نویسنده: AliBina

  • The Anisa Foundation Distributes Blankets to 715 Students in Need

    The Anisa Foundation Distributes Blankets to 715 Students in Need


    Did you know that 5% of every dollar we make goes to funding life-changing support in our home of Gaibandha through the Anisa Foundation? To celebrate Giving Tuesday on December 3, 2024, we decided to donate 50% of sales to our charitable initiatives—specifically for our annual winter blanket campaign. 

    Although Bangladesh has hot weather for most of the year, the winter season brings significant challenges for two to three months every year. And rural communities get hit the hardest. 

    Many families in rural areas, especially students, already lack access to basic necessities, and this is only heightened in the winter months when they need blankets and warm clothing. The cold weather makes it challenging for students to stay healthy and focus on their studies.

    Plus, government aid often doesn’t reach remote areas like Chandipur Union in Gaibandha, one of the poorest regions in the country.

    That’s why, every year, we acquire and distribute blankets to those in need at Chandipur Union.  

    man smiling and giving a blanket to a smiling boy, with other adult men in the background

    Here’s what YOU helped us accomplish this year:

    Anisa Foundation Giving Tuesday 2024 recap infographic showing a timeline of donations, blanket distribution, and impact on 715 students in 14 residential schools.

    Together, you helped us raise more than $3,500 on Giving Tuesday. We purchased blankets and successfully distributed them on January 13, 2025 to 715 students in 14 different residential schools. 

    two boys smiling and holding blankets while looking at the camera

    Now they can make it through the winter without the added burden of enduring the severe cold. They can stay warm, healthy, and focused on school.

    boy smiling and looking at camera holding a blanket with another boy in the background looking at the ground and holding a blanket

    It’s because of your support that we’re able to make a difference in the lives of the people in Gaibanda. Thank you for being part of our extended family.

    five boys smiling and holding colorful folded blankets in front of them

    Find out how you can help us make a difference in the lives of the families in Gaibandha, Bangladesh.



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  • Christmas at Longwood Gardens 2024

    Christmas at Longwood Gardens 2024


    Yes – it’s the most wonderful time of the year – Christmas at Longwood Gardens. I’m hoping to make several visits this season, so will be sharing my photos in random order rather than as themed posts that I did in previous years.

    Snowflake © 2025 Patty Hankins

     

    Gardeners Tree © 2025 Patty Hankins

     

    Blue Lights © 2025 Patty Hankins



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  • 1st of August – 30th of September 2023 — Mikko Lagerstedt

    1st of August – 30th of September 2023 — Mikko Lagerstedt



    I’m excited to announce my new exhibition, ‘In the Solitude of Nature.’ It’s an exhibition including my best photography from the Nordics of the past ten years of my photography journey.

    The exhibition is in the Redi Shopping Center, in Finnfoto Gallery in space A2-03, starting on the 1st of August 2023 and running until the 30th of September. The gallery is open 8-23, and it’s free entry. Below are the exhibition notes if you want to read about it.

    Exhibition information

    ‘In the Solitude of Nature’ is a photography exhibition that showcases Mikko Lagerstedt’s profound vision of Nordic landscapes and atmospheric moments. Capturing unforgettable landscapes from the morning mist to the darkness of night. The images do not just capture places; they capture emotions, bringing you closer to the silence of nature.

    On display are photographs from Finland, Norway, Iceland, and Sweden, revealing the hidden treasures of these places. The photos are stories created through light, shadow, and color. They are an invitation to step away from everyday life, take a deep breath, and step into the heart of the Nordic countries, where the beauty of the landscapes is untouched, and time seems to stand still.

    The exhibition photos present images from both near and far, reminding us that we do not always have to travel to the ends of the Earth to experience magnificent landscapes. The ‘In the Solitude of Nature’ exhibition beautifully manifests different seasons, weather conditions, and locations.

    Each photograph in the exhibition holds a story or message. It is up to you to find them.

    Mikko Lagerstedt (b. 1982) is an internationally acclaimed landscape photographer specializing in minimalist and atmospheric landscape images. Born and raised in Finland, the rural landscapes of his childhood in Kauhava have instilled in him a love for nature and art. His photographs are like visual poems, telling stories through light, shadow, and color.

