Sigma 200mm F2 DG OS | Sports Sony a7R V F2, 1/800s, ISO 640
Sigma is pleased to feature a gallery of fashion and dance portraits by photographer Anabel DFlux. This gallery is comprised entirely of images shot with the Sigma 200mm F2 DG OS | Sports lens. With a large maximum aperture of F2 and a flattering focal length, this premium prime lens is an excellent choice for portraits with exceptional depth and compression, perfect for intentional, beautiful blurring of backgrounds and foregrounds that makes subjects pop.
Sigma 200mm F2 DG OS | Sports Sony a7R V F2, 1/800s, ISO 640Sigma 200mm F2 DG OS | Sports Sony a7R V F2, 1/640s, ISO 640
Sigma 200mm F2 DG OS | Sports Sony a7R V F2, 1/320s, ISO 200Sigma 200mm F2 DG OS | Sports Sony a7R V F2, 1/1000s, ISO 640
Sigma 200mm F2 DG OS | Sports Sony a7R V F2, 1/320s, ISO 250
Sigma 200mm F2 DG OS | Sports Sony a7R V F2, 1/320s, ISO 640Sigma 200mm F2 DG OS | Sports Sony a7R V F2, 1/500s, ISO 640
Sigma 200mm F2 DG OS | Sports Sony a7R V F2, 1/250s, ISO 640Sigma 200mm F2 DG OS | Sports Sony a7R V F2, 1/200s, ISO 400
Sigma 200mm F2 DG OS | Sports Sony a7R V F2, 1/640s, ISO 640Sigma 200mm F2 DG OS | Sports Sony a7R V F2, 1/250s, ISO 640
Anabel DFlux is a published photographer in Los Angeles, California. Having started her photography business at the age of 15, Anabel has dedicated her life to her photographic passion. From canine sports to exotic animals, to some of the biggest musicians in the world – Anabel’s work doesn’t fall into any specific niche. She believes there are no limits to what you can create, and to photograph everything that gives you that spark of inspiration.
Equipment used
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This travel gallery – photographed with the Sigma 16-300mm F3.5-6.7 DC OS | Contemporary lens on a Fujifilm X-H2 camera body – was captured by photographer Devon Smith Jr. during a summer trip with Brooklyn to Alaska, an organization dedicated to helping diverse youth from Brooklyn, New York experience a once-in-a-lifetime adventure in Alaska’s rugged natural environment. From climbing a glacier, to rafting down a rushing river, to sleeping in a tent under the stars, BK2AK helps close the gap to outdoor adventure by increasing access to the outdoors.
There are lenses that document life, and then there are lenses that transform it. The Sigma 200mm F2 DG OS | Sports has a way of making the everyday feel extraordinary. See how photographer Meg Loeks uses this lens to make her portraits truly stand out.
This lens doesn’t just capture a scene, but transforms it into something magical.
There are lenses that document life, and then there are lenses that transform it. The Sigma 200mm F2 DG OS | Sports has a way of making the everyday feel extraordinary. What might otherwise pass by unnoticed, my son getting the mail, our puppy tumbling through tall grass, fog blanketing our farm at sunrise, or even a spiderweb jeweled with dew, takes on a cinematic, dreamlike quality through this lens.
Sigma 200mm F2 DG OS | Sports Sony A7R IV F2, 1/640s, ISO 160
I’ve always been drawn to longer focal lengths when photographing outdoors. There’s something about the way they compress space and create intimacy from a distance that resonates deeply with the way I tell stories. The 200mm F2 not only gave me that beautiful compression I love, but paired it with bokeh that is rich, creamy, and painterly, plus clarity that extends from edge to edge. It’s a lens that doesn’t just capture a scene, but transforms it into something magical.
Built for storytelling in any environment
The Sigma 200mm F2 DG OS | Sports is a professional-grade lens built to handle whatever the environment throws at it. With a sturdy, weather-sealed design, it feels ready for everything from misty mornings to dusty, golden evenings. And while 200mm F2 lenses are traditionally heavy beasts, Sigma has made this one surprisingly manageable weighing about 1.8kg. It’s significantly lighter than previous 200mm F2 lenses.
