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برچسب: Capture

  • Learn How To Capture Better Architectural Photos With These Resources

    Learn How To Capture Better Architectural Photos With These Resources

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    Architectural photography is not about capturing photos of just buildings, but also about capturing meaningful photographs of structures, their stories and sometimes closer photos of cityscapes as well. A lot of photographers consider it to be a boring genre or one that is used for real estate purposes but if you look closely and work with the best light conditions, while also using the right focal length, architectural photographs can be stunning and very interesting subjects for photography. These can also be combined with other genre like portraits, street, documentary, etc.

    When it comes to architectural photography, it almost always involves geometry in it and using geometry in compositions can be a powerful way to capture compelling photographs. Architectural photography can be of both interior and exterior photographs of architecture and if you are new to architectural photography, learn how to capture better architectural photos with the resources listed below.

    Photo by Wolfgang Staudt

    When it comes to architectural photography, there are quite a lot of factors that need to be taken onto account. Depending on what you wish to shoot and the results you are looking to achieve, starting from the focal length used, you will need to take care of the aperture values, iso, shutter speed, stabilisation, the verticals and so on. This article discusses seven tips to capture perfect architectural photographs.

    Photo by Hector Falcon

    Outdoor architecture is one where the photographer captures the exteriors of an architectural structure, be it the entire structure or part of it. When capturing outdoor images of architectural structures, do not just point and shoot what is right in front of you or just capture the entire building and stop with that. Close observations under the right light conditions will reveal the intricate details and colours in architectural structures and this article talks about five things you need to consider when photographing outdoor architecture.

    Old and new, contrast and juxtaposition are good architectural subjects. By Jason Row Photography

    There was a time when photographers thought that architectural photographs could only be captured using a wide angle lens, because most photographers, even when closer to the structure, thought that the structure needs to be completely included in the frame. Architectural structures come with stunning details and colours – the patterns and the geometry can be very compelling and there are many ways in which a photographer can photograph a part of an architectural structure and this article discusses a few.

    Photo by Ashim D’Silva

    Landscape and nature photography are stunning and there are a ton of opportunities to photograph subjects in nature. The same applies for buildings that range from ancient historical structures, ruins, religious structures, cultural architecture to modern architecture. Architectural photography can also help the photographer slow down and learn to use the camera, especially if you are beginner as there are buildings and structures all around us. This article provides eight reasons why you should try architectural photography.

    Photo by Germán Rodríguez

    There are a multitude of religions across the world and they all have places of worship or other religious structures built for various purposes. Religious structures can look complicated both on the inside and the outside, but the intricate details are stunning to photograph, if taken time to observe and compose. This article shares some secrets to capture amazing religious architecture.

    A four minute exposure using 16 stops of ND was enough to create movement in these slow moving clouds. By Jason Row Photography

    Architectural subjects can be great for long exposure photography, where you have a powerful static subject which is your architectural structure, and then you can capture the movements around the structure, be it people, swaying trees in the wind, clouds, water, traffic light trails and so on. Capturing long exposure images of architecture can boost the visual impact of the frame itself and this article is a good guide to long exposure architectural photography.

    Photo by Medhat Ayad

    Whether you are a real estate photographer or someone interested in capturing the interiors of buildings and other structures, interior architectural photography brings out the character of a building, and shows what the great structures really look like on the inside. It can be quite tricky to capture interiors because of the limited light, sometimes also the limited or huge space inside and composition can also be quite tricky. This article provides some tips to capture indoor architecture easily.

    If you are someone who is interested in black and white photography, architectural structures can be great subjects for black and white photography, if done well. Good light, tonal range, patterns or textures, composition, are some important factors to look out when shooting for black and white conversion. This article discusses the art of urban black and white photography.