    Lagerstedt’s initial inspiration for photography was born in 2007, on a trip to a relative’s cottage when rain turned into sunshine. It created a stunning combination of fog and light, which he captured with his compact camera— this beautiful moment sparked the desire to document and photograph such atmospheric moments. More than 1.7 million people worldwide follow Mikko’s images on social media.

    His images have gained widespread attention and recognition globally. They can be found in the book “Masters of Landscape Photography,” which features photographs from the most renowned landscape photographers. His works have been featured in prestigious publications, including BBC, Business Insider, Daily Mail, and The Telegraph. Additionally, Mikko has worked with photographer Konsta Punkka on the YLE mini-series Exploring Earth, filmed in Patagonia, Chile. One of his most famous photos, “Reflect,” gained special attention when renowned real estate agent Ryan Serhant shared it on social media.

    Lagerstedt’s style is characterized by a minimalist approach, capturing the essence of the world in all its splendor – from the peace of a foggy morning to the ethereal brightness of the Northern Lights. He aims to evoke emotions by capturing fleeting moments of nature and creating a deeper connection between the viewer and the landscape.

    The meditative nature of landscape photography is emphasized in his work, where being present in the moment and capturing the diversity of nature in his own way is vital. The goal of his images is not just to interest people but also to make them feel something when looking at them as if they were in the picture themselves.

    In Finnish – Suomeksi

    Luonnon hiljaisuudessa

    ‘Luonnon hiljaisuudessa’ on valokuvanäyttely, joka esittelee Mikko Lagerstedtin syvällisen näkemyksen Pohjoismaiden maisemista ja tunnelmallisista hetkistä. Aina aamun usvasta, yönpimeyteen taltioiden unohtumattomia ja ajattomia maisemia. Kuvat eivät vain vangitse paikkoja, ne vangitsevat tunteita, tuoden sinut lähemmäksi luonnon hiljaisuutta.

    Esillä on valokuvia Suomesta, Norjasta, Islannista ja Ruotsista, jotka paljastavat paikkojen piilotetut aarteet. Valokuvat ovat tarinoita, jotka on luotu valon, varjon ja värin avulla. Ne ovat kutsu pois arjesta, hengittää syvään ja astua Pohjoismaiden sydämeen, missä maisemien kauneus on koskematon ja aika tuntuu pysähtyvän.

    Näyttelyn valokuvien tarkoitus on esitellä kuvia läheltä sekä hieman kauempaa. Muistuttaen, että aina ei tarvitse matkustaa maailman ääriin, jotta voi kokea upeita maisemia. Eri vuodenajat, sääolosuhteet ja paikat näkyvät upeasti ‘Luonnon hiljaisuudessa’ -näyttelyssä.  

    Jokainen näyttelyn valokuva kätkee sisäänsä tarinan tai viestin. Sinun tehtäväsi on löytää ne.

    —  

    Mikko Lagerstedt (s. 1982) on kansainvälisesti tunnettu maisemavalokuvaaja, joka on erikoistunut minimalistisiin ja tunnelmallisiin maisemakuviin. Syntynyt ja kasvanut Suomessa, lapsuuden maalaismaisemat Kauhavalla ovat luoneet hänen rakkautensa luontoon ja taiteeseen. Valokuvat ovat kuin visuaalisia runoja, jotka kertovat tarinoita valon, varjon ja värin kautta.

    Lagerstedtin ensi-inspiraatio valokuvaukseen syntyi vuonna 2007, matkalla sukulaisten mökille, kun sade muuttui auringonpaisteeksi. Tämä loi upean sumun ja valon yhdistelmän, jonka hän taltioi kompaktikamerallaan. Tämä kaunis hetki herätti halun tallentaa ja valokuvata tällaisia tunnelmallisia hetkiä. Sosiaalisessa mediassa Mikon kuvia seuraa yli 1,7 miljoonaa ihmistä ympäri maailmaa.

    Kuvat ovat saaneet laajaa huomiota ja tunnustusta eri puolilla maailmaa. Niitä löytyy kirjasta ”Masters of Landscape Photography”, joka sisältää tunnetuimpien maisemavalokuvaajien valokuvia. Töitä on esitelty arvostetuissa julkaisuissa, kuten BBC, Business Insider, Daily Mail ja Telegraph. Lisäksi Mikko on työskennellyt yhdessä kuvaaja Konsta Punkan kanssa Ylen lyhytsarjassa Exploring Earth, joka on kuvattu Chilen Patagoniassa. Yksi suosituimmista valokuvista, “Reflect”, sai erityistä huomiota, kun tunnettu kiinteistövälittäjä Ryan Serhant jakoi sen sosiaalisessa mediassa.

