دسته: رزولوشن

  • Isotta Launches Housing for RED V-Raptor X Cinema Camera

    Isotta Launches Housing for RED V-Raptor X Cinema Camera

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    Red housing for a RED camera? Yup, in a surprising move, Isotta has unveiled its first housing for a pro cinema camera—the top-of-the-line V-Raptor X. Featuring the flagship DSMC3 modular body, the V-Raptor boasts an 8K VV 35.4-megapixel global shutter sensor offering 8K/120p and 4K/240p recording and 17+ stops of dynamic range. Previously sporting an adaptable Canon RF lens mount, the camera is now also available with Nikon’s Z mount for even more lens flexibility. (Remember this?)

    Hewn from aluminum, anodized and painted signature red, the Isotta housing for the RED V-Raptor X looks to be an impressive piece of kit. Sporting Isotta’s classic single-handed open/close knob and built around the company’s B120 port system, the housing features a back that is entirely detachable from the front, and a lockable tray, allowing for easy insertion of the camera. All buttons and removable parts have double O-ring seals, and there’s a moisture sensor with LED indicator fitted as standard. As well as three M16 ports, there are two M24 ports, allowing straightforward connection of a monitor such as the Atomos Ninja V+. There’s also a full complement of M6 holes for attaching brackets, tripods, handles, etc.

    Available now from retailers such as Backscatter, the Isotta housing for the RED V-Raptor X is priced at $8,965.

     



    When purchasing underwater photography equipment like the products mentioned in this article, please support DPG by supporting our retail partner—Backscatter.com.



    PRODUCT INFORMATION

    RED V-RAPTOR [X]

    Technical Data

    • Red color anodized aluminum body;
    • Ergonomic side handles, adjustable (via optional accessory);
    • Three M16 holes, one M24 hole and one M24 hole for using accessories such as vacuum systems, monitors;
    • Back housing completely detachable from the front housing;
    • Tray with lock for the easy insertion of the camera;
    • Single-hand closing knob for the back of the housing;
    • Aluminum buttons at the buttons with window for viewing the menu display;
    • Magnetic buttons and levers in aluminum for electronic control of the V-Raptor [X];
    • Double O-Ring seals on all buttons and removable parts;
    • Moisture sensor with LED indicator (replaceable battery);
    • Removable port B120 bayonet;
    • Safety lock on the porthole to prevent accidental opening;
    • Wide, rubber covered feet for solid footing on boat floors or sea floor;
    • Upper and rear M6 hole grid to apply various accessories (spotlight, spheres, handle, etc.);
    • Four M6 holes located on housing bottom side for different accessories such as brackets or tripods
    • Four pairs of M5 holes per side for attaching balls with plate;
    • Prepared for ISOTTA vacuum system (not included);
    • Working depth: 100 meters;

    Commands

    • ON/OFF lever of the RED V-Raptor [X];
    • Ergonomic mechanical lever for movie shooting button, easy to use even with gloves;
    • Movie shooting button (REC);
    • Lens release button;
    • Filter dial;
    • Zoom knob;
    • Focus knob;
    • Port safety lever;
    • Menu navigation buttons;
    • AutoFocus lever;
    • ISO+/ISO- lever;
    • Diaphragm +/Diaphragm- lever;
    • FPS+ button;
    • FPS- button;
    • White Balance + button;
    • White Balance – button;
    • Shutter + button;
    • Shutter – button;
    • Playback button;
    • Auto White Balance button;

    Optional

    • Ninja V+ monitor housing;
    • M28x1 bulkhead;
    • Connection cable;
    • XL adjustable balance tray;
    • Vacuum system;
    • Handles extension;

    Spare Parts

    • Set O-ring for RED V-Raptor [X] housing;
    • 1895 – Housing front lid B120;
    • 1905 – M16X1 cap;
    • 3352 – M24X1 cap;

    What Is Included

    • Housing;
    • Front lid;
    • Handles;
    • Humidity sensor;
    • Replacement O-ring kit;
    • Silicone lubricant 15gr / 0,5 oz;
    • Warranty: 2 years manufacturer’s (excluding batteries);

     

     

     

     

     

     



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  • Go Diving Show ANZ Tickets Now Available with Early Bird Special

    Go Diving Show ANZ Tickets Now Available with Early Bird Special

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    Tickets for the second Go Diving Show ANZ in Sydney are on sale—and there’s a two-for-one early bird special on now for a limited time. The show happens to coincide with Australia’s Father’s Day weekend—September 6th–7th—so it’s the ideal opportunity to grab dad and show him lots of mesmerizing gadgets—and awesome dive vacation deals! (Bring mom, too, obviously.)

