Sigma 16-300mm F3.5-6.7 DC OS | Contemporary Fujifilm X-H2 56mm, F7.1, 1/125s, ISO 400
Sigma is pleased to feature a gallery of images by photographer Devon Smith Jr. This gallery is comprised entirely of images shot with the Sigma 16-300mm F3.5-6.7 DC OS | Contemporary lens on a Fujifilm X-H2 camera body.
This travel gallery was captured during Devon’s summer trip with Brooklyn to Alaska, an organization dedicated to helping diverse youth from Brooklyn, New York experience a once-in-a-lifetime adventure in Alaska’s rugged natural environment. From climbing a glacier, to rafting down a rushing river, to sleeping in a tent under the stars, BK2AK helps close the gap to outdoor adventure by increasing access to the outdoors.
Sigma 16-300mm F3.5-6.7 DC OS | Contemporary Fujifilm X-H2 16mm, F5.6, 1/160s, ISO 400
Sigma 16-300mm F3.5-6.7 DC OS | Contemporary Fujifilm X-H2 16mm, F7.1, 1/125s, ISO 400Sigma 16-300mm F3.5-6.7 DC OS | Contemporary Fujifilm X-H2 86mm, F7.1, 1/125s, ISO 400
Sigma 16-300mm F3.5-6.7 DC OS | Contemporary Fujifilm X-H2 300mm, F6.7, 1/125s, ISO 400Sigma 16-300mm F3.5-6.7 DC OS | Contemporary Fujifilm X-H2 117mm, F7.1, 1/250s, ISO 400Sigma 16-300mm F3.5-6.7 DC OS | Contemporary Fujifilm X-H2 37mm, F7.1, 1/125s, ISO 400Sigma 16-300mm F3.5-6.7 DC OS | Contemporary Fujifilm X-H2 43mm, F7.1, 1/250s, ISO 400
Sigma 16-300mm F3.5-6.7 DC OS | Contemporary Fujifilm X-H2 92mm, F7.1, 1/125s, ISO 640Sigma 16-300mm F3.5-6.7 DC OS | Contemporary Fujifilm X-H2 300mm, F7.1, 1/125s, ISO 640
Sigma 16-300mm F3.5-6.7 DC OS | Contemporary Fujifilm X-H2 48mm, F6.3, 1/160s, ISO 800Sigma 16-300mm F3.5-6.7 DC OS | Contemporary Fujifilm X-H2 156mm, F6.3, 1/160s, ISO 800Sigma 16-300mm F3.5-6.7 DC OS | Contemporary Fujifilm X-H2 37mm, F7.1, 1/250s, ISO 400
Pack lighter and explore more.
About
Devon Smith Jr. is a Jamaican street and documentary photographer with roots in the Ocean Hill neighborhood of Brooklyn.
His photography captures the nuanced interactions between people and their environments, blending a deep respect for cultural storytelling with an eye for unique, spontaneous moments.
Devon’s inspiration to pursue photography came from his mentors at The Bklyn Combine, a community-focused collective he is actively involved with and collaborates with regularly. He also has a passion for landscape photography that was sparked during summers with his family in Manchester, Jamaica, where the rich cultural and historical layers of his heritage continue to influence his work.
Equipment used
EXPLORE MORE
Having versatile, reliable gear is critical for young filmmakers and photographers, and a single lens that can handle a variety of scenes is a smart option. Film student Sophia Chew discusses her favorite Sigma zoom lenses and how they fit her needs as a college undergrad.
In this photo gallery, photographer and video producer Nagamitsu Endo explores various peaceful locales in Maine, and captures the quiet beauty of nature along the way. These images are shot entirely on the Sigma BF camera along with the 35mm and 50mm F2 DG | Contemporary lenses.
Sigma 16-300mm F3.5-6.7 DC OS | Contemporary lens mounted on a Canon EOS R7.