    Lagerstedtin tyylille on tunnusomaista minimalistinen lähestymistapa, joka vangitsee maailman olemuksen sen kaikessa loistossaan – aina sumuisen aamun rauhasta revontulien eteeriseen kirkkauteen. Pyrkien herättämään tunteita tallentamalla luonnon ohikiitäviä hetkiä ja luomaan syvemmän yhteyden katsojan ja maiseman välille.

    Maisemavalokuvauksen meditatiivinen luonne korostuu työssä, jossa on oltava läsnä hetkessä ja taltioitava luonnon moninaisuus omalla tavallaan. Kuvien tavoitteena on, että ihmiset eivät vain kiinnostu niistä, vaan myös tuntevat jotain katsoessaan niitä, aivan kuin he olisivat kuvassa.





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  • Save 50 percent on the LensPen with this early Black Friday deal

    Save 50 percent on the LensPen with this early Black Friday deal


    Camera cleaning tools may not be very glamorous, but they are necessary. Keeping your equipment clean not only prevents you from having to spend time editing out water spots or smudges that were on your lens, but it can also keep your camera and lenses working better for longer. The LensPen is one of the most versatile and popular lens-cleaning tools around. And while it isn’t expensive when full-priced, it is currently 50 percent off, which is its lowest price ever on Amazon. It’s a great time to pick one (or some) up for yourself, or maybe as stocking stuffers for photographers you know.

    LensPen NLP-1 $6.50 (was $12.95)

    The LensPen is a very simple tool that could really come in handy on or even in-between shoots. It utilizes a patented carbon cleaning compound on one end, which cleans your lens without any fluids required. The other end features a soft, retractable brush for when you just have some dust that needs to be swept away. It lasts a long time, but at this price, it wouldn’t hurt to pick up a few to keep in different camera bags so that you are never without.

    Early Black Friday deals on organization & storage solutions

    For most of us (including myself), more than just our camera gear needs to be cleaned. Here are some deals to help you out if cleaning up and organizing your office or equipment storage area is on your list this fall and winter.

    Storage bins

    Shelving systems

    Desk organization





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  • A Journey of Discovery with Mikko — Mikko Lagerstedt

    A Journey of Discovery with Mikko — Mikko Lagerstedt



    Today, I’m excited to announce something entirely new! Photography challenge I’ll participate alongside you. This challenge is designed to push our creative boundaries, help us improve our skills, and, most importantly, have fun! This is an experiment and I don’t know how many participants we will have, but I’m looking forward to seeing as many as possible. There might be a small reward at the end of the challenge, but the main reward is to inspire yourself!

    The Challenge: “Discovering the Unseen”

    The theme of this challenge is “Discovering the Unseen” The goal is to capture something people often overlook in your local area. It could be a hidden corner of a park, a unique architectural detail, or an unusual perspective on a familiar scene. The aim is to encourage us to look at our everyday surroundings with fresh eyes and discover beauty in unexpected places.

    Challenge Guidelines

    1. Location – The location should be within a 20 km / 12-mile radius of your home. This is to encourage exploration of your local area.

    2. Timing – The challenge will run for one month. From the 14th of August to the 14th of September 2023. This should give you plenty of time to scout locations, plan your shots, and experiment with different techniques.

    3. Sharing Your Work – Share your final image on Instagram using the hashtag #DiscoverWithMikko. At the end of the challenge, I’ll feature some of my favorite entries on my Instagram Stories. If you don’t have Instagram and want to participate, please send me your photographs at hello@mikkolagerstedt.com.

    4. Feedback – Feel free to comment on other participants’ photos and share your thoughts and love. This is an excellent opportunity to learn from each other and build a supportive community.

    Challenge Ideas

    If you’re not sure where to start, here are a few ideas:

    1. Night photography. Try capturing a familiar urban or landscape scene at night. Look for interesting light sources, reflections, or shadows.

    2. Minimalist landscapes. Try to capture a landscape in a minimalist style. Look for simple compositions, clean lines, and a limited color palette.