    Of course, one of the big highlights is the announcement of the winners of the Underwater Awards Australasia 2025, the Australasia-focused competition organized by DPG, Underwater Australasia and UW Images. Underwater photographer and UW Images owner Brett Lobwein will return to the Photo Stage for the big reveal. Once again, alongside the Photo Stage, we’ll be exhibiting stunning metal prints of the finalist entries in the photo categories. Like last year, the prints, made by the competition’s Printing Partner PhotoMart, will be available for purchase at the show, with the proceeds going to Environmental Partners Australian Marine Conservation Society and Take 3 for the Sea.

    Organizers are expecting 100-plus exhibitors and the show will see dozens of speakers giving talks across the four stages (Main Stage, Photo Stage, Tech Stage and ANZ/Inspiration stage) as well as try-dives and in-water skills demonstrations in the on-site dive pool. If you’re in the area, make sure to swing by the DPG booth (#304)—which is shared with The Underwater Club—and say hello!

    Tickets for the event are available here.

     

     



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  • Environmental Photography Award 2025 Winners Announced

    Environmental Photography Award 2025 Winners Announced

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    Overall winner – “Unseen Unsung Heroes”: Winner, Ocean Worlds by Angel Fitor

     

    The 2025 Environmental Photography Award winners have been announced—and the Grand Prize Winner is an intriguing underwater image. Shot by Angel Fitor, the winning photo in the Ocean Worlds category, called “Unseen Unsung Heroes,” is a fascinating capture of polychaete worms flushing sand out of their burrows on a seagrass bed in the Spanish Mediterranean. The worms maintain oxygen circulation in the upper layers of sediment, a crucial role that allows a whole ecosystem to thrive under the substrate. At a global scale, the unsung activity of these perpetually hidden worms has significant consequences. Fitor says his winning shot “portrays the silent actions of humble creatures that nonetheless have a pivotal influence on the entire Mediterranean marine ecosystem—an ecosystem upon which we, in turn, depend.”

    Honoring photographers who raise awareness about environmental issues and spotlight environmental challenges, the annual Environmental Photography Award was founded in 2021 to celebrate the Prince Albert II of Monaco Foundation’s 15th anniversary. This year, a prestigious jury of environmentalists, conservation photojournalists and filmmakers—including well-known names Ami Vitale, Aaron Gekoski and Ralph Pace—selected winners in five categories: Polar Wonders, Into the Forest, Ocean Worlds, Humanity versus Nature, and Change Makers: Reasons for Hope. Impressively, Fitor also won the Change Makers: Reasons for Hope category with an image showcasing a baby loggerhead sea turtle in a Spanish recovery center. Two more of his images were shortlisted in the Ocean Worlds category. In the Polar Wonders category, the winning image was also shot underwater: Galice Hoarau’s capture of a lion’s mane jellyfish in the frigid waters of Greenland.

    To see the full gallery of winners, head over to the Environmental Photography Award website.

     

    “Training Day”: Winner, Change Makers: Reasons for Hope by Angel Fitor

     

    “Jellyfish and Iceberg”: Winner, Polar Wonders by Galice Hoarau

     

    “The Passenger”: Runner-up, Ocean Worlds by Pietro Formis

     

    “Coho Salmon in a Log Structure”: Runner-up, Into the Forest by David Herasimtschuk

     



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  • Isotta Shipping New RED64 Strobe

    Isotta Shipping New RED64 Strobe

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    Isotta is now shipping its new RED64 strobe, which the Italian company had on display in their booth at the ADEX Singapore dive show in April. With an anodized aluminum body sporting Isotta’s signature red paint, the RED64 features a circular flash tube, promising a smooth, even light beam. The strobe has a guide number of 22 and a color temperature of 5,300ºK. Flash power can be manually adjusted in 10 increments, from GN 22 to GN 1.

    According to Isotta, at GN 8, the strobe can keep up with burst shooting at 6fps, and when fully charged, the strobe achieves 300 flashes at full power. The company says the strobe offers high-speed sync (HSS) compatibility with Sony, Canon and Nikon cameras. Powered by eight rechargeable AA batteries, the strobe can be triggered fiber-optically or electrically via its S6 bulkhead.

    Available now from retailers such as Backscatter, the Isotta RED64 costs $1,500.

