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Nikon has announced its very first cinema camera: the ZR. The compact full-frame “Z Cinema” camera is the first Nikon camera developed with RED, which the Japanese company acquired in 2024. Boasting a very compact form factor, the ZR features a magnesium alloy chassis (like the Z6 III) and an efficient thermal management design (sans cooling fan) that Nikon claims allows for long record times. The ZR is the first camera to use the new 12-bit RAWCODE RAW (R3D NE) codec, facilitating full control over ISO, exposure and color in post.

The ZR is built around the partially-stacked 24.5-megapixel full-frame CMOS sensor and EXPEED 7 processing engine found in the Z6 III. The camera can record 6K/60p from the full sensor width in 12-bit RAW internally, 4K/60p with no crop, and 4K/120p using the DX portion of the sensor. Offering 7.5 stops of in-body image stabilization, the ZR boasts various features aimed at pro videographers, including dual base ISO 800/6400, custom in-camera LUT support, and the ability to set shutter angle.

While the ZR has no electronic viewfinder, Nikon has equipped it with a high-quality 4-inch 3.07M-dot vari-angle DCI-P3 touchscreen display with a peak brightness of 1,000 nits. The camera also has built-in support for 32-bit float audio, and ports for a mic, headphones, HDMI, and USB charging.

Available in late October 2025, the Nikon ZR will have a body-only price of $2,200. Among the kit configurations on offer will be the camera paired with the Z 24–50mm f/4–6.3 for $2,500.

When purchasing underwater photography equipment like the products mentioned in this article, please support DPG by supporting our retail partner—Backscatter.com.

PRESS RELEASE

THE NIKON ZR: A NEW ERA OF LIMITLESS CINEMATIC POSSIBILITIES, BORN FROM NIKON’S SYNERGY WITH RED DIGITAL CINEMA

The first Nikon Camera in the Z Cinema Series Combines Nikon’s Optical expertise and High-Performance AF with RED’s Color Science and Cinematic DNA

MELVILLE, NY (September 10, 2025) – Today, Nikon announced their first cinema camera made for filmmakers, the ZR. The ZR is an ultra-lightweight, full-frame camera that marks an audacious introduction to the Z Cinema series, a collection that invokes the best technologies and philosophies of both companies. Designed for emerging cinematographers and high-end content producers, the supremely capable Nikon ZR packs an unparalleled amount of professional video production features at a price that puts cinematic quality within reach for all types of filmmakers.

The Nikon ZR is as versatile as it is powerful, with a multitude of original and class-leading capture and workflow features never seen before in this level of camera. The new Nikon ZR can record up to 6K/60p (59.94p) and incorporates the new R3D NE1 RAW video file format with RED color science based on RED’s popular R3D RAW codec, with 15+ stops2 of dynamic range. This new codec uses color science and exposure standards of RED cameras to ensure accurate color matching, even for multi-cam shoots. The impressively huge 4 in. DCI-P3 LCD is nothing short of stunning, and bright enough to be used even in direct sunlight, while often eliminating the need for an external monitor. It also has class-leading audio capabilities such as 32-bit float audio from built-in and external microphones, plus OZO3 directional audio. The ZR also has 7.5 stops of built-in image stabilization (IBIS) and unlocks a whole new world of optical versatility, since the wide Nikon Z mount enables a large variety of lenses to be adapted using third-party lens adaptors4.

“We aren’t holding anything back – our first Nikon camera developed with RED has all the creative controls that filmmakers need, with features that have never been seen in this level of handheld cinema camera,” said Fumiko Kawabata, Sr. Vice President of Marketing and Planning, Nikon Inc. “The Nikon ZR is the camera that will challenge the established video market and will demonstrate Nikon’s commitment to advancing the tools available to video production professionals.”

Legendary RED Color Science, Built-In

The new ZR features a full-frame sensor for excellent depth of field and video quality and supports internal recording up to 12-bit RAW 6K/60p. This is the first camera to use the new 12-bit R3D NE RAW codec, a new RAW format which REDCODE RAW users will find familiar. By leveraging its broad 15+ stop dynamic range, it achieves well-balanced image quality from highlights to shadows. Support for Log3G10 and the REDWideGamutRGB gamut reproduces exposure standards and colors consistent with RED color science, with true RED color tonality, skin tone integrity and tonal roll-off – similar to the output of RED’s cinema cameras such as the V-RAPTOR [X] and KOMODO-X. Two base ISO sensitivities are available, ISO 800 and ISO 64005, allowing users to choose the best option for a particular scene or situation such as bright daylight or low-light interior scenes. However, just like REDCODE RAW, ISO in R3D NE files is fully adjustable in post for maximum flexibility.