    Photo by William Warby

    Converging verticals can be a problem in architectural photography and when shooting certain buildings and structures, it can look stunning and artistic for some buildings/structures but quite odd for the others. Architectural photographers most of the time try to get those verticals right, in order to get the best results. If you are looking for ways to get the verticals straight in your architectural images, check out this article that discusses a few tips.

    Further Reading



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  • Capture Authentic Portraits With These Tips, Lighting Techniques, Styles And Poses

    Capture Authentic Portraits With These Tips, Lighting Techniques, Styles And Poses

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    Portrait photography is a genre in photography where the photographer captures the subject’s personality and story. In order to capture effective portraits, the photographer needs to make use of the right light, background, props, attire and poses, as long as they are not candids where instant moments need to be captured. 

    Portraits can be captured in any environment under any light situations and it depends on the story and mood you are trying to capture in the image. Here are a number of resources that cover everything you need to know about capturing authentic portraits, from lighting to different styles and types of portraits.

    Photo by Amir Geshani

    Portrait photography may seem like a boring genre for some people who have not actually shot portraits or gotten deep into that genre. When it comes to portraits, there are a number of types of portraits that you can actually shoot and in many creative ways. It’s not just a couple of types like professional, candid, wedding, event, etc. This article talks about 23 different types of portraits you can try today.

    Photo by Jason D. Little

    Most photographers rely on natural light for their photography and this also applies to a lot of portrait photographers. Natural light is beautiful and if you have a good understanding of light, you can manipulate natural light to your advantage to capture stunning portraits. This article provides tips that will be useful for natural light portrait photographers.

    Photo by Leonardo Toshiro Okubo

    Professional photographers mostly tend to shoot portraits in studios because they can have full control over the lighting, background and other elements that contribute to the process. It also saves the photographer from scouting for locations which in itself can sometimes be a tedious task. Shooting portraits in a studio also requires taking care of a lot of things and this article provides a ton of tips for shooting studio portraits.

    Photo by Aloha Lavina

    When we talk about natural light, we immediately think of grand landscapes, outdoor architecture, wildlife, outdoor, sports, nature photography, etc. Portraits can also be shot under natural light and they look really stunning if the light is used wisely. If there are times where your subject may require light to fill in shadows etc., you can use reflectors to fill in light. This article talks about the art of capturing natural portraits using reflectors.

    Photo by Warren Wong

    Portraits can be shot either indoors or outdoors depending on the time of day, purpose of the shoot, the results that you are looking to achieve, the weather and so many other factors. When capturing portraits outdoors, care needs to be taken when choosing the location and the type of light (golden hour, overcast, midday, night, etc.). This article discusses some secrets to capture perfect outdoor portraits.

    Photo by vahid kanani

    Portraits that have a black background can look very professional and lend a certain mood to the overall image. In order to get a black background in portraits, you can either choose a black background and use the light settings effectively to keep the background dark. Or, you can make use of the contrast between the light and dark and make the background dark, no matter what the colour. This article discusses how you can capture a portrait with a black background.

    Photo by Tanja Heffner

    In photography, shooting with available light is a skill as it requires a good understanding of light and some creative thought on how available light can be used for the best images possible. The same applies when capturing portraits – they do not always require additional or artificial lights and can be shot beautifully with available light if well planned. This article discusses how to use available light for good portrait photos

    Photo by Cottonbro

    There are times, especially indoors or outdoors when the sun is behind the subject and you need some light to bounce off something onto your subject for better illumination of your subjects in portraits. This is where bounce light comes in handy to fill in areas that are dark or need better illumination. Light can be bounced off walls, ceilings, reflectors, etc., and this article talks about some simple ways to bounce light to capture better portraits.

    Photo by Timothy Dykes

    There are times when the available light is just not enough to capture sharp details and the right colours in your portraits. If you shoot portraits often, then it is good to have a speedlight to improve the quality of your photos. With a single speedlight, there is a lot that you can achieve. This article talks about using speedlights to capture some of the best portraits.