     



    When purchasing underwater photography equipment like the products mentioned in this article, please support DPG by supporting our retail partner—Backscatter.com.



    PRODUCT INFORMATION

    Isotta Strobe RED64

    TECHNICAL DATA

    • Red color anodized aluminum body;
    • Coupling ball diameter 25 mm ;
    • Two connections: 1 fiber optic and an S6;
    • Servo flash function;
    • Power 230 Watt;
    • Guide Number 22 underwater with ISO100;
    • Instant recharge (at half power);
    • 300 flashes per full power charge;
    • Color temperature: 5.300 ºK;
    • 10 manual adjustments for flash power;
    • HSS for Sony, Canon and Nikon;
    • Full power white, half power white or red focus light;
    • Up to 6 fps with guide number 8;
    • Circular lamp with metal parabola;
    • Double O-Ring seals on all buttons and removable parts;
    • 8 rechargeable AA NiMh batteries, removable and replaceable by the user;
    • Flash completely waterproof even with the battery compartment open;
    • LED indicator for flash ready, mode, mode change and battery status;
    • Working depth: 100 meters;
    • Weight in water: 230 grams;
    • Weight in air: 1500 grams;

    SPARE PARTS

    • 4467 – O-ring set for maintenance for RED64 flash;
    • 4367 – Battery holder;
    • Battery cap;
    • 4504 – S6 cap;
    • Ball diameter 25 mm;
    • Fiber optic bushing bodies;
    • Fiber optic cap;
    • Protective O-ring set for RED64 flash;


    WHAT IS INCLUDED

    • RED64 strobe;
    • Ball 25mm;
    • Replacement O-ring kit;
    • Porta batterie interno (batterie escluse);
    • Silicone lubricant 15gr / 0,5 oz;
    • Warranty: 2 years manufacturer’s (excluding batteries);



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  • Job Opening for Photo Center Manager at Lembeh Resort

    Job Opening for Photo Center Manager at Lembeh Resort

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    This is the Big One, folks! Once-in-a-lifetime opportunity? Nah, we’re in DREAM JOB territory here! The lovely people at Lembeh Resort need a new manager for their Backscatter Authorized Photo Center.

    Lembeh Strait needs no introduction, of course. As any macro photographer knows, this narrow strip of volcanic sand is home to some of the best muck diving on the planet and an endless parade of the ocean’s weirdest and most wonderful tiny creatures. (It’s a macro mecca to most, but you can also find spectacular corals, caves and wrecks here.)

    Lembeh Resort takes the needs of visiting underwater photographers very seriously, with comprehensive photo/video facilities, and dive guides with exceptional spotting skills well-versed in what shooters want. It goes without saying, the Photo Center Manager plays an integral role, teaching courses, running workshops, helping solve camera equipment issues, and generally helping guests achieve their best images during their stay.

    If you’re an accomplished shooter with proven teaching experience and you think you have what it takes to be the next Photo Center Manager at Lembeh Resort, check out the information below.

     



    PRESS RELEASE

    Join Our Team as the Photo Center Manager at Lembeh Resort

    Are you passionate about underwater photography and videography, and eager to share your expertise? Lembeh Resort, a premier boutique dive destination in Indonesia, is seeking a dedicated Photo Center Manager to lead our esteemed facility.


    Position Overview:

    The Photo Center Manager will be instrumental in enhancing our guests’ photography experiences. Key responsibilities include:

    • Providing expert guidance, coaching, and troubleshooting to guests on underwater photography and videography techniques and equipment;

    • Managing office tasks and daily operations at the Photo Center, including equipment maintenance, sales, photo editing, organization of photo library, and inventory management;

    • Conducting photography and videography workshops and courses in our state-of-the-art classroom;

    • Collaborating with our team of marine biologists and dive professionals to ensure a seamless and enriching experience for our guests;

    • Interacting with guests to ensure they receive a welcoming, informative, and comprehensive service throughout their stay;

    • Helping to devise and implement Lembeh Resort marketing efforts; and

    • Creating topside and underwater content for the promotion of Lembeh Resort through social media and other channels.


    Qualifications:

    • Proven experience in underwater photography and videography, with a robust portfolio.

    • Strong teaching and coaching abilities, with prior experience leading workshops or courses.

    • Excellent organizational and managerial skills.

    • A passion for marine life and conservation.

    • In addition to underwater photography and videography experience, topside knowledge would also be beneficial.

    • A willingness to learn and continuously develop your skills.

    • Possession of personal camera equipment (and professional familiarity with other makes and models), including lenses and underwater housing, is essential.