Furthermore, users also have the option to shoot in N-RAW, ProRes RAW, and other formats to best suit their production and workflow. The camera also features a new view assist function which allows the user to store and select from up to ten LUTs in the camera. This will let the filmmaker preview the effect of the color grade in real time using the monitor. Three types of LUT data (17-point, 33-point, 65-point6) can be loaded into the camera. RED’s Creative LUT Kit is available for free via the RED website here.

The ZR features a new Cinematic video mode, a user preset for those who want to easily enjoy the RED cinematic look with a faster workflow in less data-intensive non-RAW formats. Cinematic mode automatically adjusts the shutter angle to 180 degrees, changes the frame rate to 24 fps, and applies the RED Cine Bias Picture Control for gorgeous yet simple cinematic color. What’s more, nine RED-curated cinematic Picture Controls based on RED creative LUTs will be available for free download via Nikon Imaging Cloud, expanding possibilities for more diverse imaging expression.

Incredible Audio: 32-Bit Float Audio Recording + OZO Audio Support for Built-In Mic

With uncompromising attention to audio capabilities, the ZR is the world’s first7 cinema camera to support 32-bit float audio recording with both built-in and external microphones, as well as through the 3.5mm microphone jack. This unique ability enables the recording of clear, distortion-free sound from quiet to loud, without requiring on-location gain adjustment. It supports recording a wide range of sound sources, from interviews to live concerts, with maximum audio flexibility in post. The three high-performance mics built into the camera use Nokia’s OZO Audio technology to realize cutting-edge audio recording. Filmmakers can choose from one of the five polar pickup patterns8 — [Front (Super directional)], [Front], [All directions], [Rear], and [Stereo (binaural)] — that best suits the situation, from interviews or product tutorials to immersive audio applications.

The ZR is also the first Nikon camera to feature a digital accessory shoe, which enables two-way digital communication between the camera and compatible accessories, allowing for advanced functionality such as tally lamp and microphone LED control. Additionally, the camera can supply power directly to supported accessories, eliminating the need for separate batteries or cables. The newly designed rubber shoe cover provides excellent dust and drip resistance, ensuring reliable performance in a variety of shooting environments. Going forward, Nikon will collaborate with third-party accessory manufacturers to offer a wide range of solutions that meet the diverse needs of filmmakers.

High-Performance Autofocus with Nikon’s Deep Learning-Based AI Technology

The impressive processing power of the EXPEED 7 image-processing engine installed in Nikon’s flagship camera Z9 and AI technology that utilizes deep learning, enables more accurate subject detection and tracking for optimal image processing in accordance with the subject, scene and situation. This makes capturing the intended subject with greater accuracy much easier, significantly expanding possibilities for film production. The camera also detects nine types of subjects automatically, including people, animals and vehicles. It even detects small faces occupying as little as 3% of the long side of the frame for precise focusing on distant human subjects. Users can also adjust AF speed and sensitivity to suit their creative style, enabling a slow rack for cinematic effect or fast-paced focus for action.

Designed to Thrive in any Production Environment

The ZR uses an innovative fanless design, with the entire camera body contributing to efficient heat dissipation and thermal management. This design decreases audible noise, enhances battery life and increases durability. The ZR can shoot uninterrupted recording for up to approximately 125 minutes9. Additionally, USB power delivery capability allows for long takes and worry-free shooting at events that require extended recording, such as weddings, concerts and interviews.

With its magnesium alloy chassis, the ZR inherits the same rugged durability standards of Nikon’s Z6III. This means it’s designed to handle the pressures of professional production environments—indoors or out. The body is resistant to dust, sand and moisture, thanks to careful sealing at critical points like buttons, seams and ports. It’s a tool designed for real-world filmmaking—resilient under pressure and ready to shoot on location. The controls on the ZR also reflect a new filmmaker-oriented UI, with familiar menus, a new quick menu for filmmakers, as well as customizable button placement made for a cinematographer’s most used features.