    Photo by Samarth Singhai

    Having a camera, a good lens, location, subject and maybe a speedlight cannot help with capturing the best portraits all the time. In order for your portraits to be powerful and effective, you need to make use of compelling compositional guidelines that can take your portraits to the next level. Effectively placing the eyes and taking care of other factors when composing a portrait is important and this article talks about some fundamental composition techniques for portraits.

    Photo by Pablo Heimplatz

    Couple portraits are something that are most sought after in the field of portrait photography. Capturing couples in their candid moments can portray the bond or connection that they have with each other, but it is also good for experienced photographers to know some classic methods for posing in order to get the best results. This article talks about poses for impressive couple portraits.

    Photo by Kinga Cichewicz

    If you are someone who loves to capture portraits but are nervous to be in front of other photographers, or to capture photos of other people, you can capture your own portraits, which is self portrait. When capturing self portraits, you are working with yourself and you are both the subject and the photographer. You have the freedom to capture your personal moments without worrying about the fact that you have to pose in front of someone else. This article discusses how you can capture storytelling self portraits.

    Photo by Taya Iv

    Portrait photography does not have to be done with posed subjects, looing into the camera in a perfect location. There are times when you may have limited resources and space, but portraits can always be captured using the available light, simple props lying around the house and sometimes some DIY filters or hacks. This article talks about 10 ways in which you can elevate your portrait photography.

    Photo by Brad Starkey

    If you are a street photographer, you can also capture stunning and powerful street portraits. Streets are full of moments, stories and colours and it is a great place to capture candid moments of people going about their daily lives. The right location, good use of light and some observational skills along with some patience will yield great street portraits. This article discusses tips on capturing stunning street portraits.

    Further Reading



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  • Sigma Cine Lenses Capture Historical Drama and Modern Musical Spirit in “The Testament of Ann Lee”

    Sigma Cine Lenses Capture Historical Drama and Modern Musical Spirit in “The Testament of Ann Lee”

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    Screengrab from The Testament of Ann Lee

    Hollywood is rarely short of ambitious ideas, and the historical drama / full-fledged musical The Testament of Ann Lee, starring Amanda Seyfried, is one of the latest to roar past “passion project” and into the mainstream. Telling the story of Ann Lee, the founding leader of the 18th-century Shaker movement, the film blends gritty period piece with lavish choreography, with visuals led by Director of Photography William Rexer.

    Rexer frequently uses Sigma Cine lenses in his work, and The Testament of Ann Lee was no exception. We caught up with Will after the film made its debut at the Venice Film Festival in September 2025 to learn more.

    Q&A with Director of Photography William Rexer

    Sigma:

    Did you shoot with only the T1.5 High Speed Prime lenses, or were you able to use the new T1.3 Aizu Prime lenses at all? Any focal lengths in particular?

    Rexer:

    We primarily used the T1.5 primes and the Classics occasionally for their flares. The 28mm, 40mm and 65mm were our go-to lenses. The Aizu Primes came out after we were finished with principal photography, but we used them for two scenes and flashbacks. We used the 27mm, 32mm, and the gorgeous 75mm.

    Cinematographer William Rexer on set
    One of Rexer’s many Sigma Cine lenses – an 18-35mm T2.0 High Speed Zoom – mounted to an ARRICAM LT film camera

    Sigma:

    Were there any specific artistic or logistical reasons for choosing your camera and lens combination?

    Rexer:

    We tested eight sets of lenses, all spherical. One consideration was how much candlelight we would be using, and the desire for a consistent, pleasing bokeh. Some of the other lenses tested created inconsistent bokeh or star patterns with our candles in the frame. Other considerations included separation, chromatic aberration, consistency through the set regarding color, speed (we were shooting in very low light situations) and size. The film has a lot of dance and handheld camera work. In a blind test, shooting our cast in various situations, the Sigmas won. Director Mona Fastvold and I picked them, and it was a very clear choice.