A tried-and-true Sigma trait is that their lenses are built sturdy, but once you see the results, you quickly forget what you’re carrying.
This lens also includes thoughtful features: an aperture ring for quick depth-of-field changes, and two Optical Stabilization (OS) modes. Mode 1 is great for everyday shooting, while Mode 2 allows stabilization on one axis for smooth panning shots which is useful not only in motorsports, but also when following a child or pet in motion. Plus, a focus limiter makes it easier to keep your AF system restricted to a certain range (really useful when there is a lot of foreground).
The 200mm F2 features a full array of useful controls for any type of photography situation.
The autofocus system also deserves praise. Sigma’s new High-response Linear Actuator (HLA) motor system uses multiple actuators working together for speed and precision. It’s quiet, fast, and reliable, locking on even when my kids are racing toward me or the puppy is darting unpredictably across the yard.
Everyday magic in action
Backlight:
This is where the 200mm F2 truly shines. Shooting into the sun, it creates luminous frames with smooth transitions from light to shadow. My kids running through golden haze look as though they stepped out of a storybook.
Sigma 200mm F2 DG OS | Sports Sony A7R IV F2.5, 1/500s, ISO 250Sigma 200mm F2 DG OS | Sports Sony A7R IV F2, 1/640s, ISO 100
Fog & Atmosphere:
On misty mornings, the compression at 200mm stacks layers of light and texture, adding cinematic depth. It feels like stepping into another world.
Sigma 200mm F2 DG OS | Sports Sony A7R IV F2, 1/640s, ISO 160Sigma 200mm F2 DG OS | Sports Sony A7R IV F2, 1/800s, ISO 160
Sigma 200mm F2 DG OS | Sports Sony A7R IV F2.2, 1/800s, ISO 125
Details:
Even delicate subjects, like a spiderweb catching morning dew, are rendered with incredible sharpness while the background melts into painterly blur.
Sigma 200mm F2 DG OS | Sports Sony A7R IV F2, 1/640s, ISO 50
Motion:
Whether children are racing across the yard or our puppy is bounding through tall grass, the fast aperture, responsive autofocus, and OS system make it easy to freeze action while keeping that dreamy, ethereal quality intact.
Sigma 200mm F2 DG OS | Sports Sony A7R IV F2, 1/1000s, ISO 160Sigma 200mm F2 DG OS | Sports Sony A7R IV F2.5, 1/640s, ISO 200
Space & Scale:
At 200mm, you of course need room to back up which is something our yard provides in abundance. The reward is that the background feels enlarged, filling the frame with layers of texture and color that enhance the subject’s story.
Sigma 200mm F2 DG OS | Sports Sony A7R IV F2, 1/1000s, ISO 50
Image quality that inspires
What I love most about this lens is the balance between technical excellence and creative possibility. The sharpness is breathtaking, not just at the center but across the entire frame. The compression and bokeh create images that feel cinematic and immersive, while colors and tones remain rich and consistent whether I’m shooting into glowing backlight or the soft haze of fog.
Sigma 200mm F2 DG OS | Sports Sony A7R IV F2, 1/1000s, ISO 160
It’s rare to find a lens that delivers both precision and poetry, but the 200mm F2 does exactly that.
A new favorite
As someone who gravitates toward longer lenses outdoors, the Sigma 200mm F2 feels like an extension of how I naturally see the world. It allows me to step back and give my children and animals the freedom to interact with their environment, while still creating portraits that feel deeply intimate and emotional.
Sigma 200mm F2 DG OS | Sports Sony A7R IV F2.5, 1/640s, ISO 200Sigma 200mm F2 DG OS | Sports Sony A7R IV F2, 1/640s, ISO 160
This lens has quickly become one of my favorites, not just for its technical prowess, but for the way it encourages me to slow down, watch closely, and rediscover the magic in ordinary moments.
Conclusion
The Sigma 200mm F2 DG OS | Sports is often thought of as a sports or wildlife lens, but it’s so much more. In everyday life, it transforms simple scenes into cinematic frames full of light, depth, and emotion. From foggy mornings to glowing backlight, from playful kids and pets to delicate natural details, it’s a lens that elevates the familiar into the extraordinary.