Additional Features of the Nikon ZR
- Super lightweight with small footprint at just 1.19 lb. (body only).
- A short 16mm flange focal distance (the shortest among full-frame cameras) offers greater flexibility in the lenses that can be used, allowing filmmakers to make the most of their existing lens assets.
- The shutter angle can be adjusted from 5.6° to 360° for video recording. Shutter speed is also available.
- The brightness of the information display (histogram/waveform monitor size, transparency and position, and zebra pattern color) can be changed.
- Automatic rotation of vertical video for social media content creation.
- A front tally light /rec lamp lets subjects know you are recording. Additionally, it receives tally control signals10 input via HDMI-CEC11 and displays the status of each camera when multiple cameras are used.
- A superior dust- and drip-resistant, durable construction expands shooting possibilities.
- Equipped with advanced still photography features inherited from the Z6III, as well as new features such as a preset for starscape photography and a new dehaze function.
- Slow-motion presets: Instant access to 4K/119.88p12 and Full HD/239.76p cinematic motion, as well as user modes for 4x and 5x slow-mo.
- It also supports Frame.io Camera to Cloud using NX MobileAir, automatically transferring video data directly to the cloud for a faster and more efficient post-shooting workflow.
RED Digital Cinema, Inc. Releases the V-RAPTOR XE

RED Digital Cinema, Inc., a subsidiary of Nikon Corporation, is pleased to announce the release13 of the new V-RAPTOR XE digital cinema camera, which was released on September 9, 2025. The newest addition to its acclaimed Z CINEMA camera lineup, this streamlined version of the revolutionary V-RAPTOR [X], curates the essential tools for cinematic storytelling. Designed for independent creators who demand uncompromising image quality, the V-RAPTOR XE delivers large-format, cinema-grade features at a more accessible price point. The new camera retains RED’s industry-leading 8K large format (VV) global shutter sensor found in the V-RAPTOR [X] series, ensuring cinematic image fidelity, dynamic range, and low-light performance that filmmakers trust. Nikon and RED will meet a wide range of needs in film production with an extensive lineup of cinema-oriented products under the Z CINEMA series.

New ME-D10 Shotgun Microphone

The ME-D10 is a 32-bit float shotgun microphone compatible with the new digital accessory shoe developed for the ZR. It requires no battery or cable and has built-in shock mounts to minimize any interference. It offers two recording modes, PURE and FOCUS, which can be selected with a switch on the microphone. PURE mode features a wide dynamic range and a sound design true to the original source, allowing natural and accurate capture of raw audio, including the ambient atmosphere. FOCUS Mode accurately captures the intended voice, even in noisy surroundings such as those outdoors, ensuring clear audio for product presentations and live streams.

Price and Availability

The new Nikon ZR Cinema Camera will be available in late October 2025 for a suggested retail price of $2,199.95* for the body only. Additional kit configurations include: the body with the NIKKOR Z 50mm f/1.8 lens for $2,749.95*, with the NIKKOR Z 35mm f/1.4 for $2,849.95*, or with the NIKKOR Z 24-50mm f/4-6.3 for $2,499.95*. The ME-D10 shotgun microphone, also scheduled for release in late October, has a suggested retail price of $339.95*.

For more information about the latest Nikon products, including the vast collection of NIKKOR Z lenses and the entire line of Z series cameras, please visit nikonusa.com.

Specifications, equipment, and release dates are subject to change without any notice or obligation on the part of the manufacturer.

1. A dedicated codec developed for Nikon cameras to record video in R3D format. The file extension is “.R3D”.

2. Value based on measurement performed by Nikon

3. OZO is a registered trademark of Nokia Technologies Oy.

4. Certain features may be unavailable when other brands’ lens adapters are used.

5. With R3D NE recording.

6. With recording at video frame rates of 23.976p, 25p, 29.97p, 50p, and 59.94p.

7. Among cameras with interchangeable lenses that record audio via the built-in microphone and 3.5-mm stereo mini-pin jack.

8. Available when recording with H.264 or H.265 at 59.94p or lower.

9. R3D NE 6K/59.94p: [Auto temperature cutout]: [High], at 25°C/77°F, using portable battery or other external power source.