    Low light situations were frequent in The Testament of Ann Lee, and the Sigma Cine High Speed FF prime lenses were very useful for these scenes.

    Sigma:

    Can you share your overall experience working on the film and how you felt the Sigma lenses performed?

    Rexer:

    The lenses performed beautifully. We shot in tough conditions, on ships at sea in Sweden, in the heat and dust of an unusually warm Hungarian summer, and in rain and snow. These lenses were chosen because they look great, but they also held up. Functionality is important. I have used my Sigma Cine set on multiple films and series, and have found them incredibly reliable. They have not let me down yet.

    Sigma Cine lenses were used in a variety of challenging locations, in this case, at sea with the 28mm T1.5 FF.

    Sigma:

    Is there any moment or scene in the film that you are particularly proud of, or you would like audiences to notice or special attention to?

    Rexer:

    The film has many moments that I am proud of. We wanted to stay away from the ordinary, and we ask the audience to come on this journey. Caravaggio was our reference. The old masters were our inspiration.

    Screengrab from The Testament of Ann Lee
    Lighting and composition was often influenced by Baroque-era artists such as Caravaggio.

    The sequence leading up to and including the song “Hunger and Thirst” is a moment I am extremely proud of. Amanda is in a dark prison cell and the sun slowly rises, striking the ground and eventually her. The scene plays with darkness and shadow and lens flares demonstrating the ability of these lenses to retain contrast and character in very extreme lighting conditions. Sam Ellison, my A-operator and second Unit DP, did an extraordinary work in this sequence; it’s an intimate dance he does with Amanda Seyfried, discovering each gesture for the audience. Daniel’s score, Sam Bader’s set, both perfect. It’s beautiful.

    William Rexer overseeing an outdoor shot on the set of The Testament of Ann Lee

    Sigma:

    What is something you hope people take away from your work on this film?

    Rexer:

    I love what I do. I love working with talented directors and going all out. Mona Fastvold is truly special. Daniel Blumberg, our composer, is a genius; Celia Rowlson-Hall’s choreography is stunning; Amanda is one of a kind. Making a film is making yourself incredibly vulnerable. We, as a team, made a decision to shoot on film, to light environmentally, to use daylight and candles as our main sources (or justification for lighting) and to keep a small crew that could work collaboratively. Mona created an artistic family and we, like the Shakers, worked because we were inspired. This was a unique experience.

    I hope people get transported. I did not want this film to look like what people see everyday. My goal was to give them something very old and at the same time new.

    The Testament of Ann Lee

    Director: Mona Fastvold
    Producers include: Mona Fastvold, Brady Corbet, Andrew Morrison
    DP: William Rexer, ASC
    A operator/2nd Unit DP: Sam Ellison
    AC: György Horváth

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  • Check Out These Tutorials To Capture Unique Urban Photos

    Check Out These Tutorials To Capture Unique Urban Photos

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    Many photographers consider urban spaces as boring locations to photograph, due to the fact that they may be too busy and/or cluttered. Moreover, these places can be quite crowded most of the time and noisy too, but if you are willing to slow down, and take time to observe and photograph some unique and interesting shots, then urban spaces provide a lot of photographic opportunities.

    Urban spaces or cities provide opportunities for several genre of photography like architecture, street, urban wildlife, etc. It is always recommended to scout locations beforehand, get to know the area and study how light falls in a particular area during certain times of the day, etc., so you can come back with very compelling photos.

    Here are some tutorials that we have put together, so you can get some ideas and be inspired to photograph in urban spaces.

    Here is a tutorial or a walkthrough for an interesting start on how urban spaces can be photographed. This article includes a lot of sample images with details along the way to give you an understanding of how light, perspective, angles, etc., can be used to capture interesting urban photographs.

    Photo by Hongmei Zhao

    When we hear the word landscapes, we immediately think about natural landscapes in the wilderness like the ones that have meadows, grasslands, hills and mountains, beaches etc. Landscapes can be also extended to urban areas where urban landscapes can be captured as they are quite interesting if you follow some tips.