    3. Details. Explore the tiny world of your backyard or local park with macro photography. You might discover a whole new world in the patterns of a leaf, bark texture, or an insect’s intricate details.

    4. Abstract architecture. Look for unusual angles or details in local buildings that can be turned into abstract images.

    Remember, the goal of this challenge is not to take the “best” photo but to push your creative boundaries and see your local area in a new light. I can’t wait to see what you all come up with!

    Happy shooting!





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  • Mwangaza: Light!

    Mwangaza: Light!


    Lying in a mud hole, looking up at a white rhino snuffling just inches from my camera, I was having a tough time not giggling or wetting my pants. I might have been a little nervous, but mostly, it was the thrill and the absurdity of it. To be this close to a massive rhinoceros with no remote gear—just me and my camera—was a dream.

    No guidance counsellor in any high school anywhere would have suggested this as a viable career choice 35 years ago, but here I was.

    I had spent the previous evening photographing wildfires spreading across the savannah, the rhinos silhouetted against the flames, leaping orange and red in scenes of terrible beauty, again thinking, “How in the world is this my life?”

    Not long before that, I’d been stripping my pants off in the Land Cruiser to squash the bullet ants that I’d clumsily walked through in the darkness, and which were now biting me with a ferocity I hadn’t felt since standing (again, accidentally) on a colony of fire ants in the Peruvian Amazon. At least I now only have one leg for them to bite.

    Nothing ever goes as I thought it would. I end a day on safari thinking, “Well, that was unexpected!” I also feel like a day on safari is its own lifetime. At the end of each day, I look back at photographs I’m downloading and think, “That was today?” The encounters are endless and never anticipated.

    Early in this journey, I got a text message from a Kenyan photographer I’ve admired for a couple of years. His name is Gurcharan Roopra (find him on Instagram @gurcharan), and he reached out to tell me he was reading one of my books and was thrilled to find I was following him on Instagram. “Following you?” I wrote back, “I’m practically stalking you!” And from this random moment of connection came 24 hours together at the end of my trip, learning from someone with a very different approach to his work than I have, but a similar spirit. It’s been a long time since I’ve been so creatively challenged. Totally unexpected.

    There’s no real lesson in this letter to you. Just a reminder that the zigs and zags of life are part of the joy. Even the most well-planned days are full of the unexpected. That can send us into a tailspin, or it can make us wonder and laugh. I hope it’s the latter for you (though without the bullet ants).

    I also wanted to give you a chance to see some of the photographs from this recent trip, perhaps share the wonder. Every trip I wonder if I’ll come back with anything that is even close to how I feel about the places, and the animals, and I’m so thrilled to be returning with what I think is some of my strongest work yet. Click on any of the images to see them larger.

    One of my favourite images from this trip is the one above. Two southern white rhinos watch the flames of a wildfire approaching, destroying their home. There’s a story here that’s hard not to feel deep down. Well-told stories can do that—they can touch us in deep places. Not every photograph needs to tell a story, but it’s often the most powerful ones that do.

    How are your storytelling chops? I’m giving a presentation on this very topic on March 19 at 4:00 pm PT / 7:00 pm ET, and I’d love to see you there.

    My class, Photographic Storytelling: Hooking the Heart & The Imagination, is one of four great presentations hosted by Nic Stover’s Nature Photography Classes. You can find more information here.

    Other presenters include Margaret Soraya, Talor Stone, and Sapna Reddy, and they all look fantastic. Cost is $22 each, or you can subscribe to the series for $77. The first presentation is on March 01, so I’ve missed that one, but if you subscribe you can watch the video for any of the series that you miss.

    More information can be found here at NaturePhotographyClasses.com.

    For the Love of the Photograph,
    David.

    The post Mwangaza: Light! first appeared on David duChemin – Photographer, Author, Creative Instigator.



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  • Nauticam Releases Housing for the Sony a1 II and a9 III

    Nauticam Releases Housing for the Sony a1 II and a9 III


    Perhaps two of the most exciting pro-level cameras on the market at the moment are Sony’s a1 Mark II and a9 Mark III. The a9 III remains the only full-frame mirrorless camera with a global shutter, giving you jaw-dropping specs like blackout-free continuous shooting at 120fps with AF, no-crop 4K/120p video, and the ability to sync with flash at up to 1/80,000s. (The compromise, however, is the sensor’s relative low pixel count of 24.6MP and base ISO of 250. Meanhile, the a1 II is a different, but equally capable, beast: At 50.1MP, its stacked sensor boasts double the pixels, burst shooting is 20fps in lossless RAW, and there’s both 8K/30p and 4K/120p video recording on offer.