For every photographic project that we undertake, there is going to be a best “tool for the job”. If you are heading to northern Canada to photograph the aurora borealis, then a fast, wide prime lens like Sigma’s 15mm F1.4 DG DN Diagonal Fisheye | Art would be a great choice. Heading to Yellowstone for wildlife? Then a super-telephoto zoom like the 60-600mm F4.5-6.3 DG DN OS | Sports lens would be ideal. For my latest adventure, the perfect piece of gear was Sigma’s 16-300mm F3.5-6.7 DC OS | Contemporary lens for crop sensor cameras.
Why was this lens the best choice?
Well, I suppose I should start by telling you what I was getting myself into. After almost thirty years exploring the mountains around my hometown of Breckenridge, Colorado, I was looking for a backpacking trip that would sum up the entire area into one big, unifying hike. Going over my maps, I found the perfect route and it would begin and end at my front door. It would be almost forty miles in length and include about 10,500 vertical feet up, and over 11,000 down. I would hike over four mountain passes on the east and south side of town, and then link four remote drainages on the west side of town. Most of my hiking would be done off-trail and require significant effort and route finding skills, and would take me four nights and five days to complete.
Sigma 16-300mm F3.5-6.7 DC OS | Contemporary Canon EOS R7 16mm, 1/400s, F7.1, ISO 400Sigma 16-300mm F3.5-6.7 DC OS | Contemporary Canon EOS R7 96mm, 1/30s, F9, ISO 100
Of course, there’s no way I’m doing an adventure like this without a camera in hand. There would be opportunity for both landscape and wildlife photography during my time in the field. Clearly the best tool for the job would be something lightweight yet powerful. Wide enough for epic landscapes but also with plenty of telephoto power to bring in distant wildlife. Luckily, Sigma had just released a lens that fit the bill perfectly – the 16-300mm F3.5-6.7 DC OS | Contemporary, available for Sony E-mount, L-Mount, Fujifilm X Mount, and Canon RF Mount. I paired it with the relatively small Canon EOS R7 for an easy-to-carry combo.
This lens is less than 5 inches long without the hood attached, making it really easy to pack and carry.
The Canon mount version of this lens weighs just 22 ounces (625g) a with a nice, compact size that fit perfectly in my Think Tank front mount pack. This was great because much of the photography would be a bit more documentary in style and I wanted instant access during the entirety of the hike. The lens also features Sigma’s updated OS2 (optical stabilization) system which meant I could easily handhold many of my shots. The very close focusing distance (minimum is 6.7 inches at the wide end) was awesome for getting close-up images of the many wildflowers that were absolutely peaking on my hike.
Sigma 16-300mm F3.5-6.7 DC OS | Contemporary Canon EOS R7 16mm, 1/250s, F13, ISO 250Sigma 16-300mm F3.5-6.7 DC OS | Contemporary Canon EOS R7 300mm, 1/400s, F8, ISO 800
It was great to have the extensive range of the 16-300mm. On a Canon APS-C camera, this is the equivalent of a 26-480mm lens on a full-frame camera. With that kind of range, I was able to capture everything from epic mountain vistas to simple snapshots documenting my journey.
Sigma 16-300mm F3.5-6.7 DC OS | Contemporary Canon EOS R7 168mm, 1/250s, F7.1, ISO 800Sigma 16-300mm F3.5-6.7 DC OS | Contemporary Canon EOS R7 168mm, 1/640s, F10, ISO 800
The image quality of the Sigma 16-300mm was even better than I had expected. It’s been a long time since I last used a crop sensor super zoom lens. I had decent results back then and was kind of expecting the same, but I was pleasantly surprised to find the results approaching that of the high-end Art and Sport line lenses. Images were nice and sharp, and chromatic aberration was held in check even when shooting in extreme lighting situations, which I often like to shoot. Autofocus was fast and accurate, and seemed to work very well with the Canon AF system.
Sigma 16-300mm F3.5-6.7 DC OS | Contemporary Canon EOS R7 16mm, 1/80s, F8, ISO 100Sigma 16-300mm F3.5-6.7 DC OS | Contemporary Canon EOS R7 16mm, 1/125s, F14, ISO 800Sigma 16-300mm F3.5-6.7 DC OS | Contemporary Canon EOS R7 56mm, 1.6s, F14, ISO 100
One other welcome feature on an excursion like this is the dust and splash-resistant construction – it’s actually the first Sigma Contemporary lens to have weather sealing throughout the entire lens body. There was plenty of adverse weather to deal with including rain, hail and sleet daily, and the 16-300mm handled it all nicely.