10. Supports Cerevo tally lamps.

11. Up to six cameras can be connected.

12. In DX crop mode

13. The V-RAPTOR XE will be available from RED Digital Cinema, Inc. and RED authorized dealers. Visit RED’s official website for product details, as well as for information on release dates and sales regions.

*SRP (Suggested Retail Price) listed only as a suggestion. Actual prices are set by dealers and are subject to change at any time.
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10/09/2025
Nauticam Announces Housing for the Canon EOS C400 Cinema Camera
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Nauticam has unveiled its housing for the Canon EOS C400. Sporting a cube-style design like that of the EOS C300 Mark III, the C400 features a full-frame 6K CMOS back-illuminated stacked image sensor with up to 16 stops of dynamic range. It can record 6K/60p full-frame footage in 12-bit Cinema RAW Light, as well as shoot 4K/120p and 2K/180p RAW video.

Employing the company’s N120 port system, Nauticam’s NA-C400 housing features important controls within easy reach of the integrated ergonomic handles, including lens control dials, and exposure and capture controls. Making use of the camera’s remote functionality, the housing also features electronic controls at the rear and on the sides. The housing supports HDMI 2.0 and 1.4 for external monitors or recorders, while SDI output is also available for either surface monitoring or supported monitors.

Retailers such as Backscatter are now taking pre-orders for the NA-C400, which is priced at $11,000.

When purchasing underwater photography equipment like the products mentioned in this article, please support DPG by supporting our retail partner—Backscatter.com.

PRODUCT INFORMATION

INTRODUCING NAUTICAM NA-C400

The Canon EOS C400 Cinema Camera

Canon’s EOS C-series Cinema Cameras have long been among the most versatile cinema cameras for underwater filmmakers and the C400 is no exception. Built around a 6K BSI full-frame sensor and the large RF-mount, the C-400 also features mechanical ND filters and Canon’s powerful Dual Pixel AF II.

Key Camera Specifications:

Canon EOS-C400
- 6K Full Frame Back-Illuminated Sensor
- 6K60, DCI 4K/2K, UHD 4K120
- Full Frame, Super35 & Super16 Modes
- Triple-Base ISO: 800, 3200, 12,800
- Record Internal Cinema RAW Light, XF-AVC
- Improved Dual-Pixel CMOS AF II
The Nauticam NA-C400 Underwater Housing

The Nauticam NA-C400 is a professional underwater aluminum housing that builds on Nauticam’s extensive cinema housing lineup. The NA-C400 features the large N120 port opening shared with other Canon RF and EF-mount cameras such as the R5II and R5C. This allows for the use of identical lens and port combinations when using a combination of RF-mount Canon cameras on a project with Nauticam housings.

Mission Control

Nauticam engineers obsess over placing essential controls where they are needed most so you never miss a shot looking for a button, dial or lever. Nauticam’s cinema lineup features large cinema-style lens control dials for precise control of focus and zoom. Exposure and capture controls are placed within easy reach of the ergonomic handles.

In addition to mechanical controls for Power, Zoom, Focus and Lens Release, the NA-C400 features electronic controls at the rear, and both sides of the housing through the camera’s remote functionality. The left handle adjacent controls are for ‘Up’, ‘Down’, ‘ISO+’, and ‘ISO-‘. Right handle adjacent controls are for ‘Rec’, ‘Fn3’, ‘Fn4’, ‘IRIS+’ and ‘IRIS-‘. The main control board accesses ‘Left’, ‘Right’, ‘Up’, ‘Down’, ‘Set’, ‘1’, ‘2’, ‘Set’, ‘MENU/REC Review’.

LCD Monitor Support

The C400 features a detachable LCD screen that can be easily integrated into the NA-C400. The LCD monitor is supported inside the housing and is mounted at the rear of the camera with a supplied bracket that allows it to be easily viewed underwater through the shaded rear window making for a streamlined filming solution.

HMDI/SDI

The NA-C400 supports Nauticam’s optional HDMI 2.0 and 1.4 system that can accommodate external monitors or recorders in Nauticam housings. SDI output is also available for either surface monitoring or supported monitors. The NA-C400 has 1 M28 and 5 M16 bulkheads to accommodate a variety of configurations to suit mounted or remote setups.