    Photo by Adam Borkowski 

    While many photographers choose to stay indoors on rainy days in order to protect their gear and themselves, these days provide great atmosphere for photography and many creative opportunities. Urban landscapes transform into magical spaces during or after a rain and with some precautions and safety measures, one can capture stunning urban photos on a rainy day. Here are some tips for rainy urban photos.

    Photo by Gil Ribeiro

    Cities are places where something keeps happening all the time – there are a lot of stories, events, cultural activities and so on, that can be photographed. Besides, cities provide great opportunities to capture architecture during various times of the day and seasons, street photography, environmental photos, etc. Here are some ideas to capture stunning city photos.

    Photo by Jason Row

    Street photography in a city can offer unique perspectives on what is happening in a city and the light falling through tall buildings and alleyways can offer interesting compositions and stories. Right from train stations to city centres, each space provides different stories and elements that can be used to capture the life in the city. A keen eye for details and a story telling mind is all that you need for capturing great street photos in a city. Here are some tips and ideas.

    Photo by Marc Kleen

    A lot of people choose to live in cities because of the vibe and the other interesting things they can experience there. Cities are also spaces that are filled with architecture and other structures, both new and old. It is not just about capturing the buildings in a city, but also the life there, that makes for epic cityscape photographs. Here are some ideas on how to capture cities in unimaginable ways.

    Photo by Abigail Keenan

    Do you live in a city? If so, are you bored of photographing the place that you live in? We all have this habit of not photographing the places we live in, because we see it all the time and don’t feel that it has anything new or interesting to contribute. If that is the case, you are wrong. Your city has a load of photographic opportunities and you need to look at it with the eyes of a tourist. Read to find out how!

    Photo by Michael Discenza

    Have you seen wildlife in urban spaces? Unlike capturing wildlife photographs in the wild by staying very far away from the animals and birds, urban wildlife that are used to humans around them can be captured up close as they mostly stay close to human residents, parks, etc. The wildlife in urban spaces can be interestingly photographed against daily happenings in the cities and towns. This article gives you tips on how to photograph urban wildlife.

    Photo by Luna Wang

    Besides all the stunning subjects and cityscapes in urban spaces, if you are a photographer interested in capturing portraits, cities offer amazing opportunities to capture interesting portraits. Some very interesting geometrical compositions can be used to capture portraits in urban areas, Here are some tips to start with.

    Also, if you are interested in learning about geometrical compositions, check out this article – How To Use Geometry For Creative Composition In Photography

    Photo by greekfood-tamystika

    We have all heard of the golden hour as the best time to photograph anything because of the glorious, soft but dramatic light the sun casts during that time. Do not pack your camera bags after sunset, because the blue hour is one of the best times to capture very emotive and soft photos especially in the city when the lights are just turned on. Here is how to shoot cityscapes during the blue hour.

    Photo by Mick Haupt

    If you are someone interested in urban decay, or wish to shoot something different in urban spaces,, then urban decay is a genre that will be of interest to you. Moreover these spaces will not be crowded, so you can take time to explore and capture them from unique perspectives and angles. Make sure you have permission to enter and photograph these spaces as some areas and buildings may have restrictions or may be private. Here are some tips for you to get started.

    Photo by Patrick Tomasso

    Finally if you are interested in black and white photography, urban spaces are great because of the light, textures and drama they can lend to great black and white photographs. Make sure that you have a good tonal range in the scene so the resulting black and white image is powerful. You need to learn to see in black and white in order to capture images to convert to black and white.

    Photo by Jason Row

    If you want to check out some creative urban photos, check out these “Urban Etchings” by Grant Legassick, which is a definitive study of an urban environment comprising multiple images layered over one another, giving the impression of a fine, delicate pencil drawing or metal etching. These images are mind-blowing and the photographer shares how these were made.