    What We Offer:

    • A competitive salary, complemented by commissions.

    • Comprehensive living package, including accommodation, all meals, and a beverage allowance.

    • Visa and work permit from the Government of Indonesia, holiday entitlements, and assistance with relocation expenses.

    • Opportunities to collaborate with leading industry partners and personalities.

    • Regular opportunities to explore and document one of Indonesia’s premier dive locations—the Lembeh Strait—home to world-class muck diving sites and an incredible array of critters.


    Application Process:

    The position is available immediately, following a thorough selection process to ensure the right fit. Interested candidates are invited to submit:

    1. A comprehensive CV.
    2. A cover letter detailing your suitability for the role.
    3. A link to your photography & videography portfolio.

    Please send your application to: gm@lembehresort.com with a subject line “Photo Center Manager Application – [Your Name]”


    About Lembeh Resort:

    Nestled in the heart of the renowned Lembeh Strait, and celebrated globally for its unparalleled muck diving and vibrant reefs, Lembeh Resort offers guests exceptional service, luxury accommodation, and diverse diving experiences. Our Photo Center features extensive display areas, workbenches, an office space, and a classroom dedicated to photography and videography courses. Furthermore, we are the first Backscatter-authorized Photo Center in the region, underscoring our commitment to excellence and our position at the forefront of underwater imaging.


    About North Sulawesi:

    Living in North Sulawesi offers a unique blend of incredible diving, rich culture, and diverse activities. From morning dives in one of the most biodiverse regions of the world to afternoon treks through rainforests or volcano rims, the region provides endless opportunities for adventure. Manado’s modern airport offers convenient flights to destinations like Bali, Raja Ampat, Jakarta, Singapore, and more.


    Shortlisted Applicants:

    Shortlisted applicants will be contacted and asked to complete an application form, and participate in an online interview. Final candidates may be invited to visit Lembeh Resort as our guest (note: travel airfare at the candidate’s expense). Due to the time required for obtaining a work visa, the initial month will be considered a training period, with formal management duties commencing upon permit approval.


    Join us at Lembeh Resort and immerse yourself in a role that blends passion with profession, in one of the world’s most captivating diving locales.



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  • The Nature Photography Contest Announces 2024 Winners

    The Nature Photography Contest Announces 2024 Winners

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    Underwater Winner: “Moby Dick” by James Ferrara

     

    The winners of the second annual edition of The Nature Photography Contest have been revealed, with Christopher Paetkau crowned overall winner for a wonderful shot of a polar bear resting in a field of vibrant fireweed flowers. Alongside Paetkau’s “Photography of the Year,” Thomas Vijayan was named “Photographer of the Year” for demonstrating “his keen eye for composition, storytelling, and the delicate balance that governs the natural world” across various categories.

    Among those different categories, of course, it was “Underwater” that we were most excited to see. DPGer James Ferrara’s perfectly framed shot of a sperm whale cruising through clumps of sargassum weed—featured in his DPG Photographer of the Week article—was the category winner among a wonderful selection of finalists by Simon Biddie, Ilaria Mariagiulia Rizzuto, Kwon Chan, Lorincz Ferenc, Wan Yong Chong, Remuna Beca, Andy Lambert, Jun He, and Theo Maynier.

    Check out the “Underwater” category finalists below, and head over to the competition website to see the rest of the recognized images. The Nature Photography Contest 2025 is expected to launch in May.

     

    Underwater Finalist: “A Sunrise Glide” by Simon Biddie

     

    Underwater Finalist: “Bad Boy” by Ilaria Mariagiulia Rizzuto

     

    Underwater Finalist: “Big Dreams” by Kwon Chan

     

    Underwater Finalist: “Carp Love” by Lorincz Ferenc

     

    Underwater Finalist: “Circle of Life” by Wan Yong Chong

     

    Underwater Finalist: “Connection” by Remuna Beca

     

    Underwater Finalist: “Jellyfish” by Andy Lambert

     

    Underwater Finalist: “Pike Hunting” by Ferenc Lorincz

     

    Underwater Finalist: “Place of Residence” by Jun He

     

    Underwater Finalist: “Sous Ecorte” by Theo Maynier



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  • Nauticam Unveils Housing for the Panasonic Lumix S1RII

    Nauticam Unveils Housing for the Panasonic Lumix S1RII

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    Panasonic may have only just announced the arrival of their flagship photo-centric full-frame mirrorless camera, the S1RII, but Nauticam has wasted no time engineering their matching housing, the NA-S1RII. Much smaller and lighter than its predecessor, the S1RII—arriving five years after its predecessor—boasts a new 44.3MP BSI CMOS image sensor and L² image processing engine, which combine to produce some impressive numbers: 10fps burst shooting with continuous AF using the manual shutter (and 40fps with the electronic shutter) plus 8K/30p 10-bit video recording with 14 stops of dynamic range.