    The kicker is that these two cameras are all but identical externally, so a single housing can accommodate either one… Enter Nauticam’s NA-α1II housing, designed to get the most out both the a1 II and a9 III. Needless to say, ergonomic control placement is foremost: There’s a dual thumb lever alongside the right hangle and a single thumb lever on the left, as well as another left-hand lever operating a customizable button. In addition to fiber-optic ports for your strobes, there’s an M14 accessory port that could be used for an electrical bulkhead if preferred. There’s also a large-bore M24 accessory port for hooking up a monitor/recorder such as the Atomos Ninja V via HDMI 2.0.

    Nauticam’s housing costs $4,920 and is available for from Backscatter now.

     



    When purchasing underwater photography equipment like the products mentioned in this article, please support DPG by supporting our retail partner—Backscatter.com.



    PRODUCT INFORMATION

    INTRODUCING NA-α1II

    The Sony a1 II and a9 III Cameras

    The Sony a1 II and a9 III Cameras are Sony’s pro-level bodies that cover the entire gamut of imaging requirements for both still and video shooters.

    Sony a1 II

    The a1 II is Sony’s flagship high-resolution camera body with incredible autofocus and impressive video capabilities. Built around a 50MP stacked BSI CMOS sensor and powered by the advanced BIONZ XR processor, the a1 II features upgrades pulled from the a7R V in autofocus, subject tracking, and IBIS. For scenarios demanding high resolution paired with ultra-fast and accurate autofocus and up to 8K30p video, the a1 II can deliver top tier results.

    Key Sony a1 II Camera Specs

    • 50MP Full-Frame Stacked BSI CMOS Sensor
    • 8K 30p and 4K 120p Video in 10-Bit
    • 8.5-Stop IBIS + Dynamic Stabilization
    • 9.44m-Dot EVF with 240 fps Refresh Rate
    • Dual CFexpress Type A/SD Card Slots

    Sony a9 III

    The a9 III fills the role of a high sensitivity sensor with a true global shutter. Capable of shooting 4K 120fps from the full sensor area, the a9 III produces very clean high frame rate video even in less than ideal lighting conditions. The a9 III’s global shutter allows for shooting at incredibly high shutter speeds to maximize available strobe power and recycle time, even in strongly backlit scenes. Shooting into the sun or in high-ambient light scenarios at lower apertures opens up a world of opportunities for both wide and macro photography and also eliminates any rolling shutter effects in video.

    Key Sony a9 III Camera Specs

    • 24.6MP Full-Frame Global Shutter Sensor
    • Flash Sync at up to 1/80,000 Sec.
    • 4K 120p 10-bit Video; S-Log3 & S-Cinetone
    • 759-Point Phase-Detect AF with Tracking
    • 8-Stop 5-Axis In-Body Image Stabilization
    • 9.44m-Dot EVF with 240 fps Refresh Rate
    • Dual CFexpress Type A/SD Card Slots

    Shared Specs

    The a1 II and a9 III share a body which makes the NA-a1ii housing possible without any adapters, modifications or loss of features.  Both cameras also share the incredible 9.4M-dot electronic viewfinder from the A7RV.  

    THE NA-α1II HOUSING

    The NA-α1II Housing is based on the Nauticam NA-a9III housing and can accommodate both the Sony a1II and a9III camera bodies with no adapters of modifications. This truly makes this housing one of the ultimate underwater imaging tools able to capture high resolution as well as low-light stills and high resolution, low-noise and high-framerate video.


    Mission Control

    The driving force behind Nauticam housings is to place controls where they should be, within easy reach of the ergonomic handles for an intuitive and smooth underwater filming experience. The NA-α1II features a dual action thumb lever on near the right handle that actuates the ‘AF-ON’ and ‘REC’ buttons. Near the left handle is a thumb lever for ‘PLAYBACK’. The shutter release, main and sub command dials are also all within easy reach without taking your hands off the handles.