Sigma 16-300mm F3.5-6.7 DC OS | Contemporary Canon EOS R7 66mm, 1/5000s, F8, ISO 640Sigma 16-300mm F3.5-6.7 DC OS | Contemporary Canon EOS R7 18mm, 1/13s, F14, ISO 100
Consider the Sigma 16-300mm
A backpacking adventure like this calls for a lens that can handle everything thrown at it, from gorgeous wide vistas to distant wildlife and colorful wildflowers. If you have an upcoming trip where keeping size and weight to a minimum are paramount, take a good look at the Sigma 16-300mm F3.5-6.7 DC OS | Contemporary. It’s sharp, fast, light and portable, making it the perfect one-lens solution for many of your photographic endeavors. Pick one up today, and hope to see you out there!
Get the Sigma 16-300mm lens:
for Sony E-mount, L-Mount, Fujifilm X Mount, Canon RF Mount
Sigma 16-300mm F3.5-6.7 DC OS | Contemporary Sony a1 II 300mm, F6.7, 1/640s, ISO 100
Sigma is pleased to feature a gallery of images by professional photographer Jim Koepnick. This gallery is comprised entirely of images shot with the extremely versatile 16-300mm F3.5-6.7 DC OS | Contemporary lens, released in 2025 for APS-C format mirrorless cameras.
Sigma 16-300mm F3.5-6.7 DC OS | Contemporary Sony a1 II 215mm, F6.3, 1/500s, ISO 200Sigma 16-300mm F3.5-6.7 DC OS | Contemporary Sony a1 II 251mm, F10, 1/500s, ISO 1600
Sigma 16-300mm F3.5-6.7 DC OS | Contemporary Sony a1 II 200mm, F6.3, 1/2000s, ISO 6400Sigma 16-300mm F3.5-6.7 DC OS | Contemporary Sony a1 II 270mm, F10, 1/500s, ISO 250
Sigma 16-300mm F3.5-6.7 DC OS | Contemporary Sony a1 II 166mm, F6.3, 1/500s, ISO 2500Sigma 16-300mm F3.5-6.7 DC OS | Contemporary Sony a1 II 49mm, F5.6, 1/160s, ISO 100Sigma 16-300mm F3.5-6.7 DC OS | Contemporary Sony a1 II 300mm, F6.7, 1/640s, ISO 100Sigma 16-300mm F3.5-6.7 DC OS | Contemporary Sony a1 II 177mm, F13, 1/500s, ISO 12800
Get your Sigma 16-300mm lens:
About
Jim Koepnick is one of the leading aviation photographers today, photographing for Cirrus Aircraft, Flying Magazine, Plane and Pilot, Air and Space Smithsonian, AOPA and EAA. He also shoots for the USA Today Network – Wisconsin in the Oshkosh area, specializing in sports and action. His freelance clients include Ripon College, AACD and Our Wisconsin Magazine.
Previously, Jim was Chief Photographer at the Experimental Aviation Association for 28 years. In that role, he photographed over 1000 aircraft while on air-to-air missions and supplied over 500 cover images for EAA Publications.
His photography has been a consistent winner of awards from Aviation Week and Space Technology, Wisconsin Imaging Photographers Association, American Advertising Federation and Calendar Marketing Association. His photojournalism has received awards from Wisconsin Newspaper Association, Wisconsin Press Photographers Association and Inland Press.
Equipment used
EXPLORE MORE
For your all-in-one travel photography needs, there’s simply no lens like the Sigma 16-300mm F3.5-6.7 DC OS | Contemporary, as Julie Mayfeng experienced on a trip to Portugal.
With a focal range that allows virtually any composition, photographer Mina Daimon strolls through the forests of Tono, Japan, capturing beautiful sights along the way with the Sigma 16-300mm F3.5-6.7 DC OS | Contemporary.