    The new NA-S1RII housing offers all of the features we’ve come to expect from Nauticam: a full complement of dials, levers and buttons ergonomically placed around integrated handles; an M24 bulkhead for attaching external monitors or recorders via HDMI 2.0; full compatibility with the company’s water-contact optics (such as the FCP and EMWL); and vacuum check and leak detection electronics as standard. Built-in fiber optic bulkheads mean it’s a breeze to add a Mini Flash Trigger for rapid-fire manual flash triggering.

    Available now from retailers such as Backscatter, the NA-S1RII is priced at $5,184.

     



    When purchasing underwater photography equipment like the products mentioned in this article, please support DPG by supporting our retail partner—Backscatter.com.



    PRESS RELEASE

    INTRODUCING NA-S1RII

    The Panasonic S1RII

    The Panasonic S1RII seems more of a redesign than an evolution, both in terms of capabilities as well as form factor. The new S1RII is built around a 44MP 8.1K sensor that allows for both high resolution stills capture as well as 8K video at up to 30p with low rolling shutter effect. The S1RII can also record ProRes RAW or 422 at selected resolutions and frame rates. Promising improved autofocus, more in-line with its peers, the S1RII features phase-detection and enhanced subject tracking.

    In addition to an overall smaller footprint, the S1RII also has relocated ‘Movie” mode from the exposure mode dial to a dedicated switch below the drive mode dial. This frees up the exposure dial to have 5 custom mode positions which have discrete settings for stills and video mode.

    In addition to the high-resolution video capture specs, the S1RII also features Panasonic’s dual-gain ISO. A new Dynamic Range Expansion mode can be enabled when shooting in V-Log to gain an additional stop of highlight information.The S1RII also adds a false-color overlay of pixel brightness to help both still and video shooters prevent clipping. Support for real-time LUTs and Open Gate Capture show the S1RII is really a full-featured hybrid camera.

    The Nauticam NA-S1RII Underwater Housing

    The Nauticam NA-S1RII is a professional aluminum underwater housing that delivers fast and intuitive access to all the essential controls of the Panasonic S1RII camera underwater. Pairing the NA-S1RII with Nauticam’s extensive line of Water Contact Optics and accessories further enhances the camera’s already impressive still and video capabilities.


    Premium Professional Optics

    As with the NA-S1R, the NA-S1RII is built around the N120 port system and allows for those moving from the NA-S1R to carry over their port and lens configurations unchanged. This large port opening also allows for a wide range of lenses to be used as well as extensive integration with Nauticam’s Water Contact Optics that offer the best possible underwater image quality.

    Mission Control

    The NA-S1RII allows for efficient camera control underwater with most essential functions placed within easy reach of the ergonomic handles. The S1RII moves the video/still mode selection to a dedicated switch which is now easily accessed with a lever located atop the NA-S1RII allowing for rapid switching underwater.

    Thumb levers near the left and right side handles actuate the image review and AF-ON buttons while levers for Af-mode and switching between the EVF and LCD are also within easy reach.


    HDMI Output

    The NA-S1RII is equipped with the large M24 bulkhead that allows for the use of Nauticam’s HDMI system to attached optional external monitors or recorders. The 8 1/4″-20 holes atop the housing provide a solid base for mounting these or other larger accessories.

    Flash Triggering

    For rapid-fire manual flash triggering, the NA-S1RII is compatible with the Mini Flash Trigger (26305) which uses small LED units to trigger external flashes via Nauticam Universal Fiber Optic Cables (26216).


    Vacuum Check and Leak Detection System

    The Nauticam vacuum check and leak detection electronics are shipped with the NA-S1RII as standard equipment. Combined with an optional accessory vacuum valve (PN 25625) this monitoring system provides constant updates on the water tight and safe-to-dive status of the housing. A simple color coded LED lighting system lets the user know that the vacuum is solid, or that the housing is losing vacuum. Leak detection is built into the same circuit, so if there is water intrusion, an audible and visual indication will occur.

    The Nauticam system is temperature compensated, eliminating false alarms caused by a change in outside temperature, or from a camera heating up on an action packed dive.