    Professional Optics

    The NA-α1II housing is built around the N100 port opening allowing for a wide variety of optics solutions from extreme wide-angle to super macro. In addition to supporting traditional wide angle dome port and macro flat-port configurations, the NA-α1II can support much of Nauticam’s range of Water Contact Optics from the Fisheye Conversion Port (FCP) to the Extended Macro Wide Lens (EMWL). To truly unlock the creative possibilities of these two cameras, pairing them with either the WACP-1B, WACP-C or WWL-1B gives impressive 130º rectilinear field-of-view, ~0″ minimum focus distance, full zoom through capabilities and the incredible corner sharpness. If more coverage is needed, the FCP provides 170º fisheye coverage with full zoom through and close focus capabilities. Take your macro imaging to the next level with either increased 2.3X magnification with the new SMC-3 close-up lens or the wide-angle macro look of the EMWL 160º lens.

    EVF Enhancement

    Both the Sony α1II and α9 III feature the same ultra-high resolution 9.4M-dot electronic viewfinder (EVF).  To truly take full advantage of this underwater consider pairing it with one of the Nauticam Enhanced 0.8:1 Viewfinders.  These underwater viewfinders are designed to give full edge-to-edge magnified viewing and include a diopter that can be adjusted underwater to match your vision.

     


    HDMI 2.0

    A large bore M24 bulkhead is located at the front of the housing for use with HDMI 2.0 or HDMI 1.4 (with a step-down adapter to M16) external monitors and recorders.  An additional M10 threaded mounting position near the front center of the housing also makes using an external monitor even easier.


    Vacuum Check and Leak Detection

    The housing comes with electronics pre-installed for Nauticam’s Vacuum Check and Leak Detection system, requiring only the optional M14 Vacuum Valve (25624). This monitoring system provides constant updates on the water tight and safe-to-dive status of the housing. A simple color coded LED lighting system lets the user know that the vacuum is solid, or that the housing is losing vacuum. Leak detection is built into the same circuit, so if there is water intrusion, an audible and visual indication will occur. The Nauticam system is temperature compensated, eliminating false alarms caused by a change in outside temperature, or from a camera heating up on an action packed dive.


    Strobe Triggering

    Triggering of external strobes is accomplished via the integrated fiber-optic bulkheads when using the optional Mini Flash Trigger for Sony (26302).  Electronic triggering is also available via an optional Nikonos or Ikelite Style Bulkhead.

    What’s In The Box:

    • NA-α1II Housing
    • 90120 Spare Main O-ring, o-ring remover, and lubricant
    • CR-2032 Battery (for Moisture Alarm)
    • Set of Allen Keys
    • Instruction Manual Card
    • 2x Optical Bulkhead Caps
    • 2x Handles with Mounting Balls 
    • Padded Housing bag and shoulder strap 

    Recommended Accessories:

    • 25624 M14 Vacuum Valve II (Pushbutton Release)
    • 26302 Mini flash trigger for Sony
    • 25218 Mounting Ball Set for tripod
    • 28130 Hand Strap for 18223
    • 32203 45 viewfinder (slightly vignettes)
    • 32211 Nauticam Full Frame Straight Viewfinder 32 / 1:1
    • 32212 Nauticam Full Frame Straight Viewfinder 40 / 0.8:1
    • 32213 Nauticam Full Frame Angle Viewfinder 32 / 1:1
    • 32214 Nauticam Full Frame Angle Viewfinder 40 / 0.8:1 *32212 / 32214 is preferred
    • 26325 USB-C Bulkhead with USB-C Connector
    • 26326 M24-M16 Adaptor for use with 26325
    • 25413 27cm lanyard with 2 snap hooks

    HDMI Output:

    Required accessories for HDMI 2.0 Cable System

    • 25086 M24 Adaptor for HDMI 2.0 Cable (incl. tightening tool)
    • 25099 M24A2R20-M28A1R170 HDMI 2.0 Cable

    Compatible Monitor Options:

    • 17922 Nauticam Atomos Ninja V Housing for Atomos Ninja V 5” 4kp60 4:2:2 10-bit recorder/monitor/player (excl. HDMI 2.0 Cable
    • 17922S Nauticam Atomos Ninja V-S Housing for Atomos Ninja V 5” 4kp60 4:2:2 10-bit recorder/monitor/player (excl. HDMI 2.0 Cable) with AtomX SDI Module