For photographers who love longer focal lengths, crave dreamy bokeh, and demand sharpness edge to edge, this lens is a powerhouse. More than that, it’s an invitation to see the everyday as something magical.
Sigma 200mm F2 DG OS | Sports Sony a1 ISO 100, F5.6, 1/25s
My hometown is Chengdu, situated in the vast Sichuan Basin of China. Just over 200 kilometers away from this flat expanse lies a series of parallel mountain ranges stretching east to west, spanning thousands of kilometers. This region has countless snow-capped peaks, pristine lakes, deep gorges, and winding rivers.
It also boasts extraordinary biodiversity, including globally renowned species such as the giant panda and golden monkey.
Additionally, the area is rich in cultural diversity, with multiple ethnic groups coexisting and blending their unique traditions. Collectively, we refer to this region as the Grand Hengduan Mountains.
Sigma 200mm F2 DG OS | Sports Sony a1 ISO 100, F8, 1/800sSigma 200mm F2 DG OS | Sports Sony a1 ISO 100, F2, 1/1000s
Since I first picked up a camera, the Grand Hengduan Mountains have remained my most frequently photographed subject.
In my earlier photographic endeavors, I often relied on wide-angle lenses to capture the region’s grandeur and majestic landscapes. However, for this particular project, I challenged myself to shoot exclusively with the Sigma 200mm F2 DG OS | Sports lens.
This choice not only pushed me out of my comfort zone but also allowed me to explore this familiar terrain with a fresh perspective, unveiling an entirely new dimension of beauty.
Sigma 200mm F2 DG OS | Sports Sony a1 ISO 100, F2, 1/6400sSigma 200mm F2 DG OS | Sports Sony a1 ISO 100, F2, 1/10000s
The Sigma 200mm F2 DG OS | Sports is a truly unique lens in today’s market. Before using it, I couldn’t fully envision the kind of results it could achieve. This fast telephoto lens delivers strikingly dramatic subjects, with a powerful sense of spatial compression and an extremely shallow depth of field.
Its ability to carve distinct visual layers in a scene is remarkable.
The lens is equipped with a High-response Linear Actuator (HLA), ensuring swift and precise autofocus. Even when photographing distant wildlife against a complex background, the lens rapidly locks focus on the subject, allowing me to capture dynamic moments with exceptional clarity.
Throughout this project, every shutter release amazed me. Familiar landscapes transformed before my eyes, revealing unexpected nuances and perspectives.
Sigma 200mm F2 DG OS | Sports Sony a1 ISO 100, F2, 2sSigma 200mm F2 DG OS | Sports Sony a1 ISO 100, F2, 1/3s
The F2 aperture, combined with the lens’s robust optical stabilization, enabled me to shoot at low ISO settings even in dim lighting conditions. This maintained superb image quality while unveiling delicate details I had previously overlooked.
From the faint glow of Tibetan watchtowers at blue hour to the warm flicker of lights in village homes, or the subtle glimmers atop mountain peaks at dawn – these intricate elements, once ignored, now enriched my visual narrative.
Sigma 200mm F2 DG OS | Sports Sony a1 ISO 100, F2, 1/26000sSigma 200mm F2 DG OS | Sports Sony a1 ISO 100, F2, 1/3200sSigma 200mm F2 DG OS | Sports Sony a1 ISO 100, F5.6, 1/640s
The optical performance of this lens exceeded my expectations.
Even at its widest aperture of F2, the image quality remained impeccably sharp from center to edge, even in complex lighting scenarios.
The lens features Nano Porous Coating (NPC) technology, effectively minimizing flare and ghosting. This proved invaluable when I witnessed a magnificent sea of clouds at sunrise. Even shooting directly toward the sun, the results were breathtakingly clear and vibrant.
Another standout feature was the newly designed tripod mount, which doubled as a practical carrying handle. Its Arca-Swiss compatibility made tripod installation seamless, ensuring I never missed a decisive moment in the field.
Sigma 200mm F2 DG OS | Sports Sony a1 ISO 100, F5.6, 1/50sSigma 200mm F2 DG OS | Sports Sony a1 ISO 100, F4, 1/4000s
Sigma 200mm F2 DG OS | Sports Sony a1 ISO 100, F5.6, 1/1600s
My landscape photography journey with the Sigma 200mm F2 DG OS | Sports lens was immensely rewarding. The lens performed flawlessly, capturing nature’s intricate details and fleeting moments of light and shadow.