    What’s in the box

    • NA-S1RII Housing
    • 90137 Spare main housing o-ring
    • 2x Plugs for Optical fiber cable mount
    • 2x Handles with mounting balls
    • Panasonic CR-2032 Battery (for moisture alarm)
    • Set of Allen Keys
    • Padded housing bag and shoulder strap

     


    Recommended Accessories

    Vacuum Valve

    • 25625 M16 Vacuum Valve II (Pushbutton Release)

    Viewfinder

    • 32212 Nauticam Full Frame Straight Viewfinder (40°/0.8:1)
    • 32214 Nauticam Full Frame Angle Viewfinder (40°/0.8:1)
    • 87213 Reverse Angled Viewfinder for EMWL (40°/0.8:1)
    • 87214 Reverse Straight Viewfinder for EMWL (40°/0.8:1)

      *32212/32214, 87213/87214 are preferred

    Hand Strap

    • 28130 Hand Strap for 28113

    Optical Trigger

    • 26305 mini Flash trigger Fujifilm/Canon/Panasonic

    Housing Mount

    • 25221 M10 strobe mounting ball for housing
    • 25224 M10 strobe mounting ball for housing (with hole for using with lanyard)
    • 17959 Housing Mounting ball with 1/4” screws
    • 17960 Universal Quadra-Pod Plate for Nauticam Housings
    • 25218 mounting ball set for tripod

    Surface USB-PD Power Bank

    •  26325 USB-C Bulkhead with USB-C Connector *Can be installed on either M24 or M16.
    •  26326 M24-M16 Adaptor for use with 26325

      *for use with M24 only

    HDMI Output

    1) Required accessories for HDMI 2.0 Cable System

    • 25086 M24 adaptor for HDMI 2.0 cable (incl. tightening tool)
    • 25099 M24A2R200-M28A1R170 HDMI 2.0 Cable (for NA-a1 to use with Ninja V housing)

    Compatible HDMI 2.0 Monitor Options

    • 17922 Nauticam Atomos Ninja V Housing for Atomos Ninja V 5” 4kp60 4:2:2 10-bit recorder/monitor/player (excl. HDMI 2.0 cable)
    • 17922S Nauticam Atomos Ninja V-S Housing for Atomos Ninja V 5” 4kp60 4:2:2 10-bit recorder/monitor/player (excl. HDMI 2.0 cable) with Atomos AtomX SDI Module
    • 17926 Nauticam NA-Ultra5 Housing for SmallHD Ultra 5 Camera Monitor

    2) Required accessories for HDMI 1.4 Cable System (can be installed on either the M24 or the M16 accessory port)

    • 25033 Standard HDMI bulkhead with M16 thread (included in 17927)
    • 26326 M24-M16 Adaptor for use with 26325
    • 25075 HDMI (D-A) Cable in 190mm Length for NA-GH5/G9 (for internal connection from HDMI bulkhead to camera)

    Compatible HDMI 1.4 Monitor Options

    • 17927 NA-Shinobi II Housing for Atomos Shinobi II 5.2” HDMI Monitor
    • 17922 Nauticam Atomos Ninja V Housing for Atomos Ninja V 5” 4kp60 4:2:2 10-bit recorder/monitor/player (excl. HDMI 2.0 cable)
    • 25082 HDMI1.4 Cable for Ninja V Housing in 0.75m Length (for connection from Ninja V Housing to HDMI bulkhead) Required for use with 17922

    Technical Specifications

    • Dimensions: 330mm(W) x 200mm (H) x 165mm (D)
    • Weight in air: 2.25kg
    • Buoyance in water: Positive 0.5kg (includes camera and battery)
    • Depth Rating: 100m
    • Port Opening: N120



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  • AOI Unveils Aura Light System Underwater Multicolor Light

    AOI Unveils Aura Light System Underwater Multicolor Light

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    AOI is now shipping an innovative new product called the Aura Light System (ALS-01), an advanced LED torch and optical snoot designed to allow underwater photographers to “paint” with light of any desired color. The second addition to AOI’s “Signature Series,” the light was developed in collaboration with award-winning underwater photographer Ace Wu. (The first product in the “Signature Series,” the UH-GPx housing for GoPro, was a collaboration with underwater videographer Kay Burn Lim.)