    Required accessories for HDMI 1.4 Cable System:

    • 26326 M24-M16 Adaptor
    • 25100 HDMI )D-A) 1.4 Cable in 200mm length (for connection from HDMI bulkhead to camera)
    • 25033 standard HDMI bulkhead with M16 thread (incl in 17923 Shinobi-H housing)

    Compatible Monitor Options:

    • 17923 NA-Shinobi-H Housing for Atomos Shinobi 5.2” 4k HDMI Monitor with HDMI 1.4 input.
    • 17922 Nauticam Atomos Ninja V Housing for Atomos Ninja V 5” 4kp60 4:2:2 10-bit recorder/monitor/player (excl. HDMI 2.0 Cable
    • 25082 HDMI 1.4 Canle for Ninja V housing in 0.75m length (for connection for Ninja V housing to bulkhead) *25082 v1.4 cable is required for use with 17922 monitor housing. 

    Technical Specifications

    • Dimensions: 347mm(W) x 171mm(H) x 127mm(D)
    • Weight in Air: 2.65kg
    • Buoyancy in Water: 0.48kg (incl. camera & battery)


    Model Number: 17438

    USA Retail Price: $4,920.00

    More information is available from Nauticam at: www.nauticam.com





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  • 5 Tips to Capture Beautiful Photographs Nearby — Mikko Lagerstedt

    5 Tips to Capture Beautiful Photographs Nearby — Mikko Lagerstedt



    It’s been one month since I introduced a challenge to all of you who follow me on my blog. The #DiscoverWithMikko challenge was to capture something nearby (no more than 20 km’s away) where you live. It was also to encourage you to try to capture something unique. The month flew by, and I can say that it was a tough challenge for me as well. Not many participated in this challenge, but I saw some beautiful entries on Instagram, which I’ll share in my stories @mikkolagerstedt.

    I went out to photograph 15 times in the past month, whether to a nearby field or around the nearby lake. I didn’t take photographs each time because I couldn’t find anything to capture, but that’s how it goes at times. What this challenge reminded me of is that I really enjoy having options. In the future, I want to get a macro lens to capture those details and different perspectives.

    There weren’t many great opportunities with the weather, but I eventually captured something I enjoyed. It wouldn’t be a challenge if it weren’t challenging, right?

    Each of the challenge photographs I captured was edited with my EPIC Preset Collection. See the descriptions for more information of each edit and camera settings.

    1. Keep an open mind and Find new places nearby

    Finding something new from nearby places can sometimes be challenging. However, it was easier than I thought. I have driven, biked, and walked around a lot of the area where I live. But I still found a few spots I had never seen before. Keeping an open mind while searching for something to capture is essential. If you want to improve your craft, this approach will move you forward more than anything else.

    The first capture was on a beautiful night about 11 kilometers from where I live. The night was amazing and misty. The light pollution wasn’t so evident because of the fog. I ventured to this field and saw this beautiful small bridge. I ran to the bridge while my camera was taking long exposure photographs. I stood there for a few minutes to ensure one of the 20-second exposures was sharp.





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  • Ann Hermes – A Photo Editor


    The Art of the Personal Project is a crucial element to let potential buyers see how you think creatively on your own.  I am drawn to personal projects that have an interesting vision or that show something I have never seen before.  In this thread, I’ll include a link to each personal project with the artist statement so you can see more of the project. Please note: This thread is not affiliated with any company; I’m just featuring projects that I find.  Please DO NOT send me your work.  I do not take submissions.

     

    Today’s featured artist:  Ann Hermes

    For the past six years I’ve photographed local newsrooms from Alaska to Florida, documenting the dedicated but dwindling local news landscape. As a photographer with over 15 years of experience in newsrooms, I have a great deal of respect for the institutions that bring small communities the news.

    An average of two newspapers shut down every week. In the wake of these closures many communities become news deserts. In their place is an information landscape of nationalized, and increasingly partisan, news that is ripe for misinformation. Studies now show that local government spending goes up, voter participation declines and cities often lose their bond rating after the loss of a local newspaper. Local Newsrooms needs to convey these insidious and largely unseen impacts.