    Photo by by Grant Legassick

    Further Reading



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  • Follow These Tutorials To Capture Night Sky Objects With The Camera You Have

    Follow These Tutorials To Capture Night Sky Objects With The Camera You Have

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    Night sky is an addictive subject to photograph and if you look closer, there are many night sky objects that you can photograph, other than the moon and the Milky Way. On very clear nights, you will be able to see a lot of nebulae, star clusters, cloud complexes and even a galaxy without the aid of a telescope.

    Right now it is the Milky Way season in the Northern Hemisphere, but for those who live in the Southern Hemisphere, there are many objects in the Winter sky that are worth photographing. If you are new to astrophotography, start by photographing the moon and then move on to photograph the Milky Way, before working towards photographing deep space objects.

    Grab your Milky Way Photography Blueprint for free right here.

     

    In this article here, we have put together a collection of tutorials that are highly detailed and provide you with every information you need to photograph the sky at night. Don’t forget to check out the “Further Reading” section.

    Let us start with the Moon which is the natural satellite to our planet Earth and it is one of the closest and brightest subjects in the night sky, that you can easily photograph. If you observe the moon over a few weeks, you will get an understanding of the phases of the moon, its rising and setting time, etc. You just need to do a little bit of planning to get the best shot.

    Graphic by Light Stalking

    If you are wondering what if you do not have a camera yet, but only a smartphone that you use to capture photos right now? Smartphone technology has advanced quite a lot in the recent years and they can be used to capture beautiful images of the moon and some brighter objects in the night sky. Especially if you are a a beginner in astrophotography, with some practice and knowledge, you can capture interesting photos of the moon with your smartphone.

    Photo by Dahlia Ambrose using Samsung Galaxy S22 – 20x digital zoom. ISO 25, 69mm, -0.2 ev, f/2.4, 1/583s. Cropped to fill the frame.

    And, did you know that the moon is not just white, but has some colours due to the mineral deposits on its surface? If you zoom in on live view with a long lens, on a very clear night, you will be able to observe these colours faintly. You can photograph the moon and bring in those beautiful colours and this article will help you achieve that. It is interesting and can be done during any phase of the moon, but remember that you will have to take a series of shots to get the best results in terms of colours and details.

    Photo by Dahlia Ambrose

    We have heard of rules for correctly setting exposure for certain subjects in photography, rules that do not need to be followed as such, but rules that can help you get started initially and then can be refined further according to the situation. One such rule to capture the moon is the Looney 11 rule which can be a start to estimate exposure times. We will summarise the rule here:

    • Set aperture to f/11 and shutter speed to the reciprocal value of ISO.

    Check out the article to learn more about this rule.

    Graphic by Light Stalking

    We live in the Milky Way galaxy and it is one of the easiest subjects to photograph, after the moon. Depending on the time of the year, you will be able to photograph only specific areas of the Milky Way galaxy. The core is the most stunning region and it is above the horizon at night, a few months every year. So keep an eye on the weather forecast and find the darkest location possible and photograph the Milky Way with the camera you have in hand.

    Photo by John Lemieux

    If you want to go a bit further after some experience and photograph a nebula, the Orion Nebula is one of the easiest to capture and one that is most commonly photographed too. You can use the camera that you have in hand and a moderate focal length lens to capture the frames and then with some detailed post processing, you will have a beautiful image. You will need to capture a series of shots including calibration frames and everything is explained in detail in this article.

    Photo by Dahlia Ambrose

    Now, similar to the rule we mentioned above to set exposure for moon photography, if you are a beginner and not sure where to start in terms of settings for your night sky photography like stars, nebulae, etc., start with the 500 rule. It is not very accurate, but is a great start to get an image of the stars, galaxies and the Milky Way. Here is the rule summarised below:

    • Set your camera to ISO 3200 or 6400, your Aperture to f/2.8 (or as wide as possible) and your shutter speed to 500 divided by the focal length of your camera, taking into account the crop factor of your camera.