    The tech at the center of the Aura Light System (ALS-01) is a multicolor LED capable of producing a palette of 16.7 million colors—and here’s the ingenious bit—controllable wirelessly via your smartphone running AOI’s dedicated app. The software allows you to create 10 preset colors, which can then be recalled at the push of a button on the device. The light comes with an optical snoot, flipped into position when needed, which changes the beam angle from 90° to 7°. Power is via a single 18650 Li-ion rechargeable battery, giving the light a 2.5-hour runtime at maximum brightness.

    The Aura Light System is available as a single light (ALS-01) finished in black, with snoot and clamp, priced at $530; and as the “Signature Series” package (ALS-01S), which bundles four lights finished in white, with snoots, clamps, and other accessories. Pricing of the Aura Light System “Signature Series” is not yet available.

     



    When purchasing underwater photography equipment like the products mentioned in this article, please support DPG by supporting our retail partner—Backscatter.com.



    PRESS RELEASE

    Signature Series 2025 Edition: The AOI Aura Light System with Ace Wu

    The Collaboration Continues

    The inaugural Signature Series was officially introduced at the DRT Show Hong Kong 2023 with the intention of capturing the spirit of collaboration and pushing the boundaries of underwater imaging. The first instalment of the Series featured a collaboration between award-winning videographer Kay Burn Lim and AOI. The result was an underwater housing for the GoPro that redefined the possibilities for the device.

    The Signature Series 2025 Edition marks a new collaboration, this time between AOI and award-winning underwater photographer Ace Wu. “Underwater photography is a reflection of art and mirrors my inner state of thought,” says Ace Wu.

    At the heart of artistic expression lies the drive to push limits and break boundaries. In underwater photography, the challenges and constraints are plentiful.

    Ace Wu is among the few accomplished practitioners of ‘painting’ underwater photos. “Colors add emotions, create a feeling, and are more than just elements in my images,” explains Wu. Currently, equipment used to ‘paint’ underwater images relies on colored filters placed in front of lights. However, the range of colors is often limited by the number of filters available, typically just a few. This limitation sparked the idea behind the Signature Series 2025 Edition: How could every imaginable color be made accessible?

    No strangers to daunting challenges, the AOI design team explored a host of ideas, ranging from the unconventional to the traditional. The final product exceeded all expectations, earning its place in the Signature Series lineup.

     

    The Aura Light System: Painting with Every Possible Color

    The Aura Light System is a revolutionary departure from conventional underwater lighting. At its core is a custom-designed mobile app that allows users to select from a palette of 16.7 million colors. The app communicates with an advanced LED torch capable of reproducing the selected color.

    This LED torch is equipped with an optical condenser that enhances the brightness of the colored beam. It can store up to 10 preset colors, while the app supports simultaneous operation with multiple LED torches. The result is an unparalleled ability to ‘paint’ underwater images with virtually unlimited color options. The Aura Light System also includes an optical snoot that is both compact and powerful.

    The Aura Light System is a clear departure from typical thinking employed by many manufacturers, bringing software engineering and user interaction to the forefront of underwater lighting and photography.

     

    The Aura Light System – Signature Series will consists of 4 LED torch complete with color coordinated mounts and optical snoots in white. The entire collection will be housed in a protective carrying case for convenience and security when traveling.

    The Aura Light System can also be purchased individually, the standard version is in black and will include the matching optical snoot and mount.

    The AOI-UW app is available for download at Apple’s App Store. The Android version will be available later.

    Don’t limit your artistic expression to the tools available, be free to ‘paint’ with the colours you feel.

     



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  • 12th Annual Photo Competition for UN World Oceans Day

    12th Annual Photo Competition for UN World Oceans Day

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    © Viktor Lyagushkin (Georgia). Ocean Critters – Winner (2022)

     

    DPG is pleased to announce the opening of the 12th annual Photo Competition for UN World Oceans Day, surrounding the 2025 theme, “Wonder: Sustaining What Sustains Us.” Complementing the UN’s World Oceans Day celebration preceding the UN Ocean Conference in Nice, France, this year’s competition draws on the power of the arts to expand our perspectives and appreciation for our blue planet, and ignite a wave of action towards necessary change.

    The 2025 Photo Competition for UN World Oceans Day is a free and open-to-the-public competition coordinated in collaboration between the United Nations Division for Ocean Affairs and the Law of the Sea, DPG, Oceanic Global, the Intergovernmental Oceanographic Commission of UNESCO, and Nausicaá. The 12th annual competition presents a unique opportunity for photographers to showcase the immense breadth and depth of the ocean’s beauty as well as to shed light on the lesser-known promise and potential brimming beneath its waves. The following four categories are now open for submissions:

    1. Wonder: Sustaining What Sustains Us
    2. Big and Small Underwater Faces
    3. Underwater Seascapes
    4. Above Water Seascapes

    Winners will be announced on UN World Oceans Day, June 8th—this year celebrated in Nice—hosted by the Division for Ocean Affairs and the Law of the Sea, in partnership with Oceanic Global, and published on DPG shortly afterwards.