    With a growing catalog of images, video and interviews, I’m working to create a visual story of regional and national relevance. I plan to display some of this work in small town libraries, and similar spaces to make local newsrooms more visible in their neighborhoods. My goal is to use this work to engage communities in the search of and support for trusted local news while at the same time raising the importance of this issue to a national audience that may not have fully realized what has already been lost, and what is at stake.

    The Conway Daily Sun newspaper morgue in Conway, New Hampshire on April 21, 2023. The free newspaper was founded in 1989. The printing press connected to the newsroom ceased printing in 2023.
    From left, digital community engagement journalist, James Rinker grabs a laptop as education and environment reporter, Jamie Browder, public safety and criminal reporter, Christopher Cartwright, and visual journalist, Hannah Schroeder move desks in The Keene Sentinel newsroom on February 19, 2024 in Keene, New Hampshire.  © Ann Hermes 2024
    Printing press operator, Cameron Blum, runs the printing press for an edition of The Keene Sentinel on February 19, 2024 in Keene, New Hampshire. The Keene Sentinel has one of only a few printing presses in operation in New Hampshire.  © Ann Hermes 2024

    The Conway Daily Sun newspaper morgue in Conway, New Hampshire on April 21, 2023. The free newspaper was founded in 1989. The printing press connected to the newsroom ceased printing in 2023.

    Clippings of bird photos line the walls of the printing press room at The Keene Sentinel on February 19, 2024 in Keene, New Hampshire. The printing press operators started the bird gallery. “That’s what we run. Every day there’s a bird picture. It started out as a joke, but now it’s an art project,” says Brian Ahern, who has operated the printing press for The Keene Sentinel for over 30 years.  © Ann Hermes 2024
    Rick Clark, Keene Sentinel copy editor, looks through microfilm of the newspaper in the newsroom in Keene, New Hampshire on January 8, 2024. The paper was founded in 1799 as The New Hampshire Sentinel and an independently owned publication that runs six days a week.
    Broken newspaper bins sit in the parking lot of The Auburn Journal on July 10, 2023 in Auburn, California, northeast of Sacramento. The newspaper was founded in 1872 and is owned by Gold Country Media. The Auburn Journal covers Placer County, near two news desert counties.

    To see more of this project, click here

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    APE contributor Suzanne Sease currently works as a consultant for photographers and illustrators around the world.  She has been involved in the photography and illustration advertising and in-house corporate industry for decades.  After establishing the art-buying department at The Martin Agency, then working for Kaplan-Thaler, Capital One, Best Buy and numerous smaller agencies and companies, she decided to be a consultant in 1999.  Follow her on Instagram





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  • 8 Ideas to Spark Your Creativity With Photography Projects — Mikko Lagerstedt

    8 Ideas to Spark Your Creativity With Photography Projects — Mikko Lagerstedt



    As a photographer, I have discovered that starting a project can help me channel my creativity and bring new dimensions to my work. A project can be a way to explore new techniques, themes, and perspectives, leading to personal and artistic growth. Currently, I am working on a new photography series that will challenge me to think more deeply about my craft and explore new horizons. While I cannot reveal my project, I encourage you to consider the benefits of taking on your own photography project.

    A project can provide purpose and direction to your photography work. It can help you explore a specific subject or theme, experiment with different techniques, and improve your photography skills.

    To inspire you, I have compiled a list of project ideas that can help you enhance your photography skills in various ways. These ideas cover different aspects of photography, such as exploring different genres and experimenting with lighting, composition, and post-processing techniques.

    Selecting the right photography project can give new life and meaning to your work. It can allow you to explore new themes, experiment with new techniques, and help you take your photography to new heights. To help you get started, I have curated eight project ideas that can benefit photographers, whether you’re a seasoned professional or just starting.

    Project Ideas

    1. One Landscape, One Day

    Capture a single landscape over 24 hours. This exercise in patience and timing, observing how light transforms the scene, is fundamental for mastering exposure and understanding the nuances of natural light.

    2. Seasonal Series

    Document the same location across different seasons. This long-term project highlights nature’s transformative power and tests your commitment. It’s perfect for studying changes in color, light, and weather. Below is my try at capturing this location in different seasons.

    Here is an ongoing series of this beautiful tree I’ve captured with different seasons, from Autumn to the start of Winter to Mid-Winter. The only season missing is Summer. However, I’ve shot it multiple times and never really gotten anything special in summer.





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