    There is also a 600 rule where you replace the 500 above with 600 and see if it works better than the above setting.

    Snapwire at Pexels

    With more advanced cameras and sensors, sometimes the 500 or 600 rule may not get you the best results, especially if you want to have a large print. Sometimes there may be some trailing in the stars instead of point sharp stars. To avoid this situation, the photographer needs to calculate exposure based on the type of camera and lens combination.

    A formula was devised by Frédéric Michaud for the Société Astronòmique du Havre called the NPF rule which is quite complex, where

    • N stands for aperture, the letter N is used to represent aperture in optics.
    • P for photosites or pixel density or pixel pitch (distance between two pixels)
    • F for focal length

    If you have an app called PhotoPills, you can easily calculate exposure times using the NPF rule on that app.

    Screenshot from PhotoPills App showing different exposure times for two different full frame cameras

    Star photography is easy, but in order to get the best results like sharp and noise free images, there are a few things that you will need to keep in mind. It also requires you to choose the right location, weather conditions, keep an eye on the moon phases and use the right tools and accessories to get the best shot. Last but not the least, patience and practice is key to perfect star images.

    Photo by Skeeze

    Cameras come with noise reduction features called high iso noise reduction and long exposure noise reduction. Many photographers seem to be confused if they need to leave these settings on for astrophotography, in order to get the best results. Depending on what you are shooting, these features can cause some delay in sequences, can cause heat, and also remove faint star details. Read to find if you should leave these settings on or off for astrophotography and why.

    Image by Benjamin Voros

    When capturing night sky or dep space object, you are working with very little light and longer exposure times. Factors like heat due to long exposure and high iso can induce thermal and/or digital noise in these photographs that can leave unwanted effects/artifacts in the images that also greatly reduce the sharpness and quality of the image. Here are some ways in which noise can be reduced in your night sky images.

    This is how noise looks in photographs – this is for illustration purposes only. Image by MartinThoma

    Further Reading



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  • 5 Tips to Capture Beautiful Photographs Nearby — Mikko Lagerstedt

    5 Tips to Capture Beautiful Photographs Nearby — Mikko Lagerstedt

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    It’s been one month since I introduced a challenge to all of you who follow me on my blog. The #DiscoverWithMikko challenge was to capture something nearby (no more than 20 km’s away) where you live. It was also to encourage you to try to capture something unique. The month flew by, and I can say that it was a tough challenge for me as well. Not many participated in this challenge, but I saw some beautiful entries on Instagram, which I’ll share in my stories @mikkolagerstedt.

    I went out to photograph 15 times in the past month, whether to a nearby field or around the nearby lake. I didn’t take photographs each time because I couldn’t find anything to capture, but that’s how it goes at times. What this challenge reminded me of is that I really enjoy having options. In the future, I want to get a macro lens to capture those details and different perspectives.

    There weren’t many great opportunities with the weather, but I eventually captured something I enjoyed. It wouldn’t be a challenge if it weren’t challenging, right?

    Each of the challenge photographs I captured was edited with my EPIC Preset Collection. See the descriptions for more information of each edit and camera settings.

    1. Keep an open mind and Find new places nearby

    Finding something new from nearby places can sometimes be challenging. However, it was easier than I thought. I have driven, biked, and walked around a lot of the area where I live. But I still found a few spots I had never seen before. Keeping an open mind while searching for something to capture is essential. If you want to improve your craft, this approach will move you forward more than anything else.

    The first capture was on a beautiful night about 11 kilometers from where I live. The night was amazing and misty. The light pollution wasn’t so evident because of the fog. I ventured to this field and saw this beautiful small bridge. I ran to the bridge while my camera was taking long exposure photographs. I stood there for a few minutes to ensure one of the 20-second exposures was sharp.



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