    Since its inception, the annual competition has been curated by underwater photographer Ellen Cuylaerts and judged by a jury of renowned photographers. This year is no exception, with the 2025 jury comprising underwater photographer Ipah Uid Lynn (Malaysia), underwater photographer William Tan (Singapore), wildlife photographer Vanessa Mignon (France), and underwater photographer Marcello Di Francesco (Italy). For further details about submissions, including category descriptions, contest rules, judges, and more, click below.

     


    All entries must be submitted by April 6th, 2025 at 11:59pm Eastern Standard Time (EST).

     



    About United Nations World Oceans Day

    Since its inception in 2008, United Nations World Oceans Day (UN WOD) has celebrated the ocean and its importance to the planet and our lives, while raising awareness about the many threats it faces. As the challenges to the ocean continue to grow, so does the need to understand and mobilize globally. In celebration of the 2024 theme, “Awaken New Depths,” the United Nations is joining forces with decision makers, scientists, private sector executives, civil society representatives, indigenous communities, celebrities and youth activists and more, to put the ocean first. The annual UN World Oceans Day celebration is hosted by the Division for Ocean Affairs and the Law of the Sea, and has been made possible by the generous contribution of Oceanic Global since 2019. For more information visit www.UNWorldOceansDay.org.



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  • Kraken Sports Unveils KR-S40 Entry-Level Strobe

    Kraken Sports Unveils KR-S40 Entry-Level Strobe

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    After introducing the KR-S160 and KR-S80—boasting 160Ws and 80Ws of power, respectively—Kraken Sports has announced a new entry-level strobe, the KR-S40, offering an output of 40Ws (guide number 16). More compact than its more-powerful siblings, the KR-S40 features the same aluminum construction, optical triggering and remote controllability, but a straight flash tube rather than a circular one.

    Strobe power can be adjusted manually using the big rear dial (five levels), but there’s no TTL automatic exposure option. Unlike its siblings, the new strobe has no dual function as a video light, but there’s a 500-lumen target light built in. According to Kraken, the strobe recycles in 1.5 seconds after a full power dump. The KR-S40 is powered by a single high-capacity 21700 battery.

    The Kraken KR-S40 strobe will be available soon from retailers such as Backscatter, priced at $360.

     



    When purchasing underwater photography equipment like the products mentioned in this article, please support DPG by supporting our retail partner—Backscatter.com.



    PRODUCT INFORMATION

    KR-S40

    Elevate your underwater photography with the Kraken Sports KR-S40, a compact yet powerful strobe designed for macro enthusiasts seeking exceptional lighting in a portable form. Whether you’re capturing intricate reef details or vibrant marine life, the KR-S40 delivers precise illumination to enhance your shots.





    Key Features:

    • Compact Design: Lightweight and easy to handle, making it ideal for macro photography and travel.​

    • High-Quality Illumination: Provides consistent and powerful lighting to bring out the true colors of your underwater subjects.

    • Rechargeable Battery: Equipped with a rechargeable battery for convenience and cost-effectiveness.​

    • User-Friendly Controls: Designed for ease of use, allowing you to focus on capturing the perfect shot.​

    • Durable Construction: Built to withstand the rigors of underwater photography, ensuring reliability on every dive.​


    Ideal For:

    • Macro Photography: Perfect for capturing small marine life and intricate reef details.​

    • Traveling Photographers: Its compact size makes it easy to pack and transport.

    • Underwater Photography Enthusiasts: Suitable for both beginners and seasoned divers looking to enhance their underwater imaging.​

       





    Additional information

    • Power: 40Ws
    • Guide Number: 16
    • Modes: S1, S2, No TTL
    • Beam Angle: 60°
    • Color Temperature: 6000K
    • Recycle Time: 1.5 Seconds to Full Power
    • Power Levels: Five (40ws, 20ws, 10ws, 5ws, 2ws)
    • Target Light: 500 lumens
    • Depth Rating: 330ft/100m
    • Dimensions: 62mm x 63mm x 130mm
    • Weight: 530g on land, 200g underwater



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