Battery

The NA-C400 can accommodate either the BP-A30N or BP-A60N batteries or a combination of the BP-A30N and an FXLION NANO THREE 150Wh Micro V-Mount battery for extended runtimes.

RESOURCES

What’s In The Box:
- NA-C400 Housing with vacuum valve pre-installed
- Housing Cap
- 2x Handles with mounting balls and 2x handle brackets
- Panasonic CR-2450 Battery (pre-installed for moisture alarm)
- Spare main O-ring, O-ring remover and lubricant
- Set of Allen Keys
- Housing skids
- Monitor Shade
- Safety box
Recommended Accessories:

Housing Mount
- 25221 M10 strobe mounting ball for housing
- 25224 M10 strobe mounting ball for housing (with hole for using with lanyard)
- 25228 M5 strobe mounting ball for housing
- 16226 Mounting Bracket for Monitor Housing to use with Cinema Housings
- 16701 Top Handle for E2/F/C70/BGH1/BMPCC
- 17961 Swivel and Tilt Adjustable Monitor Mount System (To be release)
Trim Weights
- 16232 0.25kg Trim Weights for 16227 (4pcs)
- 16233 0.5kg Trim Weights for 16227 (4pcs)
Vacuum Valve
- 25625 M16 Vacuum Valve II (Pushbutton Release)
Handles
- 28123 Pair of handles – size S (10mm closer to housing)
DMI OUTPUT:

Required accessories for HDMI 2.0 Cable System
- 25089 M28 HDMI 2.0 Adapter
- 25078 M28A1R225-M28A1R170 HDMI 2.0 Cable (for NA-BMPCCII/S1R/S1H to use with 17922/17909N)
Compatible Monitor Options
- 17922 Nauticam Atomos Ninja V Housing for Atomos Ninja V 5” 4Kp60 4:2:2 10-bit
  
  Reorder/Monitor/Player (excl. HDMI 2.0 cable)
- 17926 Nauticam NA-Ultra5 Housing for SmallHD Ultra 5 Camera Monitor
Required accessories for HDMI 1.4 Cable System
- 25033 Standard HDMI bulkhead with M16 thread (Mounted on the right side M16 of middle housing)
- 25100 HDMI (D-A) 1.4 Cable in 200mm length for NA-a1 (for connection from HDMI bulkhead to camera)
*25033 and 25100 is included in 17927 monitor housing

Compatible Monitor Options
- 17927 NA-Shinobi II Housing for Atomos Shinobi II 5.2″ Monitor with HDMI 1.4 input
SDI OUTPUT:

Required accessories for SDI Cable System
- 17926S SDI Cable Set for use with NA-Ultra5/17922S
Compatible Monitor Options
- 17922S Nauticam Atomos Ninja V-S Housing for Atomos Ninja V 5” 4Kp60 4:2:2 10-bit
  
  Reorder/Monitor/Player (excl. HDMI 2.0 cable) with Atomos AtomX SDI Module
- 17926 Nauticam NA-Ultra5 Housing for SmallHD Ultra 5 Camera Monitor
Required accessories Surface Monitor
- 25058 M16 SDI Bulkhead
  
  *Only support to be installed on the back door
- 25060 SDI cable in 0.4m length (for connection from camera to underside of SDI Bulkhead)
- 25064 SDI surface monitor cable in 15m length
  
  (for connection from SDI Bulkhead to Surface Monitor on land)
- 25065 SDI surface monitor cable in 45m length
  
  (for connection from SDI Bulkhead to Surface Monitor on land)
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07/07/2025
Sony Announces Compact Full-Frame FX2 Cinema Camera
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Sony has unveiled the latest addition to its Cinema Line—the FX2. The compact full-frame video camera has a similar body design to the four-year-old full-frame FX3 and almost three-year-old cropped-sensor FX30. But where the FX3 borrowed the a7S III’s 12MP sensor and lacked an EVF, the FX2 takes the 33MP sensor from the a7 IV while featuring a video-camera-style 3.68-M-dot EVF, which can be tilted up to 90 degrees. Like the a7 IV, the FX2 supports Dual Base ISO (800 and 4000) when using S-Log3.