As a photographer, I find immense joy in waiting, observing, and discovering these subtle transformations.
With this lens, I was able to distill those magical moments into visual memories that reflect the beauty and wonder of our world.
Sigma 200mm F2 DG OS | Sports Sigma BF ISO 320, F2, 1/125s
As a portrait photographer, what matters most to me is to capture something different from the subject. It is a challenge and it takes time. Time which we don’t always have these days as our lives are speeding up.
The rapport between me and the subject is essential to break down that barrier that protects us from the unknown.
I usually get up close to the subject to create this rapport, talking to them and directing them. I use the shallowest depth of field that a lens can offer. I focus on the eyes through which everything will be said, blurring the rest of the head and body. This allows the viewer to concentrate on the eyes.
Sigma 200mm F2 DG OS | Sports Sigma BF ISO 640, F2, 1/125sSigma 200mm F2 DG OS | Sports Sigma BF ISO 100, F3.5, 1/125s
So when I was asked by Sigma to use their new Sigma 200mm F2 DG OS | Sports with an f-stop of 2, I was intrigued! 200mm felt a little long for portraits as I usually use an 85mm.
It would require me to be further away from the subject, but at the same time, the length of the lens with such a small f-stop could only enhance the focus on the eyes that I desire so much.
Sigma 200mm F2 DG OS | Sports Sigma BF ISO 100, F2, 1/125sSigma 200mm F2 DG OS | Sports Sigma BF ISO 100, F2, 1/125s
I have a coffee shop in the artistic Marais neighborhood in Paris where I have built a community around specialty coffee and photography.
The way I do coffee is artisanal, where precision is key and where quality is constant, two things that make a great cup over and over.
The community I have built, I have discovered over time, shares these same values.
Values that are also an intrinsic part of Sigma and why I use their cameras and lenses for my photography. Dedication to craftsmanship, precision and quality.
I chose to photograph some of my customers who share these same values. They are designers, artists, craftsmen or who work for companies that adhere to these values.
The weather in Paris has been grey and gloomy and shooting with the Sigma 200mm F2 DG OS | Sports with its F2 aperture and superb image stabilization allowed me to work in low light conditions whether inside an artist’s studio or out on the street. Another advantage of such an incredibly low aperture! It is a heavy lens but holding it and shooting hand-held was easy and effortless.
The tripod mount turned into a very convenient way to hold the camera and lens while talking to my subjects or moving from one location to another! Sigma seems to think of these small things that make a photographer’s life easier.
All the controls are ergonomically placed so I didn’t have to search for what I needed to adjust. When I saw the shallow depth of field, I was thrilled! The length of the lens did not interfere with my direction of my subjects. In fact, in some cases, the distance made certain subjects more at ease. The result was beyond expectation. The eyes in each portrait are very sharp with that soft blur in front and behind them made possible by the 200mm and the 2 f-stop which enhanced the expressiveness of the eyes.
Shooting hand-held in low light normally shows some blurriness especially with a relatively heavy lens, but the 200mm with its superior image stabilization captured perfectly sharp images. This allowed me more freedom of movement to find the right angle and compositions that I was looking for.
Sigma 200mm F2 DG OS | Sports Sigma BF ISO 100, F2, 1/125s
Taking portraits with Sigma 200mm F2 DG OS | Sports lens opened my mind and changed my ideas of what kind of lens would be good for portrait work!
That shallow depth of field on a long lens only made the portraits more intriguing and different than any other lens I have tried before.
The lens’s outstanding image stabilization gave me confidence that the images would be perfectly sharp in the low-light conditions where I would normally require a tripod. It has certainly gained its place in my arsenal of portrait lenses.
Thilan, Wall Architectes Max, designer Mehdi, Director of Immersive Art & Culture at Fisheye Benoît, artist and creative director at Tiffany’s Thomas and Aurore, founders of RSVP, handmade leather bags in France Hermon, jazz trumpetist Pascal, graphic designer and creative director at Gallimard Sophie, Chanel