With its a7 IV DNA, the FX2 promises to be a much more useful hybrid camera, offering not just high-end video recording and powerful video-focused tools, but also high-quality still image capture. (In addition, there’s a handy movie/still lever to switch between modes.) The FX2 can record up to 4K/30p and 1080/120p using the full width of the sensor, and supports Log shooting in Cine EI, Cine EI Quick, and Flexible ISO modes. Shooting 4K/60p entails an APS-C crop factor.

To round things off, the FX2 offers a large dedicated record button, a full-size HDMI port, and an internal cooling fan. The camera has two memory card slots compatible with SD UHS-I/II cards, with one slot also capable of accepting a CFexpress 2 Type A card.

Available in August, the Sony FX2 will be available for a body-only price of $2,700.

PRESS RELEASE

Sony Electronics Introduces the FX2 Compact Camera, Expanding Cinema Line’s Versatility for Creatives

The new FX2 has the look and operability of Cinema Line cameras with the ability to shoot high-resolution photos and comes equipped with an articulating eyepiece

Sony Electronics Inc. is proud to announce today the latest addition to its established Cinema Line family, the FX2. The FX2 will offer a seamless entry point into the broader Cinema Line range, giving greater cinematic expression to independent creators or small crews needing a versatile camera.

“The hybrid cinema camera was created based on user feedback and is engineered with unique features to support filmmaking, a new eyepiece, and enhancements for versatile production needs. The FX2 is intended to continue the Cinema Line’s goal of preserving authentic emotion in every shot and empower creators across all areas of content production,” says Theresa Alesso, President, Imaging Products and Solutions Americas, Sony Electronics Inc.

FX2 Features: Full-frame Photo and Video Capabilities

The FX2 comes with a full-frame sensor that delivers stunning imagery and beautiful bokeh effects. Equipped with a 33.0 effective megapixel¹ back-illuminated Exmor R™ sensor with up to 15+ stops of wide latitude using S-Log3, it captures impressive detail in both highlights and shadows.

Designed for versatile shooting environments, the FX2 offers Dual Base ISO at 800 and 4000, ensuring optimal performance in both bright and low-light conditions. Its ISO sensitivity for video can be extended up to 102400, making it ideal for challenging lighting scenarios. The camera supports a wide range of recording formats—including 4:2:2 10-bit All-Intra—and records in high-quality options, such as XAVC S-I DCI 4K at 24.00p, providing professionals with the tools needed for flexible, high-end production workflows.

The FX2 can also continuously record for up to 13 hours in 4K 60p² thanks to its internal cooling fan and effective heat dissipation structure. The FX2 offers variable frame rate settings, allowing up to 60 fps in 4K (for a maximum 2.5x slow-motion effect) and up to 120 fps in Full HD (for up to 5x slow motion). It supports Log shooting in Cine EI, Cine EI Quick, and Flexible ISO modes, offering versatile workflows for different production needs. To further the cinematic expression of the camera, creators can import up to 16 user LUTs for on-camera preview, enabling precise color monitoring on set.

Filmmakers can also easily and quickly create in-camera cinematic looks, with S-Cinetone™ set as the default, along with a range of Picture Profile and Creative Look presets. A de-squeeze display function is available, supporting both 1.3x and 2.0x anamorphic lenses for accurate framing.

Improved Usability for Comfortable Solo Operation

The FX2 features the same compact, flat-top design as Sony’s Cinema Line FX3 and FX30 cameras, ensuring familiarity and compatibility across setups. Built-in mounting points (UNC 1/4-20 x3) support a cageless configuration, offering greater flexibility for rigging. An optional top handle (ILME-FX2) enhances mobility and control, especially during handheld or dynamic shooting. Its lightweight, portable build—measuring approximately 5 1/8 x 3 1/8 x 4 1/8 in and weighing approximately 1 lb 8.0 oz—makes it ideal for solo operators or small crew productions.

The camera offers advanced focus features designed for precision and creativity. Its new Real-time Recognition AF (auto focus) delivers fast and reliable performance with improved accuracy for human subjects, although its intelligent subject recognition extends to animals, birds, vehicles, and insects, with an Auto mode available for effortless detection. For even more control, tools like focus breathing compensation, AF Assist, and customizable autofocus transition speed and sensitivity give creators the flexibility to fine-tune focus for expressive, cinematic imagery. The FX2 comes with Active Mode and Dynamic active Mode, which is new to the Cinema Line, and are both designed to ensure smooth and steady handheld shooting.

The Auto Framing feature automatically crops and tracks a subject to keep them in a prominent position when the camera is mounted on a tripod, producing footage that looks like it was shot by an experienced operator. The Framing Stabilizer function automatically keeps the subject in the same position within the frame, which can be useful, for example, when the camera operator is moving alongside the subject.

From a still image perspective, the camera features an additional log shooting option with a newly added ‘Log shooting’ menu. This feature allows creators to shoot high-resolution 33MP stills, optimized for color grading in post-production. The FX2 also offers smooth operation with a MOVIE/STILL mode lever, allowing for a quick switchover between still and movie shooting. Depending on the selected mode, the displayed menu items will automatically adjust. Additionally, mode selection is made easy with a long press of the Fn button, which recalls and changes the shooting mode.

FX2 Features: Improved but Familiar Hardware Inherited From Sony’s Cinema Cameras

The FX2 is equipped with a new high-resolution 3.68-million-dot tiltable EVF³ (electronic view finder) designed specifically for video production, offering a wide viewing angle and enhanced immersion thanks to its included deep eyepiece. Complementing the EVF is a 3.0-type vari-angle touchscreen LCD, making it easy to frame shots from virtually any angle. Intuitively arranged controls on the top panel and grip, along with tally lamps for clear recording status, support efficient on-set operation. The camera also introduces a customizable “BIG6” home screen that provides quick access to essential shooting parameters, such as FPS, ISO, shutter speed (angle or speed), Look presets, white balance, iris, and neutral-density (ND) filter settings. Addressing the growing demand for vertical content creation, the FX2 supports vertical menu display during shooting—ideal for social media formats. The handle-equipped model further enhances professional usability with two XLR/TRS terminals and a 3.5mm stereo mic jack, enabling 4-channel, 24-bit digital audio capture.

The camera offers extensive expandability and connectivity options, including an HDMI Type-A terminal capable of outputting up to 4K 60p 4:2:2 10-bit video and 16-bit RAW⁴ for high-end recording and monitoring. For seamless data transfer and remote control, it supports dual-band Wi-Fi (2.4 GHz and 5 GHz⁵) as well as wired LAN via a compatible adapter⁶. Additionally, the USB Type-C port enables SuperSpeed USB up to 10Gbps data transfers and supports USB Power Delivery (PD)⁷, while built-in USB and network streaming support enables live broadcasting and remote production workflows.

Social Responsibility

Aligned with Sony’s global environment plan, ‘Road to Zero’, this product supports the company’s vision for achieving a zero environmental footprint by 2050. The manufacturing process reflects this commitment through facilities powered entirely by renewable energy sources⁸.

The camera system incorporates comprehensive accessibility options, including a Screen Reader function⁹ and Display Magnification, to support visually impaired users across an expanded range of menu items. Additional intuitive controls enhance usability for all shooters, featuring:
- Real-time recognition autofocus that reduces manual adjustments
- Streamlined touch interface operations for direct menu navigation
- Tactile button design with clear differentiation
These inclusive design elements ensure professional imaging tools remain accessible to creators of all abilities while maintaining full operational capability

The FX2 will be available early August for a suggested retail price of $2,699.99 USD and $3,499.99 CAD body only or $3,099.99 USD and $3,999.99 CAD with XLR handle. It will be sold directly through Sony and at a variety of Sony’s authorized dealers throughout North America.

1 For stills. Max. 27.6 megapixels for movie.

2 Sony internal tests. USB power supply, XAVC S-I (All-I), 4K 60p 10-bit 4:2:2, 25 deg C (ambient, camera when recording started), Auto power off temperature: High, Cooling fan: Auto. The maximum continuous recording time for a single movie shooting session is approximately 13 hours (a product specification limit) Actual performance varies based on settings, environmental conditions, storage, and usage. Batteries are consumable products and their capacity degrades over time as they age. Sony does not guarantee the life span of the battery.

3 Adjustable from 0° to +90° for flexible shooting angles.

4 The output image will be in the APS-C size /Super 35mm equivalent angle of view.

5 The 5 GHz band may not be available in some countries or region

6 A commercially available USB-LAN adapter is required.

7 A USB PD compatible external power supply device with 9V/3A or higher output capacity and a USB Type-C cable that can handle 3A or more is required

8 Further reducing environmental impact, the product utilizes recycled packaging materials that minimize plastic content without compromising protection. These sustainable practices demonstrate our dedication to eco-conscious production while maintaining the highest quality standards.

9 Download of compatible language file may be necessary. Please refer to the Help Guide for details.
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02/06/2025
Isotta Launches Housing for RED V-Raptor X Cinema Camera
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Red housing for a RED camera? Yup, in a surprising move, Isotta has unveiled its first housing for a pro cinema camera—the top-of-the-line V-Raptor X. Featuring the flagship DSMC3 modular body, the V-Raptor boasts an 8K VV 35.4-megapixel global shutter sensor offering 8K/120p and 4K/240p recording and 17+ stops of dynamic range. Previously sporting an adaptable Canon RF lens mount, the camera is now also available with Nikon’s Z mount for even more lens flexibility. (Remember this?)

Hewn from aluminum, anodized and painted signature red, the Isotta housing for the RED V-Raptor X looks to be an impressive piece of kit. Sporting Isotta’s classic single-handed open/close knob and built around the company’s B120 port system, the housing features a back that is entirely detachable from the front, and a lockable tray, allowing for easy insertion of the camera. All buttons and removable parts have double O-ring seals, and there’s a moisture sensor with LED indicator fitted as standard. As well as three M16 ports, there are two M24 ports, allowing straightforward connection of a monitor such as the Atomos Ninja V+. There’s also a full complement of M6 holes for attaching brackets, tripods, handles, etc.

Available now from retailers such as Backscatter, the Isotta housing for the RED V-Raptor X is priced at $8,965.

When purchasing underwater photography equipment like the products mentioned in this article, please support DPG by supporting our retail partner—Backscatter.com.

PRODUCT INFORMATION

RED V-RAPTOR [X]

Technical Data
- Red color anodized aluminum body;
- Ergonomic side handles, adjustable (via optional accessory);
- Three M16 holes, one M24 hole and one M24 hole for using accessories such as vacuum systems, monitors;
- Back housing completely detachable from the front housing;
- Tray with lock for the easy insertion of the camera;
- Single-hand closing knob for the back of the housing;
- Aluminum buttons at the buttons with window for viewing the menu display;
- Magnetic buttons and levers in aluminum for electronic control of the V-Raptor [X];
- Double O-Ring seals on all buttons and removable parts;
- Moisture sensor with LED indicator (replaceable battery);
- Removable port B120 bayonet;
- Safety lock on the porthole to prevent accidental opening;
- Wide, rubber covered feet for solid footing on boat floors or sea floor;
- Upper and rear M6 hole grid to apply various accessories (spotlight, spheres, handle, etc.);
- Four M6 holes located on housing bottom side for different accessories such as brackets or tripods
- Four pairs of M5 holes per side for attaching balls with plate;
- Prepared for ISOTTA vacuum system (not included);
- Working depth: 100 meters;
Commands
- ON/OFF lever of the RED V-Raptor [X];
- Ergonomic mechanical lever for movie shooting button, easy to use even with gloves;
- Movie shooting button (REC);
- Lens release button;
- Filter dial;
- Zoom knob;
- Focus knob;
- Port safety lever;
- Menu navigation buttons;
- AutoFocus lever;
- ISO+/ISO- lever;
- Diaphragm +/Diaphragm- lever;
- FPS+ button;
- FPS- button;
- White Balance + button;
- White Balance – button;
- Shutter + button;
- Shutter – button;
- Playback button;
- Auto White Balance button;
Optional
- Ninja V+ monitor housing;
- M28x1 bulkhead;
- Connection cable;
- XL adjustable balance tray;
- Vacuum system;
- Handles extension;
Spare Parts

Set O-ring for RED V-Raptor [X] housing;

1895 – Housing front lid B120;

1905 – M16X1 cap;

3352 – M24X1 cap;

What Is Included

Housing;

Front lid;

Handles;

Humidity sensor;

Replacement O-ring kit;

Silicone lubricant 15gr / 0,5 oz;

Warranty: 2 years manufacturer’s (excluding batteries);
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22/05/2025